DENG, Wei | Historical and stylistic development in the Chinese four-stringed lute pipa and in pipa music from 1800 to 1995 : with particular reference to "Spring River" | PhD | Queensland University of Technology | 1996 | 519 |
BELLEMORE, Michael | A case study in musical composition with year seven students. | M.Ed | University of NSW | 1993 | 52 |
CECIL, Ann | John Amadio : virtuoso flautist | MMus | University of Melbourne | 1998 | 52 |
HO, Lian-Ian | Expressive gestural use: implications for the choral conductor and singer | MMus | University of Queensland | 2001 | 52 |
YU, Catherine Chin-Yen | Aspects of nationalism in nineteenth-century Spanish piano music : a critical commentary on selected works by Granados, Falla and Albeniz | MMus Stud | University of Queensland | 2001 | 52 |
VIDOVICH, Helen | From Marcel Moyse to Robert Dick : extending the boundaries of 20th-century flute playing and pedagogy | MMus (Perf) | University of Sydney | 2006 | 52 |
LEE, Kyung Min Maria | Active engaging behaviour in music therapy with paediatric oncology patients | MMus | University of Melbourne | 2007 | 52 |
LEE, Kyung Min Maria | Active engaging behaviour in music therapy with paediatric oncology patients | M.Mus.(Thrpy) | University of Melbourne | 2007 | 52 |
MOSKAL, Adon | The DFenders: An Analysis of the Studio Production Process | MMus | University of Otago | 2012 | 52 |
CONNORS, Teresa Marie | Master of Music in Composition | MMus | University of Waikato | 2013 | 52 |
WILLIAMS, Craig Evan | Violin bowing skill analysis : the mechanics and acoustics of the change in direction | PhD | University of Melbourne | 1985 | 520 |
CREWS, Rita Sandra | An analytical study of the piano works of Roy Agnew, Margaret Sutherland, and Dulcie Holland, including biographical material | PhD | University of New England | 1994 | 522 + 259 |
BALOUGH, Teresa | The essential Grainger: Percy Grainger's Kipling settings, 1898-1947 | PhD | University of Western Aust. | 1985 | 524 + 1 vocal score |
VOICE, Nichola J. | Turners' Guilds of Northern Italy : their role in enabling woodwind-instrument manufacture from 1680 to 1844 | PhD | University of Otago | 2014 | 525 |
SMITH, Russell Hugh | Albert Lortzing, Der Wildschutz : the creative process | MMus | University of Tasmania | 1988 | 525 + cass |
HARVIE, Paul | The first sixty years of music at St. Paul's Cathedral, Melbourne, c. 1887-1947 | MMus | University of Melbourne | 1983 | 53 |
RAYMOND, Eric | The influence of Bach on Chopin's preludes and etudes | MMus | University of Melbourne | 1991 | 53 |
TENISWOOD, Arabella | The 1870s Australian tours of Madame Arabella Goddard | MMus | University of Melbourne | 2001 | 53 |
MAK, Yuen Yee Amy. | Performance practice issues in Albinoni's Concerto à cinque, Op. 9 No. 5 | MPhil | University of Queensland | 2009 | 53 |
MILLER, Jessica | Jean-Joseph Cassanéa de Mondonville and the development of French accompanied keyboard music | MMus | University of Sydney | 2010 | 53 |
HOLGATE, Gary | A fragmented parallel stream : the bass lines of Eddie Gomez in the Bill Evans Trio | MMus | University of Sydney | 2009 | 53 |
GALEAZZI, Michael | An overview of the musical sources of "Wedding Song" | MMus | University of Sydney | 2009 | 53 |
STREATER, Evan James | Out of practice : an investigation of historical performance practices and their relevance today | MMus | University of Sydney | 2011 | 53 |
EAST, Simone Michelle | Science: a model and a metaphor in the work of four British composers | MMus | University of Sydney | 2014 | 53 |
GINSBURG, Mark | Reaching for an inner voice : the influence of Jewish cantorial singing on Jewish jazz musicians | MMus | University of Sydney | 2010 | 53 + 1 CD |
TODD, Paul, Graham | The philosophies of Karlheinz Stockhausen in Aus den sieben Tagen and In Freundschaft: performance as a means of communication | MA | Monash University | 2004 | 53 + CD |
BRENNAN, David | The opera performer as actor: an Australian perspective | PhD | University of Newcastle | 2005 | 530 |
WOLFFRAM | Langoron : music and dance performance realities among the Lak people of Southern New Ireland, Papua New Guinea | PhD | Victoria University of Wellington | 2007 | 530 + DVD |
ROCKELL, Kim Forrester | The Philippine Rondalla: Reconstructing Musical Heritage in Contemporary Australasia | PhD | University of Canterbury | 2012 | 535 |
BELL, Robert | PAL: the percussive audio lexicon. An approach to describing the features of percussion instruments and the sounds they produce | PhD | Swinburne University of Technology | 2015 | 536 |
SHOEMARK, Helen | The markers of interplay between the music therapist and the medically fragile newborn infant | PhD | University of Melbourne | 2007 | 538 |
DAVISON, Michael | Didjeridu journey | MCA | University of Newcastle | 2005 | 54 |
FISHER Catherine Jenelle | Paul Taffanel : an investigation of his role in the development of the modern French flute school | GDip Mus | Australian National University | 1998 | 54 |
PANGENG, Shen | The traditional Japanese vocal music - Kouta | MA | Swinburne University of Technology | 1998 | 54 |
REIBEL, Michael B | The development of the German system clarinet: circa 1700-1900 | MMus | University of Queensland | 2003 | 54 |
TAN, May-Kim | Attending to silence | M.Mus. | University of Melbourne | 2009 | 54 + 1 CD |
HENSHAW, Nathan | Blowing Zen : non-Western influence on the scores and performance of contemporary saxophone repertoire | MMus | University of Sydney | 2010 | 54 + 1 CD |
PANVINO, Calogero | Analysis of the second, third and fourth string quartets of Giacinto Scelsi + Portolio of original compositions | MMus (Comp) | University of Sydney | 2004 | 54 + folio |
NICHOLLS, Mike | Submission for Master of Arts (Electronic Arts) [Electronic and Computer Music compositions] | MA | Australian National University | 1996 | 54 + video |
ERICKSON, Frederick J | The bands and orchestras of colonial Brisbane | PhD | University of Queensland | 1987 | 540 |
KAMINSKYJ, Ian | Automatic recognition of musical instruments using isolated monophonic sounds | PhD | Monash University | 2004 | 543 |
MILES, William Edward | Towards an improved model for senior-secondary music education: a multi-faceted perspective | PhD | Monash University | 2006 | 544 |
LANCASTER, Geoffrey | Keyboard music of W.A. Mozart and F.J. Haydn : response by pre-tertiary piano students to historically-informed performance practice | PhD | University of Sydney | 1999 | 548 |
GOULD, Alannah | The bassoon at the time of Carl Maria von Weber | MMus Studs | University of Queensland | 2001 | 55 |
JOHNSON, Jo-Anne | An archaeology of periodisation in music history | MMus | Griffith University | 2000 | 55 |
MAN, Pauline | The viola in early 20th-century music: A performer's Analysis of works by Rebecca Clarke, Paul Hindemith and Ernest Block | MPhil (perf) | University of Queensland | 2006 | 55 |
McKINLEY, Ian William | The place of music in language programming for culturally disadvantaged children in the lower primary grades | MA | University of Queensland | 1971 | 55 |
COOK, Philippa | The vocal accompanist : an examination of the pianist's role in the performance of Australian contemporary art songs | MMus (Perf) | University of Sydney | 2006 | 55 |
PRICE, Desmond Charles | The assessment of musical ability | MA | University of Auckland | 1954 | 55 |
SMITH, Andrew | Saxophone promotion through pedagogical texts | MMus | University of Sydney | 2010 | 55 |
MANOHARAN, Sophia Devakiruba | Les concours and the modern French flute school [electronic resource] : stylistic considerations for performance | MPhil | University of Queensland | 2012 | 55 |
HAMPEL, Kate | Hear no evil [videorecording] : obsession and fantasy on the underside of suburbia | MA | RMIT University | 1998 | 55 + video |
HIRST, Brett | The place of the bass : a study of Charlie Haden's accompaniment of Don Cherry's solo on "The face of the bass | MMus (Perf) | University of Sydney | 2006 | 55 + CD |
DELBRIDGE, Nadine | The viola concerto, Opus posthumous by Bela Bartok : the concerto's history and a systematic comparison of the solo viola part, as interpreted from the original manuscript, by Tibor Serly & William Primrose; Peter Bartok & Nelson Dellamaggiore and Csaba Erdelyi | PhD | University of Queensland | 2003 | 551 |
MACKINLAY, Elizabeth | For our mother's song we sing: Yanyuwa women performers and composers of a-nguyulnguyul | PhD | University of Adelaide | 1998 | 551 |
ACKER, Aleksandra | Young Children, Music and Diversity | PhD | RMIT University | 2010 | 554 |
GUMMOW, Margaret | Aboriginal songs from the Bundjalung and Gidabal areas of South-Eastern Australia | PhD | University of Sydney | 1992 | 555 + cass |
LOGAN, Sam | Illusions of Liveness : Producer as Composer | M.M.A | NZ School of Music (Victoria + Massey) | 2013 | 55p+1CD |
COYLE, Tom | The musical superhighway: the internet for the performing musician | MMus | Griffith University | 1996 | 56 |
CROKER, Lauren | Text and music : a study and analysis of Poulenc's Fiançailles pour rire | GDip Mus | Griffith University | 1986 | 56 |
EVANS, Christine | My vicious angel : a one-act play with music | MA | University of Western Sydney | 1998 | 56 |
LEWIS, Bethan | Interrogating the aesthetic: the 'historically informed performance' contribution | M.Phil | University of Queensland | 2004 | 56 |
REID, Dorothy Margaret | The Beethoven quartets | MA | University of Canterbury | 1957 | 56 |
FODOR, Frank | Filling the eighteenth-century void for violists [electronic resource] : a study of Mozart's "Viola" concerto, K.622 | MPhil | University of Queensland | 2009 | 56 |
FETHERSTON, Emma | The impact of Lionel Tertis and early 20th century British compositions on the emancipation of the viola as a solo instrument | MMus(Perf) | University of Sydney | 2010 | 56 |
PANICHI, Dave | Regulation without representation : an overview of NSW live music policy 1992-2007 | MMus | University of Sydney | 2007 | 56 |
FREEMAN, Lliam | Developing an improviser's "tool-kit" : exploring methodologies towards the development of improvisational skill and fluency in the performance of original work in jazz ensemble | MA | Monash University | 2006 | 56 + CD |
LITTLE, Jonathan David | Sources of nineteenth-century musical orientalism or from "oriental" inspiration to exotic orchestration: the extra-musical stimuli behind composers' attempts to achieve "exotic" programmatic effects in orchestral music | PhD | Monash University | 1994 | 565 |
TOBIN, Shannon | Aspects of Ravel's piano trio | MMus | University of Queensland | 2001 | 57 |
BYRNE, Timothy Francis | Aspects of technique in Dvořák’s cello concerto [electronic resource] : an approach based on a comparative study of relevant treatises | MPhil | University of Queensland | 2010 | 57 |
AYRTON, Brook | Keith Stirling : An introduction to his life and examination of his music | MMus | University of Sydney | 2011 | 57 |
WAN, Tracey | Stylistic issues in the Allemande of the B minor Partita No. 1 for solo violin by J.S. Bach | MMus | University of Sydney | 2008 | 57 |
GREEN, Phoebe | The influence of nature on two works for the viola by Toru Takemitsu and Ross Edwards | MPhil | University of Queensland | 2010 | 57 |
PILEGGI, Faeron Ngaroma | An examination of Robert Aitken's works for multiple flutes with a particular emphasis on his usage of extended techniques and suggestions for performance | MMus | University of Sydney | 2012 | 57 |
SOLOMONS, Roger Malcolm | Absolute pitch : a widespread latent ability responsive to training using a new chroma-isolation method | PhD | University of NSW | 2002 | 571 |
BRAATVEDT, Susan | A history of music education in New Zealand state primary and intermediate schools, 1878-1989 | PhD | University of Canterbury | 2002 | 572 |
FABIAN, Dorottya | J. S. Bach recordings 1945-1975: St Matthew and St John Passions, Brandenburg concertos and Goldberg variations, a study of performance practice in the context of the early music movement | PhD | University of NSW | 1998 | 575 + 4 CDs |
KRAM, David I. | Erich Wolfgang Korngold (1897-1957): His early life and works with special reference to his relationship with his teachers and his Ballett-Pantomime Der Schneemann | PhD | Monash University | 1999 | 578 |
O'CALLAGHAN, Clare | Music Therapy's Relevance in a Cancer Hospital Researched through a Constructivist Lens | PhD | University of Melbourne | 2001 | 578 |
CABRERA, Densil | A psychoacoustical study of resonating sound art | PhD | University of Sydney | 2001 | 578 + 4 CDs |
Roznawski, Jakub Pawel | Christian Gotthilf Tag four sonatas transcribed for guitar duo | MMus Perf | NZ School of Music (Victoria + Massey) | 2008 | 57; 101 |
HARRIS, Elisabeth | Zwischenfach: Paradox or Paradigm? | M.M.A | NZ School of Music (Victoria + Massey) | 2014 | 57p+1DVD |
MACKAY, Linda | Kodaly in Queensland secondary schools : a study of the pedagogical value of applying a Kodaly methodology in years 8-12 | MMus Studs | University of Queensland | 1996 | 58 |
O'SHEA, Debra | Teaching listening through art music in primary schools : an analysis of Schubert's Unfinished symphony for pedagogical purposes | MMus Studs | University of Queensland | 1996 | 58 |
RYAN, James | Tenor saxophone transcriptions and analysis | MMus (Jazz Perf) | Australian National University | 1995 | 58 |
VELLA, Richard | A formal comparison of two twentieth century compositions : 'Ionization' by Edgard Varese and Part One of `Piece in two parts' by Stefan Wolpe | MA | LaTrobe University | 1981 | 58 + 1 cassette |
CAMERON, Eleanor Elise | Music in tempore belli: an exploration of how to perform Dmitri Shostakovich's Eighth String Quartet and George Crumb's Black Angels: thirteen images from the dark land for electric string quartet as works written in response to war | MA (perf) | Monash University | 2006 | 58 + CD |
SKINNER, Graeme | Toward a general history of Australian musical composition: first national music, 1788-c.1860 | PhD | University of Sydney | 2010 | 581 |
STRAHLE, Graham | Fantasy and music in sixteenth and seventeenth-century England | PhD | University of Adelaide | 1987 | 582 |
CWACH, Michael. | The pukl and Chodsko : aspects of linkage between a bagpipe and an ethnographic region | PhD | University of Canterbury | 2012 | 583p +2 DVD |
NAPIER, John J. | Sangat : melodic accompaniment in North Indian vocal music | PhD | University of NSW | 2001 | 584 |
BRUNORO, Gioia Sofia Serafina | The life and works of Giovanni Lorenzo Lulier | PhD | Victoria University of Wellington | 1994 | 585 |
KAHN, Clare | Enhancing the perception of emotion in musical performance : an investigation of one musician's experience of methods intended to improve expressive performance | MMus (Perf) | University of Sydney | 2006 | 59 |
KIDD, Carolyn | Issues and solutions for the guitarist in the performance of Mario Castelnuovo-Tedesco's The divan of Moses-Ibn-Ezra : a cycle of songs for voice and guitar : op. 207 : (1966) | MMus | Australian National University | 1966 | 59 |
RALPHS, Fiona | A case study of the use of process diaries in composition by year 10 music students | M.Ed | University of NSW | 1993 | 59 |
WOOLLEY, Nolan | English language development in remote indigenous Australian children : song making, music software, text production and community | M.Ed. | University of Melbourne | 2012 | 59 |
MORGAN, Holly Dee | Don Giovanni's avenging women | MMus | University of Melbourne | 2013 | 59 |
CLARKSON, Timothy | Chromatic Thirds Relations In The Improvisations of Mark Turner | MMus | University of Sydney | 2013 | 59 |
CONNORS, Teresa Marie | Master of Music in Composition | MMus | University of Waikato | 2013 | 59 |
ELMER, Colin | Replacing patterns: towards a revision of guitar fretboard pedagogy | MMus | University of Adelaide | 2009 | 59 + CD + DVD |