PARSONS, Michael Graham | Music compositions | MMus | Victoria University of Wellington | 2005 | 1 vol + 2 CDs |
NEWLAND, Dorothea Elizabeth | Musical empowerment for people with multiple disability | M.Ed | University of Technology Sydney | 2003 | 1 vol + 4 CDs + CD-R |
BONETTI, Ruth | A performing edition of Georg Philipp Telemann's Ouverture in F Major for 2 chalumeaux, 2 violettas, and basso, transcribed for clarinet, violin, and keyboard | MMus | University of Queensland | 1989 | 1 vol + 4 parts |
KELLY, Wayne | Transcriptions and analyses | GradDipMus | Australian National University | 1999 | 1 vol + cass |
ABBOTT, Katrina | Folio of compositions | MMus | University of Melbourne | 2001 | 1 vol + cd |
HUGHES, William Davin | Folio of compositions | PhD | University of Melbourne | 2001 | 1 vol + CD |
WILLIAMS, Natalie | Folio of compositions | MMus | University of Melbourne | 2002 | 1 vol + Cd |
DELLA-BOSCA, Roxanne | Fostering creativity in the field of musical composition : a vision for tertiary level pedagogy + Folio of Compositions | MMus (Comp) | University of Sydney | 2005 | 1 vol + CD |
GRANT, Alison | Music compositions | MMus | Victoria University of Wellington | 2006 | 1 vol + CD |
WATSON, Chris | Music compositions | MMus | Victoria University of Wellington | 2002 | 1 vol + CD |
LARDELLI, Dylan Marcel Victor | Music compositions | MMus | Victoria University of Wellington | 2003 | 1 vol + CD |
KISTERS, Ludger | Te Raekaihau : and other works | MMus | Victoria University (Vic. Australia) | 2004 | 1 vol + CD |
VENNONEN, Kimmo | Submission for the Graduate Diploma in Music (Computer Music) | GradDipMus | Australian National University | 1994 | 1 vol + floppy disk |
WHATELY, Greg | An historic outline of operetta and the composition of seven original works illustrating present day use of the devices identified | M.Ed | University of Melbourne | 1988 | 1 vol + video |
SHANAHAN, Ian | A world of becoming : eleven original compositions, with analytical notes | PhD | University of Sydney | 2002 | 1 vol +3CDs |
FARAGHER, Michael Allan | A folio of musical compositions | MMus | University of Queensland | 1996 | 10 scores + cass |
BLOM, Diana | Invocation to earth : an opera ; Prelude for orchestra ; [and] Daisy Bates : a documentary essay for television | MM | University of Sydney | 1972 | 100 |
LYNCH, Peter | Gertrude Healy: the Australian violinist. | MA | Monash University | 1996 | 100 |
STORER, Stuart | The piano music of Erik Satie and his influence on later composers | MMus | University of Adelaide | 1987 | 100 |
ZUMERIS, Bronius | Kicking against the pricks: Melbourne alternative music, 1978-1985 | MA | University of Melbourne | 1997 | 100 |
LAIRD, Wayne | Drums and drumming in the Cook Islands | MMus | University of Auckland | 1982 | 100 |
CLEMENTS, Lucille Desoto | Rock'n'roll outlaw: the expression of freedom in culture | DCA | University of Technology Sydney | 2007 | 100 |
CLELAND, Michelle Ann | The effects of pedagogical study on the current practice of woodwind instrumental teachers in the state of Victoria, Australia | M.Ed | Monash University | 2007 | 100 |
SAVAIINAEA, Chelsea Makere | Challenges in communication : a critical analysis of a student music therapist's techniques in working with special needs children | MMus Therapy | NZ School of Music (Victoria + Massey) | 2009 | 100 |
LIGHTFOOT, Jessica Claire | The expression of religion in German instrumental Baroque music | MMus | University of Auckland | 2010 | 100 |
NAUMOVSKA, Marija | The effects of computer-based technologies on students’ music compositional processes in New Zealand secondary schools | M.Ed. | University of Auckland | 2009 | 100 |
BANKS, Jy-Perry | Voices of the Australian tuba : a consideration of factors influencing its changing sound and musical status | MMusPerf | University of Sydney | 2013 | 100 |
JEONG, Ah Young (Angela) | How did Music Therapy Contribute to a Patients' Quality of Life in a Hospice and Palliative Care Setting? | MMusTher | Victoria University of Wellington | 2016 | 100 |
NGIAO, Tzu-En | Audiovisual composition employing pitch-space visualisation based on the Lissajous mesh | MMus | Victoria University of Wellington | 2016 | 100 |
ZABORAC, Paul | The saxophone as accompaniment in improvised music : an exploration through extended techniques | MMusPerf | University of Sydney | 2012 | 100 + CD |
MEEHAN, Norman | After the melody : Paul Bley and jazz piano after Ornette Coleman | MMus | Massey University | 2002 | 101 |
BOWERING, Philip Graham | A study of the relationship between synergy in the group dynamic of contemporary music making and the use of midi/personal computer based music systems in an OSI/ISDN environment | MA | Victoria University of Wellington | 1990 | 101 |
BURGESS, Jean | High culture as subculture: Brisbane's contemporary chamber music scene | M.Phil | University of Queensland | 2004 | 101 |
FROMYHR, Judith J | Ready to teach - ? : a study of influences on the readiness of general primary school teachers to teach a "specialist" subject area | M.Ed | Queensland University of Technology | 1995 | 101 |
HAUGEN, H | Allans Music Services | MBA | University of Melbourne | 1976 | 101 |
KELLY, Eamonn | Maidservants to the muse: professional female musicians in Roman Italy, 200 BC - 400 AD | MMus | University of Melbourne | 2002 | 101 |
SCHMORL, Victoria | Australian percussion music: an analytical study of selected percussion works commissioned by Synergy | MMus | Griffith University | 1996 | 101 |
VALLENCE, Tim | A poetry without attitudes: Music and silence in the poetry of Vincent Buckley. | MA | University of Melbourne | 1995 | 101 |
JUTSUM, Ross Frederick | An examination of musical-textual relationships in the choral music of Colin Brumby, a lecture recital, with three recitals of selected works by Bartok, Durufle-Chevalier, Duson, Mendelssohn, Poulenc, Sallinen, and Schoenberg | DMA | Overseas | 1995 | 101 |
BARLOW, Shaun | Beatbox flute : An historical account, performance manual and notational guide | MMusPerf | University of Sydney | 2011 | 101 |
DUNSTAN, Kaylie Jane | Percussion and Theatrical Techniques: An Investigation into Percussion Theatre Repertoire and its Presence in Australian Classical Music Culture | MMus | University of Sydney | 2016 | 101 |
FIDDES, Andrew Ross | RHYTHMIC DEVICES WITHIN THE IMPROVISATION OF SCOTT TINKLER | MMus | University of Sydney | 2016 | 101 |
HODGSON, Robin | The songmen [manuscript] : a comparative study of the relations between song style, society and the social role of performers in Aboriginal Australia | unknown | Charles Darwin University | 1990 | 101 + maps |
ABECASIS REQUENA, Silvana Beatriz | A study of the Argentine composer's style through analysis of selected instrumental pieces with piano. [Guastavino Carlos] | MMus | University of Newcastle | 2005 | 102 |
BOURCHIER, Randall | Australian multicultural policies, the arts and traditional music and dance within the Cambodian community of Melbourne | MA | Monash University | 1991 | 102 |
KOCH, Elizabeth | Contemporary flute techniques since 1950 | MMus | University of Adelaide | 1982 | 102 |
KOSTROMIN, Marina | Australian cross-over performers of improvisatory jazz since the 1950s | MA | Monash University | 1996 | 102 |
STRAND, Joachim | The cinesthetic montage of music-video: hearing the image and seeing the sound | MCA | Curtin University of Technology | 2006 | 102 |
VAINER, Sofya | The evolution of the set of 24 preludes for piano in the nineteenth century | MMus | Australian Catholic University | 1997 | 102 |
WHALLEY, Ian Harry | Music for the dream factory: 1955 to 1985 | MSocSci | University of Waikato | 1991 | 102 |
CYBA, Hanna Dorota | A performer's guide to the piano sonatas by Carl Vine | DMA | Overseas | 2002 | 102 |
LIM, Vanessa K | A paradox in the laterality of melody processing | MScU | University of Auckland | 1999 | 102 |
SQUIRES, Keryn | Staff perceptions of how music therapy can support palliative care patients in a New Zealand / Aotearoa hospice, with a particular focus on spiritual care | MMusTher | NZ School of Music (Victoria + Massey) | 2011 | 102 |
KAENAMPORNPAN, Pornpan | A music therapy student's exploration of single session music therapy for children on a paediatric ward using action research methodology | MMusTher | NZ School of Music (Victoria + Massey) | 2010 | 102 |
BRENNAN, Cassandra | Student engagement for enhanced learning in diverse school communities : a culturally inclusive approach through music education | MMusEd | University of Sydney | 2011 | 102 |
BAINES, Rowena Megan | Samba and the Afro-Brazilian favela communities | MSciComm | University of Otago | 2012 | 102 |
VAN MELLE, Gerbrand | Sound bites | M.Phil | Auckland University of Technology | 2013 | 102 |
KING, Jason Philip Allen | Pilot testing a music appreciation training program for cochlear implant recipients and users of hearing aids | MAud | University of Canterbury | 2013 | 102 |
BARTLETT, Simon John | An Exploration of the Origins and Expression of Implied Harmony in The Gerry Mulligan Quartet with Chet Baker (1952-1953) | MMus | University of Sydney | 2016 | 102 |
JAMES, Caleb Paul | Translating Song Writing to a Recorded Work: Comparing Two Modes of Music Production from the Perspective of the Songwriter | Masters | Griffith University | 2016 | 102 |
COUGHLAN, Mark | Charles-Valentin Alkan, twelve studies in all the major keys op. 35: an analysis | MusM | University of Western Aust. | 1988 | 102 + 2 tapes |
VOYCE, Thomas | A personal and fragile affair : the sonic environment and its place in my compositions | MMus | NZ School of Music (Victoria + Massey) | 2009 | 102 + 2CDs |
AMATO, Nola | The design and implementation of a keyboard scale tutoring system | MSc | University of Western Aust. | 1988 | 103 |
BEAVERSTOCK, John G. | The employment of the organ in three great oratorios of Edward Elgar | MusM | University of Western Aust. | 1995 | 103 |
BYRNES, Lasallian A | A self-help programme for parents of children aged 0-5 utilizing music as a basis [Not found in Catalogue] | NS | University of Sydney | 198? | 103 |
CURTIS, Olya | The life, career, and music of Aram Khatchaturyan: the origin of and influences on his musical style | MMus | Victoria University of Wellington | 2000 | 103 |
FURZE, Christine H | Music and movement with preschool aged retarded children | AdvDipSp.Ed. | Flinders University | 1976 | 103 |
GREEN-ARMYTAGE, Emily | The recent music of Roger Smalley : modernist or postmodernist? | MusM | University of Western Aust. | 2004 | 103 |
MURRAY, Kenneth | Angel Barrios : Granada, the guitar and Manuel de Falla | MMus | University of Melbourne | 1994 | 103 |
HART, Amy Joan | On rough ground : New Zealand art and music, 1930-1990, and the problematics of landscape and national identity | MA | University of Auckland | 2005 | 103 |
PRITCHETT, Sarah | Living to perform, playing for passion : a "girls" guide to rock | MA | University of Auckland | 2002 | 103 |
NG, Joy Chi Ching | Man or mask? : artistic identity and the music of Ravel | MMus(Perf) | University of Sydney | 2013 | 103 |
MCINTOSH, Skye | Singing and the violin : Portamento and vibrato practices applied to Beethoven's violin sonatas | MMus | University of Sydney | 2012 | 103 |
REES, Sally Anne | Karaoke : creating an intimate connection between artist and audience through popular music, an enquiry in performance and video | MFA | University of Tasmania | 2005 | 103 + 3 DVD |
WERNERT, Gregory | Music and emotions: an investigation into the musical representation of the identified emotional content of poetic text | M.A. | Monash University | 2009 | 103 + Sound Disc |
HAMMOND, Carl | REM: (Rapid eye movement): a musical | PhD | University of Sydney | 1998 | 1031 |
BARTLETT, Irene | Classical technique meets contemporary style : beliefs and practices of voice teachers in contemporary studios | MMus | Griffith University | 1998 | 104 |
CHIANG, Niann Tsuu | Optical music recognition: processing the sacred harp | MCMSC | University of Waikato | 1998 | 104 |
HAMILTON, Ross A | Aspects of the musical development of talented young instrumental performers | MMus | University of Sydney | 1996 | 104 |
HARRIS, Natasha | How to disappear : Radioheads struggle with the role of rock artist | MA | University of Melbourne | 2005 | 104 |
RAE, Natalie-Anne | The effects of an outcomes and profiles approach on music educators in New South Wales | MMus Ed. | University of Sydney | 1995 | 104 |
BIRDWELL, John Cody | The utilization of folk song elements in selected works by Ralph Vaughan Williams and Percy Grainger with subsequent treatment exemplified in the wind band music of David Stanhope | DMA | Overseas | 1996 | 104 |
ZHANG, Yunjie | Finding freedom in classical music : a study of incorporating improvisation in individual piano lessons | MMus | University of Auckland | 2003 | 104 |
JAMESON, Jennifer A. (Cutler) | Music education at the secondary level in a New Zealand urban area | MA | University of Canterbury | 1967 | 104 |
WADE, James | Folio of compositions [music] : 2009-2011 | MMus | University of Melbourne | 2011 | 104 |
REDHEAD, Tracy | Interactive music formats : will audiences interact? | MArts | Queensland University of Technology | 2015 | 104 |
BEILHARZ, Kristy | Contemporary violin techniques | MMus | University of Sydney | 1994 | 105 |
HARRIS, Amanda | Nationality is one thing that never fails : the musical consequences of Grainger's Nordic obsession | MMus (Hons) | University of NSW | 1998 | 105 |
O'BRIEN, Emma | The Nature of the interactions between patient and therapist when writing a song in music therapy on a bone marrow transplant ward | MMus | University of Melbourne | 2003 | 105 |
PERISSINOTTO, Dominic | A Survey of intabulation techniques in keyboard music of sixteenth-century Spain | MMus | University of Melbourne | 2002 | 105 |
POLLARD, Mark | Aspects of American serialism since 1960 : as exemplified in the compositions Notturno by Donald Martino and Janissary music by Charles Wuorinen | MA | LaTrobe University | 1983 | 105 |
KANIA, Andrew | Not just for the record : a philosophical analysis of classical music recordings | MA | University of Auckland | 1998 | 105 |
EDMEADES, Lynley | As I exemplify : an examination of the musical-literary relationship in the work of John Cage | MA | University of Otago | 2013 | 105 |
WALTER, Reynold | The moment of performance : trace and materiality in improvisational music practice | MFA | University of Melbourne | 2014 | 105 |
KIRBY, Catherine Sarah | 'The Art-Twins of Our Timestretch': Percy Grainger, Frederick Delius and the 1914-1934 American 'Delius Campaign' | MMus | University of Melbourne | 2015 | 105 |
NEWTON, Neil Edward | Music inspired by Grafton & Admiration or imitation : Anthony Watson’s String quartet no. 1 and Béla Bartók’s String quartet no. 3 | M.Mus. | University of Auckland | 2007 | 105 + 1 CD |
GUYMER, Sheila | Johannes Brahms: classicist, gypsy or 'the best of all Wagnerians'? issues of tempo and rubato in Brahms performance practice, with a study of the sonatas for violin and piano, Opera 78 and 100 | MMus | University of Sydney | 2007 | 105 + 1 CD |
WREN, Toby | The carnatic jazz experiment : the influence of carnatic music on my composition and improvisational practice | MMusPerf | Griffith University | 2010 | 105 + CD Rom |
EVANS, Samuel | Representing tabla music : defining an effective notation system for Indian tabla repertoire | MA | Monash University | 2010 | 105 + DVD |
BARNARD, Geoffrey David | Indeterminate composition and ideological determination | MA | University of Technology Sydney | 2003 | 106 |