HOWELL, Gillian | Beyond words : newly-arrived children's perceptions of music learning and music making | M.Ed. | University of Melbourne | 2009 | 175 |
DAVIES-SPLITTER, Susie | More than music : "freely painting in glorious sound" | M.Ed. | University of Melbourne | 2009 | 75 + 2 CD Rom |
ROBINSON, Phillipa | Examining and defining the term 'musical culture' stemming from secondary curricula | M.Ed. | University of Melbourne | 2009 | 115 |
WOOLLEY, Nolan | English language development in remote indigenous Australian children : song making, music software, text production and community | M.Ed. | University of Melbourne | 2012 | 59 |
BARRETT, B. E. | An errorless versus a traditional procedure for teaching reading of music notation | M.Ed. | James Cook University | 1990 | |
MCLENNAN, Rebecca Louise | Musical futures in the primary (elementary) years | M.Ed. | University of Melbourne | 2012 | 71 |
HOLLINGSWORTH, Claire | From seed to song: a case study exploring collaborative songwriting | M.Ed. | Monash University | 2014 | |
HARDIE, David L. | The structure and function of Western Australia's School of Instrumental Music | M.Ed.Man | University of Western Aust. | 2004 | 81 |
GORA, Christine | Provision for music education in the primary school curriculum : school solutions | M.EdSt | University of Tasmania | 1995 | 264 |
ROWE, John Phillip | Computer applications in an electronic music studio | M.Eng.Sc. | University of Melbourne | 1980 | 177 |
STREVENS, Luke | Manifesto 87 | M.F.A | University of Sydney | 2012 | |
MORRISON, Scott Norman | Rendering the real - towards a musical landscape | M.FA | University of NSW | 2010 | 37 |
HOPKINS, Matthew | Mangled Mantra: grotesque sound in the visual arts | M.FA | University of Sydney | 2013 | 43 + video & CDs |
HARRISON, Scott | Music teacher attributes, identity and experiences : informing teacher education practices | M.Higher Ed. | Griffith University | 2006 | 121 + 1 CD-ROM |
REYNOLDS, Nicholas J. | Primary school creativity and composition in a professional level music software environment | M.I.T. Ed | University of Melbourne | 2001 | 151 |
BELLMANN, Hector Guillermo | Toward a scientific taxonomy of musical styles | M.Inf.Tech (Research) | Queensland University of Technology | 2006 | 183 |
WHELLAN, Lynette Joan | Music resources in the public libraries of Melbourne with special reference to the Nunawading Public Library | M.Lib | Monash University | 1985 | 149 |
JONES, Jennifer J | The theory and practice of the music in the Seventh-day Adventist Church in Papua New Guinea | M.Lit | University of New England | 2002 | 205 |
DE SOUZA, Marian | The development of the improvisational technique of Louis Armstrong | M.Litt | University of New England | 1983 | 182 |
GUNNER, Anne Lorraine | Dramatic intention in music: a preliminary survey of historical and contemporary evidence in the field of music in the theatre. | M.Litt | University of New England | 1984 | 263 |
KITLEY, Yvonne | Music in the Wayang Parwa of Bali | M.Litt | University of New England | 1995 | 152 |
MATSINOS, Jim | The inter-relatedness of design and performance within theatre : the inter-relationship of theatrical performance with the visual arts, design and music with specific emphasis on the creation of mood and atmosphere in the visual, aural and tactile awareness of a particular production | M.Litt | University of New England | 1994 | 68 |
McMILLAN, Clement | Philosophy, literature, and music in the making of Richard Wagner, man of the theatre, with an examination of Tristan and Isolde. | M.Litt | University of New England | 1987 | 129 |
NAPTHALI, Diane | Music in Sydney 1915-1940 | M.Litt | University of New England | 1986 | 254 |
JOHNSON, Bridget Dougherty | Diffusion evolved : new musical interfaces applied to diffusion performance | M.M.A | Massey University | 2013 | 76 |
CLARKE, Justin R. | Synchresis : Exploring gestural relationships between musical-sound and visual-gesture on film : Synchresis as a unifying concept for exploring and creating effective multimedia relationships | M.M.A | Massey University | 2012 | 80p + 1 CD |
CARTER, Tristan | Influence, intuition and integration : an exploration into my creative process | M.M.A | Victoria University of Wellington | 2012 | 45p+2CD+2DVD |
LOGAN, Sam | Illusions of Liveness : Producer as Composer | M.M.A | NZ School of Music (Victoria + Massey) | 2013 | 55p+1CD |
ATKINSON, Timothy David | Thematic Process and Motivic-Developmental Approaches to Composition in three works for Jazz Orchetra | M.M.A | NZ School of Music (Victoria + Massey) | 2013 | 42 |
ROXBURGH, John David | Approaches to the Performance of Musical and Extra-musical References in Shostakovich's Viola Sonata | M.M.A | NZ School of Music (Victoria + Massey) | 2013 | 126+1CD+1DVD |
PARTRIDGE, Alexandra Claire | Fingering strategies in the Prelude of J. S. Bach's sixth suite for solo cello | M.M.A | NZ School of Music (Victoria + Massey) | 2014 | 43+1DVD |
HARRIS, Elisabeth | Zwischenfach: Paradox or Paradigm? | M.M.A | NZ School of Music (Victoria + Massey) | 2014 | 57p+1DVD |
BLACKWOOD, Peter | Our praise, intent upon one truth : diversity in congregational song as a source of conflict and blessing in the worship of Victorian churches of the Uniting Church in Australia | M.Min | Australian Catholic University | 1997 | 165 |
LERIKO, Paul | Supervised research project on church music--hymns in tomorrow's church : towards a reconciliation of styles | M.Min | Melbourne College of Divinity | 2001 | 76 |
REINER, Thomas W. | Folio of original compositions and analytic dissertations [music] | M.Mus | University of Melbourne | 1990 | 1 folio |
ARMSTRONG, Newton | Folio of compositions [plus analysis of Brian Ferneyhough's Fourth string quartet] | M.Mus | University of Melbourne | 1996 | 49 + 7 scores |
WILSON, Nathan | Folio of compositions | M.Mus | University of Sydney | 2000 | 2 vol+CD |
GERRARD, Kathleen | The livre d'airs et de simphonies meslés de quelques fragmens d'opéra 1697 of Pierre Gillier : an edition and study | M.Mus | NZ School of Music (Victoria + Massey) | 2010 | 107 |
ZWAR, Natalie | The perspective of the composer and performer [sound recording] : the interpretation and performance of selected flute works by Lowell Liebermann and Robert Beaser | M.Mus | University of Adelaide | 2009 | 39 +3CDs |
ROBERTS, Karen Elisabeth | The jazz canon within New Zealand’s tertiary education system : perceptions and experiences | M.Mus | University of Auckland | 2009 | 157 |
GREEN, Christina Joy | Folio of compositions [music]: 2007-2009 | M.Mus | University of Melbourne | 2009 | 146 + 1 CD |
WALLACE, Brenda | Reconstructing clients self-narrative: the role of metaphor and imagery in guided imagery and music | M.Mus | University of Melbourne | 2013 | |
TAY, Simon Edward Chia How | The struggle for contentment in music: an investigation of self-authored attitudes in practice and performance | M.Mus | University of Melbourne | 2011 | 64 |
CARTER, Jennifer | Assessment Practice in Year 10 Elective Music in New South Wales Secondary Schools | M.Mus | University of Sydney | 2012 | 179 |
CUTLAN, Paul | Different every time : the integration of improvisation into through-composed music | M.Mus | University of Sydney | 2012 | 76p +1CD |
Portfolio of original compositions and exegesis : an investigation of metrical contradiction, irregularity and ambiguity in music for senior secondary students and community purposes. | LAKEMAN, Virginia Kaye | M.Mus | University of Adelaide | 2012 | 165p + 2CD |
O’BRIEN, Christian | Composition folio | M.Mus | University of Melbourne | 2010 | |
COSTA, Mark | A forgotten pedagogy : The Schillinger sytem of musical composition through the teachings of Richard Benda | M.Mus | University of Sydney | 2010 | 87p +1CD |
VAN DER WERFF, Lauren | Music performance and the chronically ill body: an autoethnographic approach to Body Mapping through illness narratives, Bonneau's Caprice en forme de valse and Leonard's Recitative and Abracadabra | M.Mus | Monash University | 2014 | |
CHARLES, Simon Bernard | Ideokinesis as a practice strategy in musical performance | M.Mus | University of Melbourne | 2013 | |
EAMES, Philip | Approaches to the Hawthorne Movement of the Concord Sonata by Charles Ives | M.Mus | Griffith University | 2010 | 71+1DVD |
HONEYBUN, Katherine Anne | A complex of tendencies: the evolution of the use of the tritone in the music of Wagner, Debussy, and Bartók | M.Mus | University of Melbourne | 2014 | |
WOOLF, Hayden | Analysis of two works : Red liquid triangular conditon and Next minute paints Kate's collapse | M.Mus | University of Sydney | 2010 | |
HODDER, Amanda Louise | The influence of Igor Stravinsky on the compositional style of Aaron Copland's Piano Variations | M.Mus | University of Melbourne | 2010 | |
KOLAC, Alexandra Marie | Finding echo: the electric violinist and digital delay | M.Mus | University of Melbourne | 2010 | 42 |
HENRY, Thomas Robert | Folio of compositions | M.Mus | University of Melbourne | 2012 | |
ZHAO, Qiaoyue | The influence of Bartok's approach to keyboard compositions on contemporary Chinese solo piano music: a portfolio of recorded performances and exegesis. | M.Mus | University of Adelaide | 2013 | 78 |
INGLE, Michael | Evaluation of a trial of an e-health promotion course aimed at Australian tertiary music students | M.Mus | University of Sydney | 2014 | 77 |
MCNAUGHTON, Andrew | Sensor horn: creating an electronically augmented trumpet | M.Mus | University of Melbourne | 2010 | 60 |
PINTO D'AGUIAR MONTT, Felipe | Folio of Compositions | M.Mus | University of Melbourne | 2011 | |
BOWDEN, Julia Patricia | The intermediate piano student: an investigation of the impact of learning material on motivation | M.Mus | James Cook University | 2010 | |
KIM, Yae Ji (Esther) | The clavichord during the classical era: a gentle voice but a giant among keyboards | M.Mus | University of Sydney | 2014 | |
GRANGER-BROWN, Lorraine | Acting out of the depression : J.C. Williamson, 1893 | M.Mus | University of Melbourne | 2011 | 126 |
WARD, Anthony McKenna | Agustín Barrios Mangoré : a study in the articulation of cultural identity | M.Mus. | University of Adelaide | 2010 | 184 +CD |
KONDO, Masako | Portfolio of recorded performances and exegesis [sound recording] : the influence of selected traditional Japanese musical concepts on contemporary flute repertoire | M.Mus. | University of Adelaide | 2010 | 39 +2CDs |
SCHNEIDER, Larissa | Interpretative and performance principles applied to the works of César Franck [sound recording] : a portfolio of recorded performances and exegesis | M.Mus. | University of Adelaide | 2009 | 24 +CD |
BENNETT, Alexander | Injecting life into electroacoustic music : a practice-led research project | M.Mus. | University of Auckland | 2010 | 19 + 1 Video disc |
TAYLOR, Marie-Claire | Music for an Archduchess : a study of two volumes of 18th century Viennese keyboard music | M.Mus. | University of Auckland | 2010 | 203 |
CHOI, Eunice Eunha | Composition portfolio | M.Mus. | University of Auckland | 2009 | 115 + 1 CD |
MCDONALD, Edward | Creating the classical gig : exploring new contexts and values for classical music performance | M.Mus. | University of Auckland | 2009 | 106 |
HUNTER, Karen | Words & groove : a collection of extremely dark stories | M.Mus. | University of Auckland | 2009 | 90 + 2 CDs |
GRIGGS, Kristy Maree | The relationship between music and esoteric spirituality in contemporary composition | M.Mus. | University of Auckland | 2008 | 80 |
ROSSITER, Alexis Charles Hugh | Hildegard of Bingen’s Ordo virtutum : a new perspective on performance practice | M.Mus. | University of Auckland | 2007 | 122 |
NEWTON, Neil Edward | Music inspired by Grafton & Admiration or imitation : Anthony Watson’s String quartet no. 1 and Béla Bartók’s String quartet no. 3 | M.Mus. | University of Auckland | 2007 | 105 + 1 CD |
WOODS, Belinda Jane | Ritual perspectives : an investigation into the epistemology of performance | M.Mus. | University of Melbourne | 2010 | 40 |
IP-WINFIELD, Vannie | Methods used in cross-cultural music therapy in aged care in Australia | M.Mus. | University of Melbourne | 2010 | 111 |
KEEFFE, Julian David Alexander | Folio of compositions [music] | M.Mus. | University of Melbourne | 2010 | 224 + 1 CD |
BOWER, Janine M | Music therapy for a 10 year-old child experiencing agitation during posttraumatic amnesia : an instrinsic mixed methods case study | M.Mus. | University of Melbourne | 2010 | 232 |
WARD, Howard | Folio of compositions [music] : 2008-2010 | M.Mus. | University of Melbourne | 2010 | 183 + 1 CD |
FITZPATRICK, Michael David | Folio of compositions [music] | M.Mus. | University of Melbourne | 2010 | 321 + 1 CD |
PARRY, Nathan Frank Glynn | John Clerk's cantata Eheu! quam diris hominis : antiquity, music and medicine | M.Mus. | University of Melbourne | 2009 | 139 |
MCINTYRE, Scott | Folio of compositions [music] : 2008-2009 | M.Mus. | University of Melbourne | 2009 | 239 |
LEMOH, Alison Yenor | Mahler's journey : transcending the tyranny of time in Um Mitternacht and Ich bin der Welt abhanden gekommen | M.Mus. | University of Melbourne | 2009 | 1 v. p. |
CANNON, Joanne | Playable ambisonic spatial motion : music performance techniques and mappings for the extended bassoon | M.Mus. | University of Melbourne | 2009 | 95 |
FAY, Poppy | Sounds of industry : reactions to music and noise in nineteenth-century Manchester : ...on the lips, in the halls , on the streets | M.Mus. | University of Melbourne | 2009 | |
LEE, Ju-Young | Using song-choice in music therapy to improve the communication skills of adults with profound and multiple disabilities | M.Mus. | University of Melbourne | 2009 | 199 |
TAN, May-Kim | Attending to silence | M.Mus. | University of Melbourne | 2009 | 54 + 1 CD |
GENOUX, Christophe Emile | Inspired : I want to play music like the elephant looks at everything! : 'The eye of the elephant' as a metaphor for performing improvised jazz music | M.Mus. | University of Melbourne | 2009 | 42 |
CAMM, Suzie-May | Folio of compositions [music] | M.Mus. | University of Melbourne | 2009 | 167 + 1 CD |
RUSSELL-HEAD, Anastasia | The presence of the present : new directions in early music | M.Mus. | University of Melbourne | 2009 | 49 |
SCHOFIELD, Karen Louise | National identities and music : how music and musicians influence identity | M.Mus. | University of Melbourne | 2008 | 36 + 2 DVDs |
MURPHY, Tamara | Bastard music | M.Mus. | University of Melbourne | 2008 | 34 |
VIGGIANI, Mark | Folio of compositions, 2007- 2008 [music] | M.Mus. | University of Melbourne | 2008 | 171 + 1 CD |
ALVARO, Lorenzo | Folio of compositions [music] : 2007- 2008 | M.Mus. | University of Melbourne | 2008 | 225 + 1 CD |
ANDERSON, Justine | Finding a voice : age, competition and mastery in singing : a discussion of the challenges that a singer faces in endeavouring to master the voice and enter the singing profession | M.Mus. | University of Melbourne | 2008 | 45 |
HUSTAS, Anita Dana | An investigation of communication and perception within an improvising ensemble | M.Mus. | University of Melbourne | 2008 | 89 + 1 CD Rom |
ROBERTS, Melina Sunshine | A mixed methods content analysis of song lyrics composed by bereaved pre-adolescent children during individual music therapy | M.Mus. | University of Melbourne | 2008 | 271 |
BARRY, Philippa A | Music therapy cd creation for initial paediatric radiotherapy : a mixed methods analysis | M.Mus. | University of Melbourne | 2008 | 137 |
LYONS, Anthony | Folio of compositions [music] | M.Mus. | University of Melbourne | 2008 | 151 + 1 CD |
DAHM, Robert | Folio of compositions [music] | M.Mus. | University of Melbourne | 2008 | 87 |