| FOX, Robin | Contingency and space as structural concerns in a folio of interactive electroacoustic compositions | PhD | Monash University | 2006 | 93 + DVD + ADAT Tape |
| FRAMPTON, Andrew Leslie | Jan Dismas Zelenka's Missa Sancti Spiritus, ZWV 4: a critical edition and study of the manuscript sources | MMus | University of Melbourne | 2015 | |
| FRANCES, Ruth | Music performance anxiety: a group work approach | MMus | University of Melbourne | 2003 | 138 |
| FRANCIS, Richard | Patterning : creative sound composition from environmental recordings | MCPA | University of Auckland | 2004 | 51 + DVD + 7 sound d |
| FRANKLIN, James Ashley | Between worlds | PhD | University of Sydney | 1997 | 314 + 4CD + 1Vid |
| FRANKLIN, James Ashley | Circles and arrows : an outline of a concept of musical metaanalysis and its implications | MMus | University of Sydney | 1987 | 142 |
| FRANZ, Emma Kate | Resounding cinema: exploring misconceptions of the nature and obligation of nonfiction film through the challenges of the ‘music documentary | MMus | University of Melbourne | 2015 | |
| FRASER, Abby Bridgett Grace | Interpreting the flute works of Jean Françaix (1912-1997) | PhD | University of Tasmania | 2011 | 186 + 8CDs +DVD |
| FRASER, John William | A programme of research into pianoforte sight-reading and its implications for pedagogy | PhD | University of New England | 1990 | 350 |
| FREDERICKS, Ian Francis | The development and use of computational models of creative musical intelligence in the composition and realization of Death of a dragon, StarMist, Violins in space, and Spirals : 1998-March 2001 | PhD | University of Sydney | 2005 | 204 + 4 CDs |
| FREE, Lindy-Jo | The use of the keyboard laboratory in the first year of secondary school music with specific reference to seven schools in Perth, Western Australia | MMus Ed. | University of Western Aust. | 1994 | 150 |
| FREEMAN, Lliam | Developing an improviser's "tool-kit" : exploring methodologies towards the development of improvisational skill and fluency in the performance of original work in jazz ensemble | MA | Monash University | 2006 | 56 + CD |
| FREEMAN, Peter A. | Neural networks in the analysis of music | MMus | University of Queensland | 1994 | 85 |
| FREEMAN, Peter A. | Eclecticism in the music of Antonio Carlos Jobim : a consideration of stylistic diversity | PhD | University of Queensland | 2006 | 291 |
| FREER, Nicholas | Evening the odds : an analysis of methodologies used to generate harmonic rhythm in asymmetrical meters since the 1950s and their subsequent implications for contemporary improvisation | MA | Monash University | 2010 | 76 + CD |
| FREILICH, Rachel | Song as the spiritual elevation of the soul: Habad women in Australia and their musical expression | PhD | University of Sydney | 2006 | 416 |
| FRETHEY, Cameron | Better must come reggae as a new social movement | MScoSc | University of Waikato | 2010 | 140 |
| FREW, Rebecca Elizabeth | Bridging the training divide between studio preparation and characterisation in operatic performance using Michael Chekhov’s theory of Psychological Gesture | MMus | University of Melbourne | 2010 | |
| FRISINA, Wendy-Cara | Factors influencing students who continue or discontinue their music studies from year 8 to year 9 : a survey of selected Western Australian secondary schools | M.Ed | Edith Cowan University | 2001 | 3 microfiche |
| FROMYHR, Judith J | Ready to teach - ? : a study of influences on the readiness of general primary school teachers to teach a "specialist" subject area | M.Ed | Queensland University of Technology | 1995 | 101 |
| FROTJOLD, Rolf | The effect of singing lessons on primary aged students of non English speaking background | M.Ed | University of NSW | 1994 | 73 |
| FUHLER, Cornelis William Hendrik | DISPERSE AND DISPLAY: STRUCTURAL STRATEGIES FOR MODULAR APPROACHES IN COMPOSITIONAL AND INSTRUMENTAL PRACTICE | PhD | University of Sydney | 2016 | |
| FUHRMANN, Anita | Wind musicians' lung function and respiratory health | PhD | University of Western Aust. | 2009 | 165 |
| FUJIMURA, Kenji | Researching performance : translations into editions and performances of the forgotten piano works of William Hurlstone (1876-1906) | PhD | Monash University | 2008 | 147 + 2 CDs |
| FUNG, Annabella | The relevance of Piagetian theories to research in music and music education: a pilot study of metre task (FMCT) on children of various ages | MA | Monash University | 1991 | 2 vol |
| FURDUJ, Boris | Acoustic instrument simulation in film music contexts | MRes | Macquarie University | 2014 | 135 |
| FURLAN, Alberto | Songs of continuity and change: the reproduction of Aboriginal culture through traditional and popular music | PhD | University of Sydney | 2005 | 440 |
| FURMAN, Alexander E | Joseph Haydn's keyboard music 1791-1795 : style and performance | MMus | University of Melbourne | 1992 | 46 |
| FURMAN, Elizabeth | Current strategies for implementation of the Curriculum and Standards framework : music in Victorian schools | M.Ed | Monash University | 1999 | 123 |
| FURZE, Christine H | Music and movement with preschool aged retarded children | AdvDipSp.Ed. | Flinders University | 1976 | 103 |
| GALBRAITH, Jane | The Necks - an acoustic experiment : Places | DCA | University of Technology Sydney | 2010 | 267P + 1CD |
| GALE, Annas Thelma | Studies in the history and development of solo song and its accompaniment. | MA | University of Canterbury | 1954 | 152 |
| GALEA, Jeff | Ghana: the folk music of Malta influences on my music | MA | University of Wollongong | 2005 | 65 + 1 CD |
| GALEAZZI, Michael | An overview of the musical sources of "Wedding Song" | MMus | University of Sydney | 2009 | 53 |
| GALL, Jennifer | Redefining the tradition : the role of women in the evolution and transmission of Australian folk music | PhD | Australian National University | 2008 | 334 p + CD |
| GALLACHER, Lynette | Extensions of the voice : a study of Chris Mann's of course : the performance and text | MA | LaTrobe University | 1993 | 36 |
| GALLACHER, Lynette | Words under pressure: an investigation of compositional linguistics focussing on recent work by Chris Mann | PhD | LaTrobe University | 1996 | 217 |
| GALVIN, Stephen Patrick | The furrowed field : views of song and literature in Ireland 1840-1922 A.D | MMus | University of Auckland | 1999 | 122 |
| GAME-LOPATA, Jenny | Gillian Karawe Whitehead: her life and work | MA | Monash University | 1999 | |
| GANG, Na-Hyun | Action research : an exploration of a music therapy student's journey of establishing a therapeutic relationship with a child with autistic spectrum disorder in music therapy | MMusTherapy | NZ School of Music (Victoria + Massey) | 2009 | 117 |
| GAO, Zhiwen | How tertiary students use music to manage stress | M.Ed | Monash University | 2008 | 193 |
| GAO, Zhiwen | The psychological role of music listening in emotion regulation for stress coping amongst university students | PhD | Monash University | 2014 | |
| GARBER, Susan Joyce | The Hand-in-Hand community music program: a case study | PhD | Australian National University | 2004 | 349 |
| GARCIA, AL | Stringshift : solo guitar improvisation : process, methodology and practice | Unknown | University of Tasmania | 2014 | |
| GARCIA, Anthony Lamont | An introduction to guitar harmony and improvisation | MMus | University of Queensland | 1999 | 121 |
| GARD, Stephen | Nasty Noises: 'Error' as a Compositional Element | MMus Comp | University of Sydney | 2004 | 68 + 2 CD |
| GARDEN, Greer | Tonal and modal resource in the Latin motets of William Byrd | MA | University of Otago | 1965 | 76 |
| GARDNER, Jocelyn | The relationship between pitch discrimination, rhythmic skills, number concepts and digit/sentence repetition in pre-school children | M.Ed | University of Newcastle | 1994 | 77 |
| GARDNER, Lisa A.-M. | Female vocal performance: the effectiveness of a specially devised program for belting | MMus Ed. | University of Sydney | 1993 | 140 |
| GARFINKEL, Caleb | Investigations in guitar signal processing: 'folding' and its outcomes in composition and performance | MMus | Monash University | 2014 | |
| GARIGLIANO, Cristoforo | L'Ottava Isola: studies on music, heritage and cultural identity between Sicily and Sydney | PhD | Macquarie University | 2009 | 304 |
| GARRETT, David | The accidental entrepeneur - how ABC music became more than broadcasting | PhD | University of Wollongong | 2012 | 203 |
| GARRETT, Linda | Micro-intonation and the viola : a study of just intonation, the Pythagorean scale and equal temperament in relation to the performance of unaccompanied viola repertoire | MPhil (perf) | University of Queensland | 2006 | 32 |
| GARRETTY, J.D. (Joyce Dulcie) | Three Australian composers [Sutherland, Hughes, LeGallienne] | MA | University of Melbourne | 1963 | 2 vol |
| GARRICK, Jamie | The Intimate Virtuoso : The Guitar, the Rhetoric of Transformation, and Issues of Spectacle in Music by Fernando Sor, Johann K. Mertz, and Giulio Regondi | MMus | Massey University | 2014 | 84p +2CD |
| GARRICK, Jamie | The Intimate Virtuoso: The Guitar, the Rhetoric of Transformation, and Issues of Spectacle in Music by Fernando Sor, Johann K. Mertz, and Giulio Regondi | MMus | NZ School of Music (Victoria + Massey) | 2014 | 84p+2DVD |
| Garrido, Sandra | Negative Emotions in Music: What is the attraction? | PhD | University of NSW | 2012 | 310 |
| GARRITY, Wendy | A comparison of performance approaches to Prokofiev's Sonata for Flute and piano, op.94 | MusM | University of Western Aust. | 2000 | 2 vol |
| GARSDEN, Alexander | Folio of compositions | MMus | University of Melbourne | 2014 | |
| GARTH, Alan | A study of an Australian rural music festival | MA | Deakin University | 2000 | 166 |
| GARVIS, Susanne | An Investigation of Beginning Teacher Self-Efficacy for the Arts in the Middle Years of Schooling (years 4-9) | PhD | University of Queensland | 2010 | 302 |
| GARZOLI, John | Intonational, idiomatic, and historical factors that shape contemporary Thai fusion music | PhD | Monash University | 2015 | 340 |
| GASSER, Mark | Ronald Stevenson, composer-pianist : an exegetical critique from a pianistic perspective | PhD | Edith Cowan University | 2013 | |
| GATES, Anne | The role of the cerebral hemispheres in music performance and perception | PhD | Monash University | 1976 | 1 vol |
| GAYDON, Mark Andrew | Berio's sequenza XII in performance and context: a contribution to the Australian bassoon repertory synthesizing extended techniques into newly commissioned works. | PhD | University of Adelaide | 2013 | 93+4CDs |
| GAYLER, Ross Watson | Development of a methodology and theoretical framework for melodic discrimination | PhD | University of Queensland | 1987 | 231 |
| GEAKE, John | An information processing study of individual differences in perception of pitch fluctuations in music. | PhD | University of New England | 1996 | 393 |
| GEARING, Phillip | Malcolm Williamson's organ symphony: an analysis of serial technique | MMus | University of Queensland | 1989 | 67 |
| GEBBIE, Rochelle Maree | A musical revolution in Nelson: the German Directors of the Nelson School of Music 1894-1944 | MA | University of Auckland | 1999 | 189 |
| GEDDES, Paul | A thing about blood: exploring abjection in the musical theatre of Sondheim and co. | PhD | Macquarie University | 2002 | 229 |
| GEE, Anne Maureen | Contact, change and the Church: some aspects of Papua New Guinea church music. | MA | University of New England | 1992 | 221 |
| GEE, Narelle | Maintaining our rage: Inside Australia's longest-running music video program | PhD | Queensland University of Technology | 2015 | |
| GEEVES, Andrew Malcolm | Seeing yellow a grounded theory of the experience of music performance for the professional musician | PhD | Macquarie University | 2012 | 477 |
| GELL, Heather | Dalcroze eurhythmics : music through movement : a hundred lessons and thousands of ideas for early childhood education / by Australian master teacher, Heather Doris Gell ; edited and annotated by Joan Pope. | N/a | Not Applicable | 2005 | 206 |
| GENOUX, Christophe Emile | Inspired : I want to play music like the elephant looks at everything! : 'The eye of the elephant' as a metaphor for performing improvised jazz music | M.Mus. | University of Melbourne | 2009 | 42 |
| GENOVA, Vincent Anthony | Torres Strait island music: A cantometric study | PhD | Overseas | 1991 | 379 |
| GEOGHEGAN, Noel | Possible effects of early childhood music on mathematical education | MA | Macquarie University | 1993 | 125 |
| GEORGE, Effy | The Sorathiya Rabari : women's instrumentality in the culture of a pastoral caste | PhD | LaTrobe University | 2004 | 421 |
| GEORGE,Christina Anne Maree | Anthem for the year 2000 and beyond : Australian rock music and cultural identity | MA | Queensland University of Technology | 2002 | 168 |
| GEORGOULAS | Hybrid identities: being a Greek musicker in Melbourne and in Greece | PhD | Monash University | 2016 | |
| GERRARD, Graeme | COMPOST : a language for computer music composition - sound synthesis from spectral functions | MA | LaTrobe University | 1986 | 2 vol + accompanying |
| GERRARD, Kathleen | The livre d'airs et de simphonies meslés de quelques fragmens d'opéra 1697 of Pierre Gillier : an edition and study | M.Mus | NZ School of Music (Victoria + Massey) | 2010 | 107 |
| GERZIC, Marina | The intersection of Shakespeare and popular culture : an intertextual examination of some millennial Shakespearean film adaptations (1999-2001), with special reference to music | PhD | University of Western Sydney | 2008 | 215 |
| GETHING, David | A comparative analysis of grand motet settings of Psalm 129 by Jean-Baptiste Lully (LWV 73) and Marc-Antoine Charpentier (H. 189) | MA | University of Western Aust. | 2003 | 171 |
| GIAMOU, Luke Alexander | Music for mood regulation: listening strategies, listening preferences, and individual differences | PhD | Swinburne University of Technology | 2012 | 202 |
| GIBBS, John Charles | Copyright in electronic music | LLM | University of Melbourne | 1992 | 95 |
| GIBSON, Andy | Production and perception of vowels in New Zealand popular music | MPhil | Auckland University of Technology | 2010 | 193 + CD. |
| GIBSON, Bronwyn | The piano concerto in Australia 1980-1999 : contemporary manifestations of the genre in the works of Stephen Cronin and David Joseph | MusM | University of Western Aust. | 2004 | 113 |
| GIBSON, Chris | Decentred sounds?: Systems of provision for popular music and a regional music industry | PhD | University of Sydney | 2000 | 374 |
| GIBSON, Lorena | Versioning for the love of it: Hip-Hop culture in Aotearoa | MA | Massey University | 2000 | 116 |
| GIBSON, Robert R. | Parsifal and Homosexuality: A study of the reception of Parsifal as a homoerotic text | MMus | University of Sydney | 1998 | 131 |
| GIDDENS, Michael John | A unity of vision : the ideas of Dalcroze, Kodaly and Orff and their historical development | PhD | University of Melbourne | 1992 | 454 |
| GIESE, Jillian F. | The assessment of music processing following brain damage | MPsych | LaTrobe University | 1986 | 121 |
| GIFFORD, Toby | Improvisation in interactive music systems | PhD | Queensland University of Technology | 2011 | 205 + Disc |
| GIJSBERS, Lucy | The Three Great Soviet Composers and Mstislav Rostropovich – Talent, Music and Politics in the Soviet Union | MMus | Victoria University of Wellington | 2014 | |
| GILL, Brad | Compositional technique and the exploration of spirituality in the music of Brad Gill + Folio of Original Compositions | PhD | University of Sydney | 2005 | 114 + CDs |
| GILL, Rebecca | The nineteenth-century aesthetics of violin composition in Bohemia and Moravia: a comparison of the repertoire for violin and piano by Antonín Dvořák and Leoš Janáček | MMus | University of Sydney | 2014 | 116 |
| GILLER, Alexandra Patricia | Experts and excerpts: the application of Giovanni Bottesini's complete method for the Contre-Basse to the preparation of orchestral excerpts taken from the works of Giuseppe Verdi | MArts | Monash University | 2015 | 45 |
| GILLESPIE, Kirsty Jane | Steep Slopes : song creativity, continuity and change for the Duna of Papua New Guinea | PhD | Australian National University | 2007 | 282 + CD |
| GILLETT, Rachel Anne | Crossing the pond: Jazz, race and gender in interwar Paris | PhD | University of Otago | 2010 | |
