Writersort iconThesis TitleDegreeUniversityYear# of Pages
ATKINSON, Neil FNonverbal communication and choral conductingMMus StudsUniversity of Queensland2002128
ATKINSON, Timothy DavidThematic Process and Motivic-Developmental Approaches to Composition in three works for Jazz OrchetraM.M.ANZ School of Music (Victoria + Massey)201342
AUBREY, David GrahamThe influence of music in redefining nationalism in Wales in the nineteenth and early twentieth centuries MAUniversity of Sydney1995212
AUDAIN, Yvette MichelleComposition folio MMusVictoria University of Wellington20022 vol
AUÉ, Johannes(E)merging idioms [music] : integrating jazz and classical ensembles : portfilio of compositions and exegesisMMusUniversity of Adelaide2010240 + CD
AUGUSTYNIAK, SylvanaThe impact of formal and informal learning on students' compositional processesPhDUniversity of NSW2011290
AURIN, AndreasDialectical music and the LehrstückPhDUniversity of NSW2013312
AXTENS, Hsiao-NiTone-cluster techniques in piano performance : methods of tone-cluster performance as required in Henry Cowell's 'The Tides of Manaunaun' (1912) and Einojuhani Rautavaara's Piano Sonata No. 2 'The Fire Sermon' (1970)MAMonash University201163p + 1CD
AYRES, Christopher VivianAn examination of Gilbert and Sullivan's contribution to the emerging common culture of Victorian England, 1871-1896 MA (Hons)Macquarie University1977212
AYRES, Helen George Enescu : the complete musician : a study of violin virtuosity in Enescu's third sonata for piano and violin DMAUniversity of Melbourne200674
AYREY, Craig LeslieRameau and the Pastorale heroique a dramatic and structural analysis of ZaisMMusUniversity of Auckland1978172
AYRTON, BrookKeith Stirling : An introduction to his life and examination of his music MMusUniversity of Sydney201157
BAAS, Warren PeterStructure and functional harmony in the first and fifth symphonies of Gustav Mahler MMusUniversity of Auckland1992214
BACKSTROM, LynneAn investigation into the relationship between the experiences, philosophy and cello compositions of composer/performer Sarah HopkinsMMusUniversity of Queensland199462
BADLEY, AllanThe concertos of Leopold Hofmann (l738-l793) PhDUniversity of Auckland19863 vol
BAHR, Nanette MargaretThe impact of developmental experiences on exceptional pitch labelling skill PhDUniversity of Queensland1999331
BAILEY, LionelThe improvisational styles of Australian saxophonists Jamie Oehlers and Julien WilsonMAMonash University201169
BAINBRIDGE, DavidExtensible optical music recognitionPhDUniversity of Canterbury1997277
BAINES, Rowena MeganSamba and the Afro-Brazilian favela communitiesMSciCommUniversity of Otago2012102
BAINGER, LucyEffective professional development in music for early childhood educators. PhDMonash University2012292
BAJALICA, MarijaStrategies to enhance the artistic quality of piano recordingPhDUniversity of Adelaide2013147
BAJZEK, DieterPercussion - an annotated bibliography : with special emphasis on contemporary notation and performance MALaTrobe University1986222
BAKER, AmandaComposing with computers: aesthetics, methods and musicMMusUniversity of Melbourne1988143
BAKER, Andrea J.Youths and net-radio, exploring subcultural models of audiencesPhDMonash University2010387
BAKER, Damian LeeImproving student motivation and engagement in high school music composition through Orff Schulwerk pedagogyM.EdUniversity of Waikato2014162
BAKER, FelicityThe effects of live and taped music on the agitation and orientation levels of people experiencing posttraumatic amnesiaMMusUniversity of Melbourne1999150
BAKER, Jane SusanneLearning, identity work, and music use in young garage bandPhDUniversity of Queensland2014
BAKKER-KING, Margaret R.The cantatas of Domenico Cimarosa (1749-1801)PhDUniversity of Adelaide19882 vol
BAKRNCHEV, Michael ArthurFolio of CompositionsMMusUniversity of Melbourne2016
BALL, Dorothy LouieThe popular element in the music of the English virginal school MMusUniversity of Auckland1979186
BALLANTYNE, JulieEffectiveness of preservice music teacher education programs : perceptions of early-career music teachers EdDQueensland University of Technology2005263
BALLICO, ChristinaBury me deep in isolation: A cultural examination of a peripheral music industry and scenePhDEdith Cowan University2013
BALOUGH, TeresaThe essential Grainger: Percy Grainger's Kipling settings, 1898-1947PhDUniversity of Western Aust.1985524 + 1 vocal score
BAN, Louise GiselleProblems and solutions in adapting the Kodaly method for use in AustraliaMAUniversity of Sydney1976281
BANDT, RosalieChance operations and indeterminate procedures in the work of John Cage, 1950-1970MAMonash University1974129
BANDT, RosalieModels and processes in repetitive music, 1960-1983PhDMonash University1983433
BANGERT, DanielDoing without thinking? Processes of decision-making in period instrument performancePhDUniversity of NSW2012248
BANKS, Jy-PerryVoices of the Australian tuba : a consideration of factors influencing its changing sound and musical statusMMusPerfUniversity of Sydney2013100
BANKS, ZaneThe electric guitar in contemporary arts musicPhDUniversity of Sydney2014399
BANNEY, David AndrewSymmetry and symmetry reduction in musicPhDUniversity of Newcastle2015
BANNISTER, MatthewWhite man’s soul : Pakeha masculinities in popular music of New Zealand / Aotearoa PhDUniversity of Auckland2002339 + 2 CDs
BANNISTER, Roland StuartAn ethnomusicological study of music makers in an Australian military bandPhDDeakin University1995370
BARBELER, DamianShades of mimesis : self-similarity and other nature-based inspiration in compositionPhDUniversity of Sydney201089 + 8 score+ 2 CDs
BARBELER, DamienExperiential learning in musical composition.MMusGriffith University1997109
BARBER, BruceAn analytical survey of percussion education at the immediate pre-tertiary level MMusUniversity of Melbourne1989344
BARBER, Jonathan B.An investigation of neural processes in music cognition using quantative electroencephalographyPhDUniversity of Melbourne1999294
BARCLAY, Daryl JamesLuther and the restoration of vernacular congregational hymnodyMAAustralian Catholic University200475
BARCLAY, LeahSonic Ecologies: Environmental Electroacoustic Music Composition in Cultural ImmersionPhDGriffith University2014
BARCLAY, NeilSelf-hypnosis as a tool for practice and performanceMMus Ed.University of Western Aust.1996187
BARDWELL, GlennMusical expression and communication: an overviewMMus (perf)University of Melbourne1996121
BARKER, Bram WesleyThe Jebediah Jones Mystical Montrose Tour, 1999MMOverseas199922
BARKER, Jade CarolineApplying Bartolozzi's theory from New sounds for woodwind (1967) to a performance of Bartolozzi's Per Olga (1976) and Smith Brindle's Andromeda M31 (1967) mediated through the utilisation of the Bartolozzi-Mencarelli methodMMusMonash University2014
BARKER, Simon"Scattering rhythms" : The Koreanisation of the Western drumsetPhDUniversity of Sydney2010114 + 1 CD + 1 DVD
BARKL, LouiseProfessional musicians and the music education programs of arts organisations : case studies of two models MMus (Mus Ed.)University of Sydney2005268 + DVD
BARKL, MichaelFranco Donatoni's Etwas Ruhiger in Ausdruck; and folio of compositionsMMus (Hons)University of New England19852 vol
BARKL, Michael Laurence GordonPure data as a Meta-Compositional InstrumentDCAUniversity of Wollongong2009133 + CD
BARKL, Michael Laurence GordonVertigo: Riccardo Formosa's composition techniquePhDDeakin University1994301
BARLOW, DaleA portfolio of transcriptions and analyses towards Masters of Music MMus (Jazz)University of Canberra19972 vol
BARLOW, ShaunBeatbox flute : An historical account, performance manual and notational guideMMusPerfUniversity of Sydney2011101
BARNARD, Geoffrey DavidIndeterminate composition and ideological determination MAUniversity of Technology Sydney2003106
BARNES, Gwyneth GA history of the Newcastle Conservatorium, 1952-1989M.EdUniversity of Newcastle1994142
BARNES, Jennifer JoanBeyond the act of singing MMusUniversity of Newcastle1998
BARNES, Jennifer JoanSubjective audibility in the professional operatic soprano voice.PhDUniversity of Sydney2007139
BARNES, JulieWhitsunday: a bicentennial operaMAMonash University1991121
BARNEY, KatelynPlaying Musical Hopscotch: How Indigenous Australian Women Perform Around, Within and Against AboriginalismPhDUniversity of Queensland2006309 + CD
BARON, AnnetteA comparison of unaccompanied singing of familiar songs and vocal improvisation for older adults with severe late stage dementiaMMusUniversity of Melbourne2004142
BARONE, StefanoFragile Scenes: Metal, Rap, and Electro in Post-Revolutionary TunisiaPHDGriffith University2016271
BARR, Adrian B.The transcendent experience in experimental popular music performancePhDUniversity of Western Sydney2012364
BARRACLOUGH, TimothyIterative Design for Approachable, Mobile-Based Collaborative Electronic Music InstrumentsMEngVictoria University of Wellington2015128
BARRETT, B. E.An errorless versus a traditional procedure for teaching reading of music notationM.Ed.James Cook University1990
BARRETT, Margaret SylviaChildren's aesthetic decision-making: an analysis of children's musical discourse as composers PhDMonash University19962 vol
Barry, JenniferStories and gaps: a study of narrative, discourse and musical awareness in a group of year six children's responses to musicMTeachUniversity of Canterbury2006117
BARRY, Philippa AMusic therapy cd creation for initial paediatric radiotherapy : a mixed methods analysisM.Mus.University of Melbourne2008137
BARTHOLOMEW, Peter G.Personal rights, property rights and Section 55(2) of the Copyright Act 1968 : a consideration of the adaptation right in the compulsory licensing scheme for recording of musical works LLMQueensland University of Technology19981 vol
BARTLEET, Brydie-LeighGendering the podium: the journeys of professional woman conductorsPhDUniversity of Queensland2004328
BARTLETT, IreneClassical technique meets contemporary style : beliefs and practices of voice teachers in contemporary studiosMMusGriffith University1998104
BARTLETT, Irene MarySing out loud, sing out long: a profile of professional contemporary gig singers in the Australian contextDMAGriffith University2011212
BARTLETT, Simon JohnAn Exploration of the Origins and Expression of Implied Harmony in The Gerry Mulligan Quartet with Chet Baker (1952-1953)MMusUniversity of Sydney2016102
BARTON, GeorginaThe influence of culture in instrumental music teaching : a particpant-observation case study of Karnatic and Queensland instrumental music teachers in context PhDQueensland University of Technology2003257
BARTUP, Marie PatriciaAn annotated bibliography on expressions of popular culture: the music and dance of hip hop in New Zealand MLISVictoria University of Wellington200286
BARWICK, LindaCritical perspectives on oral song in performance : the case of Donna Lombarda PhDFlinders University19862 vol + 2 cass
BASILE, ChristopherAn ethnomusicological study of the Macedonian Women's Choir of Melbourne MAMonash University1991124
BASILE, ChristopherTradition and change in Rotinese sasandu-accompanied songPhDMonash University2005342
BASSETT, JohnAssessing the Spatial Diffusivity of Sound Fields in Rooms using Ambisonic TechniquesPhDUniversity of Sydney2012247
BASTANINEZHAD, Arya/​AliA critical study of the music pedagogy in post-revolutionary Iran (1979-2010): breaking down the boundaries between two musical methodsPhD Monash University2013
BASTIAN, DudleyThe chorale prelude in English organ musicMAUniversity of Western Aust.1980177
BASTON, KimScoring performance: the function of music in contemporary theatre and circusPhDLaTrobe University2008294
BATES, Nathanael JamesPop still eats itself: appropriation, quotation and assimilation in popular music (rock)MARMIT University200412 +2CDs
BATES, Nathanael James Sampling and the 'Sound Object' in contemporary sonic artPhDRMIT University2013117
BATHURST, Ralph JamesThe music of organisations : an aesthetic ethnographyPhDVictoria University of Wellington2006427
BATTERHAM, AndrewFolio of compositions 2010-2011MMus(Comp)University of Melbourne2011239
BATTERHAM, Andrew BruceFootprints: the assimilation of extra-Classical elements in a compositional languagePhDUniversity of Melbourne2015
BAUDER, AmyAuthenticity in Australian country musicPhDMacquarie University2016329
BAULCH, EmmaMaking scenes: reggae, punk and death metal in 1990s BaliPhDMonash University2003346
BAYNES, Mark EdwardAnalytic, descriptive, and prescriptive components of evolving jazz : a new model based on the works of Brad MehldauDMAUniversity of Auckland2015229
BEARDMORE, MeredithInterpretation and perception in the era of historically informed performance : a case study of J. S. Bach's Partita in A minor BWV 1013 for solo fluteMMusUniversity of Sydney2011125
BEARE, MichaelBritish clarinet playing from 1940MMusUniversity of Adelaide1987130
BEAUGEAIS, KatiaCompositions by Katia BeaugeaisMMusUniversity of Sydney2010148 + 1 CD
BEAVERSTOCK, John G.The employment of the organ in three great oratorios of Edward ElgarMusMUniversity of Western Aust.1995103
BEBAN, DanielGoing for a song: the New Zealand chant of auctions, housie and racingMAVictoria University of Wellington2001129 + 2 CD
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