Anon | Dictionary of New Zealand violin makers | PhD | Victoria University of Wellington | in progress (NiC08/07) | |
Anon | Pianists Perspectives of the Stuart and Sons Piano | MMus | Griffith University | in progress (2005) | |
Anon | Origins and defining characteristics of the mezzo-soprano voice classification | MCA | University of Wollongong | in progress (NiC08/07) | |
BAJZEK, Dieter | Percussion - an annotated bibliography : with special emphasis on contemporary notation and performance | MA | LaTrobe University | 1986 | 222 |
BANKS, Zane | The electric guitar in contemporary arts music | PhD | University of Sydney | 2014 | 399 |
BARKER, Jade Caroline | Applying Bartolozzi's theory from New sounds for woodwind (1967) to a performance of Bartolozzi's Per Olga (1976) and Smith Brindle's Andromeda M31 (1967) mediated through the utilisation of the Bartolozzi-Mencarelli method | MMus | Monash University | 2014 | |
BARKL, Michael Laurence Gordon | Pure data as a Meta-Compositional Instrument | DCA | University of Wollongong | 2009 | 133 + CD |
BARLOW, Shaun | Beatbox flute : An historical account, performance manual and notational guide | MMusPerf | University of Sydney | 2011 | 101 |
BARRACLOUGH, Timothy | Iterative Design for Approachable, Mobile-Based Collaborative Electronic Music Instruments | MEng | Victoria University of Wellington | 2015 | 128 |
BEDELL, Kingsley | Metamorphosis : a history of the pedal harp from 1720 to 2001 AD | MMus | Australian National University | 2001 | 144 |
BELL, Robert | PAL: the percussive audio lexicon. An approach to describing the features of percussion instruments and the sounds they produce | PhD | Swinburne University of Technology | 2015 | 536 |
BENTON, Robert L | The effect of lip-slur practice on increasing pitch range in brasswind instrument students | M.Ed | Edith Cowan University | 1998 | 2 microfiche |
BIEDERMAN, Daniel, Marc | The Turntable as a musical instrument and the emergence of the concert turntablist : analytical notes | MMus | University of Sydney | 2014 | |
BLACKBURN, Andrew | The pipe organ and real-time digital signal processing (DSP): A performer's perspective | DMA | Griffith University | 2011 | 256 |
BLORE, Ann Orriss | 'A strange madness' : organ festivals in Australia 1968-1973 | MMus | University of Melbourne | 2011 | 109 |
BOGG, Lois | Countertenor characteristics : case studies from interview and acoustic investigations | MApSc | University of Sydney | 2003 | 157 |
BOLTON, Alan Graham | The design of an electronic music synthesizer | MAppSC | University of Adelaide | 1977 | 1 vol |
BUTLER, Gary | Prepared instruments in improvised music : precedents and purposes | PhD | University of Wollongong | 2000 | 374 |
CAMERON, Christopher Paul | Exploring applications of multi-dexterity in drum kit performance | MMus | Monash University | 2016 | |
CASSON, Donald | The development of woodwind instruments and their timbres | MA | University of Western Aust. | 1977 | 158 |
CATLIN, Tim | Extended timbral possibilities in acoustic and electric guitar production | MA | RMIT University | 2000 | 1 vol + 2 cds |
CHAI, Chang-ning | The dizi (Chinese bamboo flute) its representative repertoires in the years from 1949 to 1985 | PhD | University of Sydney | 2014 | 305 |
CHAO, Peter Yu-Chun | Multi-stylistic fluency on the saxophone: Delineating pedagogical strategies for the interpretation of jazz-influenced classical saxophone works | MMus | University of Sydney | 2016 | 83 |
CHEN, Sarah Yi-Ying | A study of the Sheng | MMus | University of Sydney | 1994 | 77 |
CHENG, Lancini Jen-Hao | Taxonomies of Taiwanese Aboriginal musical instruments | PhD | University of Otago | 2014 | 989 |
CLINCH, Peter | Oral tract fluctuations in clarinet and saxophone performance: an acoustical analysis | PhD | Monash University | 1980 | 188 |
COLLINS, Grant | Solo Drumset: Revering the Drumset as a Solo Instrument with Expansions for the Instrument, Notation, Physical Expression and Compositional Works | DMA | Griffith University | 2014 | 238 |
CONNELLY, Patrice C. | The Viola da Gamba: the development of its technique and pedagogy to the present | MMus | University of Sydney | 1995 | 139 |
CORN, Aaron David Samuel | Musical instruments in cultural heritage collections : a case study of the Queensland Museum | MPhil | Griffith University | 1995 | 199+ 112 |
COSTELLO, Christopher | The timpani | MMus | University of Adelaide | 1990 | 167 |
CRONIN, Stephen | The harpsichord in the twentieth century: an analysis of three selected works | MMus | University of Queensland | 1985 | 84 |
CROSS, Rodney | This blows : social and cultural perceptions of ancient Roman brass instruments and musicians | MRes | Macquarie University | 2015 | 64 |
CUBBIN, David R | The flute in the eighteenth century | MA | Flinders University | 1971 | 513 |
CUMMINGS, Timothy James | The Great Highland bagpipe: extended techniques and their musical potential. | MA | Victoria University of Wellington | 2002 | 224 |
CUNDELL, Roger Guy Scott | Across the Pacific: the transformation of the steel guitar from Hawaiian folk instrument to popular music mainstay. | MPhil | University of Adelaide | 2014 | 151 |
CWACH, Michael. | The pukl and Chodsko : aspects of linkage between a bagpipe and an ethnographic region | PhD | University of Canterbury | 2012 | 583p +2 DVD |
D'ARCY, Sing | The organ as architecture : reconfiguring the ecclesiastical space of the Hispanic Baroque | PhD | University of Sydney | 2010 | |
DAVISON, Michael | Didjeridu journey | MCA | University of Newcastle | 2005 | 54 |
DELAVERE, Sara | Challenging the drumkit: musical identities and habitus | MRes | Macquarie University | 2015 | 88 |
DELL, Natalie Louise | Investigation into factors affecting the acoustics and playability of the horn, and the effect of auditory feedback on horn playing | PhD | University of Western Aust. | 2011 | 418 |
DENG, Wei | Historical and stylistic development in the Chinese four-stringed lute pipa and in pipa music from 1800 to 1995 : with particular reference to "Spring River" | PhD | Queensland University of Technology | 1996 | 519 |
DENT, Lachlan James | The application of the pedagogy of Evangeline Benedetti and Christopher Bunting to the performance of Grieg’s Sonata in A minor for cello and piano, and Carl Vine’s Inner World for cello and pre-recorded CD | PhD | Monash University | 2015 | |
DJACHENKO, Yuri | A short history of English bowmakers | MMus | University of Queensland | 1998 | 65 |
DOWNER, Caroline Isobel | Music in the museum : an examination of the collection of musical instruments in the Powerhouse, Museum of Applied Arts and Sciences in Sydney | MA | University of Melbourne | 1997 | 149 |
DUNLOP, Roslyn Ann | The indigenous music of East Timor and its relationship to the social and cultural mores and lulik worldview of its autochthonous people | PhD | University of Newcastle | 2016 | 278 |
ELLIS, Angelina M. | The Classical guitar in Australia: Foundations | MA | Queensland University of Technology | 2000 | 112 |
ESPLIN, Penelope | The Musical Imagery in Dante Gabriel Rossetti’s paintings for his patron, Frederick Leyland | MArts | University of Otago | 2016 | |
EVANS, W. | The fortepiano in the 18th century | MMus | University of Sydney | withdrawn 1968 | |
FARQUHAR, Jonathan R | The history of the Eb" clarinet : with a bibliography of solo and chamber works written for the Eb" clarinet | MMus | Griffith University | 2003 | 147 |
FUHLER, Cornelis William Hendrik | DISPERSE AND DISPLAY: STRUCTURAL STRATEGIES FOR MODULAR APPROACHES IN COMPOSITIONAL AND INSTRUMENTAL PRACTICE | PhD | University of Sydney | 2016 | |
GIFFORD, Toby | Improvisation in interactive music systems | PhD | Queensland University of Technology | 2011 | 205 + Disc |
GOULD, Alannah | The bassoon at the time of Carl Maria von Weber | MMus Studs | University of Queensland | 2001 | 55 |
GRANTHAM, Edward McNeal | Hill organs in Australia, 1850-1910 : a critical survey and chronicle of developments in organs sent to Australia by William Hill and Sons, London | MMus | University of NSW | 1988 | 157 |
Griffith, Joelene | Performance fitness: physiological benefits of aerobic exercise for performing singers | MPhil | University of Newcastle | 2011 | 84 |
HADFIELD, Karen | Mannheim and the Clarinet | MPhil (perf) | University of Queensland | 2006 | 83 |
HALLO, Rosemary Margaret | Erard, Bochsa and their impact on harp music-making in Australia (1830-1866): an early history from documents. | PhD | University of Adelaide | 2014 | 236 |
HEAGNEY, Roger | History of keyboard instruments and technique | MMus | University of Melbourne | 196-? | 64 |
HEALEY, Kristine | From the Birdcage to the Concert Stage: The Transformation of the Boehm Flute | MPhil (perf) | University of Queensland | 2006 | 49 |
HILL, Matthew | Hit scrape click drag : analysis and application of compositional methodologies at the intersection of conserved and emergent technologies | PhD | James Cook University | 2007 | 301 + CD Rom + DVD |
HUNT, Kevin Patrick | Perceptions of the Stuart & Sons Piano Sound: Realising a creative, active vision | PhD | University of Sydney | 2016 | |
JOHNSTON, Robert Bruce | The influence of vocal tract resonances on the operation of reed wind instruments | MSc | Monash University | 1990 | 1 vol |
KAMINSKI, Jason | Kolokol : spectres of the Russian bell. | PhD | University of Technology Sydney | 2006 | 346 |
KAZIMIERCZAK, Bogdan | The percursors of the violin family : emergent technology and technique from late classical antiquity to the early Renaissance | MMus | University of Adelaide | 1980 | 96 |
KEITH, Sarah Louise | Standards for deviation: developing laptop performance of generative contemporary electronic music | PhD | Macquarie University | 2010 | 250 + CD-R |
KELLY, Caleb | Cracked and broken media in 20th and 21st century music and sound | PhD | University of Canberra | 2006 | 249 |
KEMP, David James | Compositions Combining Acoustic, Electro-Acoustic And Synthetic Instruments For Modern Jazz Performance | MMus | University of Sydney | 2016 | 181 |
LALOR, Stephen | Ethnicities of sound | PhD | University of Sydney | 2014 | 160 |
LALOR, Stephen James | Domra, Russian plucked-string instrument | MMus | University of NSW | 1988 | 115 |
LANCASTER, Coral J. | The forms and development of the bass violin in seventeenth-century Italy | MusM | University of Western Aust. | 1999 | 168 |
LAVAN, Daniel | Vibrational characteristics of bell plates | MSc | University of Technology Sydney | 2002 | 92 |
LAWRENCE, Douglas | Organ registration in the French and German Baroque | MMus | University of Melbourne | 1974 | 66 |
LEE, Daniel | A global approach to guitar tuition : developing an electric guitar meta-canon | MEdu | Charles Darwin University | 2015 | 253 |
LI, Weicong | The physics of playing clarinet and saxophone: how players control articulation and timbre | PhD | University of NSW | 2016 | 152 |
LIM, Elizabeth | The evolution of the post-Romantic clarinet | MMus | University of Sydney | 1990 | 82 |
LINTON, Sean | The Music of 'Are'are: Acoustemology, Environmental Influences and Sustainability | PhD | University of Otago | 2013 | 325 |
LOK, Lay Hong | The erhu and its role as a vehicle for syncretic music performance in Singapore | M.Phil | Massey University | 2004 | 130 |
MANDENO, Jennifer | The reception of the Boehm system flute in Paris | MMus | University of Melbourne | 2002 | 46 |
MARSH, Nicholas | The decline of speech surrogacy in Cuban bàtá drumming | MMus | University of Auckland | 2013 | 111 |
MARTIN, Charles Patrick | Apps, Agents, and Improvisation: Ensemble Interaction with Touch-Screen Digital Musical Instruments | PhD | Australian National University | 2016 | 279 |
McCORKILL, Catherine | Aspects of breathing in clarinet playing + Existing problems, developments and possible improvements of modern clarinet keywork | GradDipMus | Australian National University | 1986 | 25 + 35 |
McEWEN, Timothy Michael | The Australian organ and its music: past, present and future | MMus | Griffith University | 1998 | 187 |
MCNAUGHTON, Andrew | Sensor horn: creating an electronically augmented trumpet | M.Mus | University of Melbourne | 2010 | 60 |
McPHERSON, Angus | The glissando headjoint : Expanding the musical palette of the flute through mechanical invention | MMusPerf | University of Sydney | 2011 | 70 |
MIECHEL, Phillip A | The classical clarinet | MMus | University of Melbourne | 1972 | 115 |
MILLS, Jonathan | Sound design: essays with micro-tonal tunings, musical instruments & sound spaces | MA | RMIT University | 1997 | 46 |
MING-HUI, Ma | A comparison between Chinese "pipa" and Indian "Sitar" in contemporary performance | PhD | University of Sydney | 2013 | 351 + CD + DVD |
MOORE, Robert | Computer recognition of musical instruments [electronic resource] : an examination of within class classification | PhD | Victoria University (Vic. Australia) | 2007 | 201 |
MORGAN, Craig Ashley | The Use of Virtual Instruments by Australian Screen Composers | PhD | University of Sydney | 2016 | |
MUMFORD, Monte Hilton | The development of the trombone as an ensemble instrument during the seventeenth and eighteenth centuries | MMus | University of Tasmania | 1987 | 88 |
MURPHY, Jim | Expressive Musical Robots : Building, Evaluating, and Interfacing with an Ensemble of Mechatronic Instruments | PhD | Victoria University of Wellington | 2014 | |
NAPIER, John J. | The introduction and use of the harmonium in North Indian classical music | MMus | University of NSW | 1994 | 174 |
NAYLOR, Bruce Allan | Gazetteer of organs in South Australia & Organ Building in South Australia | MMus | University of Adelaide | 1969 + 1973 | 320 |
NEWTON, Ronald | Organ building in New Zealand 1895-1930: a documentation of cultural context | PhD | University of Canterbury | 1996 | 983 |
O'BRIEN, Ian | The Nature of Orchestral Noise and Viable Solutions | MPhil | University of Queensland | 2008 | |
O'NEILL, David G | The role of the organ in Early English Music, 800-1759 | MusM | University of Western Aust. | 1979 | 1 vol |
OPIE, Timothy Tristram | Creation of a real-time granular synthesis instrument for live performance | MA | Queensland University of Technology | 2003 | 183 |
ORTUSO, Joseph | The oboe reed : investigations and comparisons of the oboe reed for the development of the pedagogy of the oboe | MMus | University of Tasmania | 1993 | 80 |
PALAJE, Jane Marie | The distinctive features of musical drones [manuscript] | MA | Macquarie University | 2009 | 168 |
PANAGAKIS, Connie | The influence of vocal tract configurations on the resonance balance of the singing voice | MA | Monash University | 1999 | 193 |
RABINOVICI, Alison | A history of horned strings : organology and early sound recording 1899-1945 | MM | University of Melbourne | 2010 | 187 |