Completed

WriterThesis TitleDegreesort iconUniversityYear# of Pages
CONNELL, RobertBrigands on the virtual sea: online music piracy and copyright under Australian law in the digital age? [Law]University of Western Aust.1999NS
Di RENZO, MarkThe dark side of music and the light side of law? [Law]University of Western Aust.2000
WILSON, Brian ScottOrchestrational archetypes in Percy Grainger's wind band musicA.Mus.D.Overseas1992237
TRIMPER, Cheryl PMusic: therapeutic and educational usage with young autistic children : an investigation into the application of music as an educative and therapeutic agent with young autistic childrenAdvDip TeachFlinders University1972329
FURZE, Christine HMusic and movement with preschool aged retarded childrenAdvDipSp.Ed.Flinders University1976103
LOH, Susie Yook-So,The development of electronic musicAdvDipTeachUniversity of Adelaide197682
PARLE, RosemaryMusic and the hemispheresBA(Hons)Macquarie University19841 vol
CRNCEC, RudiExamination of the Mozart effect in childrenD PsychUniversity of Melbourne2004127
CARTLEDGE, Damon NeilDeveloping professionals for a changing world of work: identity and change in the Australian Army Band Corps.D.EdRMIT University20021 vol
DOWNIE, Mary RMusic education in day care and pre-schoolD.EdUniversity of Melbourne20022002
HUTCHINSON, Lindsay W.An investigation of the reasons why students participate in on-going instrumental music instruction in selected secondary schools in Victoria D.EdUniversity of Melbourne2007168
NAZARETH, TheresaLifelong learning : music education for adult beginnersD.EdUniversity of Western Aust.19992 vol
HUBMAYER, Antony PeterThe secondary school music curriculum: an investigation of designed learning experiences that promote musical understanding.D.Ed.University of Adelaide2013
DE QUADROS, AndreWhy do you weep? : conceptualising the potential of the arts and health.D.Ed.LaTrobe University2013219
STREHLOW, Theodor George HenrySongs of Central AustraliaD.LittUniversity of Adelaide1971775
TUNLEY, DavidThe eighteenth-century secular French cantataD.LittUniversity of Western Aust.19693 vol
HE, JunContemporary and historical performance practice in late eighteenth-century violin repertoire: observations on articulation, bow strokes, and interpretationD.M.ANZ School of Music (Victoria + Massey)2014129p +1CD+4DVD
BLACKWOOD, PeterBring David here': reclaiming the song of the Psalms for the Uniting Church in Australia D.MinAustralian Catholic University2002305
ANDERSON, Gordon AtholThe development of the motet in the thirteenth centuryD.MusUniversity of Adelaide19773 vol
MILLS, RichardBamaga diptych ; Concerto for cello and orchestra ; Seaside dancers after couplets by E. E. Cummings D.MusUniversity of Queensland19913 scores
ZAVOD, AllanFolio of compositions [music]D.Mus.University of Melbourne20085 scores
SMITH, Robert GeorgeIndigenous Australian music and dance in West-centrically oriented primary classrooms : evaluating the initiation, application and appropriateness of a series of customised teaching and learning strategies designed to communicate musical and related understandings interculturallyD.TeachNorthern Territory University Darwin1998202
BARKL, Michael Laurence GordonPure data as a Meta-Compositional InstrumentDCAUniversity of Wollongong2009133 + CD
CARRIGAN, Jeanell K.Australian post-1970 solo piano literature [manuscript] : a study of the available literature including a discussion of relevant contemporary compositional elements DCAUniversity of Wollongong19982 vol+CD-Rom
COLLINS, Susan MayThe violin and piano music of Raymond HansenDCAUniversity of Wollongong20052 vol
CROSSMAN, W. BrucePersonal creative process towards a Pacific-European identityDCAUniversity of Wollongong1999190
DRIES, Daniel MichaelMarcel Dupre: the culmination of the French symphonic organ tradition DCAUniversity of Wollongong2005195 + 2 CDs
FITZGERALD, Thomas ANew music composition for live performance and interactive multimediaDCAUniversity of Wollongong2004180 + 6 folios + 4 D
FORD, AndrewText and intertextuality: words about music about wordsDCAUniversity of Wollongong1993236 + 4 cass + 6 sco
HUANG, Yuh-WenMiró to music : transformation and cross disciplinary processesDCAUniversity of Wollongong2002136 + 6 scores
McKERN, Brett MThe compositions of Brett M. McKern: to the greater glory of God DCAUniversity of Wollongong20051 vid + CD
MEIER, Marilyn AnneChopin twenty-four preludes opus 28DCAUniversity of Wollongong1993192
SCHAEFER, PeterSound and circle: dualities of culture and content within creative work 1987-97DCAUniversity of Wollongong20022 vol + 2 comp optic
TERRY, John B.R.A personal account of creative processes leading to the composition of 'Ebenezer', 'The Chimes', 'Meditations 1, 2, 3 and 4', and 'Bell-birds' DCAUniversity of Wollongong1988464 + 1 vid cass + 2
WHITICKER, MichaelThe music of Michael WhitickerDCAUniversity of Wollongong19988 vol
CLEMENTS, Lucille DesotoRock'n'roll outlaw: the expression of freedom in cultureDCAUniversity of Technology Sydney2007100
BLINKHORN, DanielNew music composition in computer-assisted environmentsDCAUniversity of Wollongong2007134 + 14 CDs
SUNDSTRUP, LiefThe virtual orchestra [manuscript] : a systematic method of realising music composition through sample-based orchestral simulationDCAUniversity of Wollongong20091 v. + CD
GOYER, EdwardCreating unity within an album for compositions defined as "jazz style"DCAUniversity of Wollongong200861 + CD
GREENWELL, Andrée‘Theatres of Music’: recent composition-led worksDCAUniversity of Wollongong2012152
GALBRAITH, JaneThe Necks - an acoustic experiment : PlacesDCAUniversity of Technology Sydney2010267P + 1CD
EVANS, Eryl CEffects of a classroom based relaxation and music program on the anxiety of school children DCounsBond University2003125
ANDREWS, Helen MarieCognitive impairment, spontaneous recovery and environmental enrichment post strokeDCPUniversity of Newcastle2015
WU, Dawn Chuang-MaeMusic education in a major kindergarten sector in Singapore : teachers' background, functions and issuesDEdUniversity of Western Aust.2010253
WU, Chao-KueiMusic education and ICT integration : a case study of pedagogy in TaiwanDEdUniversity of Melbourne2010246
McCOLL, FairlieA study of the musical abilities of four year old children attending a sample of Melbourne kindergartens DipAdvStEdUniversity of Melbourne196678
CLARKE, Margaret AnnA program of instruction in braille music for teachers of visually impaired studentsDipMusEdUniversity of Western Sydney199270+
COLE, David RobertInstrumental music in the secondary schoolDipMusEd (Hons)University of Newcastle1974154
COLE, David RobertThe significance of the organ works of Olivier MessiaenDipMusEd (Hons)University of Sydney1974156
SHEARER, Debra A.Emerging Voices in Australian Choral Music: Selected Choral Works of Sculthorpe, Boyd, Edwards, Hopkins, Maclean, Leek, Stanhope, Grandage, Orlovich, and Atherton.DMOverseas2003151
LOGAN, ChristineSome Aspects of Australian Piano Music since 1945. DMAOverseas1988189
DENSON, LouiseCreative Practice as research - jazz composition and arrangingDMAGriffith University200842
GOLDSWORTHY, Anna LouiseFanny Hensel and virtuosityDMAUniversity of Melbourne2002123
LACEY, GenevieveContemporary attitudes to the performance of baroque music: a synthesis and personal applicationDMAUniversity of Melbourne2001121
LONSDALE, KarenUnderstanding contributing factors and optimizing prevention and management of flute playing-related musculoskeletal disordersDMAGriffith University2012304
McGEE, MarkFrom Celibidache to Debussy : reflections on music and meaning DMAUniversity of Melbourne2001199
DALTON, Grant B.Nigel Westlake's "Omphalo Centric Lecture": A guide for performance including a biography of the composer and an examination of the different versions of the workDMAOverseas2006181
McCUBBIN, Alison RosemaryAn introduction for the singer to the solo vocal works of Nigel Butterley with particular emphasis on his works between 1976 and 2003DMAOverseas2004217
POWELL, Thomas RaymondMoon Came Down: For soprano voice and eight instrumentalistsDMAOverseas2003183 + 22 + 2CDs
WHITMORE, KeithThe piano music of Percy Grainger: An analysis of ten original worksDMAOverseas2004112
MILTON, NicholasThe string quartets of Peter Sculthorpe: A study in stylistic synthesisDMAOverseas2004313
GRENFELL, Julia MicheleThe influences of traditional Asian music on an Australian composer: A study of three works for flute and piano by Anne BoydDMAOverseas2003146
YANG, Eun-KyoungThe piano sonatas of Carl Vine: A guideline to performance and style analysisDMAOverseas200397
CYBA, Hanna DorotaA performer's guide to the piano sonatas by Carl VineDMAOverseas2002102
WILLIAMS, Ross AdrianOn Open SkyDMAOverseas200227
JOYCE, Brendan CliveThree Australian faces: An anthology (performed) of recital music for violin written by Australian composers since the federation of Australia (1901), including new scores written on the theme of reconciliation between indigenous and non-indigenous AustraliansDMAOverseas2002199
RAKENA, Te Oti PaipetaThe synthesis of Polynesian and western traditions in contemporary New Zealand composersDMAOverseas1998106
BIRDWELL, John CodyThe utilization of folk song elements in selected works by Ralph Vaughan Williams and Percy Grainger with subsequent treatment exemplified in the wind band music of David StanhopeDMAOverseas1996104
JUTSUM, Ross FrederickAn examination of musical-textual relationships in the choral music of Colin Brumby, a lecture recital, with three recitals of selected works by Bartok, Durufle-Chevalier, Duson, Mendelssohn, Poulenc, Sallinen, and SchoenbergDMAOverseas1995101
PEERY, Irene WeissGEORGE F. BOYLE: PIANIST, TEACHER, COMPOSER (AUSTRALIA)DMAOverseas1987409
RODGERS, Robert MarkThe "Hill-songs" of Percy Aldridge Grainger: An historical and analytic study with a new performance edition (Volumes I and II)DMAOverseas1987306
THOMPSON, Roy HaroldA Curriculum model for instrumental music education in the schools of Queensland, Australia.DMAOverseas1983263
LEROY-DALE, Mette"Flute 21" : 21st century New Zealand flute music and its contemporary performance practice DMAUniversity of Auckland2007120 + CD
TZENKA, DianovaJohn Cage’s prepared piano : the nuts and bolts : an exegesis submitted in partial fulfillment of the requirements for the degree of Doctor of Musical Arts (Piano Performance)`DMAUniversity of Auckland2007146
HUGHES, IndraAccident or design? : new theories on the unfinished Contrapunctus 14 in J. S. Bach’s The Art Of Fugue BWV 1080 DMAUniversity of Auckland2006188
KRUGER, MarkJohann Baptist Cramer's 84 studies as preparations for the performance of Frederic Chopin's etudes op. 10 and op. 25DMAUniversity of Melbourne2006117
AYRES, Helen George Enescu : the complete musician : a study of violin virtuosity in Enescu's third sonata for piano and violin DMAUniversity of Melbourne200674
BLACKBURN, AndrewThe pipe organ and real-time digital signal processing (DSP): A performer's perspectiveDMAGriffith University2011256
PENNY, JeanThe extended flautist: techniques, technologies and perceptions in the performance of music for flute and electronicsDMAGriffith University2009258
KNOPF, MichaelIllustrating the practice of composing with styles and genres; how a composer uses global, cultural & historical style and genre in creating new music + folio of compositionsDMAGriffith University2011136
LIN, Melody Hsiao-Lan TsaiEast wind in Aotearoa : exploring east Asian elements in New Zealand flute compositionsDMAUniversity of Auckland2011150
ABRAMOVA, ElenaThe compositional environment of the violin sonatas of Shostakovich and Prokofiev : a contextual study of the Shostakovich Violin Sonata and the Prokofiev Violin Sonata in F MinorDMAUniversity of Auckland2009222
SMALL, Stephen KenethPopular music, genre and the keyboardDMAUniversity of Auckland2009138 + 1 CD
HARMATH, AgnesA study and critical edition of Johann Baptist Wendling’s Concerto in C major (GUN 18)DMAUniversity of Auckland2009117 + 1 CD
LEE, Chyi-HueyThe role of piano pedalling in the context of piano triosDMAUniversity of Auckland2008138
LU, YiChinese piano music : east meets westDMAUniversity of Auckland2007122 + 1 CD
LEROY-DALE, Mette"Flute 21" : 21st century New Zealand flute music and its contemporary performance practiceDMAUniversity of Auckland2007120 + 1 CD
POULSEN, DarrylPrima facie case : submission for candidature for the Higher Degree of Doctor of Music (Performance), The University of Western AustraliaDMAUniversity of Western Aust.200790 + 8 CDs
KNIGHT, Peter Harold JohnThe intersection of improvisation and composition: a music practice in flux DMAGriffith University2011125
BARTLETT, Irene MarySing out loud, sing out long: a profile of professional contemporary gig singers in the Australian contextDMAGriffith University2011212
KNIGHT, Peter Harold JohnThe intersection of improvisation and composition: a music practice in fluxDMAGriffith University2011125
LIN, Melody Hsiao-Lan TsaiEast wind in Aotearoa : exploring east Asian elements in New Zealand flute compositionsDMAUniversity of Auckland2011150
DENG, LiangPerformance techniques in modern piano musicDMAUniversity of Auckland2011149
BROWN, AshleyIn two minds : exploring co-composition as a performer/composer collaborationDMAUniversity of Auckland2011115 + DVD
SORKIN, EvgenySecure foundations of advanced violin playing : Analysing technical development and systematic pedagogical use of etudesDMAUniversity of Sydney2012164
WRIGHT, NoeleenBass lines for bowed bass or keyboard within string ensemble repertoire from Italian presses; 1660-1700DMAUniversity of Western Aust.2012252 + 3 CDs
CLARKE, Anthony ScottRealising the Ninth : Werktreue and the evolution of score modification with specific reference to the performance and recorded history of Ludwig van Beethoven's Ninth Symphony in D minor, Op. 125 DMAUniversity of Sydney2012190
TERZER, ArminTranscribing symphonic repertoire for eight horns principles and process leading from sources of inspiration and final productDMAGriffith University2011
WANG, Yu YanChaozhou daluogu perfromance, repertoire, instruments, technique, transmission and sustainability in an ancient Chinese percussion genreDMAGriffith University2011345
KNOPF, Michael DavidStyle and genre synthesis in music composition revealing and examining the craft and creative processes in composing poly-genre musicDMAGriffith University2011136
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