Completed

WriterThesis TitleDegreeUniversityYear# of Pagessort icon
GALEA, JeffGhana: the folk music of Malta influences on my musicMAUniversity of Wollongong200565 + 1 CD
LANDESMAN, YossiAutomated genetic evolution of musical structures MITMonash University200765 + CD
SMITH, GeorginaSomething old something new : the development of the saxophone quartet and interpreting Alexander Glazunov's Quartet for saxophones op. 109MMusUniversity of Tasmania201165 + CD
LOUTH-ROBINS, TristanStill and moving lines [electronic resource] : listening and signification in sound artMMusUniversity of Adelaide201065 + CD + DVD
WHITEOAK, JohnAustralian approaches to improvisatory musical practice 1836-1970: a Melbourne perspectivePhDLaTrobe University1993652
KIPNIS, BorisLudwig van Beethoven quartets, op. 18MMusMassey University200266
HOLLAND, Brett WilliamA critical commentary exploring the potential inclusion of operatic arias in the traditional song recital. : references to Johannes Brahms Vier Ernste Gesänge OP. 121, Fünf Lieder Opus 105 and bass arias from Macbeth and Simon Boccanegra by Giuseppe VerdiM.PhilUniversity of Queensland200466
LAWRENCE, DouglasOrgan registration in the French and German Baroque MMusUniversity of Melbourne197466
ROPA, Vanessa JaneThe importance of understanding the mechanisms underlying breathing, posture and embouchure for tertiary flute and wind music studentsMMusUniversity of Sydney201066
DAVIDSON, JimThe career of a musical expatriate : Louise Hanson-Dyer of l'oiseau-lyre, 1927-1962PhDUniversity of Melbourne1992668
SMITH, Robyn ElizabethTexts and Music of French Double and Triple Motetsin Fascicles II, V and VII of manuscript Montepellier, Bibliotheque de l'ecole de medicine, H196: A textual edition with translation and commentaryPhDUniversity of Sydney1986669: 3 vol
GEARING, PhillipMalcolm Williamson's organ symphony: an analysis of serial techniqueMMusUniversity of Queensland198967
LOWRY, Helen JTonal resource in Benjamin Britten's Peter Grimes MAUniversity of Sydney198067
MORGAN, ChristyAn exploration of the performer-composer dynamicM.PhilUniversity of Queensland200667
MOULTON, Bruce DavidThe role of stress and muscle tension in RSI amongst musiciansMAUniversity of Sydney199167
SMART, BonnieLeon Caron and the music profession in AustraliaMMusUniversity of Melbourne200367
SZETO, CarolineCapturing gestures in live performances of electronic musicMMusUniversity of Sydney199367
AGOSTINELLI, JosephineTradition and innovation in Percy Grainger's Ramble on Strauss's The rose-bearer (1927) : the performer's role in interpreting this transcription in relation to the specific Graingerisms used MA (perf)Monash University200567
PETHERICK, ChrisExperiences of Queensland instrumental music teachers and the development of their professional identitiesMMusStGriffith University201067
SHUM, DavinaWhat would Duport do? : an observation of the relationship between idiomatic writing and key characteristics in Beethoven's F major Cello and piano worksMMusPerfUniversity of Sydney201167
DAMBERG, ErikExotic Australia songs from the 1920s-1950sMAMacquarie University200367 + 2 CDs
WHEATLAND, PhilipMelodicMatch - A software searching tool for music analysisMAMonash University200167 + cd
YOUNG, JohnSource recognition of environmental sounds in the composition of sonic art with field-recordings : a New Zealand viewpointPhDUniversity of Canterbury1989677
McPHERSON, AilsaDiversions in a Tented Field: Theatricality and the Images and Perceptions of Warfare in Sydney Entertainments, 1879-1902PhDUniversity of Sydney2001678
COOPER, Carl GeraldThe contribution of contemporary Australian composers to the tenor concert repertoire GradDipMusAustralian National University199868
LORD, WendyThe relationship of the profiles to the reality of the year 6 classroomM.EdUniversity of NSW199468
MATSINOS, JimThe inter-relatedness of design and performance within theatre : the inter-relationship of theatrical performance with the visual arts, design and music with specific emphasis on the creation of mood and atmosphere in the visual, aural and tactile awareness of a particular productionM.LittUniversity of New England199468
MOON, So-YoungThe effect of piano exercises on the rehabilitation of right hand finger coordination for a patient with traumatic brain injuryMMusUniversity of Melbourne200168
NYCE, DouglasLanger and the Educators: Suzanne Langer's theory of music meaning and its relation to music educational philosophyMAUniversity of Auckland199968
HARDIE, Richard LawrenceJenny McLeod: The emergence of a New Zealand voiceMMOverseas199468
MILLER, ClareAn analysis of "The Lost art of letter writing" by Brett DeanMMusUniversity of Sydney201068
VELTHEIM, ErrkiShifting sounds [electronic resource] : music as a ritual of transformationMAVictoria University (Vic. Australia)201068
HILLENIUS, Sytske RosanneBush dance music in Tasmania: a recent social and cultural history of live music played for dancingMMusUniversity of Melbourne201468
BLINKHORN, DanielExtra-musical consequence : reconsidering antecedent/consequent motivations MAUniversity of Wollongong200568 + 1 CD
GARD, StephenNasty Noises: 'Error' as a Compositional ElementMMus CompUniversity of Sydney200468 + 2 CD
POPLIN, JustineMultimedia and the operatic formMARMIT University200168 +Vid
LEE, RileyYearning for the bell: a study of transmission in the shakuhachi honkyoku traditionPhDUniversity of Sydney1992684
TWIST, Joseph EdwardFolio of compositions with critical commentary : an exploration of musical influences and composing techniques. Critical commentary [electronic resource]PhDUniversity of Queensland2009686
SMITH, Robyn ETexts and music of French double and triple motets in fascicles II, V and VII of the Manuscript Montpellier, Bibliotheque de l'Ecole de Medicine, H. 196 : a textual edition with translation and commentary PhDUniversity of Sydney1984689
CAVE, JennaPortfolio of compositions /​ Jenna CaveMMus.University of Sydney201068p + 1CD
BRINCAT, LaurenI thought about playing guitar but there are too many musicians alreadyMVAUniversity of Sydney200569
COOPER, Sharon AnneYouth and the production of popular music: the generational rift M.EdUniversity of Newcastle199869
KERR, Kumberley J.Madonna : the celebrated chameleon, the damned dominatrix : subverting the mainstream and upholding the conventional MAUniversity of Melbourne199369
McSKIMMING, David GrantThe life and music of Karol SzymanowskiMMusUniversity of Adelaide197369
PHILLIPS, RohanTheatricality in the concert music of Hans Werner Henze and Harrison BirtwistleMMus(Comp)Australian National University199669
MILLS, Bryce AndrewThe perception of melodic closure : a study of the factors influencing final note choice to achieve melodic closure MAMassey University197969
FIELDHOUSE, Acrobat A.E.The development of musical taste and judgement : an investigation of the standard of musical taste and judgement in an unselected group of New Zealand school children MA (Hons)University of New Zealand193369
SEDCOLE, AnnaThe future of chamber music audiences in New ZealandM MgtMassey University201169
BAILEY, LionelThe improvisational styles of Australian saxophonists Jamie Oehlers and Julien WilsonMAMonash University201169
LOJEWSKI, Mee Na ManonGalant and grotesque aesthetics in the musical language of Haydn's cello concerti: cello concerto in C major (c1765), cello concerto in D major (c1783)MMusUniversity of Sydney201469
PERREN, Media and compositional action: Folio of compositions and critical commentaryPhDUniversity of Queensland201469
GILLING, GraemeAn analytical study of Johannes Brahms's piano trio no. 2 in C major op. 87MusMUniversity of Western Aust.198569 + 2 CD
RICH, J.W.His thumb unto his nose: the removal of G.W.L. Marshall-Hall from the Ormond Chair of MusicPhDUniversity of Melbourne1986691
SCHUBERT, EmeryMeasurement and time series analysis of emotion in musicPhDUniversity of NSW1999696
LEUNG, Bo WahCreative Music Making in Hong Kong Secondary Schools: The Present Situation and Professional Development of Music TeachersPhDUniversity of NSW2002698
BROMBERG, BrianM.Mus composition portfolioMMusUniversity of Otago20087 Scores + 3 CDs
TIUTIUNNIK, KatiaThe symbolic dimension: an exploration of the compositional processPhDAustralian National University20027 vol + 3 CD + 1 vid
CHAPLIN, PeterFolio of compositions and analysesMMusUniversity of Melbourne19867 vol + tape
CLOSE, KathrynThe history and development of violin and violoncello duetsMMusUniversity of Queensland200370
MOSS, KarinaViolin teaching in Sydney: a preliminary investigationMMus Ed.University of Sydney199370
WALKER, AllanSchoenberg's Prelude to the Genesis suite : a study of its ideasMALaTrobe University199070
FORSBERG, AndrewMalory : music with repetitive structruresMAUniversity of Auckland199970
SHEWARD, David Benjamin ChandraEdward Elgar, EnglandMMusUniversity of Auckland198970
HENRY, NereleeHow students attribute new learning experiences in music classes M.EdMonash University200570
KEEGAN, MatthewSonny meets squawk : Timbral devices in the saxophone playing of Sonny RollinsMMusUniversity of Sydney201070
McPHERSON, AngusThe glissando headjoint : Expanding the musical palette of the flute through mechanical inventionMMusPerfUniversity of Sydney201170
CROWDEN, David"Alla tromba della fama" (To the trumpet of fame): the impact of instrumental idiom on vocal performance practice in trumpet ariasMMusUniversity of Sydney201470
DAY, Robina AnneThe relationship between personality, individual differences and the experience of emotions evoked by music that elicits visual mental imagery: project thesisMResMacquarie University201470
HUMBLE, PeterExpanded music : creating moving image works via musical intuition and processMCA(Res)University of Sydney201570
LANGLOIS, Roslyn J.Meaning in music : towards criteria for a personal philosophy of music for the practising musician MMusUniversity of Tasmania199270 + 7 cass
LAI, Chi-HsiaHands on stage : a performance media spaceMPhilAustralian National University200970 + CD
CLARKE, Margaret AnnA program of instruction in braille music for teachers of visually impaired studentsDipMusEdUniversity of Western Sydney199270+
STOCKIGT, Janice BeverleyThe Vespers psalms of Jan Dismas Zelenka (1679-1745) in the liturgy and life of the Dresden Catholic court church PhDUniversity of Melbourne1994704
BOLTON, JanA multi-arts creative approach to music education: its impact on generalist primary teacher education students' confidence and competence to teach musicM.EdDeakin University1999 (NiC)71
GREEN, AndrewEdgard Varese: Ionisation. Some analytical viewpoints MAMonash University199171
KELLY, JaneThe piano works of Deodat de Severac: technical and timbral concernsMMusUniversity of Queensland199471
MacNEIL, Johanna LHarmonising music education in the University of Melbourne : management issues pertaining to the affiliation between the University of Melbourne and the Victorian College of Arts with particular attention to the delivery of music education MBAUniversity of Melbourne199171
MADDICK, AndrewThe Effects of Collaboration: A Study of the Influences of Violinists on the Violin Repertoire of Sergei ProkofievMPhil (perf)University of Queensland200671
MUDDLE, PeterExtending the solo bassoon repertoire through arrangement and transitionMAUniversity of Newcastle200571
OSYPENKO, Rick JAn experimental evaluation of Velten versus music mood induction proceduresMAUniversity of Sydney198971
ROBERTS, Gwyn L.The conductor as accompanist with reference to three romantic concertosMMusUniversity of Queensland199571
COX, JamesHip hop : a modern minstrel show?MA (Anthrop)University of Auckland200771
MICHALSKI, Yvonne ECurrent admission criteria for Texas graduate degree programs: piano performance, piano pegagogy, and music education with piano emphasisMMus (Mus.Ed.)Overseas200071
COULTER, John WilliamElectroacoustic music with moving images [electronic resource] : a practice-led research project PhDUniversity of Queensland200971
COUTLER, JohnElectroacoustic Music With Moving Images: A Practice-Led Research ProjectPhDUniversity of Queensland200971
MCLENNAN, Rebecca LouiseMusical futures in the primary (elementary) yearsM.Ed.University of Melbourne201271
MAHER, JamesThe Christian songwriter as theologian : giving voice to the converted heart and mindM.T University of Divinity201371
HAMMOND, JaneAn exploration of the possibilities of generating music from text MAMonash University200671 + 2 CDs + 6 score
ROUD, Hayley ElizabethNew Zealand works for contrabassoonMMusNZ School of Music (Victoria + Massey)201071 + Disc
EAMES, Philip Approaches to the Hawthorne Movement of the Concord Sonata by Charles IvesM.MusGriffith University201071+1DVD
ORSETH, Kjell M. W.Trios for horn, violin and continuo/piano: the players, their influence and their competency MA (perf)Monash University200372
VARNES, Eleanor JeanetteThe changing styles in the performance of Richard Strauss's Vier Letze Lieder and Samuel Barber's Hermit SongsM.PhilUniversity of Queensland200472
McMAHON, Paul GPoet, text, composer : two contrasting approaches to John Dryden's A song for St Cecilia's Day, 1687 by Giovanni Battista Draghi and George Frideric Handel MMus (Perf)University of Sydney200572
MENDEZ, ShaunaBibliographic relationships and FRBR : an examination of user needs in the music libraryMLISVictoria University of Wellington200672
HANNAY, KarenThe Wellington Youth Choir, 1989-1997: A comprehensive bibliographyMLISVictoria University of Wellington199872
MASON, PaulThe pastoral implications of John Paul II's Chirograph on the centenary of the Motu Proprio "Tra Le Sollecitudini" on Sacred MusicMA (Liturgy)Australian Catholic University200772
HALLIGAN, Laura JoyHow does my music therapy practice, in a transition school focused on supporting adolescents with mental health needs, relate to the key competencies of the New Zealand curriculum?MMusTherNZ School of Music (Victoria + Massey)201272
DUNSCOMBE, Samuel EkkehardtRuptured causality : laptop performance and the concert audienceMMusPerfUniversity of Melbourne201172
STEWART, Robert AndrewsoundNode: a user interface for sound design in performance environmentsM.SD (Sound Design)University of Melbourne201072
ROBINSON, AndreaHow does a student music therapist, working within a multidisciplinary team, address the physical, communication and cognitive needs of two patients who have experienced a left hemisphere mid-cerebral artery (MCA) stroke? : An exploratory case studyMMusTherVictoria University (Vic. Australia)201472
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