VOSS, James | Scriabin in context | MMus | University of Tasmania | 1988 | 75 |
VOORN, Rebecca J | The effectiveness of the Internet as a medium for the promoting of independent Australian music acts | MProfComm | University of South Queensland | 2006 | 199 |
VOICE, Nichola J. | Turners' Guilds of Northern Italy : their role in enabling woodwind-instrument manufacture from 1680 to 1844 | PhD | University of Otago | 2014 | 525 |
VLISMAS, Wendy | The effects of music and movement on mother-infant interactions Wendy Vlismas | PhD | University of Western Sydney | 2007 | 403 |
VITOS, Botond | Experiencing electronic dance floors: a comparative research of techno and psytrance in Melbourne | PhD | Monash University | 2014 | 276 |
VINES, Nicholas Paul | The Hive: A chamber opera in seven tableaux | PhD | Overseas | 2007 | 233 |
VINES, Nicholas | The legacy of Gesamtkunstwerk in Hollywood film + Portfolio of compositions | MMus | University of Sydney | 2005 | 38 + folio + 2 cds |
VINDRIIS, Richard | StrumBot : A Strumming Robotic Guitar | MEng | Victoria University of Wellington | 2015 | 165 |
VINCS, Robert | African heart, Eastern mind: the transcendent experience through improvised music | PhD | Deakin University | 2002 | 106 + 1 CD |
VINCENT, Adrian Lachlan | Folio of works | MRes | University of Melbourne | 2014 | |
VIGGIANI, Mark | Folio of compositions, 2007- 2008 [music] | M.Mus. | University of Melbourne | 2008 | 171 + 1 CD |
VIGGIANI, Mark | Folio of original compositions 2009 - 2012 | PhD | University of Melbourne | 2013 | |
VIGGERS, Elisabeth | Connections: nothing exists in isolation | MSD (Sound Design) | University of Melbourne | 2011 | |
VIDOVICH, Helen | From Marcel Moyse to Robert Dick : extending the boundaries of 20th-century flute playing and pedagogy | MMus (Perf) | University of Sydney | 2006 | 52 |
VICKERY, Lindsay Ross | Exploring new and emerging models for nonlinear performative works | PhD | Queensland University of Technology | 2011 | 204 |
VERHAGEN, Darrin | Indeterminacy in 20th century western music | MA | RMIT University | 2001 | 12 + CD |
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VENNONEN, Kimmo | Submission for the Graduate Diploma in Music (Computer Music) | GradDipMus | Australian National University | 1994 | 1 vol + floppy disk |
VELTHEIM, Errki | Shifting sounds [electronic resource] : music as a ritual of transformation | MA | Victoria University (Vic. Australia) | 2010 | 68 |
VELLA, Richard | A formal comparison of two twentieth century compositions : 'Ionization' by Edgard Varese and Part One of `Piece in two parts' by Stefan Wolpe | MA | LaTrobe University | 1981 | 58 + 1 cassette |
VAVASOUR, Kris | More than a Band Aid : how the use of popular music helped a city recover after disaster. | MArts | University of Canterbury | 2016 | |
VAUGHAN, Leigh T | The missing males : factors which contribute to low participation of adolescent boys singing in secondary school | MMus Ed. | University of Sydney | 1998 | 133 |
VARNEY, Ruth | Music in Distance Education in Australia | Mus.M | University of Western Aust. | 1996 | 243 |
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VARNEY, John | O Cavaquinho | GDip Musicol | Griffith University | 1994 | 99 |
VARNEY, John | Colombian Bambuco: the evolution of a national music style | PhD | Griffith University | 1999 | 2 vol |
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VARNES, Eleanor Jeanette | The changing styles in the performance of Richard Strauss's Vier Letze Lieder and Samuel Barber's Hermit Songs | M.Phil | University of Queensland | 2004 | 72 |
VARLEY, Susanne Mary | Australian 'sound surround' and Kodaly and Suzuki music education approaches: piano tutors for young piano students | MMus Ed. | University of Western Aust. | 2006 | 222 |
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VANN, Kerry V. | The Wagner's Lohengrin: a study of compositional process based on the sketches and drafts | PhD | University of Queensland | 1999 | 3 vol |
VANDERLAAN, Robert | Aural devices in cinema | MA | University of Auckland | 2002 | 91 + 2CD-roms |
VAN WAARDENBERG, Gerald Enno | Songs of Tai Tokerau : an analysis of 135 Northland songs | MMus | University of Auckland | 1983 | 424 |
VAN RIJ, Inge | Unity and continuity in Brahm's German requiem. | MMus | Victoria University of Wellington | 1997 | 173 |
VAN PINXTEREN, William Peter | Musical style in selected fantasias and preludes of Joachim van den Hove | MMus | University of Melbourne | 1992 | 110 |
VAN MELLE, Gerbrand | Sound bites | M.Phil | Auckland University of Technology | 2013 | 102 |
VAN KONKELENBERG, Joshua Marc | Portfolio of compositions and exegesis: an investigation of the expressive quality of six aspects of form. | PhD | University of Adelaide | 2013 | |
VAN GEENEN, Jurgen Lippold | Formal methods for the design of imitative polyphonic structures | PhD | University of Sydney | 2013 | |
VAN ERNST, Barbara | The observation of the nature of mental activity in music thinking and making in 9-11 year olds | M.Ed | LaTrobe University | 1984 | 76 |
VAN ERNST, Barbara | A study of the learning and teaching processes of non-naive music students engaged in composition | PhD | LaTrobe University | 1991 | 450 |
VAN EMMERIK, Matthew | Compositional technique and the exploration of spirituality in the music of Brad Gill | MMUs (Perf) | University of Sydney | 2006 | 50 |
VAN EMMERIK, Matthew | Revelation : the emergence of the euphonium from the traditional brass and wind band culture and its modern day acceptance in solo, chamber and orchestral genres | PhD | University of Sydney | 2011 | 164 + 2 CDs |
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VAN DER WERFF, Lauren | Music performance and the chronically ill body: an autoethnographic approach to Body Mapping through illness narratives, Bonneau's Caprice en forme de valse and Leonard's Recitative and Abracadabra | M.Mus | Monash University | 2014 | |
VAN DE LAAR, Amy Therese | Johann Mattheson's "oratory in sound": the intelligibility of instrumental music | MA | Victoria University of Wellington | 2004 | 136 |
VAN BEEK, Sacha | Enhancing quality of life through singing : a music therapy study into Huntington's Disease | MMus | Victoria University of Wellington | 2012 | 109 |
VALLIS, Owen Skipper | Contemporary approaches to live computer music: the evolution of the performer composer | PhD | Victoria University of Wellington | 2013 | 174 |
VALLENCE, Tim | A poetry without attitudes: Music and silence in the poetry of Vincent Buckley. | MA | University of Melbourne | 1995 | 101 |
VAINER, Sofya | The evolution of the set of 24 preludes for piano in the nineteenth century | MMus | Australian Catholic University | 1997 | 102 |
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UNKOVICH, Yuri | Tracing the synthetic voice : contrapuntal textures of five or more parts in the works of J.S. Bach | PhD | University of Auckland | 2008 | 219 |
UMALI, Mariane S.A. Medina | The dialogical processes of vernacular mediation: new media and the Karay-a ethnic group of the Philippines. | PhD | University of Adelaide | 2013 | 308 |
ULENBERG, Phillippa | Composition Portfolio | MMus | University of Waikato | 2011 | 191 |
UITDENBOGERD, Alexandra Louise | Music information retrieval technology | PhD | RMIT University | 2002 | 173 |
UBEDA, Patricia Rosalind | From Tin Pan Alley to the Royal Schools of Music : the institutionalisation of classical and jazz music | MA | Massey University | 2000 | 187 |
TZENKA, Dianova | John Cage’s prepared piano : the nuts and bolts : an exegesis submitted in partial fulfillment of the requirements for the degree of Doctor of Musical Arts (Piano Performance)` | DMA | University of Auckland | 2007 | 146 |
TWIST, Joseph Edward | Folio of compositions with critical commentary : an exploration of musical influences and composing techniques. Critical commentary [electronic resource] | PhD | University of Queensland | 2009 | 686 |
TWEEDIE, Shannon | Handel opera presentation, past and present | MMus | Massey University | 2004 | 76 |
TURPIN, Myfany | Form and meaning of Akwelye: A Kaytetye women's song series from Central Australia | PhD | University of Sydney | 2005 | 405 |
TURNER, Gemma Bernadette | Body movement and sound intensity in Western contemporary popular singing | PhD | University of Sydney | 2010 | 261 + 1 CD + 1 DVD |
TURNER, Ashley Maxwell | Duri-dana music and hoho songs in South Nias | PhD | Monash University | 1984 | 117 |
TURNBULL, Catriona | Piano pedalling and pedagogical thought : an investigation of the elementary piano student | MMus Ed. | University of Sydney | 1994 | 82 |
TURNBULL, Catherine | Bach's Cello Suites for Viola | MPhil (perf) | University of Queensland | 2006 | 61 |
TUNLEY, David | The eighteenth-century secular French cantata | D.Litt | University of Western Aust. | 1969 | 3 vol |
TUCKER, Alison | The Process of Listening to Music: A Connectionist Conceptualization | PhD | University of New England | 1999 | 2 vol |
TSOUNIS, Demeter | Rebetika music-making in Adelaide: diaspora musical style and identity | PhD | University of Adelaide | 2002 | 275 |
TSOU, Nan Chien | Musical life in Bendigo 1856-1918 | MMus | University of Melbourne | 1990 | 156 |
TSITSISHVILI, Nino | National Unity and Gender Difference in Georgian Traditional Song-Culture: Ideologies and Practices | PhD | Monash University | 2004 | 294 |
TSITSISHVILI, Nino | Table and solo work song genres in Kartli-Kakheti, eastern Georgia: context of performance, musical style, and culture contact | MA | Monash University | 1998 | 160 + cass |
TSANG, Vanessa | An itemised study of the relationship between student attitude and performance as measured by selected musical tasks in the 2000 National Education Monitoring Project (NEMP) scores and survey results | MA | University of Canterbury | 2010 | 2 v. |
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TRUMAN, Josephine | Extreme throats : extended vocal techniques in contemporary music of the twentieth and twenty-first centuries | MMus | University of Sydney | 2008 | 73 |
TRUE, Alan H | Music for children by Australian composers 1960 to 1975 : a thesis | MA | University of Western Aust. | 1977 | 310 |
TROMBI, Demetrio | A folio of compositions | MMus | University of Melbourne | 2001 | 231 |
TRINICK, Robyn Margaret | Te puoro, te reo, te ako : music, language, learning | M.Ed | University of Auckland | 2012 | 119 |
TRIMPER, Cheryl P | Music: therapeutic and educational usage with young autistic children : an investigation into the application of music as an educative and therapeutic agent with young autistic children | AdvDip Teach | Flinders University | 1972 | 329 |
TRIFONOV, Julia | What motivates secondary school students to choose music | M.Ed | Monash University | 2006 | 79 |
TRIFKOVIC, Nela | Balkan as a metaphor in the film composition of Goran Bregovic | MA | Edith Cowan University | 2004 | 2 microfiches |
TREVENA, Bree Elizabeth | The drum and bass scene in the City of Melbourne : narratives of urban identities through sites of cultural production | MA | Monash University | 2009 | 149 |
TRELOYN, Sally | Songs that pull: jadmi junba from the Kimberley region of northwest Australia | PhD | University of Sydney | 2006 | 613 + CD |
TREGEAR, Peter J. | Fritz Bennicke Hart : an introduction to his life and music | MMus | University of Melbourne | 1993 | 246 |
TRAVAGLIA, Rebecca Anne. | The 'exclusion' of autism: how does music therapy aid the psychological, social and educational difficulties confronted by children with autism in the special education setting? | MMusTher | Massey University | 2006 | 90 |
TRAINER, Adam | Rock'n'roll cinema | PhD | Murdock University | 2005 | 412 |
TRAHAIR, Christine Anne | The early church music of Edward Elgar | MA | University of Melbourne | 1983 | 2 vol |
TRACY, David | Acoustic phenomena as a model for music composition: representing acoustic phenomena in musical composition through the extrapolative and interpolative modelling of the phenomena's characteristics and behaviour | M.Phil | University of Newcastle | 2014 | 424 |
TOWNSLEY, Miriam | Music and Facism in Italy: the inter-war years | GDip Mus | Griffith University | 1991 | 35 |
TOWNSLEY, Miriam | Intonation and string quartet playing : with reference to the works of Haydn, Mozart and Beethoven | GDip Mus | Griffith University | 1991 | 89 |
TOWNSHEND, Darrell R. | Grammatical procedure and rhetorical gesture as structural elements in two-part Notre-Dame conductus | MA | Monash University | 1999? | 260 |
TOWNSHEND, D | Metaphor, Narrative and Musical Analysis: György Ligeti's Compositions from 'Atmosphéres' to His Second String Quartet | PhD | University of New England | 2014 | |
TOWNSEND, Rachael Ann | A la recherche des mots perdus: French text setting : a case study of vocal music by Hector Berlioz and Claude Debussy | MA | Monash University | 1992 | 160 |
TOUT, Errol H | Spatial representation in architecture: spatial communication through the use of sound | PhD | RMIT University | 2010 | 152 |
TOUSSAINT, Noelle | Sound perception | GDip Mus | Griffith University | 1991 | 60 |
TOULMIN, Matthew David | Recorded music : fairness in creation, exposure and reward | LLM | University of Auckland | 2010 | 116 |
TORR, Oliver J | Emotional truth in opera performance | Unknown | Monash University | 2015 | |
TOPPI, Antonio | An investigation into narrative as a compositional approach | MMus | Monash University | 2013 | |
TOOULI, Joanne | Student concertos in the technical and musical development of violin students | MMus Perf | University of Sydney | 2005 | 60 |
TOOHEY, Brendan | Establishing an effective, pedagogical method for Bb clarinet students to transfer to the bass clarinet | MMus | Monash University | 2014 | |
TONG, Eudora | Motivational forces that influence the career aspirations of undergraduate music majors | MMus | University of Melbourne | 2011 | 229 |
TONG, E | Passion, identity, and the model of Goal-Directed Behaviour in a classical music context | PhD | RMIT University | 2016 | 437 |