WriterThesis TitleDegreeUniversityYear# of Pagessort icon
MAGILL, Jonathan MatthewCognitive models for the production of polyrhythms by a West African master drummerMALaTrobe University1995127
McCARTHY, Mairead RitaSymbols and creative transformation in George Crumb's Black angels: an interdisciplinary explorationMAUniversity of Western Aust.1983127
PURVIS, KateAustralian choirs and their access to performance materialsMAMonash University1989127
SIMATUPANG, Gabriel Roosmargo Lono LastoroThe development of dangdut and its meanings: a study of popular music in Indonesia MAMonash University1996127
WALDROCK, KimA method of accomodating the musically gifted in the mixed ability primary class M.EdUniversity of NSW1994127
WANG, Zheng-TingA history of Chinese music in VictoriaMAMonash University1995127
YU, JulianOrnamentation in traditional Chinese instrumental music and its application in original compositionsMALaTrobe University1993127
LICKISS ALEO, AngelaThe oboe and English horn works of Ross Edwards and his place in Australian musicDMAOverseas2016127
WRIGHT, Jason ChristopherThe Loudspeaker: Transformative and Tactile Aspects of the ObjectMMus(Comp)Victoria University of Wellington2013127 + DVD
ATKINSON, Neil FNonverbal communication and choral conductingMMus StudsUniversity of Queensland2002128
CHEONG-CLINCH, CarmenAn investigation of relationships between music literacy and textual literacy in young children M.EdSouthern Cross University1999128
ENIZILIS, DemetraThe language of rebetika: a description and analysisMAUniversity of Melbourne1996128
PEARCE, TrevorThe concept of space in the work of Luigi NonoMMusUniversity of Sydney1993128
TAYLOR, Dowie GThe NSW music (K-6) syllabus and support statements (1984) : Implications for tertiary institutions MMus Ed.University of Western Aust.1987128
BARRACLOUGH, TimothyIterative Design for Approachable, Mobile-Based Collaborative Electronic Music InstrumentsMEngVictoria University of Wellington2015128
HO, Ang-Cheng KrisTechnical demands of selected contemporary works for violin PhDUniversity of Tasmania2006128 + 6CDs
BANDT, RosalieChance operations and indeterminate procedures in the work of John Cage, 1950-1970MAMonash University1974129
BUNTING, SueThe protection of music as intellectual property : the historical framework and its effects upon contemporary Australian legislation.MMusAustralian National University1996129
COCKS, KathleenThe place of the Rock Eisteddfod Challenge in the extracurricular contextM.EdUniversity of Western Aust.2001129
HARRIS, Wayne JohnThe automatic analysis of rhythm in keyboard music MScUniversity of Sydney1982129
KIRK, Rachael A.A Sonata for harpsichord or fortepiano with a tenor obbligato by Carl Stamitz: A comparative study of all editionsMusMUniversity of Western Aust.1997129
McMILLAN, ClementPhilosophy, literature, and music in the making of Richard Wagner, man of the theatre, with an examination of Tristan and Isolde.M.LittUniversity of New England1987129
THOMPSON, LesleighThe title Toward the shining light as an influencing factor on the basic form and structural components in [Brenton] Broadstock's first symphonyMMusUniversity of Melbourne1994129
WHITE, TimA study of I Ching for solo percussion by Per NorgardMusMUniversity of Western Aust.1991129
HOWE, BenGetting older : the construction of place, history and identity in New Zealand independent music MA (Anthrop)University of Auckland2000129
HARDCASTLE, Adam ChristopherPrimary school music education : national review, regional context, local practiceM.EdMonash University2007129
ROSS, Daniel JoshuaDive deep into the music : an analytical study of contour in Bobo Stenson's piano vocabularyMMusUniversity of Sydney2007129
ENCARNACAO, JohnPunk aesthetics in independent "new folk", 1990-2008MAUniversity of Technology Sydney2009129
BEBAN, DanielGoing for a song: the New Zealand chant of auctions, housie and racingMAVictoria University of Wellington2001129 + 2 CD
HE, JunContemporary and historical performance practice in late eighteenth-century violin repertoire: observations on articulation, bow strokes, and interpretationD.M.ANZ School of Music (Victoria + Massey)2014129p +1CD+4DVD
LOK, Lay HongThe erhu and its role as a vehicle for syncretic music performance in Singapore M.PhilMassey University2004130
BEARE, MichaelBritish clarinet playing from 1940MMusUniversity of Adelaide1987130
HOLCROFT, ReubenThe art of simplicity: design, sentiment, and value in non-developmental music: studies in works by Satie, Part and PoulencMAUniversity of Otago1995130
MacGREGOR, Robert ColinThe design of computer-based composition software based on the intuitive symbolic representations of music by young children M.Ed (Hons)University of Wollongong1991130
STANIC, VioletaA garden for Percy's delightMAMonash University2000130
GRAVES, Randin ChristopherCultural foundation of the Yidaki in Northeast Arnhem LandMACharles Darwin University2006130
DUNSTAN, Anthony LeighWords and music : Approaches to text-settingMMus(Comp)University of Sydney2011130
CID, Lesley LindaAnother kind of lesson : an inside investigation of reconciling classroom music pedagogy with private piano teachingMMus(MusEd)University of Sydney2011130
BRACKOVIC, JasnaPoor, pale, Rusalka: The Polymorphic Nature of the Heroine of Dvořák's RusalkaMMusNZ School of Music (Victoria + Massey)2014130
RYAN, StephanieMusical gesture and the performer : an approach to the preparation of late twentieth-century solo cello music for performance [Keith Humble "A Little sonata in 2 parts"]MMusUniversity of Tasmania1998130 + sheet music +
CHEN, Cindy Hsin-YuFolio of compositions 2002-2003MMusUniversity of Melbourne2004130 + CD
DEWSNIP, Michael JEvaluating melody retrieval algorithmsMCMSUniversity of Waikato2002131
GIBSON, Robert R.Parsifal and Homosexuality: A study of the reception of Parsifal as a homoerotic textMMusUniversity of Sydney1998131
SHATARI, Elana EveWhat is the role of Jewish music education in maintaining and enhancing Jewish cultural identity?M.EdUniversity of Technology Sydney2004131
WATT, SallySimon Boyleau: motetta quatuor vocum (Venice: G.Scotto, 1554): an edition and studyMMusUniversity of Melbourne2002131
KIEK, MaraSpectral characteristics of traditional Bulgarian female folk singingMAppSciUniversity of Sydney2008131
NIKOROWITSCH, JohannesThe influence of music sharing at work on social relationships between colleaguesMMCMMassey University2009131
JONES, MiriamAdults' constructions of an early childhood music class: lived experience and cultural reproductionMResMacquarie University2015131
ROBINSON, Jennider AnneA Study of Inspiring Australian Music TeachersMMusUniversity of Sydney2015131
Slynn, DarrenMusic, place and public space: street music in Rundle Mall, South AustraliaMPhilUniversity of Adelaide2017131
ROJAS, DanielRecontextualising rhythms and rituals : a portfolio of compositions inspired by Latin American music and esoteric traditionsPhDUniversity of Sydney2011131p+2CD
CUNION, K.E.Many beads one string: a study of composition and arrangement techniques in early sacred music, and the larger role of such music formsMCAUniversity of Newcastle2002132
DONALDSON, TonyThe Shaping of a Sundanese music and dance tradition: an ethnomusicological study of Pa Enoch Atmadibrata, Pa Atik Supandi, and Pa Endo SuandaMMusVictoria University of Wellington1994132
GIOVINAZZO, JosephTimbral design of primary melody in the first movement of Bartok's concerto for orchestra and a folio of musical compositionsMALaTrobe University1992132
HOLTZAPFFEL, Ann EstherYsaye's sonatas: In whose image?MMusAustralian National University1998132
WEMYSS, Kathryn L.The nature of fatigue and strategies to develop and maintain endurance as reported by orchestral brass playersMMus (MusEd)University of Sydney1997132
JENNINGS, JanetDido and Aeneas : "a chaste little piece for schoolgirls"?MMusUniversity of Auckland1999132
CHILDS, David ChristopherLandmarks in twentieth century organ music, with particular reference to MessiaenMAVictoria University of Wellington1964132
ROBINSON, TianaGrayzna Bacewicz : her life and violin music with particular reference to her fifth and seventh violin concertosMMusGriffith University2009132
MCKENRY, TimothyFolio of original compositions and thesisPhDUniversity of Melbourne2008132
COOPER, Tonya"Sometimes I live in the country, sometimes I live in town" : discourses of authenticity, cultural capital, and the rural/urban dichotomy in alternative country musicM.AVictoria University of Wellington2012132
MANDENO, Jonathan PeterComposition portfolioMMus (Composition)University of Auckland2010132 + CD
FORWARD, IanThe music of Finnish migrants in Canberra and MelbourneMAMonash University1997133
SULLIVAN, YvetteThe influence of individual differences on the planning processes of musicians learning traditionally and non-traditionally notated scores M.EdUniversity of Newcastle1997133
VAUGHAN, Leigh TThe missing males : factors which contribute to low participation of adolescent boys singing in secondary school MMus Ed.University of Sydney1998133
WATT, PaulThe early cultural criticism of Jacques Barzun: the emergence of a new Romanticism and the development of the Hector Berlioz revival MAMonash University1992133
LOCKE, Linda MildredTeaching and artistryM.EdUniversity of Auckland2005133
YOUNG, John-PaulPerspectives on developing a music therapy programme within an educational setting for adolescents with mental health issuesMMus TherapyNZ School of Music (Victoria + Massey)2010133
SOLOMONA, TelesiaTeuila : an ethnography of Samoan music and identityMAUniversity of Otago2009133
COLE, AmandaCompositions exploring microtonal structures and interference beats : portfolio of compositions and analytical notesPhDUniversity of Sydney2008133 + 1 CD + 1 DVD
LIN, En PeiThe development of piano music in ChinaMMusUniversity of Tasmania1989133 + 5 cass
BARKL, Michael Laurence GordonPure data as a Meta-Compositional InstrumentDCAUniversity of Wollongong2009133 + CD
THURSTON, DonnaIrish music in Wellington : a study of a local music community MMusVictoria University of Wellington2010133 + CD
HOLLANDER, Emma denThe development of early keyboard fingering till 1800MMusUniversity of Adelaide1970134
LOWREY, JillYirrkala 1952-53 : a preliminary survey of field recordings of Australian aboriginal music, collected by Richard A. Waterman MAMonash University1972134
NOORY, SiamakFarāmarz Pāyvar and his place in Iranian musicMMusUniversity of Melbourne2002134
SHOU, XiojangPLMUS: a programming language for computer music and its implementationMScUniversity of Melbourne1991134
SYMONS, David JohnTechnical aspects of the music of Hans Werner HenzeMAUniversity of Sydney1966134
SUN, LushaExporing the "soul intervals": a portfolio of original compositionsMMusVictoria University of Wellington2005134
GILMOUR, HannahComposition portfolioMMusUniversity of Waikato2010134
HUMBERSTONE, James Henry ByrneCassations : Malcolm Williamson’s operas for musically-untrained childrenPhDUniversity of NSW2013134
RAINEY, LucyThe clarinet as extension of the voice and expressive conduit of musical styles in diverse ensemblesMMusVictoria University of Wellington2011134
HIGGINS, LieslWIENIAWSKI’S CONTRIBUTION TO THE CULTURE OF EXPRESSION: Understanding The Aesthetics Of Violin Music In The Nineteenth CenturyMaster of MusicUniversity of Sydney2016134
BLINKHORN, DanielNew music composition in computer-assisted environmentsDCAUniversity of Wollongong2007134 + 14 CDs
ANDREASEN, Felicity AnneMusically gifted students in the first year of secondary school : identification and curriculum differentiationM.EdSouthern Cross University1997135
DUGDALE, John HaroldThe place of music in the national and public schools of New South Wales, 1848-1880 M.EdUniversity of Sydney1969135
MILLIGAN, Catherine N.Popper and the High School of Cello Playing: a study of the pedagogic value of the Opus 73, EtudesMMusUniversity of Queensland1993135
WILLIAMS, Stephen JohnEmeritus Professor Harry Begian: conductor and teacher of symphonic bands.MMusUniversity of Queensland1995135
CODDINGTON, Anna PinengaSinging as we speak? : an exploratory investigation of singing pronunciation in New Zealand popular music MAUniversity of Auckland2004135
MILLER, James DavidThe colour of preference brown, white or l/f? : the application of time series techniques to experimental aestheticsMAUniversity of Auckland1980135
HSIEH, SharpleyMemories and Feelings of Music and Words in the DementiasPhDUniversity of NSW2012135
RICHARDS, WendyMusic literacy, music braille, and audiation : towards a new pedagogyMMus University of Auckland2016135
FURDUJ, BorisAcoustic instrument simulation in film music contextsMResMacquarie University2014135
BETTCHER, Nathan JamesThe process of music making for delivering doctrine in the Christian Family Centre (an Adelaide Pentecostal Church)MMusUniversity of Adelaide2010135 + DVD
BESENSKI, HelenaFranz Tunder (1614-1667) as an organist in seventeenth century North Germany : an examination of his life and selected works having reference to his social, musical and historical backgroundMMusUniversity of Auckland1997136
CONLEY, David JaedynComposition folioMMusUniversity of Melbourne2004136
DJORDJEVIC, Sinisa DanilaStudy of the effect of mood and emotion of the spectra of sustained sung vowels and consonants PhDMonash University1995136
DOWSE, NoraReminiscences with elderly individuals with and without musicPhDUniversity of Otago2002136
HALBERT, ColinMusic, language and style in Perth fanzinesMAUniversity of Western Aust.1996136
HYLAND, SoniaA comparative study of performance and interpretation of the late Beethoven string quartets MMusUniversity of Tasmania1984136
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