Completed

WriterThesis TitleDegreeUniversityYearsort icon# of Pages
BUTLER, Peter MauricePrimary school music education: a study of teachers, composers and original works in a pedagogical contextPhDAustralian National University2015222
CUMMINS, JosephThe Space and Time of Imagined Sound: Australian Literature and Music, 1945 to PresentPhDUniversity of NSW2015232
MURPHY, ShaneIndependent music marketing in the digital age: an examination of the decision making process and key issues facing an independent singer-songwriter producing and marketing an album (LP) in the digital ageMMusSouthern Cross University2015198
CROOKE, Alexander Hew DaleCritical reflections on how research design and the attributes of a music program can affect investigations of the psychosocial wellbeing benefits of musical participation in mainstream schoolsPhDUniversity of Melbourne2015
JOHNSON, PhillipThe polysynchronous film score: the relationship between music and image/narrative in contemporary scores for silent filmPhDUniversity of Newcastle2015214
QIU, ZiruiAn investigation on the effects of music training on executive functions of preschool children in ChinaPhDUniversity of Melbourne2015
ALONSO-VAZQUEZ, MarisolFactors that influence engagement in on-site environmentally responsible behaviours at music festivalsPhDUniversity of Queensland2015279
POSSE EMILIANI, Maria ElviraFrom the Colombian Caribbean to the South Pacific: Cultural hybridity and resistance in film, music and artPhDAustralian Catholic University2015
HARDCASTLE, Adam Christopher'Letting good happen' sustaining community music in regional Australia: a study of the Green Triangle cross-border regionPhDMonash University2015
VARNEY, CMMusic as muse : excerpt of Earworm, a novel, plus an accompanying exegesis : "Will Bunny stay dead? : The unreconstructed male in Grinderman and The Death of Bunny Munro"MAARTUniversity of Tasmania201577
PHYLAND, Debra JeanThe impact of vocal load on the vocal function of professional music theatre singersPhDMonash University2015
HAMMOND, JaneDancing with ghosts: the topic of the pastoral explored in a folio of music compositionsPhDMonash University2015
ASHTON-BELL, Robert Linton TavisSound in sight: an autoethnographical case study of teaching and learning western music theoryPhDMonash University2015271
KOH-BUTLER, AmeliaThe formation of a missional cross-cultural urban community : communal singing off the menu ; a 'meal to music' approacPhDFlinders University2015235
MORRISON, GlennSonglines and fault lines : six walks that shaped a nationPhDMacquarie University2015331
HUMBLE, PeterExpanded music : creating moving image works via musical intuition and processMCA(Res)University of Sydney201570
ROBERTS, CJHow the pianist's touch affects tone quality: A review of performance-based and scientific literature with applications to piano practice and performancePhDUniversity of New England2015
NEVILLE, Stephen PatrickImprovising with words: a drummer’s perspective on the integration of recorded speech with jazz performance – a portfolio of recorded performances and exegesisMPhilUniversity of Adelaide2015
FOSTER, DJMusic: Pathways to Personal MeaningPhDUniversity of New England2015366
HANUSIAK, Xenia DaraMusical transcriptions: a creative and analytical exploration of aspects of music in textPhDMonash University2015156
RAINERI, Aldo SalvatoreBehavioural risk at outdoor music festivalsDProfUniversity of South Queensland2015377
ROBINSON, Jennider AnneA Study of Inspiring Australian Music TeachersMMusUniversity of Sydney2015131
GODWIN, Louise FrancesOptimal musical engagement: the individual experience of participation within a musical community of practiceMEduRMIT University2015180
Cox, GeraldineMusic matters in fiction: Creative and critical reflectionsPhDMurdock University2015
MANTON, Joseph FrederickExploring complex rhythmic devices in new music composition through software designMMusUniversity of Sydney201586
HENSE, CherryMusical identities of young people recovering from mental illnessPhDUniversity of Melbourne2015
DIAZ-GASCA, Juan SebastianMusic Beyond Gameplay: Motivators in the Consumption of Videogame SoundtracksPhDGriffith University2015
CROFT, GraemeThe human body as an instrument: an investigation into its musicMMusRMIT University2015115
MOORE, Sarah JaneTitle Reconciliation through Music and Art. A study in Two SchoolsPhDUniversity of Sydney2015
GARZOLI, JohnIntonational, idiomatic, and historical factors that shape contemporary Thai fusion musicPhDMonash University2015340
BROOKS, Wendy LouiseAn investigation of music and screen media in the lives of young childrenPhDUniversity of Sydney2015
CORNWELL MCKEAN, Julia MargaretCharacterisation in Ward’s opera The Crucible : melodic interpretation of Salem’s witches and their accusers via historical accounts and Miller’s playPhDMonash University2015245
WREN, Toby ChristopherImprovising Culture: Discursive Interculturality as a Critical Tool, Aesthetic, and Methodology for Intercultural MusicPhDGriffith University2015256
WHITE, Rachel AnneListening in: New South Wales music educators’ reflections on teaching Higher School Certificate aural analysisMMusUniversity of Sydney2015210
LILL, Athena LouiseInformal learnings? Young people’s informal learning of music in Australian and British schoolsPhDUniversity of Sydney2015317
ANTHONY, Brendan‘The Stairways to Mixing Heaven’: Designs for the Optimisation of Creative Mixing Practices in Popular Music Record ProductionMMusGriffith University2015
COYLE, JamesThe contrabass as a vehicle for Australian music; how a small repertoire can inform the creative output of one composerMMusUniversity of Sydney201582
HEISER, Marshall StuartThe Playful Frame of Mind: An Exploration of its Influence upon Creative Flow in a Post-War Popular Music-Making ContextPhDGriffith University2015
LESLIE, ShayneWords and Music: using a chosen set of criteria to inform a creative response in composing two contrasting song cyclesMMusUniversity of Sydney201591
DOWER, DavidSelf-accompaniment and improvisation in solo jazz piano: Practice-led investigations of assimilation, ostinatos and ‘hand splitting’MArtsEdith Cowan University2015147
DENT, Lachlan JamesThe application of the pedagogy of Evangeline Benedetti and Christopher Bunting to the performance of Grieg’s Sonata in A minor for cello and piano, and Carl Vine’s Inner World for cello and pre-recorded CDPhDMonash University2015
WHITE, GregTowards maximal convergence: the relationship between composition, performance, and production in realtime software environmentsPhDUniversity of Newcastle2015200
MARTIN, CharlesPercussion and computer in live performanceMMusAustralian National University2015
SMITH, Kylie DeborahHarmonisation with nature: enhancing health education through empathetic ecomusicationPhDUniversity of Newcastle2015468
HUA, XiaUsing songs for beginners to learn Chinese : an action research study of local/global language educationMEduUniversity of Western Sydney2015164
BRACKNELL, Clint ThomasNatj Waalanginy (What singing?): Nyungar song from the south-west of Western AustraliaPhDUniversity of Western Aust.2015
FRAMPTON, Andrew LeslieJan Dismas Zelenka's Missa Sancti Spiritus, ZWV 4: a critical edition and study of the manuscript sourcesMMusUniversity of Melbourne2015
JAMES, Stuart GeorgeSpectromorphology and spatiomorphology : wave terrain synthesis as a framework for controlling timbre spatialisation in the frequency domainPhDEdith Cowan University2015
SEVERN, JohnShakespeare as Jukebox MusicalPhDUniversity of NSW2015
LIFSCHITZ, SonyaCreative collaboration in and as contemporary performance practicePhDUniversity of Melbourne2015328
OBRYAN, JessicaInvestigating participant values, beliefs and practices in one-to-one tertiary classical singing lessons: a collective case studyPhDUniversity of Queensland2015
KHOZANATU LAHPAN, Neneng YantiNegotiating ethnicity and Islam in musical performances in West Java IndonesiaPhDMonash University2015307
CROSS, RodneyThis blows : social and cultural perceptions of ancient Roman brass instruments and musiciansMResMacquarie University201564
BEECHE, Jack TrewhellaImprovised counterpoint: a study of contrapuntal strategies and interchangeable roles between two soloists in jazz improvisationMMusMonash University2015121
GILLER, Alexandra PatriciaExperts and excerpts: the application of Giovanni Bottesini's complete method for the Contre-Basse to the preparation of orchestral excerpts taken from the works of Giuseppe VerdiMArtsMonash University201545
POTTER, WarwickA case study of the life and work of an Australian Orchestral Portfolio ConductorPhDUniversity of Queensland2015151
WONG, Chi Lui FloraThe solo violin works of Bach and Telemann: a comparison of formal and stylistic models and fugal writing for solo violinMPhilUniversity of Queensland201540
ASKILL, MichaelReflections on Composition and ConsciousnessPhDUniversity of Queensland2015145
PURCELL, Kevin JTransmedia storytelling: relocating the Broadway musical across the digital domain as scalable enterpriseMResUniversity of Melbourne2015
KIRBY, Catherine Sarah'The Art-Twins of Our Timestretch': Percy Grainger, Frederick Delius and the 1914-1934 American 'Delius Campaign'MMusUniversity of Melbourne2015105
GOH, CalebCries from within : the struggles and triumphs of creating a Singaporean voice in musical theatrePhDEdith Cowan University2015
CARTER, James Stuart ReadImporting and exploring the kramerian theory of musical postmodernism within contemporary Jazz performanceMArtsMonash University201580
CHARLES, EmmaA problematic portfolio: an exploration of style and identity in the life of Gerald Finzi and the performance of "Introit" as part of his discarded Violin ConcertoMMusMonash University2015
WOOD, Katrina"I didn't like it, I prefer Musicals": The lived experience of the drama teacher in the contemporary secondary suburban schoolMEduMurdock University2015106
MCKAY, KathrynA contextual study of Boris Asafiev's Musical form as a process and and application of concepts to his Sonata for solo violMAEdith Cowan University2015
DENNETT, Jacinta IreneEssential gestureMResUniversity of Melbourne2015114
SAUNDERS, Scott"Towards an aesthetic of groove"MPhilUniversity of Newcastle2015116
SCHOLTES, Mark ACreative Trigger, Creative Intent and Creative Choice: An Exploration of Where Songs Come FromMMusGriffith University2015
WORLEY, KimThe Singing Cellist: An Exploration of the Relationship between the Cello and the Human VoiceMMusGriffith University2015
COURT, Sarah Kathleen MaryDeath and Transformation in Romantic Song Cycles: Journeys in InterpretationDMAGriffith University2015166
BRIGGS, Maria Sergeevna (née Okunev)Tertiary Opera Training in Australia and UK: Ethnographic PerspectivePhDUniversity of Sydney2015
MANOHARAN, PravinaTamil hip-hop in Malaysia : the history, politics, and sounds of diasporic identityPhDMonash University2015
CATANCHIN, HelenAn exploration of composed and improvised wordless singing in performance: skills for the 2Ist century contemporary jazz singerMMusMonash University2015
WISNIEWSKI, Wojciech WaldemarDEFINING NATIONAL PIANO SCHOOLS Perceptions and challengesDMAUniversity of Sydney2015
YOUNG, Lisa (Elissa M.)The Eternal Pulse: creating with konnakkol and its adaptation into contemporary vocal performancePhDMonash University2015170
Low, Krista'Down with Romanticism'?: changing aesthetics in cello performance practice 1920-1960MMusUniversity of Western Aust.201592
BELL, RobertPAL: the percussive audio lexicon. An approach to describing the features of percussion instruments and the sounds they producePhDSwinburne University of Technology2015536
SUTTON, Mark MorganYou can always come back, but you can't come back all the way: late style and memory in Bob Dylan's recent workPhDUniversity of Sydney2015
LEE, DanielA global approach to guitar tuition : developing an electric guitar meta-canonMEduCharles Darwin University2015253
BROADFOOT, Marianne Claire“A new mode of expression”: Karol Szymanowski’s first violin concerto op. 35 within a Dionysian contextPhDUniversity of Sydney2015252
BUCKLEY, DarylFrom body schema to score: creating spatial grammars in contemporary electric guitar practice.PhDRMIT University2015108
LANDERS, Heath A.W.Rhetorical concepts and Mozart: elements of classical oratory in his drammi per musicaMPhilUniversity of Newcastle2015307
ANTONOV, EdwardFormulating an interpretation of Frederick Septimus Kelly's Violin Sonata in G major through an assessment of the performance style of the work's dedicatee, Jelly d'AranyiMMusMonash University2015
BATTERHAM, Andrew BruceFootprints: the assimilation of extra-Classical elements in a compositional languagePhDUniversity of Melbourne2015
ANDREWS, Helen MarieCognitive impairment, spontaneous recovery and environmental enrichment post strokeDCPUniversity of Newcastle2015
ASHTON, Graham RGot ‘em on a String: The Collective Skills, Knowledge and Attributes of Group String Teachers in QueenslandMPhilGriffith University2015
TORR, Oliver JEmotional truth in opera performanceUnknownMonash University2015
HUNT, Jonathan RobertOn the shoulders of giants: Bechet, Noone, Goodman and the efflorescence of jazz clarinet and the improvised soloPHDUniversity of Adelaide2015117 +4CDs
SOMMERVELLE, ChristopherThinking in sound: a survey of audiation in Australian music studentsPHDUniversity of Melbourne2015191
THORNTON, DanielExploring the Contemporary Congregational Song Genre: Texts, Practice, and IndustryPHDMacquarie University2015401
KEWENE-DOIG, Louise Mahinarangi Turning Up the Māori: The Showband Mix-O-Matic AppMMusUniversity of Otago2016
EGENES, John R. The Record Producer's Evolving Role: A Study of Three Recording ProjectsDMAUniversity of Otago2016
ESPLIN, PenelopeThe Musical Imagery in Dante Gabriel Rossetti’s paintings for his patron, Frederick LeylandMArtsUniversity of Otago2016
ZHU, Julie Jingzhi The Effect of Musical Aptitude : Perceiving and Producing Mandarin Lexical Tones By Non-Native Speakers of ChinesePhD Applied Chinese LinguisticsUniversity of Auckland2016162
RICHARDS, WendyMusic literacy, music braille, and audiation : towards a new pedagogyMMus University of Auckland2016135
VAVASOUR, KrisMore than a Band Aid : how the use of popular music helped a city recover after disaster.MArtsUniversity of Canterbury2016
GODDARD, Sarah"I just find it awkward" : Girls' negotiations of sexualised pop music mediaPhDVictoria University of Wellington2016241
LOWERY, OliverGoal-oriented processes: Exploring the use of goals in music therapy to support young people with autism spectrum disorderMMTVictoria University of Wellington2016
TIPPING, NicholasOutside in : Wellington jazz among the discoursesPhDVictoria University of Wellington2016
LANCE, PhilipTransformations of drum rudiments in jazz performanceMMusVictoria University of Wellington2016
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