WELLS, Sarah Ellen | Women as musical leaders : experiences and perceptions of female conductors and concertmasters in Perth, Western Australia | MA | University of Western Aust. | 2011 | 173 |
WELLS, Jessica | Compositions | MMus (Comp) | University of Sydney | 1998 | 5 scores |
WELLS, Elizabeth Ann | Influences of the Englische Komodianten on Baroque Opera in Hamburg : Dramaturgy and Perspectives | MMus | University of Adelaide | 1989 | 1 vol |
WELLMAN, David Allen | Towards an integration of theories of achievement motivation | MA | Deakin University | 2001 | 246 |
WEISS, Michael | The nineteenth-century Fonte : the continuing tradition of a galant musical pattern | MMus | University of Auckland | 2013 | 188 |
WEISS, Michael | Theoretical and analytical reflections on the role of Robert O. Gjerdingen's galant schemata in nineteenth-century composition | PhD | University of Auckland | 2018 | 506 |
WEIR, David | Mashing power : musical re-imaginings of post 9/11 political rhetoric | PhD | Southern Cross University | 2009 | 232 |
WEIGHTMAN, Monica | The dancing brolga: a musical journey of deepening connection to identity | MA | Monash University | 2013 | |
WEIDENBACH, Vanda | Music in the education of the young, multiply handicapped deaf/blind child | MA | Macquarie University | 1981 | 201 |
WEIDENBACH, Vanda | The Influence of self-regulation on instrumental practice | DPhil | University of Western Sydney | 1996 | 212 |
WEI, Deng | Historical development of the pipa [Chinese Lute] | MMus | University of Tasmania | 1987 | 192 |
WEGENER, Sarena | Baroque vs modern [manuscript] : the baroque oboe in a modern context | MA | Charles Darwin University | 2010 | 75 + CD |
WEEKES, Diana K. | Twistonality: A Personal Exploration: portfolio of original compositions and exegesis | PhD (Comp) | University of Adelaide | 2007 | 3 vol |
WEE, Brenna Weng Han | Chinese-Western hybrid music development in Australia as exemplified through the life and works of Julian Yu | MMusPerf | University of Melbourne | 2011 | 85 |
WEBSTER, Margaret Louise | Portfolio of compositions | MMus | University of Auckland | 2011 | 165 + Disc |
WEBSTER, Joshua | Creating and Performing New Australian Works on the Hungarian Concert Cimbalom | M.A | Edith Cowan University | 2013 | 267 |
WEBB, Helen J. | Tudor organ music: a study of liturgical works in the British Museum. MS. Additional 29996 | PhD | University of Adelaide | 1975 | 376 |
WEAKLEY, Sarah | Polyphonic settings of the Lamentations of Jeremiah in sixteenth-century Rome, Venice, and Spain ; with an edition of of Giovanni Croce's Devottissime Lamentationi (Venice, 1603). | MMus | University of Auckland | 2001 | 247 |
WAY, Anthony | Lift up your hearts: a musico-liturgical study of the Eucharistic Prayer of the Roman Rite 1963-2004 | MMus | Australian Catholic University | 2004 | 2 vol |
WAUGH, Donald Ford | The English virginal school | MA | University of Otago | 1955 | 81 |
WATTS, Rowena | The industry standards of performance at orchestral clarinet auditions in Australia : A study of orchestral clarinettists' expectations of performance of selected orchestral excerpts at an audition | MMus | University of Sydney | 2012 | 170 |
WATTS, Peter | A critical edition of the works of William Cranford, c1590-c1660 | MA | University of Auckland | 1980 | 373 |
WATTS, Colin David | A.M.E.B. and Suzuki piano teaching in New South Wales : an overview of pedagogical issues | MA | University of Sydney | 1987 | 279 |
WATT, Sally | Simon Boyleau: motetta quatuor vocum (Venice: G.Scotto, 1554): an edition and study | MMus | University of Melbourne | 2002 | 131 |
WATT, Paul | The early cultural criticism of Jacques Barzun: the emergence of a new Romanticism and the development of the Hector Berlioz revival | MA | Monash University | 1992 | 133 |
Watt, Paul | The Intellectual Life of Ernest Newman in the 1890s | PhD | University of Sydney | 2009 not yet in lib. cat. | 238 |
WATSON, Stephen | The effects of music in television commercials | PhD | University of Wollongong | 1992 | 630 + 1 vid rec |
WATSON, Penelope | Stereotype threat and adolescent males in choirs : a reflection of gender beliefs? | PhD | University of Auckland | 2011 | 228 |
WATSON, KA | Processes and Concepts in Present-Day Transcultural Violin Performance Practice | PhD | University of New England | 2014 | |
WATSON, Gary Stephen | Shared intellectual property and the maintenance of cosmic order : an investigation into the significance of melodic sampling and transformation in the creation of new gending in Balinese gamelan music | MMus | University of Sydney | 1999 | 82 + CD |
WATSON, Christopher | The effects of music notation software on compositional practices and outcomes [+ Composition Folio] | PhD | Victoria University of Wellington | 2007 | 2 vol |
WATSON, Christian | How musicians develop the ability to improvise: a cross-cultural comparison of skill development in the Egyptian, Hindustani classical, and jazz traditions | PhD | University of NSW | 2012 | 291 |
WATSON, Chris | Music compositions | MMus | Victoria University of Wellington | 2002 | 1 vol + CD |
WATSON, Charles Richard | The computer analysis of polyphonic music | PhD | University of Sydney | 1985 | 214 |
WATSON, Carolyn Narelle | Gesture as Communication: The Art of Carlos Kleiber | PhD | University of Sydney | 2011 | 198 |
WATSON, Carolyn | Gesture as Communication: The Art of Carlos Kleiber | PhD (performance) | University of Sydney | 2012 | 198 |
WATSON, Amanda | An Investigation into Music in the Australian Arts Key Learning Area in the Victorian Curriculum and Standards Framework with reference to International Developments | PhD | RMIT University | 1998 | 377 |
WATKINS, Jennifer | The South Australian May Music Camp: 1962 -1986 | M.Phil | University of Adelaide | 2018 | 258 |
WATKINS, Clinton | The amplified experience | DocFA | University of Auckland | 2011 | 50 + 1CD + 1 Video d |
WATKIN, Michael | The blues [electronic resource] : an interactive hypermedia database (documentation of the development of a multimedia CAI programme) | MMus Ed. | University of Sydney | 1995 | 182 + comp laser dis |
WATERS, Simone | The affect valence model of motivation: Implications for music education and related fields. | MMus | University of NSW | 2014 | 138 |
WATERS, Melville | The Lutheran orthodoxy of J.S. Bach's Clavierubung | MMus | University of Adelaide | 1988 | 99 |
WATERS, Julie Anne | “Against the stream”: intersections of music and politics in the conception, composition and reception of Alan Bush’s first three symphonies | PhD | Monash University | 2012 | TBA |
WATERS, Edgar Pemberton | Some aspects of the popular arts in Australia, 1880-1915 | PhD | Australian National University | 1962 | 1 vol |
WATER, Bolke | Making music: discourses of cultural negotiation in New Zealand | MA | Victoria University of Wellington | 2001 | 175 |
WARREN, Penny | What are the factors that have influenced individual music therapists' professional identity and have those factors impacted on their practice and the field as a whole in New Zealand? | MMusTher | Victoria University of Wellington | 2015 | |
WARREN, Brad | Reassessing subculture: Heavy Metal and subculture theory | MA | Monash University | 1995 | 174 |
WARE, Vicki-Ann | Stylistic and cultural transformations in Bangkok fusion music from 1850 to the present day, leading to the development of Dontri Thai Prayuk | PhD | Monash University | 2006 | 414 |
WARDS, Allan Ross | Musical interest, church attendance and personality | MA | Massey University | 1980 | 86 |
WARD, Megan | Melodic ornamentation from Muffat to Telemann | MMus | Victoria University of Wellington | 2014 | |
WARD, Lisa-Jane | Five and six-part chamber sonata in Germany, 1700-1760 | MMus | University of Adelaide | 1998 | 150 |
WARD, Jill | Andrea Zani (1696-1757) - life and works - through a study of the documents together with a collected edition and thematic catalogue | PhD | University of Canterbury | 2010 | TBA |
WARD, James | The composer's assistant | MSc | University of Technology Sydney | 1995 | 159 + 1 video casset |
WARD, Howard | Folio of compositions [music] : 2008-2010 | M.Mus. | University of Melbourne | 2010 | 183 + 1 CD |
WARD, Anthony McKenna | A miniature orchestra: a study in the aesthetics of guitar transcription | MMus(hons) | University of New England | 1999 | 161 |
WARD, Anthony McKenna | Agustín Barrios Mangoré : a study in the articulation of cultural identity | M.Mus. | University of Adelaide | 2010 | 184 +CD |
WAPLES, Benjamin Ross | The review of resources pertaining to arco techniques for the double bass and their application to jazz improvisation in the swing style | MMusPerf | University of Sydney | 2011 | 95 |
WANGPHANICH, Chanick | The integration of e-Learning in higher music education in Thailand | PhD | University of NSW | 2013 | 346 |
WANG-HUA, Chua | Folio of compositions; Folio of analyses [Sculthrope, Penderecki, Feldman] | MMus | University of Melbourne | 1984 | 1 score, 2 vol |
WANG, Zheng-Ting | A history of Chinese music in Victoria | MA | Monash University | 1995 | 127 |
WANG, Zheng-Ting | Chinese Music in the Diaspora to New York and Melbourne: 1980s to 2000 | PhD | University of Melbourne | 2004 | 345 |
WANG, Yu Yan | Chaozhou daluogu perfromance, repertoire, instruments, technique, transmission and sustainability in an ancient Chinese percussion genre | DMA | Griffith University | 2011 | 345 |
WANG, Tzu-ya (Lisa) | Action research : improving my music therapy practice with hospitalised adolescents through building relationships and meeting their developmental needs | MMus Therapy | Victoria University of Wellington | 2008 | 81 |
WANG, Anna Ping-An | Music analysis of clinical improvisations with an adolescent who has communication difficulties | MMus Therapy | NZ School of Music (Victoria + Massey) | 2010 | |
WANG, Anna | Text, mimesis and New Zealand themes: an analytical study of Dorothy Buchanan's recent vocal works | MA | University of Canterbury | 2005 | 286 |
WAN, Tracey | Stylistic issues in the Allemande of the B minor Partita No. 1 for solo violin by J.S. Bach | MMus | University of Sydney | 2008 | 57 |
WALUS, Bartlomiej Piotr | A new modular approach to the composition of film music. | PhD | University of Adelaide | 2013 | 468 |
WALTERS, Reynold | The moment of performance | MMus | University of Melbourne | 2014 | |
WALTERS, Melanie | Crossing the modernist-postmodernist divide [sound recording] : performance challenges in late twentieth century Australian flute music : a portfolio of recorded performances and exegesis | MMus | University of Adelaide | 2011 | 2 Discs + exegesis |
WALTER, Reynold | The moment of performance : trace and materiality in improvisational music practice | MFA | University of Melbourne | 2014 | 105 |
WALTER, Adrian Charles | The early nineteenth century guitar [manuscript] : an interpretive context for the contemporary performer | PhD | Charles Darwin University | 2008 | 511 |
WALSH, Robert | The composition of contemporary ambient music utilising field-recordings of Tokyo, unusual instrument combinations and minimalist techniques | PhD | Southern Cross University | 2003 | 84 |
WALSH, Michael James | Musical listening and social boundaries: framing ‘public’ and ‘private’ social life through sound | PhD | Monash University | 2010 | 241 |
WALSH, Fiona | Bartok's altered endings : contexts, case studies, and constructs | PhD | University of Queensland | 2001 | 430 |
WALSH, Andrew | The muting of organ pipes | MSc | University of Sydney | 1993 | 91 |
WALSH, Amy | The image of the tuba | MMus | University of Sydney | 2012 | 92 |
WALLIS, Diana Mary | Charles-Valentin Alkan, 1813-1888 : a study of neglect and revival, with an analysis of the first and second suites of Chants, op. 38, i and ii | MMus | University of Auckland | 1996 | 173 |
WALLACE, Thomas Owen | Complex by composite - A comparative analysis of pop songs and observational photographs | MFA | University of NSW | 2014 | 94 |
WALLACE, Michael Edmund | The map is not the territory: reconsidering music improvisation education | M.T | University of Melbourne | 2012 | 60 |
WALLACE, Michael | Unifying composition and improvisation : applying Bob Brookmeyer's pitch module concept to composition and improvisation | MA | Monash University | 2007 | 76 + cd |
WALLACE, Margaret J. | Second hearing recognition of music: the design and administration of a research instrument which examines one aspect of music listening | PhD | University of Canterbury | 1982 | 284 |
WALLACE, Catherine Jane | An examination of the supernatural in Scottish Gaelic folksongs and folktales | MA | University of Sydney | 1994 | 145 + cass tape |
WALLACE, Brenda | Reconstructing clients self-narrative: the role of metaphor and imagery in guided imagery and music | M.Mus | University of Melbourne | 2013 | |
WALKER, Rhett H | In what is constituted musical meaning, significance, value and greatness | PhD | University of Melbourne | 1993 | 231 |
WALKER, Judith Ann | Rhythmic nonalignment in Aboriginal Australian, West African, and twentieth-century art musics | PhD | Overseas | 1983 | 599 |
WALKER, David Anthony | Introspection and the syncopation of euphonious visuality | MFA | Monash University | 2002 | 40 |
WALKER, David | Drawing music aesthetica : a personalized technique | PhD | Monash University | 2015 | |
WALKER, Allan | Schoenberg's Prelude to the Genesis suite : a study of its ideas | MA | LaTrobe University | 1990 | 70 |
WALKER, Alison | Living narrative(s): cinematic corporeality, sonicity and negotiating the cinesomatic experience | MRes | Macquarie University | 2015 | 90 |
WALDROCK, Kim | A method of accomodating the musically gifted in the mixed ability primary class | M.Ed | University of NSW | 1994 | 127 |
WALDEN, Valerie | An investigation and comparison of the French and Austro-German schools of violoncello bowing techniques: 1785-1839 | PhD | University of Auckland | 1994 | 944 |
WALDEN, Valerie | Bernhard Romberg : a survey of his life, work and contribution to the art of violoncello performance | MMus | University of Auckland | 1989 | 231 |
WALDEN, Jennifer | Culturally Diverse Music Education in North American K-12 Classrooms: The Role of Teacher Attitudes and Attributes in Facilitating Engaged Practices | PHD | Australian Catholic University | 2016 | 282 |
WALDEN, Geoffrey Alan | Instrumental music education in Queensland : who benefits most? | M.Ed | Queensland University of Technology | 1996 | 260 |
WALDEN, Geoffrey Alan | It's only rock 'n' roll but I like it-- : a history of the early days of rock 'n' roll in Brisbane as told by some of the people who were there | PhD | Queensland University of Technology | 2003 | 326 |
WADE, James | Folio of compositions [music] : 2009-2011 | MMus | University of Melbourne | 2011 | 104 |
WAARDENBURG, Eric Walter | A study and edition of selected keyboard concertos by Georg Christoph Wagenseil (1715-1777) | MMus | University of Auckland | 1983 | 248 |
VU, Viet Anh | Composition Portfolio | MMus | University of Waikato | 2011 | 213 |
VOYCE, Thomas | A personal and fragile affair : the sonic environment and its place in my compositions | MMus | NZ School of Music (Victoria + Massey) | 2009 | 102 + 2CDs |
VOYCE, Thomas | Do I Get a Say in This? Environmental Sound Composition, the Phonograph and Intentionality | PhD | Victoria University of Wellington | 2016 | |