BONIFACE, Emma Jane | Promoting sociability : staff perceptions of music therapy as a way to enhance social skills | MMus Therapy | NZ School of Music (Victoria + Massey) | 2009 | 98 |
BONIGHTON, Ian | Concerto da camera ; Sequenza ; Herod : an instrumental theatre mosaic | DMus | University of Melbourne | 1971 | 2 scores |
BONIGHTON, Rosalie | Contemporary liturgical music and the composer | MA | LaTrobe University | 1992 | 188 |
BONSEY, Joan | German Romanticism and its impact on Schubert, Schumann and Brahms : a study of the relationships between historical, ideological and musical developments in nineteenth century Germany with specific reference to Lieder and chamber works of Schubert, Schumann and Brahms | MMus | University of Melbourne | 1972 | 147 |
BOOTH, Alison Stevens | Performance networks : Indian cultural production in Aotearoa/ New Zealand | PhD | University of Otago | 2014 | 299 |
BOOTH, Robyn | The status of music therapy in Victorian special schools | M.Ed | Monash University | 2002 | 114 |
BORER, Phillippe | Aspects of European influences on violin playing and teaching in Australia | MMus | University of Tasmania | 1988 | 205 |
BORER, Phillippe | The twenty-four caprices of Niccolo Paganini : their significance for the history of violin playing and the music of the Romantic era | PhD | University of Tasmania | 1995 | 290 |
BORIAGDAN, Joseph Ireneo | Enabling agency and cultural production [manuscript] : the dependent character of the independent music community | PhD | Flinders University | 2005 | 270 |
BORLAGDAN, Joseph Ireneo | Enabling agency and cultural production: the dependent character of the independent music community | PhD | Flinders University | 2005 | 270 |
BORNMAN, Richard M. | An analysis of the jazz guitar style of Lenny Breau : late 1960s | MMus (Perf) | University of Sydney | 2004 | 1 vol |
BORTHWICK, Jeremy | Hal Crook : an analysis of his improvisational style from the period 1994-1996, by the examination of core material common to three representative recordings and their related transcriptions | MMus | University of Sydney | 2000 | 88 |
BORTOLUSSI, Anne | Possible influences of Bach on the harmonic and contrapuntal language of Brahms's Klavierstucke opp. 116-119 | MMus | University of Melbourne | 1991 | 75 |
BOSTOCK, John | A compositional language in transition : six compositions | PhD | University of Sydney | 2003 | 2 vol + 3CD |
BOTH, Lindsay | Strange attractions? : rock music, minimalism and modernism in the chamber music of Michael Smetanin | MMus | University of NSW | 1996 | 115 |
BOTTING, Thomas | The Effect of Outside Genres on Techniques and Devices in Modern Jazz Composition (1988-2008) | MMus | NZ School of Music (Victoria + Massey) | 2014 | 114+1DVD |
BOTTOMLEY, John A | Jazz/culture : styles, formations, politics | MA | Australian Catholic University | 1991 | 94 |
BOUGHEN, P. Mark | The work of the Hymnbook Committee in the production of the music setting of the "Gloria in excelsis" from the 1996 common order service of the Lutheran Church of Australia: 1950-1968. | MMus | University of Queensland | 1995 | 89 |
BOUGHEN, Roxanne Elizabeth | Orff, Kodaly, Dalcroze and Suzuki : a comparative and developmental study in relation to the Australian context | M.Ed | LaTrobe University | 1990 | 65 |
BOULLE, Mellany | Changing perceptions : interpretation of songs versus lyrics with a domestic violence theme | MA | Massey University | 2011 | 116 |
BOUNDS, Carolyn Z | Performing flute music of the French Baroque : an approach for modern flautists [manuscript] | MA | University of Newcastle | 2010 | 126 |
BOURCHIER, Randall | Australian multicultural policies, the arts and traditional music and dance within the Cambodian community of Melbourne | MA | Monash University | 1991 | 102 |
BOURNE, Tracy Marie | Perceptual, acoustic and physiological characteristics of music theatre singing | PhD | University of Sydney | 2016 | |
BOURNE, Warren | The evolution of the German church cantata | MA | Victoria University of Wellington | 1966 | 219 |
BOURNE, Warren George | A kindling fever a study of some religious, socio-ethical and literary themes in music, between 1890 and 1920; with special reference to Debussy, Stravinsky and Schoenberg | PhD | University of Auckland | 1969 | 648 |
BOWAN, Kate | Musical mavericks : the work of Roy Agnew and Hooper Brewster-Jones as an Australian counterpart to European modern music 1906-1949 | PhD | Australian National University | 2007 | 500 p |
BOWDEN, Julia Patricia | The intermediate piano student: an investigation of the impact of learning material on motivation | M.Mus | James Cook University | 2010 | |
BOWEN, Nigel | After the counterculture : from political protesters to music consumers - middle class youth subcultures 1975-1995 | MA(Hons) | Macquarie University | 1998 | 321 |
BOWER, Janine M | Music therapy for a 10 year-old child experiencing agitation during posttraumatic amnesia : an instrinsic mixed methods case study | M.Mus. | University of Melbourne | 2010 | 232 |
BOWERING, Philip Graham | A study of the relationship between synergy in the group dynamic of contemporary music making and the use of midi/personal computer based music systems in an OSI/ISDN environment | MA | Victoria University of Wellington | 1990 | 101 |
BOWIE, Annette J. | Developments in western style contemporary music in South Korea, 1945-96 | MA | Monash University | 1997 | 124 |
BOYACK, Jennifer Elizabeth | Singing a joyful song : an exploratory study of primary school music leaders in Aotearoa New Zealand : a thesis | PhD | Massey University | 2011 | 295 |
BOYLE, Antares | "The pattern and the fabric" : complexity and ambiguity in the solo flute works of Toshio Hosokawa | MMus | University of Sydney | 2007 | 80 |
BOYLE, David | Musical analysis of works for performers and electronics : an alternative approach | MA (Hons) | University of Wollongong | 1997 | 120 + 1 CD |
BOYLE, Rosemary | Lying on the floor: young peoples' approaches to creativity in the music classroom | M.Ed | University of Melbourne | 2012 | 74 |
BRAAE, Nicholas | A Musicological Analysis of Nature's Best | M.A | University of Waikato | 2012 | 227 |
BRAATVEDT, Susan | A history of music education in New Zealand state primary and intermediate schools, 1878-1989 | PhD | University of Canterbury | 2002 | 572 |
BRACANIN, Philip | Matyas Seiber: his three string quartets | MA | University of Western Aust. | 1966 | 152 |
BRACANIN, Philip | The function of the thematic process in dodecaphonic music : a study in analytical method | PhD | University of Western Aust. | 1970 | 345 |
BRACKNELL, Clint Thomas | Natj Waalanginy (What singing?): Nyungar song from the south-west of Western Australia | PhD | University of Western Aust. | 2015 | |
BRACKOVIC, Jasna | Poor, pale, Rusalka: The Polymorphic Nature of the Heroine of Dvořák's Rusalka | MMus | NZ School of Music (Victoria + Massey) | 2014 | 130 |
BRADLEY, Margaret | Kacapi siter and kacapi perahu : two major contributors to the development of Sundanese musical styles in West Java, Indonesia | MMus | University of NSW | 1993 | 157 |
BRAHAM, Robert M. | Harmonic perception in tertiary music students: An analysis of the cognitive musical skills associated with harmonic perception | PhD | University of Western Aust. | 1997 | 482 |
BRAIN, Corisha | A social, literary and musical study of Julie Pinel's Nouveau recueil d'airs sérieux et à boire (Paris, 1737) | MMus | NZ School of Music (Victoria + Massey) | 2008 | 2 vol |
BRAKE, Ryan | Developmental Devices Used to Create Coherence and Unity in Multi-Movement Suites in a Modern Jazz Orchestra Setting | MMus | NZ School of Music (Victoria + Massey) | 2013 | 82p+1CD |
BRANDMAN, Carol Jean | Is the Future Musical Futures? A comparative analysis of the Musical Futures approach and the NSW BOS 7- 10 Music Syllabus | Master of Education | University of Wollongong | 2016 | 162 |
BRASIER, Angeline | Pauline Viardot: her music and the Spanish influence | MMus | University of Melbourne | 2000 | 88 |
BRAUN, Deniz Lucien | Ecstatic consonance: a third aesthetic in Scriabin's late piano works | MA | Monash University | 2002 | 126 |
BRAY, Kelsey O.J. | The economic impact of opera tourism : including a case study of the 1992 Ballarat Opera Festival | MBus | Victoria University (Vic. Australia) | 1995 | 235 |
BREAULT, Ainsley | Native noise: Māori popular music and indigenous cultural identity | M.Phil | Auckland University of Technology | 2010 | 63 |
BREEN, Andrea | Creating a place : women, land and improvisation | PhD | University of Tasmania | 2000 | 335 + 2 cass + 2 CD |
BREEN, J.W. | The Melbourne Chorale: a study of marketing in a non-profit organisation | MBA | University of Melbourne | 1981 | 44 |
BREEN, Julia | Literary sources in the work of Debussy | MMus | University of Melbourne | 1971 | 266 |
BREEN, Marcus | The popular music industry in Australia : a study of policy reform and retreat, 1982-1996 | PhD | Victoria University (Vic. Australia) | 1996 | 397 |
BRENNAN, Carolyn W | From Alam Melayu to Melayu Baru : understanding Dikir Barat in Singapore = From Malay world to New Malay : From Malay world to New Malay | PhD | University of Melbourne | 2009 | |
BRENNAN, Cassandra | Student engagement for enhanced learning in diverse school communities : a culturally inclusive approach through music education | MMusEd | University of Sydney | 2011 | 102 |
BRENNAN, David | The opera performer as actor: an Australian perspective | PhD | University of Newcastle | 2005 | 530 |
BRENNAN, Julia | An investigation into the impact of the NSW creative arts K-6 syllabus and teacher education resources on the teaching of music in NSW government primary schools | MMus(Mus Ed.) | University of Sydney | 2006 | 109 |
BRENNAN, Marc Andrew | Writing to reach you: consumer music press and music journalism in the UK and Australia | PhD | Queensland University of Technology | 2005 | 271 |
BRENNAN, Patrick Michael | Construction practices of the bassoon reed from field to final wire | MMus | University of Sydney | 2007 | 78 |
BRENNAN, Philomena S | Music educational and ethnomusicological implications for curriculum design: development, implementation and evaluation of Philippine music and dance curricula | PhD | University of Wollongong | 1984 | 1170 |
BRENNAN, Renee | New Zealand music videos : whose voices are being heard in the New Zealand music industry? | MA | Auckland University of Technology | 1999 | 144 |
BRESCIANI, Dianne | Yamaha, Suzuki, Kodaly and traditional music education: some music and academic achievements for(N-273) students in school grades six and seven | PhD | University of Melbourne | 1988 | 1 microfilm |
BRETT, Marilyn | A study of ways in which classically trained singing teachers meet the pedagogical needs of singers of contemporary popular styles | MMus | University of Sydney | 2008 | 115 |
BREYLEY, Gay Jennifer | Memory, music and displacement in the minor memoirs of Evelyn Crawford, Ruby Langford Ginibi and Lily Brett | PhD | University of Wollongong | 2005 | 250 |
BRIDGES, Doreen | The role of universities in the development of music education in Australia, 1885-1970 | PhD | University of Sydney | 1970 | 410 |
BRIEN, Stephen | An investigation of forward motion as an analytic template | MMus (Perf) | University of Sydney | 2004 | 112 |
BRIGGS, Maria Sergeevna (née Okunev) | Tertiary Opera Training in Australia and UK: Ethnographic Perspective | PhD | University of Sydney | 2015 | |
BRINCAT, Lauren | I thought about playing guitar but there are too many musicians already | MVA | University of Sydney | 2005 | 69 |
BRISLAN, Patrick | The horn parts of J.S. Bach | MA | Flinders University | 1979 | 243 |
BRITTON, Gillian | ...fuga...a novel | PhD | University of Adelaide | 2012 | 206 |
BRKOVIC, Minja | Visual Phrasing: manifesting the power of musical expression | M.A | Auckland University of Technology | 2010 | 64 |
BROADFOOT, Marianne Claire | “A new mode of expression”: Karol Szymanowski’s first violin concerto op. 35 within a Dionysian context | PhD | University of Sydney | 2015 | 252 |
BROADHURST, Philip Douglas | Against all odds : the life and music of Michel Petrucciani | MPhil | Massey University | 2007 | 157 + 3CDs |
BROADSTOCK, Brenton | Folio of compositions | DMus | University of Melbourne | 1988 | 1 score |
BROMAGE, Lynette | Shakespeare: words in music : a study of the relationship between the poems in the plays of Shakespeare and musical settings over 400 years | MA | Monash University | 1993 | 157 |
BROMBERG, Brian | M.Mus composition portfolio | MMus | University of Otago | 2008 | 7 Scores + 3 CDs |
BROOKE, Sarah | Giving flight to the Imagination : using portraiture to tell the story of Orff Schulwerk and a family music education setting | PHD | Victoria University (Vic. Australia) | 2016 | 302 |
BROOKE, Vivienne | The use of studies to conform to the ideals of deliberate practice and overcome its inherent constraints with particular reference to Georges Gillet's Studies for the Advanced teaching of the Oboe and Antonino Pasculli's 15 Capricci a guisa di Studi | MMus | Monash University | 2013 | |
BROOKS, Wendy | In search of a place for the arts : a case study of creative arts pedagogy in the 21st century classroom | MMus | University of Sydney | 2010 | 215 |
BROOKS, Wendy Louise | In search of a place for the arts: A case study of creative arts pedagogy in the 21st century classroom. | MMus | University of Sydney | 2010 | 207 |
BROOKS, Wendy Louise | An investigation of music and screen media in the lives of young children | PhD | University of Sydney | 2015 | |
BROOMHEAD, Christopher | The second line influence in the drumming of Keith Carlock: a practical and theoretical investigation | MMus | Monash University | 2012 | |
BROPHY, Gerard | North meets South - East meets West : a personal accommodation of divergent aesthetic, cultural and technological compositional approaches : a portfolio of four compositions and exegesis | PhD | University of Adelaide | 2014 | |
BROUGHTON, Mary | Music, movement and marimba[electronic resource] :solo marimbists' bodily gesture in the perception and production of expressive performance | PhD | University of Western Sydney | 2008 | 284 |
BROWN, Alan Gladstone | The application of the teaching methods of Opher Brayer in the compositions of jazz pianist Yaron Herman: Developing a portfolio of original compositions based upon these concepts | MMus | NZ School of Music (Victoria + Massey) | 2013 | 115p+1DVD |
BROWN, Andrew R. | Music composition and the computer : an examination of the work practices of five experienced composers | PhD | University of Queensland | 2001 | 328 |
BROWN, Andrew R. | Teaching synthesizer performance : issues for an instrumental music program for synthesizer | M.Ed | University of Melbourne | 1994 | 147 |
BROWN, Angela | A pilot study of the impact of computer technology on the achievement of student outcomes for stage 4 non elective music students | M.Ed | University of NSW | 1994 | 86 |
BROWN, Ashley | In two minds : exploring co-composition as a performer/composer collaboration | DMA | University of Auckland | 2011 | 115 + DVD |
BROWN, David | The role of live musical performance in the recording studio | MA | RMIT University | 2001 | 15 + 4CDs |
BROWN, David | Designing sound for health and wellbeing | PhD | RMIT University | 2012 | |
BROWN, Hugh | It’s not me, it’s you : a participant observation case study of the self-publishing musician in the 21st century | PhD | Queensland University of Technology | 2010 | 349 |
BROWN, James | Intellect and intuition: reflections on the role of improvisation in contemporary jazz composition and performance | MMus | University of Adelaide | 2007 | 62 + 2CDR |
BROWN, Judith | Fragmentation and authenticity: art and salvation in the thought of Ernst Bloch and Paul Tillich | PhD | University of Otago | 2001 | 264 |
BROWN, Kevin G | A brass instrumental teaching program for high school hearing impaired students: an exploratory study. | MMus | University of Queensland | 1986 | 290 |
BROWN, Michael | "There's a sound of many voices in the camp and on the track": a descriptive analysis of folk music collecting in New Zealand 1955-1975 | MA | Victoria University of Wellington | 2006 | 245 |
BROWN, Michael | Making our own : two ethnographies of the vernacular in New Zealand music : tramping club singsongs and the Māori guitar strumming style | PhD | NZ School of Music (Victoria + Massey) | 2012 | 329 + 3 Discs |
BROWN, Patricia Anne | John Dowland and the emergence of the English lute song | MA | University of Queensland | 1969 | 240 |
BROWN, Peter | Love minus zero: existentialism and religious faith in Bob Dylan's lyrics | MA | University of Newcastle | 1995 | 203 |