| ASHTON, Graham R | Got ‘em on a String: The Collective Skills, Knowledge and Attributes of Group String Teachers in Queensland | MPhil | Griffith University | 2015 | |
| CHONG, Kristian | Sergei Rachmaninoff in Melbourne; a performer's reflection through the twenty-four Preludes Opp, 23 and 32; from Mack Jost to the twenty-first century | PhD | Australian Catholic University | 2014 | |
| TORR, Oliver J | Emotional truth in opera performance | Unknown | Monash University | 2015 | |
| STONESTREET, RJ | Historical developments in writing for low horn | PhD | University of Tasmania | 2014 | |
| LIM, Jiun Yoong | IN DEFENCE OF CHINESE PIANO MUSIC: EXPLORING THE IMPACT OF ASSIMILATION, POLITICS AND GLOBALIZATION ON CHINESE PIANO COMPOSITIONS 1949-2012 | PHD | University of Sydney | 2016 | |
| BRYANT, Gai | Cuban Folkloric and Traditional Music Styles: rumba, danzón, punto libre and bolero adapted for Jazz Big Band in Australia using Modern Compositional Techniques | PHD | University of Sydney | 2016 | |
| ORZECH, Rachel | 'A universal art, an art for all'?: The reception of Richard Wagner in the Parisian Press, 1933–1944 | PHD | University of Melbourne | 2016 | |
| TONG, Amanda Renee | The Music of Samuel Beckett: Theory, Case and Narrative | PhD | University of Sydney | 2019 | |
| EYLES, Anne-Maree T | Teachers' perspectives about implementing ICT in music education | PhD | Griffith University | 2020 | |
| CHASELING, Marilyn Joan | Teaching music in New South Wales primary schools : 1920-1956 | PhD | Deakin University | 2009 | 1 CD-ROM |
| CHEN, Chi Wai | The creative process of computer-assisted composition and multimedia composition visual images and music | PhD | RMIT University | 2007 | 1 CDRom |
| CROWE, Susan | Dance, drama and music [electronic resource] : a foundation for education : a study on implementing the performing arts in the early years of education | PhD | RMIT University | 2007 | 1 CDRom |
| REINER, Thomas W. | Folio of original compositions and analytic dissertations [music] | M.Mus | University of Melbourne | 1990 | 1 folio |
| BRESCIANI, Dianne | Yamaha, Suzuki, Kodaly and traditional music education: some music and academic achievements for(N-273) students in school grades six and seven | PhD | University of Melbourne | 1988 | 1 microfilm |
| BROADSTOCK, Brenton | Folio of compositions | DMus | University of Melbourne | 1988 | 1 score |
| DOUGLAS, Clive | Symphony | DMus | University of Melbourne | 1957 | 1 score |
| KOEHNE, James | Portfolio of Original Compositions | DMus | University of Adelaide | 2002 | 1 score |
| CAMM, Cheryl | In the teeth of it | DMus | University of Auckland | 1995 | 1 score |
| DE CASTRO-ROBINSON, Eve | Five responses; Peregrinations; A resonance of emerald; | DMus | University of Auckland | 1989 | 1 score |
| NASH, Claire Hazel | Compositions 2006 | MMus | University of Auckland | 2006 | 1 score + cd |
| LIN, Jeff Chen-Feng | Folio of compositions | MMus | University of Auckland | 2006 | 1 score, 1 CD |
| WANG-HUA, Chua | Folio of compositions; Folio of analyses [Sculthrope, Penderecki, Feldman] | MMus | University of Melbourne | 1984 | 1 score, 2 vol |
| DOWLING, Katrina Louise | Stylistic correspondence in the music for solo recorder and piano or harpsichord composed 1939-1989 by Gordon Jacob, Edmund Rubbra, Lennox Berkeley, Arnold Cooke, Malcolm Arnold and Alan Ridout. | MA | Monash University | 2011 | 1 v |
| CANNON, Glenn | Functional and non-functional progressions in improvised music : a method of facilitating linear and harmonic flow | MA | Monash University | 2010 | 1 v. |
| BURKE, Harry | The introduction of creative music education in Victorian state secondary schools 1957 to 1988. | PhD | Monash University | 2010 | 1 v. |
| SIVARAJ, Sargunamoorthy | Hearing in various age groups of orchestral musicians and progression of hearing loss with increased number of years of music exposure | PhD | Massey University | 2011 | 1 v. |
| WIDJAJA, Stephanie | (y-condition) : architecture + music | MArch | University of Auckland | 2009 | 1 v. |
| HISCOCKS, Wendy | The influence of Arthur Benjamin's film music on music he wrote for other genres | PhD | Australian National University | 2009 | 1 v. + 1 DVD + 1 VHS |
| LEE, Joanie Chung Yee | Reflections: composition | MMus | University of Canterbury | 2010 | 1 v. + 2 CDs |
| McNICOL, Melinda | The piccolo : a study of Australian repertoire and performance practice | MMus | University of Tasmania | 2009 | 1 v. + 2 CDs |
| KILLIN, Anton | Projects in cross-cultural music composition | MMus | NZ School of Music (Victoria + Massey) | 2012 | 1 v. + 2 Discs |
| TAYLOR, Alexander Lawther | Composition Folio | MMus (Composition) | University of Auckland | 2011 | 1 v. + CD |
| KING, Rohan | Interactions (2008-2009) | MMus (Composition) | University of Auckland | 2009 | 1 v. + CD |
| CALDWELL, David Luke | The rhetoric of rap: a social semiotic analysis of Kanye West | PhD | University of Sydney | 2010 | 1 v. + CD |
| SUNDSTRUP, Lief | The virtual orchestra [manuscript] : a systematic method of realising music composition through sample-based orchestral simulation | DCA | University of Wollongong | 2009 | 1 v. + CD |
| KAWAMOTO, Tsubasa | Masters portfolio | MMus | University of Auckland | 2012 | 1 v. + DVD |
| CRAWFORD, Michael Victor | Critical analysis of the compositional techniques and devices used in Troy Roberts' album the Xenden suite | MMA | NZ School of Music (Victoria + Massey) | 2012 | 1 v. + Music + DVD |
| LEMOH, Alison Yenor | Mahler's journey : transcending the tyranny of time in Um Mitternacht and Ich bin der Welt abhanden gekommen | M.Mus. | University of Melbourne | 2009 | 1 v. p. |
| OLEARY, Paul | A magpie process: a documentary | MA | RMIT University | 2000 | 1 vid |
| McKERN, Brett M | The compositions of Brett M. McKern: to the greater glory of God | DCA | University of Wollongong | 2005 | 1 vid + CD |
| TARRANT, Ruth Annette | Anguish and accolades : a psychological therapy for music performance anxiety | PhD | Massey University | 2005 | 1 vol |
| ANGUS, Andrew S. | A critical examination and a transcription of the six published oboe sonatas of Giuseppe Sammartini | MMus | University of Western Aust. | 2003 | 1 vol |
| BARTHOLOMEW, Peter G. | Personal rights, property rights and Section 55(2) of the Copyright Act 1968 : a consideration of the adaptation right in the compulsory licensing scheme for recording of musical works | LLM | Queensland University of Technology | 1998 | 1 vol |
| BOLTON, Alan Graham | The design of an electronic music synthesizer | MAppSC | University of Adelaide | 1977 | 1 vol |
| BRYANT, Helen Julia | The nature and role of music in No - with special reference to the play, Hogoromo | MA | Australian National University | 1975 | 1 vol |
| CARTLEDGE, Damon Neil | Developing professionals for a changing world of work: identity and change in the Australian Army Band Corps. | D.Ed | RMIT University | 2002 | 1 vol |
| CARY, Tristram | Portfolio of original compositions | DMus | University of Adelaide | 2000 | 1 vol |
| CUSKELLY, James | An investigation of use in the junior secondary music classroom of Colin Brumby's Keyboard Fun | MMus Studs | University of Queensland | 1997 | 1 Vol |
| De ZUBICARAY, Helen | Circumscribing space : exploring the structure and function of the cell and enclosed space in twelfth-century architecture and music | PhD | University of Queensland | 1996 | 1 vol |
| DEAN, J. T. | Sonata - Jean Marie Leclair, Op 9 No. 4, transcribed and realised for viola and keyboard. | MusM | University of Western Aust. | 1978 | 1 vol |
| DRAPER, Diane | Group keyboard instruction in the classroom | M.Ed | University of Melbourne | 1989 | 1 vol |
| DRON, Carson | Liszt's sonata in B minor : an examination of existing analyses and a proposed new approach via graphic analysis ; Composition folio : Concerto for piano and orchestra, Fantasy for solo piano, Fantasy suite for piano and marimba | MMus | University of Queensland | 1996 | 1 vol |
| DRYBROUGH, Katharine F. | A comparative study of Handel's musical expression in five operas and the Opus 6 concerti grossi. | MusM | University of Western Aust. | 1997 | 1 vol |
| EDGAR, Tracey A. | The history and development of the English catch | PhD | Monash University | 1997 | 1 vol |
| ELVERY, Warwick David | The flute and its music in the court of Frederick the Great | GDip Mus | Griffith University | 1985 | 1 vol |
| FARMER, Isabella McL | Perceptions of the purposes of assessment in a tertiary music education subject | M.Ed | University of Melbourne | 1989 | 1 vol |
| FARRANT, Jean E. | A social history of music in Coolgardie, Kalgoorlie and Boulder, 1892 to 1908 | MA | University of Western Aust. | 1992 | 1 vol |
| FENNER, Kevin | Fantasy for brass band, Concerto for oboe and small orchestra, Concerto for trombone and small orchestra, String quartet no. 2, Partite for solo guitar | MusM | University of Western Aust. | 1981 | 1 vol |
| GATES, Anne | The role of the cerebral hemispheres in music performance and perception | PhD | Monash University | 1976 | 1 vol |
| GILMOUR, Katherine Rose | An historical perspective of the development of the Melba Memorial Conservatorium of Music | M.Ed | RMIT University | 2000 | 1 vol |
| GULLAER, Irene | An integrated method of vocal development: a theoretical and empirical study | PhD | University of NSW | 2007 | 1 vol |
| HARKNESS, Edward L | An introduction to the design of auditoria for the performance of chamber music. | MBlgSc | University of Sydney | 1967 | 1 vol |
| JOHNSTON, Robert Bruce | The influence of vocal tract resonances on the operation of reed wind instruments | MSc | Monash University | 1990 | 1 vol |
| KELLY, Joan | The electronics of science fiction: The relationship between science fiction sound and the development of electronic music technology | MA | RMIT University | 2005 | 1 vol |
| KNOWLES, Christopher J | Extending creative practice: the practical possibilities of designing unique software tools for the independent audio artist | MA | RMIT University | 2004 | 1 vol |
| LEE, Elsa | Sunan Chui Da : an investigation of the Role of Percussion in Traditional Chinese Music | MMus | University of Adelaide | 1988 | 1 vol |
| LEES, Jennifer Anne | Eisteddfoditis : the significance of the City of Sydney Eisteddfod in Australian cultural history 1933-1941 | PhD | University of Western Sydney | 2003 | 1 vol |
| LEONG, Samuel | The relationship between music competencies perceived as important for novice teachers and the professional expectations of high school music teachers in Australia | PhD | University of Western Aust. | 1996 | 1 vol |
| MACLELLAN, Beverly | Walter Bonwick (1824-1883) : Walter Bonwick and the establishment of music teaching in the national schools of Victoria, 1855-1856 | M.Ed | University of Melbourne | 1990 | 1 vol |
| MERRICK, Bradley Maxwell | The relationship between self-efficacy and self-regulated behaviour within a secondary school music technology based creative learning environment. | PhD | University of NSW | 2006 | 1 vol |
| MOORHEAD, Gary | The evolution of industry specific education and training in the contemporary popular music industry | M.Ed | RMIT University | 1998 | 1 vol |
| MURUGIAH, Seravanen | The debate of music downloading | MA | Griffith University | 2006 | 1 vol |
| NG, Chun Hoi Daniel | The impact of exposure to Chaozhou Xianshi music on pre-service teachers' development as music educators | PhD | University of NSW | 2006 | 1 vol |
| NISBET, Robert Stevenson | Children's matching of melodies and their visual representations | PhD | Griffith University | 1998 | 1 vol |
| NORMAN, Terence John | The eighteen chorale preludes of J.S. Bach | MMus | University of Adelaide | 1977 | 1 vol |
| O'NEILL, David G | The role of the organ in Early English Music, 800-1759 | MusM | University of Western Aust. | 1979 | 1 vol |
| PARLE, Rosemary | Music and the hemispheres | BA(Hons) | Macquarie University | 1984 | 1 vol |
| PARNCUTT, Richard | Sensory bases of harmony in western music | PhD | University of New England | 1986 | 1 vol |
| RADTKE, Kurt Werner | Yuan sanqu : a study of the prosody and structure of Xiaoling contained in the Sanqu anthology Yangchun baixue compiled by Yang Chaoying | PhD | Australian National University | 1974 | 1 vol |
| RANKINE, Peter | A folio of original compositions | MMus | University of Queensland | 1996 | 1 vol |
| SCHNEIDER, Craig | Folio of analyses: big band arrangements | MMus(Jazz perf) | Australian National University | 1994 | 1 vol |
| SPANNEY, K.D. | Aspects of form in electronic music | MA | University of Western Aust. | 1969 | 1 vol |
| STINSON, John Alexander | Essay of musical ayre/ an edition from the autograph with introduction and commentary. [North, Roger, 1653-1734] | MA | Australian National University | 1977 | 1 vol |
| WATERS, Edgar Pemberton | Some aspects of the popular arts in Australia, 1880-1915 | PhD | Australian National University | 1962 | 1 vol |
| WELLS, Elizabeth Ann | Influences of the Englische Komodianten on Baroque Opera in Hamburg : Dramaturgy and Perspectives | MMus | University of Adelaide | 1989 | 1 vol |
| WESTON, Ian | But beautiful : a study of the harmonic and melodic elements of jazz guitarist Jimmy Raney's improvisational style | MMus Studs | Griffith University | 2005 | 1 vol |
| BORNMAN, Richard M. | An analysis of the jazz guitar style of Lenny Breau : late 1960s | MMus (Perf) | University of Sydney | 2004 | 1 vol |
| OLIVER, Robyn Lee | A choral agenda for Queensland primary schools : culturally important days for celebration | MMusSt | Griffith University | 2006 | 1 vol |
| COBB, Donella | An exploration of children’s attitudes towards singing | MMus Ed. | University of NSW | 2007 | 1 vol |
| PETERS, Maree | A study of potential curricular and pedagogical synergy between the music curriculum and the instrumental music program in the lower middle school years in Queensland | MMusSt | Griffith University | 2007 | 1 vol |
| PARK, Yaeun Kyung | Improving understanding of music therapy with a non-verbal child : sharing perceptions with other professionals | MMus Therapy | NZ School of Music (Victoria + Massey) | 2008 | 1 vol |
| QUINTO, Lena Rachel | The communication of emotion in music : understanding the contributions of composition and performance | PhD | Macquarie University | 2012 | 1 vol |
| MANN, Amos | Participatory music notation: composition for mixed experience performance contexts | MMA(Comp) | Victoria University of Wellington | 2013 | 1 vol (268p) + 1 CD |
| COLLETT, Morwenna | The role of Australian youth orchestras in the development of young musicians : a case study of the Queensland Youth Orchestra | MMus Studs | Griffith University | 2005 | 1 vol + 1 audio CD |
| CHAMBERLAIN, Grant Michael | Transcription and analyses | MMus (Jazz) | Australian National University | 1998 | 1 vol + 1 cass |
| BUCKLEY, Kit | Indeterminate composition by note omission, shortening and contraction | MMus | University of Western Aust. | 2012 | 1 vol + 1 CD |
| CHENG, Hsin | [portfolio of compositions] | MMus | University of Canterbury | 2005 | 1 vol + 1 vid + CD |
| MacARTHUR, Jirrah Walker | Interval restriction : a composition system and its automation | MMus | University of Tasmania | 1999 | 1 vol + 2 cass |
| CATLIN, Tim | Extended timbral possibilities in acoustic and electric guitar production | MA | RMIT University | 2000 | 1 vol + 2 cds |
| FITZGERALD, Bridie Rose | What is a parent's perspective of the effect recorded flute music has on their autistic child | MMus | University of Melbourne | 2007 | 1 vol + 2 CDs |
