20th Century

Writersort iconThesis TitleDegreeUniversityYear# of Pages
HANNAFORD, MarcElliott Carter's rhythmic language : a framework for improvisationMMusPerfUniversity of Melbourne2012112
HANNAN, MichaelThe music of Peter Sculthorpe : an analytical study with particular reference to those social and other cultural forces which have shaped the development of an Australian vision PhDUniversity of Sydney1979261
HANNAY, KarenThe Wellington Youth Choir, 1989-1997: A comprehensive bibliographyMLISVictoria University of Wellington199872
HANSSON, ClareMarian McPartland, jazz pianist : an overview of a musical careerPhDQueensland University of Technology200647 + CD
HARDCASTLE, Adam Christopher'Letting good happen' sustaining community music in regional Australia: a study of the Green Triangle cross-border regionPhDMonash University2015
HARDIE, GrahamThe chamber music and piano music of Aaron Copland and Elliott Carter MMusUniversity of Melbourne1966165
HARDIE, Richard LawrenceJenny McLeod: The emergence of a New Zealand voiceMMOverseas199468
HARDY, Martin WilliamAn investigation into factors impacting on large instrumental music programs in New South Wales public secondary schools, and directors’ perceptions of program successPhDUniversity of Western Sydney2006222+260
HARLEY, LukeNathaniel Mackey : jazz poetPhDUniversity of Sydney2010429
HARRIS, AmandaNationality is one thing that never fails : the musical consequences of Grainger's Nordic obsession MMus (Hons)University of NSW1998105
HARRIS, Diana RA consideration of the soundtrack in screen adaptations of Shakespeare.PhDUniversity of Auckland2000357
HARRIS, MarkPolyphony as a compositional device of Dave HollandMMusUniversity of Sydney200945 + 1 CD
HARRIS, NatashaHow to disappear : Radioheads struggle with the role of rock artistMAUniversity of Melbourne2005104
HARRISON, DavidMusic by numbers : the impacts of music technologies on popMAUniversity of Otago2010163
HARRISON, GregoryThe dialectics and aesthetics of freedom: Hegel, slavery and African American musicPhDUniversity of Sydney1999463
HARROLD, Leigh RobertBest since Barber : contextualising the piano sonatas of Robert MuczynskIPhDUniversity of Adelaide201392
HART, Amy JoanOn rough ground : New Zealand art and music, 1930-1990, and the problematics of landscape and national identityMAUniversity of Auckland2005103
HARTSTEIN, MarcusThe creative process in Don Banks' early chamber music: a sketch study of Three studies for cello and piano and Three episodes for flute and pianoPhDUniversity of Sydney2000208
HARVEY, Anne ThereseDonald Hollier's compositional method: Integration of diverse idioms in three of his variation worksMMusUniversity of NSW1990 (NiC)tba
HARVEY, JonathanCollit's Inn: The first successful all-Australian musical romanceMAMonash University1995106
HARVIE, PaulThe first sixty years of music at St. Paul's Cathedral, Melbourne, c. 1887-1947 MMusUniversity of Melbourne198353
HASTIE, KelvinMusic-making in the Wesleyan Churches of New South Wales, 1855-1902 : origins, attitudes and practices M.PhilUniversity of Sydney1991431
HASTIE, KelvinChange and decay: attitudes and outcomes in the music-making of Methodist churches in New South Wales, 1902-1977 [pp.841]PhDUniversity of Sydney2003841+2cds
HAUGEN, HAllans Music ServicesMBAUniversity of Melbourne1976101
HAWLEY, Richard J. P.The impact of Debussy on Stravinsky's early works, 1908-1914MMusUniversity of Melbourne200096
HAYCOCK, JohnRevolution rock: a study of a public pedagogy of protest musicPhDMonash University2015
HEATH, KarenThe synthesis of music and dance: performance strategies for selected choreographic music works by Karlheinz StockhausenMAMonash University200645 + CD
HEIM, ChristianPrayer DancesPhDUniversity of Sydney20003 vol
HEIM, ChristianWhat the ear cannot hear : hidden structures in three works of music with programmes of a christian nature MMusUniversity of Sydney1995109
HEISER, Marshall StuartThe Playful Frame of Mind: An Exploration of its Influence upon Creative Flow in a Post-War Popular Music-Making ContextPhDGriffith University2015
HENSHAW, NathanBlowing Zen : non-Western influence on the scores and performance of contemporary saxophone repertoireMMusUniversity of Sydney201054 + 1 CD
HERRIMAN, NinaThe air down here : global and local interpretations of New Zealand popular music, 1955-1977MAUniversity of Auckland2004154 + CD
HEWITT, K. W.A critical biography of Howard Vernon (1848-1921) and his contribution to Gilbert and Sullivan opera in AustraliaPhDUniversity of Sydney2012139
HEXTALL, PietaAn examination of the chance elements in Witold Lutosławski's music, with particular attention to its function as a model for compositional practiceMMusNZ School of Music (Victoria + Massey)2012176 + 2 Sound Discs
HILL, Adam BrantleyThe cimmerian and the elysian : how musical and extra-musical models and expressive ethos affect the compositional process PhDUniversity of Tasmania2004239 + 2 CD
HILL, CarolynNew Zealand music: into the 21st century: an investigation into the factors affecting the successful post-compositional promulgation of contemporary New Zealand musicMMusAustralian National University200192
HILL, JenniferAspects of Australian popular song c.1890-1914PhDUniversity of Melbourne20022 vol
HILL, Kathryn R.Idea and style in the pluralist works of Bernd Alois ZimmermannMMusUniversity of Sydney1990381 + 191
HILL, MichaelSlave to the rhythm : animation at the service of the popular music industry MAUniversity of Technology Sydney1995155
HINDSON, Matthew JohnCompositions by Matthew HindsonPhDUniversity of Sydney20012 vol
HINDSON, Matthew JohnAn investigation into correlations between the poster design Red Lighting by Ignaty Nivinsky and the eponymous string quartet by Michael Smetanin MMusUniversity of Melbourne19942 vol
HIRST, BrettThe place of the bass : a study of Charlie Haden's accompaniment of Don Cherry's solo on "The face of the bassMMus (Perf)University of Sydney200655 + CD
HIRST, David GodfreyDigital sound analysis and synthesis using the short-time Fourier transform [sound recording]MALaTrobe University19852 vol +1 tape
HISCOCKS, WendyThe influence of Arthur Benjamin's film music on music he wrote for other genresPhDAustralian National University20091 v. + 1 DVD + 1 VHS
HO, Ang-Cheng KrisTechnical demands of selected contemporary works for violin PhDUniversity of Tasmania2006128 + 6CDs
HO, JocelynDebussy and late-romantic performing practices: an investigation of Debussy's piano rolls of 1913MMusUniversity of Sydney2009393 + 4 CDs
HOARE, MatthewElectronic music beyond loudspeakersMVAUniversity of Sydney200446
HOCKING, RachelCrafting connections : original music for the dance in Australia, 1960-2000 PhDUniversity of NSW20062 vol
HODDER, Amanda LouiseThe influence of Igor Stravinsky on the compositional style of Aaron Copland's Piano VariationsM.MusUniversity of Melbourne2010
HODGES, Glen John"Eyre," a three movement instrumental work for small chamber ensemble. (Original composition);MMOverseas1991117
HODGES, Glen JohnThe analysis of jazz improvisational language and its use in generating new composition and improvisation [manuscript] : a case study involving bebop jazz guitarist Jimmy Raney (20/8/27 - 9/5/95) PhDMacquarie University2008273 + 3CDs
HODGSON, RobinThe songmen [manuscript] : a comparative study of the relations between song style, society and the social role of performers in Aboriginal Australia unknownCharles Darwin University1990101 + maps
HOLCROFT, ReubenThe art of simplicity: design, sentiment, and value in non-developmental music: studies in works by Satie, Part and PoulencMAUniversity of Otago1995130
HOLGATE, GaryA fragmented parallel stream : the bass lines of Eddie Gomez in the Bill Evans TrioMMusUniversity of Sydney200953
HOLLAND, Brett WilliamA critical commentary exploring the potential inclusion of operatic arias in the traditional song recital. : references to Johannes Brahms Vier Ernste Gesänge OP. 121, Fünf Lieder Opus 105 and bass arias from Macbeth and Simon Boccanegra by Giuseppe VerdiM.PhilUniversity of Queensland200466
HOLLOWAY, DanielAustralian compositions for elementary string orchestra: pedagogy, aesthetics and enjoyment MMusJames Cook University2000NS
HOLTZAPFFEL, Ann EstherYsaye's sonatas: In whose image?MMusAustralian National University1998132
HOMAN, ShaneThe mayor's a square: a regulatory history of Sydney rock venues, 1957-1997 PhDMacquarie University1998386
HONEYBUN, Katherine AnneA complex of tendencies: the evolution of the use of the tritone in the music of Wagner, Debussy, and BartókM.MusUniversity of Melbourne2014
HOOPER, David JohannesFolio of compositions and critical commentaryPhDUniversity of Queensland2001264
HOOPER, Michael JThe Music of David Lumsdaine (1966-1980)PhDOverseas2007 (NyiC)tba
HOOPER, Michael J.The compositional approaches of Liza LimMMusUniversity of Sydney2002 NiCtba
HOORWEG, ColinThe ostinatos and themes of Max Roach : as played in his solo compositions for multiple percussion set / transcribed and analysed MMusAustralian National University199629
HOPKINS, SusanPop heroines and female icons : youthful femininity and popular culture PhDQueensland University of Technology1999310
HORN, KippsRebetika music in Melbourne, 1950-2000: old songs in a new land, new songlines in an old landPhDMonash University2002353
HOROWICZ, DavidFive original compositions ; Folio of analysis : Paroles tissees and concerto for cello and orchestra of Witold LutoslawskiMMusUniversity of Melbourne19912 vol
HORSLEY, Matthew ScottEvolution, not revolution: tradition and innovation in Afro-Cuban musicMMusUniversity of Melbourne201286
HORTON, LukeSelling the sounds of the south : the visual and verbal rehetoric of Race Records and Old Time Records marketing, 1920-1929PhDUniversity of Melbourne2011223
HORVAT, Leonie MarySergei Prokofiev and the stylistic elements of his piano musicMMusUniversity of Adelaide1978199
HOUSTON, M. StuartPreliminaries to the analysis and performance of 7 pianoforte works by contemporary composers, each work published during the 1960's MMusUniversity of Melbourne197384
HOWARD, BrianFolio of compositionsDMusUniversity of Melbourne19843 vol
HOWARD, Brian RobertFerns and Spring snow: two compositionsMMusUniversity of Adelaide19772 vol
HOWARD, DarrenAn examination and analysis of two Australian new music theatre works: Liza Lim's The Oresteia and David Chesworth's The Two ExecutionersMAMonash University199988
HOWE, BenGetting older : the construction of place, history and identity in New Zealand independent music MA (Anthrop)University of Auckland2000129
HOWE, KarlAnimation in e minor : the real in animated music videos MAAuckland University of Technology200425
HOWLETT, May CatherineThe production of a contemporary chamber opera (The boy who wasn't there)MAMacquarie University2005141
HUANG, Yuh-WenMiró to music : transformation and cross disciplinary processesDCAUniversity of Wollongong2002136 + 6 scores
HUBER, AlisonLearning to Love the Mainstream: Top 40 Culture in MelbournePhDUniversity of Melbourne2005235
HUGHES, Anthony J.Keith Humble's twelve-tone compositional approach in the Eight Bagatelles for piano soloMALaTrobe University2001180
HUGHES, William DavinFolio of compositionsPhDUniversity of Melbourne20011 vol + CD
HUMBERSTONE, James Henry ByrneCassations : Malcolm Williamson’s operas for musically-untrained childrenPhDUniversity of NSW2013134
HUMPHREY, TimThe experience of trumpet performance: an amalgam of emic and etic observations in five case studies of professional musiciansPhDMonash University2002454 + 10 CD-Roms
HUNT, Jonathan RobertOn the shoulders of giants: Bechet, Noone, Goodman and the efflorescence of jazz clarinet and the improvised soloPHDUniversity of Adelaide2015117 +4CDs
HUNT, Katrina MargaretThe Female Voice in American Musical Theatre (1940-1955): Mary Martin and the Development of Integrated Vocal StylePhDAustralian National University2016436
HUNT, Kevin PatrickPerceptions of the Stuart &​ Sons Piano Sound: Realising a creative, active visionPhDUniversity of Sydney2016
HUNTER, Barbara LouiseNeo-tribe: multiplicity, fluidity and flexibility in the electronic scenePhDUniversity of Melbourne2003214
HUNTER, Cynthia LThe folkies: an ethnography of folkies and their songsMAUniversity of Western Aust.1983178
IANNUZZELLI, PaulGroove and its components : a training program MMusUniversity of Sydney1996153 + 3 cass + vid
IBELL, JonathanThe Helfgott phenomenon : a study in critical discourseMAMassey University1999123
IWABUCHI, KoichiReturning to Asia: Japan in the cultural dynamics of globalisation, localisation and Asianisation PhDUniversity of Western Sydney1999312
JABUR, NazarThe efficacy of performance in furthering cross-cultural understanding between refugees and Australian society: a refugee artist's commitment to the maintenance of cultural identity and the integrity of personal memory MCAUniversity of Newcastle200477
JACKSON, LeighElements of jazzMMusMassey University2001144
JACKSON-TRETCHIKOFF, JulieThe operas of Michael Tippett : the inner values of Tippett as portrayed by selected female characters MPhilMassey University2006107
JACKSON-TRETCHIKOFF, JulieBoth Sides of the Curtain: Auckland Music Theatre Inc. 1919-2009 (with reference to the period from 1841 to 1918)PhDUniversity of Auckland2013260+
JACKSON-TRETCHIKOFF, JulieThe operas of Michael Tippett : the inner values of Tippett as portrayed by selected female charactersMPhilMassey University2006107
JACOB, RobertThe inclusion of aural comprehension in the Victorian Certificate of Education music performance study designPhDMonash University2012192
JAYASINGHE, Laknath DhinendraThe kinesthetics of rock music performance : an examination through performativity, masculinity and Nick Cave M.PhilUniversity of Queensland2005124
JAYASINGHE, RohanThe application of serial technique to tonal music: the emancipation of consonancePhDUniversity of Queensland2011
JAYASUNDERA, MalineeThe operas of Michael TippettMMusUniversity of Melbourne1981182
JEFFS, NickCounting the Beatz : hip hop culture, commercialisation and the state in Aotearoa New ZealandMAAuckland University of Technology2005113
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