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Abstract/Summary/Outline:

Recognising that an environment of revolution can breed a culture outside of the mainstream - and that said culture can breed unique forms of expression – this thesis aims to answer questions hitherto undiscussed in violin performance practice discourse, and furthermore aims to propose a new direction in violin performance practice that is unique in current discourse. The research question represents a divergence from the ‘normalised’ perspective of the violin as an instrument traditionally associated with ‘classical’ or ‘museum-piece’ music, music that is relegated to consumption in state and corporate-sponsored orchestras and concert halls...

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