BENNETTS, Kathleen | The status of music literacy in selected Melbourne primary schools in the mid 1990s | MA | Monash University | 1999 | 106 |
HARVEY, Jonathan | Collit's Inn: The first successful all-Australian musical romance | MA | Monash University | 1995 | 106 |
HODGE, Glenda M | Burnout, distress and work stressors: a comparison of secondary school music and mathematics teachers | MA(School Counselling) | Macquarie University | 1991 | 106 |
MOORE, Robert Rennick | A review of recent research on adolescent changing voices, including a recent survey of Australian youth | MA | University of Queensland | 1995 | 106 |
MURPHY, Francis Richard James | The place of ethnomusicology in the theory and practice of music education | MA | University of Sydney | 1971 | 106 |
MYERS, Peter Joseph | Gyorgy Ligeti's Melodien fur Orchester : an analysis | MA | LaTrobe University | 1989 | 106 |
SHERWOOD, Rupert | The effectiveness of mental rehearsal in the accurate reproduction of a musical phrase: a pilot study comparing computer measurements with the subjective evaluation of experienced teachers | MMus Ed. | University of Western Aust. | 1990 | 106 |
WICAL, Carol | Stand still, look pretty: representation and tradition in mainstream American women's country music 1972-2005 | M.Phil | University of Queensland | 2006 | 106 |
RAKENA, Te Oti Paipeta | The synthesis of Polynesian and western traditions in contemporary New Zealand composers | DMA | Overseas | 1998 | 106 |
MILES, Elizabeth | The double choir and coro spezzati Vespers' psalms of Antonio Gardane's "Cantus di Adriano et di Jachet" of 1550 | MA | University of Auckland | 1988 | 106 |
SCOTT, Rebecca Marie | A case study of the use of the Dewey Decimal Classification scheme at the University of Auckland's Music Library | MLIS | Victoria University of Wellington | 2003 | 106 |
MCDONALD, Edward | Creating the classical gig : exploring new contexts and values for classical music performance | M.Mus. | University of Auckland | 2009 | 106 |
ARNOTT, Joanne | Records and electronics: an introduction to the performance of electroacoustic music | MMus | University of Sydney | 2014 | 106 |
WOOD, Katrina | "I didn't like it, I prefer Musicals": The lived experience of the drama teacher in the contemporary secondary suburban school | MEdu | Murdock University | 2015 | 106 |
VINCS, Robert | African heart, Eastern mind: the transcendent experience through improvised music | PhD | Deakin University | 2002 | 106 + 1 CD |
DRUMMOND, Jon Robert | Integrated development environment for computer music composition | MSc (Hons) | Macquarie University | 1998 | 106 + 1 CD-ROM |
JACKSON-TRETCHIKOFF, Julie | The operas of Michael Tippett : the inner values of Tippett as portrayed by selected female characters | MPhil | Massey University | 2006 | 107 |
GOODWIN, Russell | Locating the links between John Cage and the early avant-gard 1909-1933 | MA | Monash University | 2002 | 107 |
HOEY, Damian | An exploration of the potential for integration of instrumental and general music curriclum in Queensland primary schools | M.Ed | Queensland University of Technology | 1997 | 107 |
LANGAN, Dianne | Testing a model of domain learning in music therapy | M.Ed | University of Technology Sydney | 2003 | 107 |
MACRAE, Barbara | Case studies examining the effects of specialist schooling on successful musicians | M.Ed | University of Sydney | 1989 | 107 |
PRICTOR, Megan | His own sweet way : a study of the critical reception of the works of Gerald Finzi (1901-1956) | MMus | University of Melbourne | 1996 | 107 |
ZOCCHI, Robert | Busoni and the piano | MMus | University of Tasmania | 1986 | 107 |
CHOI, Hee-Chan | Multicultural encounters in music therapy in New Zealand : What particular clinical experiences do NZ music therapists describe when encountering clients who identify closely with a culture different from their own? | MMus Therapy | Victoria University of Wellington | 2008 | 107 |
JACKSON-TRETCHIKOFF, Julie | The operas of Michael Tippett : the inner values of Tippett as portrayed by selected female characters | MPhil | Massey University | 2006 | 107 |
GERRARD, Kathleen | The livre d'airs et de simphonies meslés de quelques fragmens d'opéra 1697 of Pierre Gillier : an edition and study | M.Mus | NZ School of Music (Victoria + Massey) | 2010 | 107 |
SCHMIDT, William James | The first and third piano sonatas of Carl Vine : a dialogue of musical contrast and complementation | MMusPerf | University of Melbourne | 2011 | 107 |
STEEDMAN, Sam | Change and growth of Australian music value chains | MA | RMIT University | 2008 | 107 |
MUNASINGHE ARACHCHI LEKAMLAGE, Tisara Tharupathi | Sounds from the past: an audio artwork developed from memories of Sri Lankan emigrants in contemporary Melbourne | M.SD (Sound Design) | University of Melbourne | 2013 | 107 |
SPARGO, Sophie | Towards the evolution of style: Einstein’s garden and somewhere between the sky and the sea | MMus | University of Sydney | 2014 | 107 |
SHERRIFF, Caleb | 'An awful lot of running' : Filk across time and space : wrock, trock, and the commercialisation of fan music | MA Film | University of Auckland | 2013 | 107 |
WU, Che-Rong Carolyn | The neural dynamics of action representation for sound : an investigation of musical training effects on mu suppression | PhD | University of Auckland | 2014 | 107 |
CAREY, Gemma | The development of a master's degree in keyboard performance pedagogy for implementation in Australian tertiary institutions | MMus | Griffith University | 1997 | 108 |
CARPENTER, Stephen | Percy Grainger: champion of the wind band, a study of the contribution of Percy Aldridge Grainger to the repertory of the contemporary wind band, including an examination, interpretive analysis and performance of selected works from Grainger's Chosen Gems for Winds. | MA | Monash University | 1996 | 108 |
DIXON-LAWRENCE, Ruth | The performance practice of the tourte bow within the French violin school of the early nineteenth century | MA | University of Melbourne | 1998 | 108 |
GREIG, Robbie | A consciousness perspective on musical development : towards an integrative developmental theory of music based on the conceptual framework of Ken Wilber | M.Ed | LaTrobe University | 1993 | 108 |
JOO, Hyun Shin | Martin Luther's view of the use of music in worship: its implications for the Korean Presbyterian Church | MTheol | Melbourne College of Divinity | 2002 | 108 |
JORDAN, Genevieve | An ocker sheila wearing football socks? : selectivity and myth in biographical studies of Dame Nellie Melba | MMus | University of Melbourne | 1998 | 108 |
MERCER, Christine | "A Cinderella of the Arts:" The life of Henry Tate (1873 - 1926) and a preliminary catalogue of His Works | MMus (Prelim) | Australian Catholic University | 2003 | 108 |
REED, Thayer Elizabeth | The Englishness of Ralph Vaughan Williams: an evaluation of the Grand Old Man of English music characterisation. | MMus | Victoria University of Wellington | 1995 | 108 |
CARTER, John Edward | Schumann the critic | MA | University of Canterbury | 1961 | 108 |
STAMENOVIC, Miona | Engagement in music therapy : a detailed study of communication between the therapist and client presenting with severe and multiple handicaps | MMus Therapy | NZ School of Music (Victoria + Massey) | 2010 | 108 |
MEADOWS, Charlie | Steve Cardenas : an overview of his musical language found in four improvisations from Panoramic | MMus | University of Sydney | 2007 | 108 |
LIU, Xinxin | The use of music therapy strategies to enhance the general milieu in a rehabilitation centre | MMusTher | Victoria University of Wellington | 2011 | 108 |
HARDIE, Lisa Caroline | Staying in, tuning in, and coming out: Music as imagined space in lesbians’ coming out geographies | MA | University of Waikato | 2012 | 108 |
LO, Chi Yhun | Melodic contour training and its effect on speech perception for cochlear implant recipients | MRes | Macquarie University | 2014 | 108 |
BUCKLEY, Daryl | From body schema to score: creating spatial grammars in contemporary electric guitar practice. | PhD | RMIT University | 2015 | 108 |
TAYLOR, Sarah | Geographical Information Systems for applied social research: the case of the live music industry in Sydney and Melbourne | PHD | RMIT University | 2016 | 108 |
DELANEY, Marieanne | A study of music education and music therapy for children with special needs in schools for specific purposes in New South Wales | MMus Ed. | University of Sydney | 2000 | 108 + vid |
EVANS, Julie Spithill | A study of music and tradition at Sydney Assyrian wedding receptions | MMus | University of Sydney | 2002 | 108 + video |
BARBELER, Damien | Experiential learning in musical composition. | MMus | Griffith University | 1997 | 109 |
BRENNAN, Julia | An investigation into the impact of the NSW creative arts K-6 syllabus and teacher education resources on the teaching of music in NSW government primary schools | MMus(Mus Ed.) | University of Sydney | 2006 | 109 |
CHONG, Min Yin | Digital sound sampling: electronic piracy or technological creativity? | LLM | University of Melbourne | 1995 | 109 |
HEIM, Christian | What the ear cannot hear : hidden structures in three works of music with programmes of a christian nature | MMus | University of Sydney | 1995 | 109 |
POULSEN, Darryl | The art of hand-horn playing as seen through the instruction manuals of O. Vandenbroek and H. Domnich | MusM | University of Western Aust. | 1983 | 109 |
POULTON, Janette D | Aesthetics and general music education at primary levels | M.Ed | University of Melbourne | 1996 | 109 |
WILKINSON, Anne Maree | Balakirev's role in the development of Russian music and his influence on The Kutchka | MMus | University of Tasmania | 1991 | 109 |
BLORE, Ann Orriss | 'A strange madness' : organ festivals in Australia 1968-1973 | MMus | University of Melbourne | 2011 | 109 |
GUGLIELMINO, Edward | A qualitative study of small-scale artist run 'Indie' music business in Brisbane | MA | Queensland University of Technology | 2014 | 109 |
VAN BEEK, Sacha | Enhancing quality of life through singing : a music therapy study into Huntington's Disease | MMus | Victoria University of Wellington | 2012 | 109 |
BUXTON, Sophie | Music therapy in an early intervention centre for children who have cochlear implants | MMus | Victoria University of Wellington | 2012 | 109 |
ZHANG, Hongxia | The evolution of national vocal music in the People's Republic of China | MMus | University of Auckland | 2013 | 109 |
HODGSON, Nolan | He oro hauora : How do kaupapa Māori models of health relate to my music therapy practice in an adolescent acute mental health unit? | MMusTher | Victoria University of Wellington | 2015 | 109 |
SMETANIN, Michael | Object and Shape [+ original compositions] | PhD | University of Sydney | 2005 | 109 + 6 scores 1 CD |
ARTINGSTALL, Elizabeth M. | Dufay, a man of the world: An investigation into Dufay's ceremonial motets | MA | Monash University | 1996 | 110 |
ATKIN, Nancy | Why song is useful in teaching pronunciation and spoken English | M.Ed | LaTrobe University | 1998 | 110 |
CAFOOT, Gavin Steven | Deleuze and music: a creative approach to the study of music | MMus | University of Queensland | 2004 | 110 |
CHAMBERS, Allison Margaret | Concert organ recital programming: an investigation and critical account of the contemporary resurrection of the English symphonic organ ethos with particular emphasis on the programming styles of W.T. Best, E.H. Lemare, A. Hollins and W. Wolstenholme. | MMus | University of Queensland | 1993 | 110 |
OTOMO, Ayako | Art, music and the harpsichord in seventeenth-and eighteenth-century France. | M.Phil | University of Queensland | 2005 | 110 |
QUINN, Loretta | The impact of music therapy on the quality of life of older persons with dementia of the Alzheimer's type in the home setting: perceptions of clients and their carers | MMus | University of Melbourne | 2002 | 110 |
STANLEY, Jane E. | A study of bricolage in Elena Kats-Chernin's opera Iphis | MMus | University of Sydney | 2000 | 110 |
VAN PINXTEREN, William Peter | Musical style in selected fantasias and preludes of Joachim van den Hove | MMus | University of Melbourne | 1992 | 110 |
PAVER, Samantha | The impact of colour on music performance | MMusPerf | University of Sydney | 2011 | 110 |
ROUND, Ruth Louise | Music signifiers : focussed listening to music as a stimulus to creative writing | MEd | University of Auckland | 2015 | 110 |
KAWABATA, Tomoe | Performing and contextualising the late piano works of Akira Miyoshi: a portfolio of recorded performances and exegesis | PHD | University of Adelaide | 2016 | 110 + 4CDs |
HANDEL, Amanda | Music of balance: circles and squares [Portfolio of compositions] | MA (Hons) | University of Western Sydney | 2004 | 110 + CD + DVD |
MURRAY, Claire | Arthur Benjamin's Le Tombeau de Ravel : approaches for accurate tuning and intonation for 'Bb' clarinet | M.A | Monash University | 2011 | 110P+1CD |
BURTON, Russell | The effect of non-visual conductor activities on the quality of an instrumental ensemble as judged by Eisteddfod scores | MMus | University of Adelaide | 1998 | 111 |
CHAMBERLAIN, Robert E | Schubert's Mayrhofer Lieder : an examination of the relationship between accompaniment and text | MMus | University of Melbourne | 1989 | 111 |
FORREST, David Lawrence | The form of the keyboard prelude | MCA | University of Wollongong | 1986 | 111 |
GUNN, Malcolm | Enter 'Exhalted Guest:' the role of the music in an Indonesian feature film of 1955 | MA | Monash University | 1997 | 111 |
O'CALLAGHAN, Clare | Song writing in palliative care | MMus | University of Melbourne | 1994 | 111 |
NEILL, Karen | Hook, line & singer! : essential criteria for maximising the playlist potential of New Zealand music on commercial radio : a programme directors' perspective | MA | Massey University | 2000 | 111 |
IP-WINFIELD, Vannie | Methods used in cross-cultural music therapy in aged care in Australia | M.Mus. | University of Melbourne | 2010 | 111 |
NGUYEN, Alan Duc Khoi | That's a rap : the making of an Australian hip hop integrated musical film | M.A | Queensland University of Technology | 2010 | 111 |
PALMER, Eliot Samuel | Surface resonance | M.A | RMIT University | 2010 | 111 |
MARSH, Nicholas | The decline of speech surrogacy in Cuban bàtá drumming | MMus | University of Auckland | 2013 | 111 |
DENG, Melody Zheng | Piano pedagogy research : an ethnographic study of strategies and processes used to foster expressiveness in piano playing in children and youth | MMus | University of Auckland | 2014 | 111 |
DAVIES, Ryan | Uncovering the unpublished chamber music of George Frederick Boyle Volume I: Dissertation | MArts | Edith Cowan University | 2016 | 111 |
BYRNES, Jonathan Lawrence | The devil’s horn and the music of the brothel approaching adaptation and performance of tango for the classical saxophonist | PhD | University of Sydney | 2016 | 111 |
DIXON, Michael Hugh | Just intonation: a study through its notation | MMus | Griffith University | 2000 | 111 + 1 audio CD |
CALLINAN-ROBERTSON, Joanne | The effects on vocal quality of the Marchesi pedagogical approach in female singers in the western classical tradition | MMus (Perf) | University of Sydney | 2007 | 112 |
ELLIS, Angelina M. | The Classical guitar in Australia: Foundations | MA | Queensland University of Technology | 2000 | 112 |
HOWES, Patricia Maureen | A perceptual study of vibrato and its relationship to the expression of emotion in Western operatic singing | MApSc | University of Sydney | 2001 | 112 |
WHITMORE, Keith | The piano music of Percy Grainger: An analysis of ten original works | DMA | Overseas | 2004 | 112 |
BRIEN, Stephen | An investigation of forward motion as an analytic template | MMus (Perf) | University of Sydney | 2004 | 112 |
EDWARDS, Sharon Rosalie Gwenneth | Visual perception in music reading : a discussion of related research and theories | MA | University of Auckland | 1977 | 112 |
CALLINAN-ROBERTSON, Joanne | The effects on vocal quality of the Marchesi pedagogical approach in female singers in the western classical tradition | MMus | University of Sydney | 2007 | 112 |
HANNAFORD, Marc | Elliott Carter's rhythmic language : a framework for improvisation | MMusPerf | University of Melbourne | 2012 | 112 |
RANN, Thomas | Defining an Israeli school of cello pedagogy and performance through an analysis of the teaching of Professor Uziahu Wiesel | MMus | University of Sydney | 2012 | 112 |