WriterThesis TitleDegreeUniversityYear# of Pagessort icon
DENG, WeiHistorical and stylistic development in the Chinese four-stringed lute pipa and in pipa music from 1800 to 1995 : with particular reference to "Spring River" PhDQueensland University of Technology1996519
BELLEMORE, MichaelA case study in musical composition with year seven students.M.EdUniversity of NSW199352
CECIL, AnnJohn Amadio : virtuoso flautistMMusUniversity of Melbourne199852
HO, Lian-IanExpressive gestural use: implications for the choral conductor and singerMMusUniversity of Queensland200152
YU, Catherine Chin-YenAspects of nationalism in nineteenth-century Spanish piano music : a critical commentary on selected works by Granados, Falla and Albeniz MMus StudUniversity of Queensland200152
VIDOVICH, HelenFrom Marcel Moyse to Robert Dick : extending the boundaries of 20th-century flute playing and pedagogyMMus (Perf)University of Sydney200652
LEE, Kyung Min MariaActive engaging behaviour in music therapy with paediatric oncology patientsMMusUniversity of Melbourne200752
LEE, Kyung Min MariaActive engaging behaviour in music therapy with paediatric oncology patientsM.Mus.(Thrpy)University of Melbourne200752
MOSKAL, AdonThe DFenders: An Analysis of the Studio Production ProcessMMusUniversity of Otago201252
CONNORS, Teresa MarieMaster of Music in CompositionMMusUniversity of Waikato201352
WILLIAMS, Craig EvanViolin bowing skill analysis : the mechanics and acoustics of the change in direction PhDUniversity of Melbourne1985520
CREWS, Rita SandraAn analytical study of the piano works of Roy Agnew, Margaret Sutherland, and Dulcie Holland, including biographical material PhDUniversity of New England1994522 + 259
BALOUGH, TeresaThe essential Grainger: Percy Grainger's Kipling settings, 1898-1947PhDUniversity of Western Aust.1985524 + 1 vocal score
VOICE, Nichola J.Turners' Guilds of Northern Italy : their role in enabling woodwind-instrument manufacture from 1680 to 1844PhDUniversity of Otago2014525
SMITH, Russell HughAlbert Lortzing, Der Wildschutz : the creative process MMusUniversity of Tasmania1988525 + cass
HARVIE, PaulThe first sixty years of music at St. Paul's Cathedral, Melbourne, c. 1887-1947 MMusUniversity of Melbourne198353
RAYMOND, EricThe influence of Bach on Chopin's preludes and etudesMMusUniversity of Melbourne199153
TENISWOOD, ArabellaThe 1870s Australian tours of Madame Arabella GoddardMMusUniversity of Melbourne200153
MAK, Yuen Yee Amy.Performance practice issues in Albinoni's Concerto à cinque, Op. 9 No. 5MPhilUniversity of Queensland200953
MILLER, JessicaJean-Joseph Cassanéa de Mondonville and the development of French accompanied keyboard musicMMusUniversity of Sydney201053
HOLGATE, GaryA fragmented parallel stream : the bass lines of Eddie Gomez in the Bill Evans TrioMMusUniversity of Sydney200953
GALEAZZI, MichaelAn overview of the musical sources of "Wedding Song"MMusUniversity of Sydney200953
STREATER, Evan JamesOut of practice : an investigation of historical performance practices and their relevance todayMMusUniversity of Sydney201153
EAST, Simone MichelleScience: a model and a metaphor in the work of four British composersMMusUniversity of Sydney201453
GINSBURG, MarkReaching for an inner voice : the influence of Jewish cantorial singing on Jewish jazz musiciansMMusUniversity of Sydney201053 + 1 CD
TODD, Paul, GrahamThe philosophies of Karlheinz Stockhausen in Aus den sieben Tagen and In Freundschaft: performance as a means of communicationMAMonash University200453 + CD
BRENNAN, DavidThe opera performer as actor: an Australian perspective PhDUniversity of Newcastle2005530
WOLFFRAMLangoron : music and dance performance realities among the Lak people of Southern New Ireland, Papua New Guinea PhDVictoria University of Wellington2007530 + DVD
ROCKELL, Kim ForresterThe Philippine Rondalla: Reconstructing Musical Heritage in Contemporary AustralasiaPhDUniversity of Canterbury2012535
BELL, RobertPAL: the percussive audio lexicon. An approach to describing the features of percussion instruments and the sounds they producePhDSwinburne University of Technology2015536
SHOEMARK, HelenThe markers of interplay between the music therapist and the medically fragile newborn infant PhDUniversity of Melbourne2007538
DAVISON, MichaelDidjeridu journeyMCAUniversity of Newcastle200554
FISHER Catherine JenellePaul Taffanel : an investigation of his role in the development of the modern French flute school GDip MusAustralian National University199854
PANGENG, ShenThe traditional Japanese vocal music - Kouta MASwinburne University of Technology199854
REIBEL, Michael BThe development of the German system clarinet: circa 1700-1900MMusUniversity of Queensland200354
TAN, May-KimAttending to silenceM.Mus.University of Melbourne200954 + 1 CD
HENSHAW, NathanBlowing Zen : non-Western influence on the scores and performance of contemporary saxophone repertoireMMusUniversity of Sydney201054 + 1 CD
PANVINO, CalogeroAnalysis of the second, third and fourth string quartets of Giacinto Scelsi + Portolio of original compositionsMMus (Comp)University of Sydney200454 + folio
NICHOLLS, MikeSubmission for Master of Arts (Electronic Arts) [Electronic and Computer Music compositions]MAAustralian National University199654 + video
ERICKSON, Frederick JThe bands and orchestras of colonial BrisbanePhDUniversity of Queensland1987540
KAMINSKYJ, IanAutomatic recognition of musical instruments using isolated monophonic sounds PhDMonash University2004543
MILES, William EdwardTowards an improved model for senior-secondary music education: a multi-faceted perspectivePhDMonash University2006544
LANCASTER, GeoffreyKeyboard music of W.A. Mozart and F.J. Haydn : response by pre-tertiary piano students to historically-informed performance practicePhDUniversity of Sydney1999548
GOULD, AlannahThe bassoon at the time of Carl Maria von WeberMMus StudsUniversity of Queensland200155
JOHNSON, Jo-AnneAn archaeology of periodisation in music historyMMusGriffith University200055
MAN, PaulineThe viola in early 20th-century music: A performer's Analysis of works by Rebecca Clarke, Paul Hindemith and Ernest BlockMPhil (perf)University of Queensland200655
McKINLEY, Ian WilliamThe place of music in language programming for culturally disadvantaged children in the lower primary grades MAUniversity of Queensland197155
COOK, PhilippaThe vocal accompanist : an examination of the pianist's role in the performance of Australian contemporary art songs MMus (Perf)University of Sydney200655
PRICE, Desmond CharlesThe assessment of musical abilityMAUniversity of Auckland195455
SMITH, AndrewSaxophone promotion through pedagogical textsMMusUniversity of Sydney201055
MANOHARAN, Sophia DevakirubaLes concours and the modern French flute school [electronic resource] : stylistic considerations for performanceMPhilUniversity of Queensland201255
HAMPEL, KateHear no evil [videorecording] : obsession and fantasy on the underside of suburbia MARMIT University199855 + video
HIRST, BrettThe place of the bass : a study of Charlie Haden's accompaniment of Don Cherry's solo on "The face of the bassMMus (Perf)University of Sydney200655 + CD
DELBRIDGE, NadineThe viola concerto, Opus posthumous by Bela Bartok : the concerto's history and a systematic comparison of the solo viola part, as interpreted from the original manuscript, by Tibor Serly & William Primrose; Peter Bartok & Nelson Dellamaggiore and Csaba Erdelyi PhDUniversity of Queensland2003551
MACKINLAY, ElizabethFor our mother's song we sing: Yanyuwa women performers and composers of a-nguyulnguyulPhDUniversity of Adelaide1998551
ACKER, AleksandraYoung Children, Music and DiversityPhDRMIT University2010554
GUMMOW, MargaretAboriginal songs from the Bundjalung and Gidabal areas of South-Eastern AustraliaPhDUniversity of Sydney1992555 + cass
LOGAN, SamIllusions of Liveness : Producer as ComposerM.M.ANZ School of Music (Victoria + Massey)201355p+1CD
COYLE, TomThe musical superhighway: the internet for the performing musicianMMusGriffith University199656
CROKER, LaurenText and music : a study and analysis of Poulenc's Fiançailles pour rireGDip MusGriffith University198656
EVANS, ChristineMy vicious angel : a one-act play with music MAUniversity of Western Sydney199856
LEWIS, BethanInterrogating the aesthetic: the 'historically informed performance' contributionM.PhilUniversity of Queensland200456
REID, Dorothy MargaretThe Beethoven quartetsMAUniversity of Canterbury195756
FODOR, FrankFilling the eighteenth-century void for violists [electronic resource] : a study of Mozart's "Viola" concerto, K.622MPhilUniversity of Queensland200956
FETHERSTON, EmmaThe impact of Lionel Tertis and early 20th century British compositions on the emancipation of the viola as a solo instrumentMMus(Perf)University of Sydney201056
PANICHI, DaveRegulation without representation : an overview of NSW live music policy 1992-2007 MMusUniversity of Sydney200756
FREEMAN, LliamDeveloping an improviser's "tool-kit" : exploring methodologies towards the development of improvisational skill and fluency in the performance of original work in jazz ensemble MAMonash University200656 + CD
LITTLE, Jonathan DavidSources of nineteenth-century musical orientalism or from "oriental" inspiration to exotic orchestration: the extra-musical stimuli behind composers' attempts to achieve "exotic" programmatic effects in orchestral musicPhDMonash University1994565
TOBIN, ShannonAspects of Ravel's piano trioMMusUniversity of Queensland200157
BYRNE, Timothy FrancisAspects of technique in Dvořák’s cello concerto [electronic resource] : an approach based on a comparative study of relevant treatisesMPhilUniversity of Queensland201057
AYRTON, BrookKeith Stirling : An introduction to his life and examination of his music MMusUniversity of Sydney201157
WAN, TraceyStylistic issues in the Allemande of the B minor Partita No. 1 for solo violin by J.S. BachMMusUniversity of Sydney200857
GREEN, PhoebeThe influence of nature on two works for the viola by Toru Takemitsu and Ross EdwardsMPhilUniversity of Queensland201057
PILEGGI, Faeron NgaromaAn examination of Robert Aitken's works for multiple flutes with a particular emphasis on his usage of extended techniques and suggestions for performanceMMusUniversity of Sydney201257
SOLOMONS, Roger MalcolmAbsolute pitch : a widespread latent ability responsive to training using a new chroma-isolation method PhDUniversity of NSW2002571
BRAATVEDT, SusanA history of music education in New Zealand state primary and intermediate schools, 1878-1989PhDUniversity of Canterbury2002572
FABIAN, DorottyaJ. S. Bach recordings 1945-1975: St Matthew and St John Passions, Brandenburg concertos and Goldberg variations, a study of performance practice in the context of the early music movementPhDUniversity of NSW1998575 + 4 CDs
KRAM, David I.Erich Wolfgang Korngold (1897-1957): His early life and works with special reference to his relationship with his teachers and his Ballett-Pantomime Der SchneemannPhDMonash University1999578
O'CALLAGHAN, ClareMusic Therapy's Relevance in a Cancer Hospital Researched through a Constructivist LensPhDUniversity of Melbourne2001578
CABRERA, DensilA psychoacoustical study of resonating sound artPhDUniversity of Sydney2001578 + 4 CDs
Roznawski, Jakub PawelChristian Gotthilf Tag four sonatas transcribed for guitar duoMMus PerfNZ School of Music (Victoria + Massey)200857; 101
HARRIS, ElisabethZwischenfach: Paradox or Paradigm?M.M.ANZ School of Music (Victoria + Massey)201457p+1DVD
MACKAY, LindaKodaly in Queensland secondary schools : a study of the pedagogical value of applying a Kodaly methodology in years 8-12 MMus StudsUniversity of Queensland199658
O'SHEA, DebraTeaching listening through art music in primary schools : an analysis of Schubert's Unfinished symphony for pedagogical purposesMMus StudsUniversity of Queensland199658
RYAN, JamesTenor saxophone transcriptions and analysisMMus (Jazz Perf)Australian National University199558
VELLA, RichardA formal comparison of two twentieth century compositions : 'Ionization' by Edgard Varese and Part One of `Piece in two parts' by Stefan Wolpe MALaTrobe University198158 + 1 cassette
CAMERON, Eleanor EliseMusic in tempore belli: an exploration of how to perform Dmitri Shostakovich's Eighth String Quartet and George Crumb's Black Angels: thirteen images from the dark land for electric string quartet as works written in response to warMA (perf)Monash University200658 + CD
SKINNER, GraemeToward a general history of Australian musical composition: first national music, 1788-c.1860PhDUniversity of Sydney2010581
STRAHLE, GrahamFantasy and music in sixteenth and seventeenth-century EnglandPhDUniversity of Adelaide1987582
CWACH, Michael.The pukl and Chodsko : aspects of linkage between a bagpipe and an ethnographic regionPhDUniversity of Canterbury2012583p +2 DVD
NAPIER, John J.Sangat : melodic accompaniment in North Indian vocal musicPhDUniversity of NSW2001584
BRUNORO, Gioia Sofia SerafinaThe life and works of Giovanni Lorenzo LulierPhDVictoria University of Wellington1994585
KAHN, ClareEnhancing the perception of emotion in musical performance : an investigation of one musician's experience of methods intended to improve expressive performance MMus (Perf)University of Sydney200659
KIDD, CarolynIssues and solutions for the guitarist in the performance of Mario Castelnuovo-Tedesco's The divan of Moses-Ibn-Ezra : a cycle of songs for voice and guitar : op. 207 : (1966)MMusAustralian National University196659
RALPHS, FionaA case study of the use of process diaries in composition by year 10 music studentsM.EdUniversity of NSW199359
WOOLLEY, NolanEnglish language development in remote indigenous Australian children : song making, music software, text production and communityM.Ed.University of Melbourne201259
MORGAN, Holly DeeDon Giovanni's avenging womenMMusUniversity of Melbourne201359
CLARKSON, TimothyChromatic Thirds Relations In The Improvisations of Mark TurnerMMusUniversity of Sydney201359
CONNORS, Teresa MarieMaster of Music in CompositionMMusUniversity of Waikato201359
ELMER, ColinReplacing patterns: towards a revision of guitar fretboard pedagogyMMusUniversity of Adelaide200959 + CD + DVD
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