WriterThesis TitleDegreesort iconUniversityYear# of Pages
MILLS, Bryce AndrewThe perception of melodic closure : a study of the factors influencing final note choice to achieve melodic closure MAMassey University197969
ROCKE, Stephanie“The Armed Man: A Mass for a Secular Age?”MAMonash University2010125+107
MILES, ElizabethThe double choir and coro spezzati Vespers' psalms of Antonio Gardane's "Cantus di Adriano et di Jachet" of 1550MAUniversity of Auckland1988106
NADEN, Liam P.D.Sacrae cantiones : liber quartus (1606) / Agostino Agazzari: a critical editionMAUniversity of Auckland1988NS
TELEVAVE, Su'eina SharaonUa fuifui fa’atasi, ’ae vao eseese = Popular music amongst the Samoan diaspora community in NiusilaaMAUniversity of Auckland2006181
HART, Amy JoanOn rough ground : New Zealand art and music, 1930-1990, and the problematics of landscape and national identityMAUniversity of Auckland2005103
HERRIMAN, NinaThe air down here : global and local interpretations of New Zealand popular music, 1955-1977MAUniversity of Auckland2004154 + CD
CODDINGTON, Anna PinengaSinging as we speak? : an exploratory investigation of singing pronunciation in New Zealand popular music MAUniversity of Auckland2004135
KAIWAI, Hector MoanaPūkana rawatia! : Mickey Mouse does the hakaMAUniversity of Auckland2003152
VANDERLAAN, RobertAural devices in cinemaMAUniversity of Auckland200291 + 2CD-roms
LANGABEER, CatherineCarefully stealing pieces of me : issues of technology and authenticity in the music of Matthew HerbertMAUniversity of Auckland200285 + CD
PRITCHETT, SarahLiving to perform, playing for passion : a "girls" guide to rockMAUniversity of Auckland2002103
KELLY, Emma JeanMaking a scene : location, identity and dance musicMAUniversity of Auckland2002181 + CD
JEWELL, StephenNumber eight wired : a history of New Zealand dance music and club culture from 1970 to 2001 MAUniversity of Auckland2001146
GRIFFITHS, Richard DPunkturing the scab : a sociological investigation of anarcho-punk subcultureMAUniversity of Auckland2000114
COOMBES, Alison OdineSchubert, interpreter of romantic love through song MAUniversity of Auckland2000156
FORSBERG, AndrewMalory : music with repetitive structruresMAUniversity of Auckland199970
KANIA, AndrewNot just for the record : a philosophical analysis of classical music recordingsMAUniversity of Auckland1998105
McTAGGART, Stephen MThe use of nostalgic music in television advertisingMAUniversity of Auckland1998149
KEMP, JohannaContradictory representations of women in female performer music videosMAUniversity of Auckland1996125
ORMSBY, SuzanneTe reo puoro Maori mai i mua tae noa mai ki inaianei = The voices of Maori music, past, present and future : Maori musicians of the 1960sMAUniversity of Auckland1996224
ROGER, MargaretanneFilling in the gaps : melody recognition and lateralizationMAUniversity of Auckland199339
LIGGETT, Wallace"Music for every child, ever child for music" : a report on research into high school instrumentalists’ backgrounds and characteristics and a proposed general music and instrumental course at this level MAUniversity of Auckland1989170
MAYO, Robert FrederickA study of the characteristics of modern Japanese musicMAUniversity of Auckland198627
NEIGHBOUR, Raewyn JoyMusic in the medicinal practices of some pre-literate and ancient culturesMAUniversity of Auckland1983286
SALISBURY, Kevin BrucePukapukan people and their musicMAUniversity of Auckland1983289 + cass
OSWIN, Richard HanburyFlorence, Biblioteca nazionale centrale, manuscript Magliabechiano XIX 178 a late fifteenth-century source of secular music MAUniversity of Auckland1982182
JOHNSON, Janet LynneMusic therapy with handicapped childrenMAUniversity of Auckland1981MA
MILLER, James DavidThe colour of preference brown, white or l/f? : the application of time series techniques to experimental aestheticsMAUniversity of Auckland1980135
WATTS, PeterA critical edition of the works of William Cranford, c1590-c1660MAUniversity of Auckland1980373
DENSEM, Robert GeoffreyThe musician in the classroom : a study of the effects of teacher release on the quality of music programmesMAUniversity of Auckland1978123
MANINS, StuartRelationships between teachers college music education and subsequent school music teachingMAUniversity of Auckland1977302
WISE, Jacqueline DeniseSimons measurements of music listening skills an investigation of the tests’ suitability for use in New Zealand schoolsMAUniversity of Auckland1977155
EDWARDS, Sharon Rosalie GwennethVisual perception in music reading : a discussion of related research and theoriesMAUniversity of Auckland1977112
THOMSON, Gavin BTwentieth century minstrelsy : towards a sociological definition of the socio-aesthetic meaning of contemporary musicMAUniversity of Auckland1976MA
NEUTZE, Christine DorothySome aspects of Elizabethan lutesongsMAUniversity of Auckland1972151
BUCKTON, RogerVocal and instrumental instructions a comparison. A comparison of the effect of vocal and instrumental instructions on the development of vocal and melodic abilities in young childrenMAUniversity of Auckland1972158
JENKINS, Michael William GrahamFroberger and his musical environment with special reference to his keyboard works, and a survey of the cultural influences of the early baroqueMAUniversity of Auckland1970405
KUIPER, Johannes JurrianSome aspects of Britten's life and musicMAUniversity of Auckland1970276
ANNABELL, Angela RuthMusic in Auckland 1840-1855 : with reference to aspects of music in the Bay of Islands area both before and after 1840.MAUniversity of Auckland1968239
ROBINSON, Frances HelenThe ritornello principle in Handel’s Concerti grossi, Opus 3 and and Opus 6MAUniversity of Auckland1967156
LUKEY, Lesley HelenDramatic and pictorial elements in SchützMAUniversity of Auckland1963148
DRAKE, George Warren JamesDramatic irony in WagnerMAUniversity of Auckland196295
RIMMER, JohnGiovanni Gabrieli and the development of instrumental musicMAUniversity of Auckland19622 vol
HOLIBAR, BernardBerlioz as music criticMAUniversity of Auckland1960190
HOSKING, John SSamuel Sebastian Wesley, reformer in church musicMAUniversity of Auckland1959172
HOWE, KarlAnimation in e minor : the real in animated music videos MAAuckland University of Technology200425
CHARLES, RobinThe performerless performanceMAAuckland University of Technology200524
Johnston, Emma Healing Maori through song and dance?: three case studies of recent New Zealand music theatreMAUniversity of Canterbury200784
FORSTER, JasonCommodified evil's wayward children: black metal and death metal as purveyors of an alternative form of modern escapismMAUniversity of Canterbury2006147
MAJEED, RaamyThe culprits of musical expressiveness MAUniversity of Otago2007113
LAM, Yuen ChingAn analytical study of Alfred Hill’s String Quartet no. 2 in G minor MAUniversity of Otago20062 vol
MILNER, Luke’All shook up’ : Elvis encounters Orpheus--constructions of a pop culture mythology in Salman Rushdie’s The ground beneath her feet MAUniversity of Otago2004121
PRITCHARD, Brian W.Societies in society: a case in historical sociology of musicMAUniversity of Canterbury1965367
GALE, Annas ThelmaStudies in the history and development of solo song and its accompaniment. MAUniversity of Canterbury1954152
RAJATHURAI, YogandranHindu caste music in the Malaysian Thaipusam festivalMAUniversity of Canterbury2007142
TAIT, Malcolm JohnMusic in educationMAUniversity of Canterbury195679
CARTER, John EdwardSchumann the criticMAUniversity of Canterbury1961108
REID, Dorothy MargaretThe Beethoven quartetsMAUniversity of Canterbury195756
HYATT, John BamfordOtello and OthelloMAUniversity of Canberra1965116
MACONIE, RobinAnalysis and criticism of music since 1950MAVictoria University of Wellington1963137
CHILDS, David ChristopherLandmarks in twentieth century organ music, with particular reference to MessiaenMAVictoria University of Wellington1964132
SIMPSON, Adrienne MarieTwo Georgian songwriters: Ivor Gurney and Peter WarlockMAVictoria University of Wellington1964114
PHILLIPS, Irene Margaret ConstanceMaori music, a historical surveyMAUniversity of Auckland1929NS
PRICE, Desmond CharlesThe assessment of musical abilityMAUniversity of Auckland195455
THACKER, Eric CharlesCatalogue Raisonné of the material relevant to Percy Grainger as an artist and as a man, contained in the Percy Grainger Museum, University of MelbourneMAUniversity of Melbourne1965 NiLunknown
PEARSON, E.History of music in OtagoMAUniversity of Otago1941 NiCunknown
SOUTHGATE (MARTIN), Rosemary.An analysis of Mozart's Don Giovanni, with particular reference to characterizationMAUniversity of Otago196781
JAMESON, Jennifer A. (Cutler)Music education at the secondary level in a New Zealand urban areaMAUniversity of Canterbury1967104
GINTHER, Gerald ChristopherRevisionism in the music history of Dmitry Shostakovich: The Shostakovich Wars.MAUniversity of Canterbury2008 nyic162
DOWLING, Katrina LouiseStylistic correspondence in the music for solo recorder and piano or harpsichord composed 1939-1989 by Gordon Jacob, Edmund Rubbra, Lennox Berkeley, Arnold Cooke, Malcolm Arnold and Alan Ridout.MAMonash University20111 v
GRAVES, Randin ChristopherCultural foundation of the Yidaki in Northeast Arnhem LandMACharles Darwin University2006130
BRENNAN, ReneeNew Zealand music videos : whose voices are being heard in the New Zealand music industry?MAAuckland University of Technology1999144
HAMMOND, JaneAn exploration of the possibilities of generating music from text MAMonash University200671 + 2 CDs + 6 score
FREEMAN, LliamDeveloping an improviser's "tool-kit" : exploring methodologies towards the development of improvisational skill and fluency in the performance of original work in jazz ensemble MAMonash University200656 + CD
PATERAS, AnthonyA folio of original compositions exploring contemporary practices in notation, improvisation, live electronic performance and music for film MAMonash University200350 + 2 scores + vide
BEN-SALAMON, Nissana folio of original music compositions that explores the integration and development of derived materials, including a painting, African rhythms, synesthesia, poetry and pre-recorded audio filesMAMonash University2003c.50 + 4 scores + CD
McGANN, JeffreyAchieving an historically informed performance of William Lovelock's Rhapsody for horn and pianoforte : the quest for an English sound MAMonash University200864 + CD
WALLACE, MichaelUnifying composition and improvisation : applying Bob Brookmeyer's pitch module concept to composition and improvisation MAMonash University200776 + cd
KENNEDY, AnneKicking round home : atonality in The Bone PeopleMAVictoria University of Wellington2007
McEWING, Keith LyndonIs the dance still in the music? : Chaconne compositions from the seventeenth to the twentieth century MAVictoria University of Wellington2008330 +DVD
LLOYD, AaronThe black mill, Sinew, Asteroid mesaMAVictoria University of Wellington20023 scores
TAYLOR, Joan ElizabethAn investigation of some factors relating to the instrumental music at the Hutt Valley Memorial Technical CollegeMAVictoria University of Wellington194876
WILBY, G. I.An experience in aesthetic education : a qualitative description, analysis, and evaluation MAUniversity of Canterbury1977272
BOURNE, WarrenThe evolution of the German church cantata MAVictoria University of Wellington1966219
Wright, RebeccaNZ Idol performance, talent and authenticity in a song contest: MAAuckland University of Technology2008188
BLANCH, Faye RosasNunga rappin [manuscript] : talkin the talk, walkin the walk ; young Nunga males and educationMAFlinders University2008168
NOEL, Robin Koreena AyolaGlobal hip-hop : race, place and authenticityMAGriffith University200973
PALAJE, Jane MarieThe distinctive features of musical drones [manuscript] MAMacquarie University2009168
DIOR, DaliaSephardic song [manuscript] : a bridge between culturesMAMacquarie University2009155 + Map + CD
DUNCAN, Andrew OliphantNoah Greenberg's presentation of Medieval liturgical music-drama : a study in expediency over scholarship MAMonash University2010116
ROCKELL, Kim Forrester'Fiesta’, Affirming Cultural Identity in a Changing Society: A Study of Filipino Music in Christchurch, 2008MAUniversity of Canterbury2009344 + DVD
SMITH, JudyBjörk, buskers and songbirds : realism and the revision in the musical genreMAUniversity of Auckland200886
TALO, Ruth ReneFestival of fusion : the celebration, representation and identification of Pacific cultures at Auckland’s Pasifika festivalMAUniversity of Auckland2008148
BOUNDS, Carolyn ZPerforming flute music of the French Baroque : an approach for modern flautists [manuscript]MAUniversity of Newcastle2010126
HOLLAND, Michael EdwardProduction, Identity and Inherited Aesthetics: Digital Technology, Authenticity and Location in Independent Music PracticeMAUniversity of Otago2011
HARRISON, DavidMusic by numbers : the impacts of music technologies on popMAUniversity of Otago2010163
ENCARNACAO, JohnPunk aesthetics in independent "new folk", 1990-2008MAUniversity of Technology Sydney2009129
LU, Amanda (Meng-Hsuan)The Exploration of Static Typography for Expressing The Emotive Qualities of MusicMAUniversity of Waikato2009148
NG, Shaun Kam FookLe Sieur de Machy and the French solo viol traditionMAUniversity of Western Aust.2008246
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