HANNAFORD, Marc | Elliott Carter's rhythmic language : a framework for improvisation | MMusPerf | University of Melbourne | 2012 | 112 |
HANNAN, Michael | The music of Peter Sculthorpe : an analytical study with particular reference to those social and other cultural forces which have shaped the development of an Australian vision | PhD | University of Sydney | 1979 | 261 |
HANNAY, Karen | The Wellington Youth Choir, 1989-1997: A comprehensive bibliography | MLIS | Victoria University of Wellington | 1998 | 72 |
HANSSON, Clare | Marian McPartland, jazz pianist : an overview of a musical career | PhD | Queensland University of Technology | 2006 | 47 + CD |
HARDCASTLE, Adam Christopher | 'Letting good happen' sustaining community music in regional Australia: a study of the Green Triangle cross-border region | PhD | Monash University | 2015 | |
HARDIE, Graham | The chamber music and piano music of Aaron Copland and Elliott Carter | MMus | University of Melbourne | 1966 | 165 |
HARDIE, Richard Lawrence | Jenny McLeod: The emergence of a New Zealand voice | MM | Overseas | 1994 | 68 |
HARDY, Martin William | An investigation into factors impacting on large instrumental music programs in New South Wales public secondary schools, and directors’ perceptions of program success | PhD | University of Western Sydney | 2006 | 222+260 |
HARLEY, Luke | Nathaniel Mackey : jazz poet | PhD | University of Sydney | 2010 | 429 |
HARRIS, Amanda | Nationality is one thing that never fails : the musical consequences of Grainger's Nordic obsession | MMus (Hons) | University of NSW | 1998 | 105 |
HARRIS, Diana R | A consideration of the soundtrack in screen adaptations of Shakespeare. | PhD | University of Auckland | 2000 | 357 |
HARRIS, Mark | Polyphony as a compositional device of Dave Holland | MMus | University of Sydney | 2009 | 45 + 1 CD |
HARRIS, Natasha | How to disappear : Radioheads struggle with the role of rock artist | MA | University of Melbourne | 2005 | 104 |
HARRISON, David | Music by numbers : the impacts of music technologies on pop | MA | University of Otago | 2010 | 163 |
HARRISON, Gregory | The dialectics and aesthetics of freedom: Hegel, slavery and African American music | PhD | University of Sydney | 1999 | 463 |
HARROLD, Leigh Robert | Best since Barber : contextualising the piano sonatas of Robert MuczynskI | PhD | University of Adelaide | 2013 | 92 |
HART, Amy Joan | On rough ground : New Zealand art and music, 1930-1990, and the problematics of landscape and national identity | MA | University of Auckland | 2005 | 103 |
HARTSTEIN, Marcus | The creative process in Don Banks' early chamber music: a sketch study of Three studies for cello and piano and Three episodes for flute and piano | PhD | University of Sydney | 2000 | 208 |
HARVEY, Anne Therese | Donald Hollier's compositional method: Integration of diverse idioms in three of his variation works | MMus | University of NSW | 1990 (NiC) | tba |
HARVEY, Jonathan | Collit's Inn: The first successful all-Australian musical romance | MA | Monash University | 1995 | 106 |
HARVIE, Paul | The first sixty years of music at St. Paul's Cathedral, Melbourne, c. 1887-1947 | MMus | University of Melbourne | 1983 | 53 |
HASTIE, Kelvin | Music-making in the Wesleyan Churches of New South Wales, 1855-1902 : origins, attitudes and practices | M.Phil | University of Sydney | 1991 | 431 |
HASTIE, Kelvin | Change and decay: attitudes and outcomes in the music-making of Methodist churches in New South Wales, 1902-1977 [pp.841] | PhD | University of Sydney | 2003 | 841+2cds |
HAUGEN, H | Allans Music Services | MBA | University of Melbourne | 1976 | 101 |
HAWLEY, Richard J. P. | The impact of Debussy on Stravinsky's early works, 1908-1914 | MMus | University of Melbourne | 2000 | 96 |
HAYCOCK, John | Revolution rock: a study of a public pedagogy of protest music | PhD | Monash University | 2015 | |
HEATH, Karen | The synthesis of music and dance: performance strategies for selected choreographic music works by Karlheinz Stockhausen | MA | Monash University | 2006 | 45 + CD |
HEIM, Christian | Prayer Dances | PhD | University of Sydney | 2000 | 3 vol |
HEIM, Christian | What the ear cannot hear : hidden structures in three works of music with programmes of a christian nature | MMus | University of Sydney | 1995 | 109 |
HEISER, Marshall Stuart | The Playful Frame of Mind: An Exploration of its Influence upon Creative Flow in a Post-War Popular Music-Making Context | PhD | Griffith University | 2015 | |
HENSHAW, Nathan | Blowing Zen : non-Western influence on the scores and performance of contemporary saxophone repertoire | MMus | University of Sydney | 2010 | 54 + 1 CD |
HERRIMAN, Nina | The air down here : global and local interpretations of New Zealand popular music, 1955-1977 | MA | University of Auckland | 2004 | 154 + CD |
HEWITT, K. W. | A critical biography of Howard Vernon (1848-1921) and his contribution to Gilbert and Sullivan opera in Australia | PhD | University of Sydney | 2012 | 139 |
HEXTALL, Pieta | An examination of the chance elements in Witold Lutosławski's music, with particular attention to its function as a model for compositional practice | MMus | NZ School of Music (Victoria + Massey) | 2012 | 176 + 2 Sound Discs |
HILL, Adam Brantley | The cimmerian and the elysian : how musical and extra-musical models and expressive ethos affect the compositional process | PhD | University of Tasmania | 2004 | 239 + 2 CD |
HILL, Carolyn | New Zealand music: into the 21st century: an investigation into the factors affecting the successful post-compositional promulgation of contemporary New Zealand music | MMus | Australian National University | 2001 | 92 |
HILL, Jennifer | Aspects of Australian popular song c.1890-1914 | PhD | University of Melbourne | 2002 | 2 vol |
HILL, Kathryn R. | Idea and style in the pluralist works of Bernd Alois Zimmermann | MMus | University of Sydney | 1990 | 381 + 191 |
HILL, Michael | Slave to the rhythm : animation at the service of the popular music industry | MA | University of Technology Sydney | 1995 | 155 |
HINDSON, Matthew John | Compositions by Matthew Hindson | PhD | University of Sydney | 2001 | 2 vol |
HINDSON, Matthew John | An investigation into correlations between the poster design Red Lighting by Ignaty Nivinsky and the eponymous string quartet by Michael Smetanin | MMus | University of Melbourne | 1994 | 2 vol |
HIRST, Brett | The place of the bass : a study of Charlie Haden's accompaniment of Don Cherry's solo on "The face of the bass | MMus (Perf) | University of Sydney | 2006 | 55 + CD |
HIRST, David Godfrey | Digital sound analysis and synthesis using the short-time Fourier transform [sound recording] | MA | LaTrobe University | 1985 | 2 vol +1 tape |
HISCOCKS, Wendy | The influence of Arthur Benjamin's film music on music he wrote for other genres | PhD | Australian National University | 2009 | 1 v. + 1 DVD + 1 VHS |
HO, Ang-Cheng Kris | Technical demands of selected contemporary works for violin | PhD | University of Tasmania | 2006 | 128 + 6CDs |
HO, Jocelyn | Debussy and late-romantic performing practices: an investigation of Debussy's piano rolls of 1913 | MMus | University of Sydney | 2009 | 393 + 4 CDs |
HOARE, Matthew | Electronic music beyond loudspeakers | MVA | University of Sydney | 2004 | 46 |
HOCKING, Rachel | Crafting connections : original music for the dance in Australia, 1960-2000 | PhD | University of NSW | 2006 | 2 vol |
HODDER, Amanda Louise | The influence of Igor Stravinsky on the compositional style of Aaron Copland's Piano Variations | M.Mus | University of Melbourne | 2010 | |
HODGES, Glen John | "Eyre," a three movement instrumental work for small chamber ensemble. (Original composition); | MM | Overseas | 1991 | 117 |
HODGES, Glen John | The analysis of jazz improvisational language and its use in generating new composition and improvisation [manuscript] : a case study involving bebop jazz guitarist Jimmy Raney (20/8/27 - 9/5/95) | PhD | Macquarie University | 2008 | 273 + 3CDs |
HODGSON, Robin | The songmen [manuscript] : a comparative study of the relations between song style, society and the social role of performers in Aboriginal Australia | unknown | Charles Darwin University | 1990 | 101 + maps |
HOLCROFT, Reuben | The art of simplicity: design, sentiment, and value in non-developmental music: studies in works by Satie, Part and Poulenc | MA | University of Otago | 1995 | 130 |
HOLGATE, Gary | A fragmented parallel stream : the bass lines of Eddie Gomez in the Bill Evans Trio | MMus | University of Sydney | 2009 | 53 |
HOLLAND, Brett William | A critical commentary exploring the potential inclusion of operatic arias in the traditional song recital. : references to Johannes Brahms Vier Ernste Gesänge OP. 121, Fünf Lieder Opus 105 and bass arias from Macbeth and Simon Boccanegra by Giuseppe Verdi | M.Phil | University of Queensland | 2004 | 66 |
HOLLOWAY, Daniel | Australian compositions for elementary string orchestra: pedagogy, aesthetics and enjoyment | MMus | James Cook University | 2000 | NS |
HOLTZAPFFEL, Ann Esther | Ysaye's sonatas: In whose image? | MMus | Australian National University | 1998 | 132 |
HOMAN, Shane | The mayor's a square: a regulatory history of Sydney rock venues, 1957-1997 | PhD | Macquarie University | 1998 | 386 |
HONEYBUN, Katherine Anne | A complex of tendencies: the evolution of the use of the tritone in the music of Wagner, Debussy, and Bartók | M.Mus | University of Melbourne | 2014 | |
HOOPER, David Johannes | Folio of compositions and critical commentary | PhD | University of Queensland | 2001 | 264 |
HOOPER, Michael J | The Music of David Lumsdaine (1966-1980) | PhD | Overseas | 2007 (NyiC) | tba |
HOOPER, Michael J. | The compositional approaches of Liza Lim | MMus | University of Sydney | 2002 NiC | tba |
HOORWEG, Colin | The ostinatos and themes of Max Roach : as played in his solo compositions for multiple percussion set / transcribed and analysed | MMus | Australian National University | 1996 | 29 |
HOPKINS, Susan | Pop heroines and female icons : youthful femininity and popular culture | PhD | Queensland University of Technology | 1999 | 310 |
HORN, Kipps | Rebetika music in Melbourne, 1950-2000: old songs in a new land, new songlines in an old land | PhD | Monash University | 2002 | 353 |
HOROWICZ, David | Five original compositions ; Folio of analysis : Paroles tissees and concerto for cello and orchestra of Witold Lutoslawski | MMus | University of Melbourne | 1991 | 2 vol |
HORSLEY, Matthew Scott | Evolution, not revolution: tradition and innovation in Afro-Cuban music | MMus | University of Melbourne | 2012 | 86 |
HORTON, Luke | Selling the sounds of the south : the visual and verbal rehetoric of Race Records and Old Time Records marketing, 1920-1929 | PhD | University of Melbourne | 2011 | 223 |
HORVAT, Leonie Mary | Sergei Prokofiev and the stylistic elements of his piano music | MMus | University of Adelaide | 1978 | 199 |
HOUSTON, M. Stuart | Preliminaries to the analysis and performance of 7 pianoforte works by contemporary composers, each work published during the 1960's | MMus | University of Melbourne | 1973 | 84 |
HOWARD, Brian | Folio of compositions | DMus | University of Melbourne | 1984 | 3 vol |
HOWARD, Brian Robert | Ferns and Spring snow: two compositions | MMus | University of Adelaide | 1977 | 2 vol |
HOWARD, Darren | An examination and analysis of two Australian new music theatre works: Liza Lim's The Oresteia and David Chesworth's The Two Executioners | MA | Monash University | 1999 | 88 |
HOWE, Ben | Getting older : the construction of place, history and identity in New Zealand independent music | MA (Anthrop) | University of Auckland | 2000 | 129 |
HOWE, Karl | Animation in e minor : the real in animated music videos | MA | Auckland University of Technology | 2004 | 25 |
HOWLETT, May Catherine | The production of a contemporary chamber opera (The boy who wasn't there) | MA | Macquarie University | 2005 | 141 |
HUANG, Yuh-Wen | Miró to music : transformation and cross disciplinary processes | DCA | University of Wollongong | 2002 | 136 + 6 scores |
HUBER, Alison | Learning to Love the Mainstream: Top 40 Culture in Melbourne | PhD | University of Melbourne | 2005 | 235 |
HUGHES, Anthony J. | Keith Humble's twelve-tone compositional approach in the Eight Bagatelles for piano solo | MA | LaTrobe University | 2001 | 180 |
HUGHES, William Davin | Folio of compositions | PhD | University of Melbourne | 2001 | 1 vol + CD |
HUMBERSTONE, James Henry Byrne | Cassations : Malcolm Williamson’s operas for musically-untrained children | PhD | University of NSW | 2013 | 134 |
HUMPHREY, Tim | The experience of trumpet performance: an amalgam of emic and etic observations in five case studies of professional musicians | PhD | Monash University | 2002 | 454 + 10 CD-Roms |
HUNT, Jonathan Robert | On the shoulders of giants: Bechet, Noone, Goodman and the efflorescence of jazz clarinet and the improvised solo | PHD | University of Adelaide | 2015 | 117 +4CDs |
HUNT, Katrina Margaret | The Female Voice in American Musical Theatre (1940-1955): Mary Martin and the Development of Integrated Vocal Style | PhD | Australian National University | 2016 | 436 |
HUNT, Kevin Patrick | Perceptions of the Stuart & Sons Piano Sound: Realising a creative, active vision | PhD | University of Sydney | 2016 | |
HUNTER, Barbara Louise | Neo-tribe: multiplicity, fluidity and flexibility in the electronic scene | PhD | University of Melbourne | 2003 | 214 |
HUNTER, Cynthia L | The folkies: an ethnography of folkies and their songs | MA | University of Western Aust. | 1983 | 178 |
IANNUZZELLI, Paul | Groove and its components : a training program | MMus | University of Sydney | 1996 | 153 + 3 cass + vid |
IBELL, Jonathan | The Helfgott phenomenon : a study in critical discourse | MA | Massey University | 1999 | 123 |
IWABUCHI, Koichi | Returning to Asia: Japan in the cultural dynamics of globalisation, localisation and Asianisation | PhD | University of Western Sydney | 1999 | 312 |
JABUR, Nazar | The efficacy of performance in furthering cross-cultural understanding between refugees and Australian society: a refugee artist's commitment to the maintenance of cultural identity and the integrity of personal memory | MCA | University of Newcastle | 2004 | 77 |
JACKSON, Leigh | Elements of jazz | MMus | Massey University | 2001 | 144 |
JACKSON-TRETCHIKOFF, Julie | The operas of Michael Tippett : the inner values of Tippett as portrayed by selected female characters | MPhil | Massey University | 2006 | 107 |
JACKSON-TRETCHIKOFF, Julie | Both Sides of the Curtain: Auckland Music Theatre Inc. 1919-2009 (with reference to the period from 1841 to 1918) | PhD | University of Auckland | 2013 | 260+ |
JACKSON-TRETCHIKOFF, Julie | The operas of Michael Tippett : the inner values of Tippett as portrayed by selected female characters | MPhil | Massey University | 2006 | 107 |
JACOB, Robert | The inclusion of aural comprehension in the Victorian Certificate of Education music performance study design | PhD | Monash University | 2012 | 192 |
JAYASINGHE, Laknath Dhinendra | The kinesthetics of rock music performance : an examination through performativity, masculinity and Nick Cave | M.Phil | University of Queensland | 2005 | 124 |
JAYASINGHE, Rohan | The application of serial technique to tonal music: the emancipation of consonance | PhD | University of Queensland | 2011 | |
JAYASUNDERA, Malinee | The operas of Michael Tippett | MMus | University of Melbourne | 1981 | 182 |
JEFFS, Nick | Counting the Beatz : hip hop culture, commercialisation and the state in Aotearoa New Zealand | MA | Auckland University of Technology | 2005 | 113 |