Completed

Writersort iconThesis TitleDegreeUniversityYear# of Pages
CORBY, MeganMusic performance anxiety in adolescent student singersMMus PerfVictoria University of Wellington200861
CORKERON, VeronicaA study of common themes in selected works of Australian painters and Australian composers from c.1945 to c.1985 GDipMusGriffith University1989167
CORN, AaronDreamtime wisdom, modern-time vision : tradition and innovation in the popular band movement of Arnhem Land, AustraliaPhDUniversity of Melbourne2002239+ 182
CORN, Aaron David SamuelMusical instruments in cultural heritage collections : a case study of the Queensland Museum MPhilGriffith University1995199+ 112
CORNWELL MCKEAN, Julia MargaretCharacterisation in Ward’s opera The Crucible : melodic interpretation of Salem’s witches and their accusers via historical accounts and Miller’s playPhDMonash University2015245
COSAITIS, WeiAn investigation of primary music education in Victorian schools: a single case studyPhDMonash University2012308
COSTA, MarkA forgotten pedagogy : The Schillinger sytem of musical composition through the teachings of Richard BendaM.MusUniversity of Sydney201087p +1CD
COSTELLO, ChristopherThe timpaniMMusUniversity of Adelaide1990167
COUGHLAN, MarkCharles-Valentin Alkan, twelve studies in all the major keys op. 35: an analysisMusMUniversity of Western Aust.1988102 + 2 tapes
COULTER, John WilliamElectroacoustic music with moving images [electronic resource] : a practice-led research project PhDUniversity of Queensland200971
COUNSEL, GraemeThe influence of the jali tradition on post-colonial and contemporary West African popular musicMMusUniversity of Melbourne1999118
COUNSEL, GraemeMande popular music and cultural policies in West Africa PhDUniversity of Melbourne2006318
COURT, Sarah Kathleen MaryDeath and Transformation in Romantic Song Cycles: Journeys in InterpretationDMAGriffith University2015166
COURTEAU, Mona-LynnMusic and dance performance, longing, and the construction of Brazil in Auckland, New ZealandMAUniversity of Auckland2006160
COUTLER, JohnElectroacoustic Music With Moving Images: A Practice-Led Research ProjectPhDUniversity of Queensland200971
COX, Catherine EmilyThe influence of prosody on musical structure : an examination of Paul Hindemith's Six chansons GradDipMusGriffith University198874
Cox, GeraldineMusic matters in fiction: Creative and critical reflectionsPhDMurdock University2015
COX, JamesHip hop : a modern minstrel show?MA (Anthrop)University of Auckland200771
COYLE, JamesThe contrabass as a vehicle for Australian music; how a small repertoire can inform the creative output of one composerMMusUniversity of Sydney201582
COYLE, RebeccaScoring Australia: film music and Australian identities in Young Einstein, Strictly Ballroom and The Adventures of Priscilla, Queen of the Desert PhDMacquarie University2002336
COYLE, TomThe musical superhighway: the internet for the performing musicianMMusGriffith University199656
CRACKNELL, Susan ElizabethAn adaptable phase vocoder and its behaviour.PhDUniversity of Melbourne1996205
CRAWFORD, DrewEugene & Roie: music theatre compositionPhDUniversity of Sydney20052 vol + CD
CRAWFORD, Michael VictorCritical analysis of the compositional techniques and devices used in Troy Roberts' album the Xenden suiteMMANZ School of Music (Victoria + Massey)20121 v. + Music + DVD
CRAWFORD, Renee MarieAuthentic learning and digital technology in the music classroom PhDMonash University2007311
CRAWSHAW, Sandra NoelineThe Reception of the Music of Cécile Chaminade in Colonial New Zealand (1894 - 1934): Contexts and InstitutionsMArtsUniversity of Otago2015
CREIGHTON, Alison, LPlay songs and lullabies : features of emotional communication and developing mother-infant attachmentPhDUniversity of Western Sydney2014
CRESSWELL, IanCritical commentary [electronic resource]MPhilUniversity of Queensland2009
CREWE, Peter JohnRock music in San Francisco in the 1960's : its impact on American popular music MALaTrobe University1991205
CREWS, Rita SandraAn analytical study of the piano works of Roy Agnew, Margaret Sutherland, and Dulcie Holland, including biographical material PhDUniversity of New England1994522 + 259
CRICHTON, Ian Kieran"The Most Divine of All the Arts:" Neoplatonism, Anglo-Catholicism and music in the published writings of A.E.H. NicksonMMusAustralian Catholic University2004145+
CRICHTON, Ian KieranIdeals and realities : a study of the life of Franklin PetersonPhDUniversity of Melbourne2009347
CRIMMINS, BettinaLe Roseau Chantant : reflective doument outlining use of vocal repertoire to aid development of a wider interpretative palette on the oboe, through the recital "Le Rose Chantant" held on November 5MMusGriffith University201142 + DVD
CRISP, DeborahChopin as composer and pianist: stylistic sourcesMMusAustralian National University1994154
CRISPIN, Judith MichellePillars of the temple: the Busoni-Sitsky esoteric traditionPhDAustralian National University20032 vol + 1 CD
CRNCEC, RudiExamination of the Mozart effect in childrenD PsychUniversity of Melbourne2004127
CROFT, GraemeThe human body as an instrument: an investigation into its musicMMusRMIT University2015115
CROKER, LaurenText and music : a study and analysis of Poulenc's Fiançailles pour rireGDip MusGriffith University198656
CRONIN, StephenThe harpsichord in the twentieth century: an analysis of three selected worksMMusUniversity of Queensland198584
CROOKE, Alexander Hew DaleCritical reflections on how research design and the attributes of a music program can affect investigations of the psychosocial wellbeing benefits of musical participation in mainstream schoolsPhDUniversity of Melbourne2015
CROSS, MelissaThe Forgotten Soundtrack of Maoriland : Imagining the Nation Through Alfred Hill's Songs for Rewi's Last StandMMusVictoria University of Wellington2015155
CROSS, RodneyThis blows : social and cultural perceptions of ancient Roman brass instruments and musiciansMResMacquarie University201564
CROSSLEY, AliciaThe development of solo bass recorder repertoire in the twentieth centuryMMusUniversity of Sydney201074
CROSSMAN, W. BrucePersonal creative process towards a Pacific-European identityDCAUniversity of Wollongong1999190
CROTTY, JoelChoreographic music in Australia, 1913-1964: From foreign reliance to an independent Australian stancePhDMonash University1999421
CROWDEN, David"Alla tromba della fama" (To the trumpet of fame): the impact of instrumental idiom on vocal performance practice in trumpet ariasMMusUniversity of Sydney201470
CROWDY, DenisFrom black magic woman to black magic men: the music of SangumaPhDMacquarie University2004291 + 2 CDs
CROWDY, Denis CharlesGuitar style, open tunings and stringband music in Papua New GuineaMA (Hons)University of New England2001144
CROWE, SusanDance, drama and music [electronic resource] : a foundation for education : a study on implementing the performing arts in the early years of educationPhDRMIT University20071 CDRom
CROWLEY, JohnAlfred Hill: A Grand Old Man of Australian MusicMAMonash University1999166
CROXSON, MorvaThe effect of music therapy on motor control of cerebral palsied children M.Phil.EdMassey University1998166
CUBBIN, David RThe flute in the eighteenth centuryMAFlinders University1971513
CUDDEFORD, TaraPerformance techniques for selected works of: J.S. Bach, J. Brahms and E. ElgarMMusUniversity of Queensland200282
CULLEN, Patricia MaryStudents' music preferences in three schools in the western suburbs of Melbourne, 1989 M.EdUniversity of Melbourne1990165
CUMMING, Naomi HelenAnalytical and aesthetic concepts in the work of Leonard B. Meyer PhDUniversity of Melbourne1987367
CUMMINGS, Bradley DavidThe foundations of style in the early concert music of Don BanksPhDAustralian National University2004367
CUMMINGS, Timothy JamesThe Great Highland bagpipe: extended techniques and their musical potential.MAVictoria University of Wellington2002224
CUMMINS, JosephThe Space and Time of Imagined Sound: Australian Literature and Music, 1945 to PresentPhDUniversity of NSW2015232
CUNDELL, Roger Guy ScottAcross the Pacific: the transformation of the steel guitar from Hawaiian folk instrument to popular music mainstay.MPhilUniversity of Adelaide2014151
CUNION, K.E.Many beads one string: a study of composition and arrangement techniques in early sacred music, and the larger role of such music formsMCAUniversity of Newcastle2002132
CURCKPATRICK, SurekhaTertiary flute students’ listening habits regarding live performances and commercial recordings : the influence of listening on students’ attitudes towards study, practice, performance and further listeningMMusUniversity of Adelaide2012229
CURKPATRICK, SamuelConversing tradition : Wagilak manikay 'song' and the Australian Art Orchestra's Crossing Roper BarPhDAustralian National University2014388
CURKPATRICK, Surekha.Tertiary flute students’ listening habits regarding live performances and commercial recordings : the influence of listening on students’ attitudes towards study, practice, performance and further listening.MMusUniversity of Adelaide2012229
CURRAN, Michelle LouiseEffects of synchronous music in sport and exercise: a meta-analytic review and field studies of ultra-distance athletesPhDUniversity of South Queensland2012
CURRY, RobertFragments of ars antiqua music at Stary Sącz and the evolution of the Clarist order in central Europe in the thirteenth centuryPhDMonash University2003274
CURTIS, OlyaThe life, career, and music of Aram Khatchaturyan: the origin of and influences on his musical styleMMusVictoria University of Wellington2000103
CURTIS, PaulThe Music of Dom Stephen Moreno, OSB: A study of its sources, chronology and context PhDAustralian Catholic University2006381
CUSKELLY, JamesAn investigation of use in the junior secondary music classroom of Colin Brumby's Keyboard Fun MMus StudsUniversity of Queensland19971 Vol
CUSKELLY, JamesThe Search for Meaning in Music Education: Reflections on Difference and Practice.PhDUniversity of Queensland2007NS
CUTLAN, PaulDifferent every time : the integration of improvisation into through-composed musicM.MusUniversity of Sydney201276p +1CD
CVETKOVSKI, TrajceThe political economy of the music industry : technological change and the political control of music PhDUniversity of Queensland2004272
CWACH, Michael.The pukl and Chodsko : aspects of linkage between a bagpipe and an ethnographic regionPhDUniversity of Canterbury2012583p +2 DVD
CYBA, Hanna DorotaA performer's guide to the piano sonatas by Carl VineDMAOverseas2002102
CZAPLOWSKI, PhilipThe use of multiple styles as a compositional approach PhDMonash University20072 vol + CD
D'ARCY, SingThe organ as architecture : reconfiguring the ecclesiastical space of the Hispanic BaroquePhDUniversity of Sydney2010
D'OMBRAIN, Geoffrey RobertThe concept of the electronic music studio North America 1972 MMusUniversity of Melbourne1974264
DAHM, RobertFolio of compositions [music] M.Mus.University of Melbourne200887
DALE, Mark StephenThe Ponce-Segovia collaboration : creating the modern guitar repertory PhDMonash University2005311
DALE, TomMusic video: texts and contexts, at home and abroadMAUniversity of Auckland1995144
DALGLEISH, JodieNotes for soundMCWAuckland University of Technology2011225
DALTON, Fion Margaret PageTransforming Dalit identity : ancient drum beat, new songMDev.Stud.Victoria University of Wellington2008179
DALTON, Grant B.Nigel Westlake's "Omphalo Centric Lecture": A guide for performance including a biography of the composer and an examination of the different versions of the workDMAOverseas2006181
DAMBERG, ErikExotic Australia songs from the 1920s-1950sMAMacquarie University200367 + 2 CDs
DANIEL, Anna
The nature, cause and trajectory of emerging business models in the digital music sector: opportunities for specialised musiciansPhDAustralian Catholic University2010325
DANIEL, RyanChallenging the orthodoxy : an alternative strategy for the tertiary teaching of pianoPhDJames Cook University2005IN PROCESS
DANILLON, RegisThe solo piano works of Roger-Ducasse: an analysis of styleMMusUniversity of Queensland198881
DART, Peter J.Criticism in a developing culture : Australian music periodicals to 1931PhDUniversity of Queensland1998360
DART, WilliamHubert Parry and Cyril Scott two post-Victorian songwriters. With an introductory essay on the musical problems of Great Britain in the nineteenth centuryPhDUniversity of Auckland1975456
DART, WilliamThe lieder of Franz LisztMMusUniversity of Auckland1970296
DASS, RozitaTowards a theory of how teachers and students in Singapore secondary schools deal with literature in English studiesPhDUniversity of Western Aust.2011254
DASSENAIKE, Nilusha RanjiniSinhala folk music : its vocal traditions and stylistic nuancesMPhilAustralian National University201289 + CD
DAVENPORT, Andrew RussellThe development of alternate picking and plectrum technique for the electric guitarMAUniversity of Waikato1998124 + 1 comp laser o
DAVENPORT, Andrew RussellPaganini's 24 caprices, opus 1: a transcription for electric guitar, and analysis and development of the techniques to perform themPhDMassey University20082 v. : col. ill., mu
DAVENPORT, Charles H.H.Paul Rolland and his teaching: applications to the cello in different contextsMMusVictoria University of Wellington2005170
DAVESON, Barbara AliciaA grounded theory study of music therapists' and clients' experiences and descriptions of temporality within music therapyPhDUniversity of Melbourne2007281
DAVIDSON, GaryCommunity Music Therapy: A Pathway to a Sense of Belonging in a SchoolM.Mus.TherVictoria University of Wellington201364
DAVIDSON, Gary HaydenAnatomy of pop music: the work of pop performer and how their work is judgedMAUniversity of Melbourne199586
DAVIDSON, JimThe career of a musical expatriate : Louise Hanson-Dyer of l'oiseau-lyre, 1927-1962PhDUniversity of Melbourne1992668
DAVIDSON, RobertFolio of compositions and critical commentaryPhDUniversity of Queensland20012 vol
DAVIDSON-IRWIN, Rhonda G.The role of Chinese music in the Queensland primary school curriculumMMus Ed.University of Western Aust.1997161
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