ZANGARI, Giuseppe
MMus | University of Sydney | 2013 | Pages: 112 |
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Link to Thesis: http://ses.library.usyd.edu.au/bitstream/2123/10232/9/zangari_g_thesis.pdf
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Abstract/Summary/Outline:
Mauro Giuliani (1781–1829): Instrumental and Vocal Style in Le Sei Rossiniane Abstract Instrumental music that derives from operas of the nineteenth century belongs to a rich tradition based on vocal and instrumental techniques and performing styles that also include a large element of unwritten performance practices and conventions. These include tempo rubato, phrasing, articulation and imitating orchestral instruments. The instrumental performance tradition based on vocal models has been filtered through modern performance practice, however, as modernist aesthetics have prevailed. Mauro Giuliani (1781–1829), in his Sei Rossiniane (opp. 119–124), takes his thematic material from Giaochino Rossini’s most popular and early operas...
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