| Missa de Spiritu Sancto, 5 solo vv, 4vv, orch, 1784 | | | | |
ALLAN, David A. | The problems and development of chordal and polyphonic technique in violin playing, 1650 to the late eighteenth century | PhD | LaTrobe University | 2001 | 229 |
AN, Yu Lee | Music Publishing in London from 1780 to 1837 as reflected in music-publishers' catalogues. | PhD | University of Canterbury | 2008 (nyiC) | 350 + 932 |
ANDJELIC-ANDZAKOVIC, Darija | The contrabass sonatas of Johann Matthias Sperger | MMus | University of Auckland | 2011 | 418 |
Anon | Analysis of selected chamber works by Haydn and Beethoven | MMus | University of Newcastle | in progress (NiC08/07) | |
Anon | Women musicians in late 18th-century London | MMus | University of Melbourne | withdrawn c.2005 | |
Anon | Female Vocal Writing in Operas of the Late 18th Century | PhD | University of Newcastle | in progress (NiC08/07) | |
Anon | Dramma per musica: A critical study of Handel's cantatas for solo voice and obbligato instruments, 1706 - 1709 | MMus | University of Sydney | in progress (NiC08/07) | |
Anon | Fernando Sor's theory of harmony applied to the guitar | PhD | University of Auckland | 2011 | 1008 |
Anon | Arrangements of Mozart's Operas for Harmoniemusik | MMus | Victoria University of Wellington | in progress (NiC08/07) | |
Anon | The life and music of English cellist Robert Lindley (1776-1855) | PhD | University of Melbourne | in progress (2006) | |
Anon | Slovenian folk music and identity maintenance in remote Port Lincoln, South Australia | MMus | University of Adelaide | in progress (2007) | |
Anon | Defining the Indefinable: An historical and cultural exploration of excellence in music | PhD | Australian National University | In progress (2010) | |
BADLEY, Allan | The concertos of Leopold Hofmann (l738-l793) | PhD | University of Auckland | 1986 | 3 vol |
BAKKER-KING, Margaret R. | The cantatas of Domenico Cimarosa (1749-1801) | PhD | University of Adelaide | 1988 | 2 vol |
BELBIN, Jillian | John Christopher Smith (1712-1795): His place in the development of English harpsichord music (including a performance edition of six suites of lessons for the harpsichord op. 3). | MusM | University of Western Aust. | 1996 | 2 vol |
BELL JORDAN, Hester | Transgressive Gestures: Women and Violin Performance in Eighteenth-Century Europe | MMus | Victoria University of Wellington | 2016 | |
BERENSEN, Chris | Figured-bass solo traditions and J.S. Bach | MMus | University of Sydney | 2009 | 137 |
BIRCHLEY, Keith Andrew | Reading Barth with Mozart in mind: An exploration of Mozartean resonance in the theology of Karl Barth | M.Phil | University of Queensland | 2012 | 119 |
BLESKIE, Oliver Nicholas | Early traces of romanticism : an analysis of the philosophy of art expressed in Diderot's Encyclopedie, with particular reference to the articles on music | MA | University of Waikato | 2000 | 295 |
BOURNE, Warren | The evolution of the German church cantata | MA | Victoria University of Wellington | 1966 | 219 |
BROMAGE, Lynette | Shakespeare: words in music : a study of the relationship between the poems in the plays of Shakespeare and musical settings over 400 years | MA | Monash University | 1993 | 157 |
BUCK, Mary | Music, geometry, and the listener : space in the history of Western philosophy and Western classical music | PhD | University of New England | 2008 | TBA |
CADELL, Adam Broughton | The final violin sonatas of Beethoven and Brahms [electronic resource] : a consideration of the influence of Pierre Rode and Joseph Joachim | MPhil | University of Queensland | 2007 | |
CALLINAN-ROBERTSON, Joanne | The effects on vocal quality of the Marchesi pedagogical approach in female singers in the western classical tradition | MMus | University of Sydney | 2007 | 112 |
CARR-BOYD, Ann | Music in Australia, 1788-1888 : Anne Wentzel | MA | University of Sydney | 1969 | 159 |
CHUNG, Lisa | The development of the left thumb use in cello playing from its beginning until 1900 | DMA | University of Auckland | 2014 | 112 |
COOK, Ian | Tempo indications of Mozart [manuscript] : an analytical study of performance practice in the twentieth century as it relates to The Magic Flute and The Marriage of Figaro | PhD | University of Newcastle | 2008 | 373 |
COURT, Sarah Kathleen Mary | Death and Transformation in Romantic Song Cycles: Journeys in Interpretation | DMA | Griffith University | 2015 | 166 |
CUBBIN, David R | The flute in the eighteenth century | MA | Flinders University | 1971 | 513 |
DAVENPORT, Andrew Russell | Paganini's 24 caprices, opus 1: a transcription for electric guitar, and analysis and development of the techniques to perform them | PhD | Massey University | 2008 | 2 v. : col. ill., mu |
DIVALL, Richard | The Complete Sacred Music of Nicolò Isouard (1773-1818) and Maltese Sacred Music for The Order of Malta in the Late Eighteenth Century | PhD | University of Divinity | 2013 | 380 + ~800 |
ELVERY, Warwick David | The flute and its music in the court of Frederick the Great | GDip Mus | Griffith University | 1985 | 1 vol |
ENGLISH, Kemp Theodore | The début recording of Leopold Koželuch’s 50 Solo Keyboard Sonatas: portfolio of recorded performances and exegesis. | PhD | University of Adelaide | 2014 | 163 |
EVANS, Lely Dai | Implications of compound dynamic accent markings in Beethoven's early chamber works with the fortepiano | MMus | University of Western Aust. | 2008 | |
EVANS, W. | The fortepiano in the 18th century | MMus | University of Sydney | withdrawn 1968 | |
FISHER, Judith Kerry | Texture and dynamics in Haydn's sonata-allegro structures | PhD | University of Sydney | 1981 | 287 |
FODOR, Frank | Filling the eighteenth-century void for violists [electronic resource] : a study of Mozart's "Viola" concerto, K.622 | MPhil | University of Queensland | 2009 | 56 |
FORSYTH, James A. | Music of the Anglican churches in Sydney and surrounding regions : 1788-1868 | PhD | University of Sydney | 2002 | 2 vol |
FORSYTH, James Alexander | Handel's organ concertos | MMus | University of Melbourne | 1970 | 80 |
FRAMPTON, Andrew Leslie | Jan Dismas Zelenka's Missa Sancti Spiritus, ZWV 4: a critical edition and study of the manuscript sources | MMus | University of Melbourne | 2015 | |
FURMAN, Alexander E | Joseph Haydn's keyboard music 1791-1795 : style and performance | MMus | University of Melbourne | 1992 | 46 |
GILRAY, Jock | In the shadow of Handel: English oratorio in the later eighteenth century: | MMus | Victoria University of Wellington | 1999 | 272 |
GOSTELOW, Gavin | Indications for the use of a moderator pedal in the piano sonatas of Jan Ladislav Dussek. | MMus | University of Sydney | 2009 | 252 |
GREEN, Phillip R.O. | The impetus for the change from shared to single direction in the European orchestra of the late eighteenth and early nineteenth centuries | MMus | University of Queensland | 1994 | 45 |
GRETTON, Harold | Historically-informed interpretation : a process in relation to the Deuxième grande sonate op.25 for solo guitar by Fernando Sor | PhD | Australian National University | 2010 | |
GUNSON, Emily J. | Johann Baptist Wendling (1723-1797): life, works, artistry, and influence, including a thematic catalogue of all his compositions | PhD | University of Western Aust. | 1999 | 515 |
HADFIELD, Karen | Mannheim and the Clarinet | MPhil (perf) | University of Queensland | 2006 | 83 |
HALLO, Rosemary Margaret | Erard, Bochsa and their impact on harp music-making in Australia (1830-1866): an early history from documents. | PhD | University of Adelaide | 2014 | 236 |
HAMILTON, Vivien | The French cantata and French vocal performance of eighteenth century France | MMus | University of Melbourne | withdrawn c.2006 | |
HANDSAKER, Kate | The making of a successful performance of the role of Cherubino | MMus (Perf) | Australian National University | 2001 | 78 |
HARMATH, Agnes | A study and critical edition of Johann Baptist Wendling’s Concerto in C major (GUN 18) | DMA | University of Auckland | 2009 | 117 + 1 CD |
HASKELL, Julie | Notated and implied piano pedalling: c.1780-1830 | PhD | University of Adelaide | 2011 | 150 + 7 CDs |
HE, Jun | Contemporary and historical performance practice in late eighteenth-century violin repertoire: observations on articulation, bow strokes, and interpretation | D.M.A | NZ School of Music (Victoria + Massey) | 2014 | 129p +1CD+4DVD |
HILLIER, Robin | The Concerto for multiple instruments QV 6:6 by Johann Joachim Quantz | MMus | University of Melbourne | 2003 | 88 |
HOFFMAN, Graham Bruce | William Boyce, 1711-1779 the orchestral works | MMus | University of Auckland | 1979 | 269 |
HOLLANDER, Emma den | The development of early keyboard fingering till 1800 | MMus | University of Adelaide | 1970 | 134 |
HORGAN, Kate Elizabeth | Singing to the king : the politics of songs in eighteenth-century Britain c. 1723-1795 | PhD | Australian National University | 2012 | 303 |
HOSKINS, Robert H. B. | Dr. Samuel Arnold (1740-1802), an historical assessment | PhD | University of Auckland | 1981 | 2 vol |
HULIN, Kirsten | Artistic guidelines for the instruction of Mozart's Concerto in G major K.216, 1st movement | GradDipMus | Griffith University | 1990 | 37 |
IRVING, David Ronald Marshall | Lamentation settings by Manuel José Doyagüe (1755-1842) recently rediscovered in Manila : a contextual study and critical transcription | M.Phil | University of Queensland | 2003 | 411 |
JAMES, Dianne E, | The keyboard trios of Joseph Haydn: | PhD | University of Otago | 1993 | 418 |
JENKINS, Michael William Graham | John Stanley, his life and instrumental works | PhD | University of Auckland | 1975 | 2 vol |
KERSTEN, Anselm Norbert | The liturgical music of Marc-Antoine Charpentier (1645/50-1704) | MMus | University of Auckland | 1985 | 172 |
KIM, Yae Ji (Esther) | The clavichord during the classical era: a gentle voice but a giant among keyboards | M.Mus | University of Sydney | 2014 | |
LANCASTER, Geoffrey | Keyboard music of W.A. Mozart and F.J. Haydn : response by pre-tertiary piano students to historically-informed performance practice | PhD | University of Sydney | 1999 | 548 |
LANCASTER, Geoffrey Richard | The slide and trill : general trends in late eighteenth century Germany, with specific reference to the Berlin school | MMus | University of Tasmania | 1984 | 154 |
LANDERS, Heath A.W. | Rhetorical concepts and Mozart: elements of classical oratory in his drammi per musica | MPhil | University of Newcastle | 2015 | 307 |
LANG, Megan | The keyed flute : intonation and articulation according to J.G. Tromlitz | MMus | University of Sydney | 2008 | 50 |
LEE, Chyi-Huey | The role of piano pedalling in the context of piano trios | DMA | University of Auckland | 2008 | 138 |
LEE, H.M. | The sacred road to Mozart: a study of early music techniques from east and west and the transition to Baroque and Classical period repertoire | MCA | University of Newcastle | 2001 | 190 |
LEE, Yoon Sen | Mozart's Quintet for wind and piano K 452 and the question of tonal balance when performed on period instruments | MusM | University of Western Aust. | 1995 | 113 |
LEWIS, Eleanor May | Contextualising Martin Berteau : new perspectives on his works for cello | MMus | University of Sydney | 2002 | 116 |
LIEW SU-HWEI, Cherylene. | J. S. Bach's St. Matthew Passion [electronic resource] : vocal and instrumental forces at its birth and resurrections | MPhil | University of Queensland | 2008 | 42 |
LIND, Courtenay | The ‘Historically Informed Performance’ Movement and its Influence on Violoncello Playing Since 1981: With Reference to Performances of Haydn’s Violoncello Concerto in C major by Anner Byslma, Pieter Wispelwey and Yo-Yo Ma | M.Phil | University of Queensland | 2010 | 45 |
LIND, Courtney Elizabeth Grace | The 'historically informed performance' movement and its influence on violoncello playing since 1981 [electronic resource] : with reference to performances of Haydn's Violoncello concerto in C major by Anner Byslma, Pieter Wispelwey and Yo-Yo Ma | MPhil | University of Queensland | 2010 | 45 |
LOCKETT, David | Performance practices in the piano sonatas of Beethoven | MMus | University of Adelaide | 1980 | 94 |
LOJEWSKI, Mee Na Manon | Galant and grotesque aesthetics in the musical language of Haydn's cello concerti: cello concerto in C major (c1765), cello concerto in D major (c1783) | MMus | University of Sydney | 2014 | 69 |
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MADDOX, Alan | "On the knowledge necessary for one who wishes to recite well in the theatre": The rhetorical tradition of delivery and the performance practice of recitativo semplice in eighteenth-century dramma per musica | PhD | University of Sydney | 2006 | 255 |
MADDOX, Richard Peter | The place of Thomas Augustine Arne in eighteenth-century English theatre music. | MA | University of Sydney | 1977 | 179 |
MAK, Yuen Yee Amy. | Performance practice issues in Albinoni's Concerto à cinque, Op. 9 No. 5 | MPhil | University of Queensland | 2009 | 53 |
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MAYDWELL, Anthony | A translation and comparative study of two methods for harp by Philippe-Jacques Meyer from 1763-1773 | MA | University of Western Aust. | 1982 | 233 |
MAYS, Lawrence | Niccolò Piccinni's dramma giocoso 'Il Regno della Luna' (1770) | PhD | Australian National University | 2017 | 2 vols |
MAYS, Lawrence John | An investigation of the creation of drama in recitative through comparative analysis : La Serva Padrona set by Pergolesi (1733) and Paisiello (1781) | MPhil | Australian National University | 2012 | 125 |
McGARITY, Gregory Melville | "Musical semiology reconstructed" : an inquiry into the social, philosophical and theoretical context of the science of semiology ; the development of musical semiology and its relationship to musical analysis ; leading to analysis of selected Mozart compositions (K.550, K.515 & K.379). | MMus(hons) | University of New England | 2000 | 181 |
McGEE, Anthony | The early guitar concerto | GDip Mus | University of Queensland | 1984 | 39 |
MEAGHER, Kym | Unity in the opus 59 string quartets of Beethoven | MMus | Griffith University | 1994 | 2 vol |
MEYER, Allan | The eighteenth-century clarinet sonata: a contrast of styles | MusM | University of Western Aust. | 1984 | 115 |
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MORGAN, Holly Dee | Don Giovanni's avenging women | MMus | University of Melbourne | 2013 | 59 |
MORTON, Belinda C. | Exploring interpretive aspects in the text and in recorded performances of Mozart's Piano Sonata K. 322: a pedagogical perspective | MA | University of Newcastle | 2001 | 318 |
MUMFORD, Monte Hilton | The development of the trombone as an ensemble instrument during the seventeenth and eighteenth centuries | MMus | University of Tasmania | 1987 | 88 |
MURPHY, M.S. | The use of handplucked instruments in the continuo body of the 17th and 18th centuries | MA | University of Sydney | withdrawn 1968 | |
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O'NEILL, David G | The role of the organ in Early English Music, 800-1759 | MusM | University of Western Aust. | 1979 | 1 vol |