DOLLMAN, Emily Kate | Orchestral education programmes : a study of Australian and British models | PHD | University of Adelaide | 2016 | 388 |
Dominik Karski dissertation | KARSKI, Dominik | PhD | University of Melbourne | 2010 | |
DONAGHY, Glynn | A case study of attempting to modify Board Music to be more inclusive of Aboriginal and Torres Strait Islander students at Cairns State High School | M.Ed | James Cook University | 1997 | 41 |
DONAGHY, Joseph Keola | The language is the music : perceptions of authority and authenticity in Hawaiian language composition and vocal performance | PhD | University of Otago | 2011 | 443 |
DONALDSON, Judith Diane | Between two worlds : tensions of practice encountered by secondary school music teachers in Aotearoa New Zealand | PhD | Massey University | 2012 | 283 |
DONALDSON, Judith Diane | Between two worlds : tensions of practice encountered by secondary school music teachers in Aotearoa New Zealand | PhD | Massey University | 2012 | 283 |
DONALDSON, Tony | The Shaping of a Sundanese music and dance tradition: an ethnomusicological study of Pa Enoch Atmadibrata, Pa Atik Supandi, and Pa Endo Suanda | MMus | Victoria University of Wellington | 1994 | 132 |
DONALDSON, Tony | The Kavikāra Maḍuva : ritual singers in the Daḷadā Māḷigāva (Temple of the Tooth), Kandy | PhD | Monash University | 2001 | 378 |
DONOHOE, Patricia Mary | Breath of Dirima: a research project [Papua New Guinea] | MMus | University of NSW | 1987 | 340 |
DORAZARIO, Rebecca-Anne Charlotte | Disney animated and theatrical musicals : interpreting the magic from The little mermaid to The little mermaid | PhD | Monash University | 2003 | 372 |
DOUGAL, Josephine Kathleen | Nation, culture and family : identity in a Scottish/Australian popular song tradition | PhD | Curtin University of Technology | 2010 | 352 |
DOUGLAS, Clive | Symphony | DMus | University of Melbourne | 1957 | 1 score |
DOWDALL, Peter | The impact of technology on the role and function of the bass in jazz | PhD | University of Adelaide | 2012 | 293 |
DOWER, David | Self-accompaniment and improvisation in solo jazz piano: Practice-led investigations of assimilation, ostinatos and ‘hand splitting’ | MArts | Edith Cowan University | 2015 | 147 |
DOWLING, Katrina Louise | Stylistic correspondence in the music for solo recorder and piano or harpsichord composed 1939-1989 by Gordon Jacob, Edmund Rubbra, Lennox Berkeley, Arnold Cooke, Malcolm Arnold and Alan Ridout. | MA | Monash University | 2011 | 1 v |
DOWNER, Caroline Isobel | Music in the museum : an examination of the collection of musical instruments in the Powerhouse, Museum of Applied Arts and Sciences in Sydney | MA | University of Melbourne | 1997 | 149 |
DOWNES, Graeme | An axiam system of tonality applied to progressive tonaility in the works of Gustav Mahler and nineteenth-century antecedents | PhD | University of Otago | 1994 | 1994 |
DOWNIE, Ellaine | Why a cappella? Why women? Why now? The a cappella movement in popular music in Australia from 1987-1995 | MA | Monash University | 1996 | 151 |
DOWNIE, Mary R | Music education in day care and pre-school | D.Ed | University of Melbourne | 2002 | 2002 |
DOWSE, Nora | Reminiscences with elderly individuals with and without music | PhD | University of Otago | 2002 | 136 |
DOWSE, Nora | An evaluation of music as therapy for Alzheimer's dementia sufferers. | MA | University of Otago | 1995 | 147 |
DOYLE, Peter | Race with the devil: space, place and motion in popular music recording, 1900-1960 | PhD | Macquarie University | 2001 | 268 + 3 copies of 1 |
DR?PPEL, Birgit R. | Music, tradition, and mission: a musical ethnography of the Kaulong of West New Britain, Papua New Guinea | PhD | University of Auckland | 1998 | 293 |
DRAKE, George Warren James | Dramatic irony in Wagner | MA | University of Auckland | 1962 | 95 |
DRAPE, Rohan | Rule-following, pre-compositional environments | MA | LaTrobe University | 1999 | 88 + 1 audio CD |
DRAPER, Diane | Group keyboard instruction in the classroom | M.Ed | University of Melbourne | 1989 | 1 vol |
DREYFUS [LUCAS], Kay | Hector Berlioz and the dramatic symphony | DMus | University of Melbourne | 1966 | 258 |
DREYFUS, Kay | Beethoven's last five piano sonatas : a study in analytical method | DMus | University of Melbourne | 1971 | 385 |
DRIES, Daniel Michael | Marcel Dupre: the culmination of the French symphonic organ tradition | DCA | University of Wollongong | 2005 | 195 + 2 CDs |
DRIMATIS, Joanna | A hidden treasure : Symphony no. 1 by Robert Hughes | PhD | University of Adelaide | 2008 | 628 +1 CD |
DRON, Carson | Liszt's sonata in B minor : an examination of existing analyses and a proposed new approach via graphic analysis ; Composition folio : Concerto for piano and orchestra, Fantasy for solo piano, Fantasy suite for piano and marimba | MMus | University of Queensland | 1996 | 1 vol |
DRUMMOND, Jon Robert | Integrated development environment for computer music composition | MSc (Hons) | Macquarie University | 1998 | 106 + 1 CD-ROM |
DRUMMOND, Philip John | Computer applications to music: a survey and review of the literature, 1949-1979 | MEngSc | University of NSW | 1984 | 441 |
DRYBROUGH, Katharine F. | A comparative study of Handel's musical expression in five operas and the Opus 6 concerti grossi. | MusM | University of Western Aust. | 1997 | 1 vol |
DU PLESSIS, Heleen | Cello for Africa | PhD | University of Otago | 2015 | |
DUANCE, Karyn | Compositional and performance techniques of women rock musicians | MMus | University of Sydney | 1999 | NiC |
DUFFY, Michelle | Music of Place: The Performance of Identity in Contemporary Australian Community Music Festivals | PhD | University of Melbourne | 2001 | 220 + 210 |
DUGDALE, John Harold | The place of music in the national and public schools of New South Wales, 1848-1880 | M.Ed | University of Sydney | 1969 | 135 |
DUGGAN, Helen Mary | Wild Card: the Dorothy Hewett song cycle by Moya Henderson: a musical reading of an autobiographical text. | MA | Monash University | 2005 | 120 |
DUIGNAN, Matthew | Computer mediated music production : a study of abstraction and activity | PhD | Victoria University of Wellington | 2008 | 346 |
DUKE, Patricia Beryl | Foundations of Early Music in Melbourne: Leonard Fullard and Other Pioneers | PhD | University of Melbourne | 2005 | 454 |
DUNBAR, Mark | 'All take, take, take ....' migrant musicians, the Australia Council, multiculturalism and music-making in Australia | MA | Monash University | 1989 | 123 |
DUNBAR-HALL, Peter | Style and meaning : signification in contemporary Aboriginal popular music, 1963-1993 | PhD | University of NSW | 1994 | 387 |
DUNBAR-HALL, Peter | Harmonic style as a dramaturgical device : a study of Zandonai's Francesca da Rimini | MMus | University of NSW | 1989 | 137 |
DUNCAN, Alison | Composition folio | MMus | University of Sydney | 2004 | 172+cd |
DUNCAN, Andrew Oliphant | Noah Greenberg's presentation of Medieval liturgical music-drama : a study in expediency over scholarship | MA | Monash University | 2010 | 116 |
DUNCAN, Jane | Leader or follower? : an examination of selected works for flute and electronics, with particular reference to performance practice issues in Kaija Saariaho's NoaNoa | MMus | University of Sydney | 2008 | 79 |
DUNCAN, Melanie | Vibrato frequency and phase lock in three versions of Delibe's Lakme duet and its effect on the preference of voice experts | MA | Monash University | 2000 | 176 |
DUNCAN, Wayne | Portfolio of Original Compositions | PhD | University of Adelaide | 2007 | 322 |
DUNLOP, James David MacKenzie | Composition portfolio | MMus | NZ School of Music (Victoria + Massey) | 2007 | 47 + 3CDs + DVD |
DUNLOP, Roslyn Ann | The indigenous music of East Timor and its relationship to the social and cultural mores and lulik worldview of its autochthonous people | PhD | University of Newcastle | 2016 | 278 |
DUNMILL, Merryn | Secondary music teachers' content knowledge and skill bases: implications for teacher education | M.Ed | University of Canterbury | 1999 | 145 |
DUNSCOMBE, Samuel Ekkehardt | Ruptured causality : laptop performance and the concert audience | MMusPerf | University of Melbourne | 2011 | 72 |
DUNSTAN, Anthony Leigh | Words and music : Approaches to text-setting | MMus(Comp) | University of Sydney | 2011 | 130 |
DUNSTAN, Kaylie Jane | Percussion and Theatrical Techniques: An Investigation into Percussion Theatre Repertoire and its Presence in Australian Classical Music Culture | MMus | University of Sydney | 2016 | 101 |
DUNSTONE, Prudence | Performance Practices in Italian Music for Female Voice 1800-1850 | PhD | University of Newcastle | 2003 | 796 |
DUTHOITE, Andre | The interpretation process in relation to four works by J.S. Bach, Boccherini and Brahms | MMus | University of Queensland | 2000 | 65 |
DUXBURY, Patricia D | The Orpehus legend in opera | MA | University of Western Aust. | 1981 | 206 |
DWYER, Rachael Maree | Music teachers' values and beliefs: narrative case studies of music education | PhD | University of Queensland | 2012 | 264 |
DYSON, Frances | The silencing of sound: metaphysics, technology, media | PhD | University of Technology Sydney | 1993 | 153 |
EAKINS, Rex | Structure and function in the mid-15th-century Mass | PhD | University of Western Aust. | 1982 | 2 vol |
EAMES, Philip | Approaches to the Hawthorne Movement of the Concord Sonata by Charles Ives | M.Mus | Griffith University | 2010 | 71+1DVD |
EAMSA-ARD, Lamnao | Thai popular music: the representation of national identities and ideologies within a culture in transition | PhD | Edith Cowan University | 2006 | 4 microfiche |
EARL, Cameron Phillip | Public health management at outdoor festivals | PhD | Queensland University of Technology | 2006 | 281 |
EAST, Simone Michelle | Science: a model and a metaphor in the work of four British composers | MMus | University of Sydney | 2014 | 53 |
EASTHAM, Sohyun | The role of the violin in expressing the musical ideas of the romantic period and the development of violin techniques in the nineteenth and early twentieth centuries | PhD | University of Newcastle | 2007 | 332 + 184 + 5 CDs |
EASTWOOD, Anthony Charles | Stylistic development and melodic transmission in some secular song books published in Paris (1695-1740) | PhD | University of Western Aust. | 1987 | 5 vol |
ECKERSLEY, Peter Daniel | Digital copyright & the alternatives : an interdisciplinary inquiry | PhD | University of Melbourne | 2012 | 321 |
EDEN, Danielle | A Gesamtkunstwerk for kindergarten : improving musical confidence in an early stage 1 classroom | M.Ed | University of Sydney | 2011 | 84 + CD + DVD |
EDGAR, Tracey A. | The history and development of the English catch | PhD | Monash University | 1997 | 1 vol |
EDMEADES, Lynley | As I exemplify : an examination of the musical-literary relationship in the work of John Cage | MA | University of Otago | 2013 | 105 |
EDMOND, Maura | Postmodern attractions : music videos 2000-2010 | PhD | University of Melbourne | 2012 | 299 |
EDWARDS, Jane M. | Developing a platform for research to inform music therapy practice with hospitalised children | PhD | University of Queensland | 2000 | 250 |
EDWARDS, Ross | Four musical compositions | DMus | University of Sydney | 1989 | 4 scores |
EDWARDS, Ross | Portfolio of symphonic works [music] | DMus | University of Adelaide | 2011 | 306 + 3 CDs |
EDWARDS, Sharon Rosalie Gwenneth | Visual perception in music reading : a discussion of related research and theories | MA | University of Auckland | 1977 | 112 |
EDWARDS, Simon | The struggle for contentment in music : an investigation of self-authored attitudes in practice and performance | MMusPerf | University of Melbourne | 2012 | 64 |
EE, Carol Boon Peng | The development and evaluation of the nursery action rhymes and songs (NARS) English as a foreign language (EFL) programme with Chinese preschool children | EdD | University of Western Aust. | 2006 | 225 + 1 disk |
EGENES, John R. | The Record Producer's Evolving Role: A Study of Three Recording Projects | DMA | University of Otago | 2016 | |
EKKEL, Gary | Ockeghem's Alma Redemptoris Mater and the Renaissance duo: towards a structuralist method of analysing Renaissance polyphony | MMus | University of Melbourne | 1988 | 147 |
EKKEL, Gary | Tonal balance in polyphony of the Josquin generation | DMus | University of Melbourne | 1997 | 2 vol |
ELIOTT, Mark | Water, music, glass, life : improvisation in and around my arts practice | MVA | University of Sydney | 2011 | 97 |
ELKINGTON, Jeremy | A studio investigation : approaching the sublime through the musical, the exotic and "the perfect" | MA | Monash University | 2002 | 179 |
ELLINGWORTH, Susan | An investigation into the early music written for the harpsichord in Italy up to the time of Frescobaldi : with special consideration for the Venetian school of harpsichord composers, 1550-1650. | MMus | University of Sydney | 1965 | 3 vol |
ELLIOTT, Douglas James | A comparison of music and muscle relaxation as nursing interventions in reducing the anxiety of patients admitted to a coronary care unit | MApSc | University of Sydney | 1991 | 178 |
ELLIS, Angelina M. | The Classical guitar in Australia: Foundations | MA | Queensland University of Technology | 2000 | 112 |
ELLIS, Bronwyn Irene | These sad, distracted tymes : the impact of the Civil War and Interregnum on English music, c.1640 to c.1660 | PhD | University of Tasmania | 2004 | 324 |
ELLIS, Christopher | Pan-stylism in the music of Dave Douglas | MMusPerf | University of Sydney | 2013 | 75 |
ELLSMORE, Caroline | The siren subverted : the role of Violetta Valery in Giuseppe Verdi's 'La traviata' (1853) | MMus (Hons) | University of New England | 2010 | |
ELMER, Colin | Replacing patterns: towards a revision of guitar fretboard pedagogy | MMus | University of Adelaide | 2009 | 59 + CD + DVD |
ELTON, Jane | Music in secondary education in girls' schools in Victoria | MMus | University of Melbourne | 1967 | 2 vol |
ELTON, Kim Cecile | Tango, from Perception to Creation: A Pianist’s Quest to Capture and Embody Tango in Performance and Composition | DMA | Griffith University | 2014 | |
ELVERY, Warwick David | The flute and its music in the court of Frederick the Great | GDip Mus | Griffith University | 1985 | 1 vol |
EMELEUS, John | Cooperative learning in the keyboard laboratory: a study of adult learners in a cooperative learning programme | MMus | University of Canterbury | 1993 | 303 |
EMERSON, Helen Katrine | A voice of her own: Ethel Smyth and early feminist musicology. | MA | University of Otago | 1999 | 115 |
ENCARNACAO, John | Punk aesthetics in independent "new folk", 1990-2008 | MA | University of Technology Sydney | 2009 | 129 |
ENG, Melinda Wah Yound | Alternative approaches to music learning and instruction in pre-school teacher training programs in Singapore | EdD | Monash University | 2006 | 309 |
ENGLISH, Helen | Music as a Resource for World-Building in Newcastle, NSW and its Townships, 1869–1879 | PhD | University of Newcastle | 2016 | 239 |
ENGLISH, Helen Jane | Gerald English [Tenor] | MA | University of Newcastle | 2005 | 216 |
ENGLISH, Kemp Theodore | The début recording of Leopold Koželuch’s 50 Solo Keyboard Sonatas: portfolio of recorded performances and exegesis. | PhD | University of Adelaide | 2014 | 163 |