| DIOR, Dalia | Sephardic song [manuscript] : a bridge between cultures | MA | Macquarie University | 2009 | 155 + Map + CD |
| MASON, Paul Howard | Music, movement, martial arts: sound and gesture in West Sumatran, West Javanese, and Afro-Bahian combat-dancing | PhD | Macquarie University | 2011 | 304 + DVD |
| GIUFFRE, Elizabeth | Double crossed: an Australian study of the relationship between media and music during periods of industrial and cultural crisis | PhD | Macquarie University | 2011 | 275 |
| SHEPERD, Rebecca | Retro vertigo: the art of record production and representations of space and timbre in retro rock music | PhD | Macquarie University | 2009 | 238 + CD |
| GREEVES, Andrew M | Seeing yellow: a grounded theory of the experience of music performance for the professional musician | PhD | Macquarie University | 2012 | 477 |
| QUINTO, Lena Rachel | The communication of emotion in music : understanding the contributions of composition and performance | PhD | Macquarie University | 2012 | 1 vol |
| LEONARD, James Mitchell | Lukthung and 'the Isan question" : the history and development of Thai country song | PhD | Macquarie University | 2012 | 289 |
| RADHARKRISHNAN, Mahesh | Irish traditional singing and South Indian Carnatic singing : performance, language choice and language ideologies, and musicolinguistic artistry | PhD | Macquarie University | 2012 | 355 |
| SEGUIN, Pierre-Emmanuel | Modal jazz in Australia in the 1960's [manuscript] : challenging the jazz canon | PhD | Macquarie University | 2011 | 339 + CD |
| RINCÓN, Juan Carlos Valencia | 'We obviously know who's listening' : commercial radio programming, subjectivation and coloniality in Bogotá, Colombi | PhD | Macquarie University | 2011 | 340 |
| PETER, Varghese | Neural processing of stress and phrase boundaries in speech and music | PhD | Macquarie University | 2011 | 214 |
| YALCINKAYA, Can Turhan | 'Wounds of difference' : melancholy in Turkish film and popular music | PhD | Macquarie University | 2013 | 313 |
| GEEVES, Andrew Malcolm | Seeing yellow a grounded theory of the experience of music performance for the professional musician | PhD | Macquarie University | 2012 | 477 |
| RADHAKRISHNAN, Mahesh | Irish traditional singing and South Indian Carnatic singing : performance, language choice and language ideologies, and musicolinguistic artistry | PhD | Macquarie University | 2012 | 355p + 1CD |
| LI, Fangjun | China's music industries: evolution, development and convergence | PhD | Macquarie University | 2015 | 398 |
| FURDUJ, Boris | Acoustic instrument simulation in film music contexts | MRes | Macquarie University | 2014 | 135 |
| SPORT, Kathy | Women's music in Australia: space, place, bodies, performance | PhD | Macquarie University | 2015 | 243 |
| BAUDER, Amy | Authenticity in Australian country music | PhD | Macquarie University | 2016 | 329 |
| O'GRADY, Patrick | Studio-based songwriting: music production and shaping the pop song | PhD | Macquarie University | 2016 | 202 |
| KEOGH, Brent | Analyzing world music discourse in Australia | PhD | Macquarie University | 2014 | 298 |
| EVANS, Sandra Janette | Meetings at the table of time: a creative practice enquiry into Carnatic jazz intercultural music | PhD | Macquarie University | 2014 | 367 |
| DELAVERE, Sara | Challenging the drumkit: musical identities and habitus | MRes | Macquarie University | 2015 | 88 |
| STRAZZULLO, Guy | An inquiry into improvisation: reconciling the differences between performance and composition | PhD | Macquarie University | 2014 | 125 |
| THRONTON, Daniel | Exploring the contemporary congregational song genre: texts, practice, and industry | PhD | Macquarie University | 2015 | 321 |
| JONES, Miriam | Adults' constructions of an early childhood music class: lived experience and cultural reproduction | MRes | Macquarie University | 2015 | 131 |
| PELTZ, Philipp | Artist-entrepreneuship in the digital recording industry : emergence, practices and implications | PhD | Macquarie University | 2014 | 278 |
| HALLS, Naomi Carolyn | Development and evaluation of two brief, group treatments for music performance anxiety in community musicians: a preliminary study | DPsych | Macquarie University | 2015 | 146 |
| WALKER, Alison | Living narrative(s): cinematic corporeality, sonicity and negotiating the cinesomatic experience | MRes | Macquarie University | 2015 | 90 |
| LEWANDOWSKI, Natalie | Behind the sounds: the evolution of film soundtrack roles in Australia and New Zealand | PhD | Macquarie University | 2014 | 335 |
| DEAN, Jasmine Sofia Jannif | Sentimental songs, melodrama and the nature of filmic narrative in Hindi cinema (1951-1963) | PhD | Macquarie University | 2015 | 308 |
| DAY, Robina Anne | The relationship between personality, individual differences and the experience of emotions evoked by music that elicits visual mental imagery: project thesis | MRes | Macquarie University | 2014 | 70 |
| MORRISON, Glenn | Songlines and fault lines : six walks that shaped a nation | PhD | Macquarie University | 2015 | 331 |
| ROSEMAN, Hilarie | Generating forgiveness and constructing peace through truthful dialogue : Abrahamic perspectives | PhD | Macquarie University | 2014 | |
| LO, Chi Yhun | Melodic contour training and its effect on speech perception for cochlear implant recipients | MRes | Macquarie University | 2014 | 108 |
| CROSS, Rodney | This blows : social and cultural perceptions of ancient Roman brass instruments and musicians | MRes | Macquarie University | 2015 | 64 |
| THORTON, Daniel | Exploring the contemporary congregational song genre : texts, practice, and industry | PHD | Macquarie University | 2016 | 401 |
| SUN, Yanan | Shared cognitive resources for music and language : evidence from congenital amusia | PHD | Macquarie University | 2016 | 144 |
| THORNTON, Daniel | Exploring the Contemporary Congregational Song Genre: Texts, Practice, and Industry | PHD | Macquarie University | 2015 | 401 |
| GIBSON, Lorena | Versioning for the love of it: Hip-Hop culture in Aotearoa | MA | Massey University | 2000 | 116 |
| JACKSON-TRETCHIKOFF, Julie | The operas of Michael Tippett : the inner values of Tippett as portrayed by selected female characters | MPhil | Massey University | 2006 | 107 |
| JONES, Barry Alfred | Identifying and developing the gifts and talents of students with musical ability in New Zealand primary schools | M.Ed | Massey University | 2006 | 243 |
| TARRANT, Ruth Annette | Anguish and accolades : a psychological therapy for music performance anxiety | PhD | Massey University | 2005 | 1 vol |
| LOK, Lay Hong | The erhu and its role as a vehicle for syncretic music performance in Singapore | M.Phil | Massey University | 2004 | 130 |
| ARCHER, Christine A | What changes in relationship with their children do primary caregivers perceive as having occured since being involved in a centre-based early intervention music therapy programme? | MMus Therapy | Massey University | 2004 | 179 |
| TWEEDIE, Shannon | Handel opera presentation, past and present | MMus | Massey University | 2004 | 76 |
| JENKINS, Laurence L | Claudia Muzio (1889-1936), her life and career | M.Phil | Massey University | 2003 | 166 |
| MEEHAN, Norman | After the melody : Paul Bley and jazz piano after Ornette Coleman | MMus | Massey University | 2002 | 101 |
| KIPNIS, Boris | Ludwig van Beethoven quartets, op. 18 | MMus | Massey University | 2002 | 66 |
| RICKSON, Daphne Joan | Instructional and improvisational models of music therapy with adolescents who have attention deficit hyperactivity disorder (ADHD) : a comparison of the effects on motor impulsivity | MMusTher | Massey University | 2005 | 143 |
| SHAW, Fiona Robyn | Meaningful moments in music therapy improvisation | MMusTher | Massey University | 2006 | 122 |
| TRAVAGLIA, Rebecca Anne. | The 'exclusion' of autism: how does music therapy aid the psychological, social and educational difficulties confronted by children with autism in the special education setting? | MMusTher | Massey University | 2006 | 90 |
| JACKSON, Leigh | Elements of jazz | MMus | Massey University | 2001 | 144 |
| NEILL, Karen | Hook, line & singer! : essential criteria for maximising the playlist potential of New Zealand music on commercial radio : a programme directors' perspective | MA | Massey University | 2000 | 111 |
| UBEDA, Patricia Rosalind | From Tin Pan Alley to the Royal Schools of Music : the institutionalisation of classical and jazz music | MA | Massey University | 2000 | 187 |
| ANDERSON, Lauren | The glue of the world : popular music in film soundtracks | MA | Massey University | 1999 | 160 |
| CROXSON, Morva | The effect of music therapy on motor control of cerebral palsied children | M.Phil.Ed | Massey University | 1998 | 166 |
| PEGLER, Philip | An investigation of groups composing music in a computer learning culture using micro-processor based midi system | M.Ed | Massey University | 1991 | 2 microfiches 161 fr |
| KAIFA, Alana Siulia | Throwin' words at U : a lyrical analysis of MC Lyte's rap texts | MA | Massey University | 2001 | 224 |
| BLACK, Taiarahia | Kāore te aroha-- : te hua o te wānanga | PhD | Massey University | 2000 | 484 + 3 CDs |
| IBELL, Jonathan | The Helfgott phenomenon : a study in critical discourse | MA | Massey University | 1999 | 123 |
| REDHEAD, Grant | On the acoustical theory of the trumpet : is it sound? | M.Sc. | Massey University | 1997 | 266 |
| LIHO-BAUMGARDNER, Kadri | An exploration of the behavioral characteristics and personality traits of a small group of musically gifted children | M.Ed | Massey University | 1994 | 162 |
| WARDS, Allan Ross | Musical interest, church attendance and personality | MA | Massey University | 1980 | 86 |
| MILLS, Bryce Andrew | The perception of melodic closure : a study of the factors influencing final note choice to achieve melodic closure | MA | Massey University | 1979 | 69 |
| COOPER, Judith Ruth | From random and fragmented playing to more organised, meaningful forms : an inquiry into rhythm's unique qualities in facilitating such changes in music therapy and their therapeutic significance for clients with complex needs | MMusTherapy | Massey University | 2006 | 185 |
| HILL, Anna | Characteristics of staff interaction with music therapy in a forensic psychiatric setting | MMus Therapy | Massey University | 2006 | 233 |
| KARINI, Angela | The status of contemporary Māori music | MPhil | Massey University | 2009 | 98 |
| DAVENPORT, Andrew Russell | Paganini's 24 caprices, opus 1: a transcription for electric guitar, and analysis and development of the techniques to perform them | PhD | Massey University | 2008 | 2 v. : col. ill., mu |
| BROADHURST, Philip Douglas | Against all odds : the life and music of Michel Petrucciani | MPhil | Massey University | 2007 | 157 + 3CDs |
| KIRCHNER, Astrid Susan | More Kiwi music : upgrading New Zealand's music industry through successful music export | MBA | Massey University | 2007 | 137 |
| JACKSON-TRETCHIKOFF, Julie | The operas of Michael Tippett : the inner values of Tippett as portrayed by selected female characters | MPhil | Massey University | 2006 | 107 |
| TAYLOR, Claude Brechin | The repertoire of the New Zealand Symphony Orchestra 1951-2000 : analysis and comparison with four leading overseas orchestras | MPhil | Massey University | 2006 | 83 |
| SAYERS, Emma | Scarlatti and Kurtág : a case study in creative programming | MMus | Massey University | 2004 | 79 |
| BOYACK, Jennifer Elizabeth | Singing a joyful song : an exploratory study of primary school music leaders in Aotearoa New Zealand : a thesis | PhD | Massey University | 2011 | 295 |
| BOLITHO, Wendy Anne | Silent invocations : music, sublimation, and social transformation | PhD | Massey University | 2011 | 252 |
| SIVARAJ, Sargunamoorthy | Hearing in various age groups of orchestral musicians and progression of hearing loss with increased number of years of music exposure | PhD | Massey University | 2011 | 1 v. |
| BOULLE, Mellany | Changing perceptions : interpretation of songs versus lyrics with a domestic violence theme | MA | Massey University | 2011 | 116 |
| DONALDSON, Judith Diane | Between two worlds : tensions of practice encountered by secondary school music teachers in Aotearoa New Zealand | PhD | Massey University | 2012 | 283 |
| NIKOROWITSCH, Johannes | The influence of music sharing at work on social relationships between colleagues | MMCM | Massey University | 2009 | 131 |
| THORNE, Robert L | (Re)constructing the kōauau : traditional and modern methods in the making of kōauau rākau | MA | Massey University | 2012 | 231 |
| SEDCOLE, Anna | The future of chamber music audiences in New Zealand | M Mgt | Massey University | 2011 | 69 |
| GARRICK, Jamie | The Intimate Virtuoso : The Guitar, the Rhetoric of Transformation, and Issues of Spectacle in Music by Fernando Sor, Johann K. Mertz, and Giulio Regondi | MMus | Massey University | 2014 | 84p +2CD |
| JOHNSON, Bridget Dougherty | Diffusion evolved : new musical interfaces applied to diffusion performance | M.M.A | Massey University | 2013 | 76 |
| DONALDSON, Judith Diane | Between two worlds : tensions of practice encountered by secondary school music teachers in Aotearoa New Zealand | PhD | Massey University | 2012 | 283 |
| CLARKE, Justin R. | Synchresis : Exploring gestural relationships between musical-sound and visual-gesture on film : Synchresis as a unifying concept for exploring and creating effective multimedia relationships | M.M.A | Massey University | 2012 | 80p + 1 CD |
| JOO, Hyun Shin | Martin Luther's view of the use of music in worship: its implications for the Korean Presbyterian Church | MTheol | Melbourne College of Divinity | 2002 | 108 |
| KUMAR, Santhosh Sathya | Towards the development of an inculturated eucharistic liturgy for the Church of South India: a liturgical experiment using the ragas of Indian classical music. | DTheol | Melbourne College of Divinity | 2006 | 345 |
| LERIKO, Paul | Supervised research project on church music--hymns in tomorrow's church : towards a reconciliation of styles | M.Min | Melbourne College of Divinity | 2001 | 76 |
| SCHAEFER, R | The theology and spirituality of the Free Church tradition as expressed in their hymns : a reflection on how Evangelicals have sung their liturgy | MMin | Melbourne College of Divinity | 1994 | 143 |
| JURD, Patrick | Encountering the justice of God's reign through music: the use of contemporary music in the Christian religious education of young adults | MTheol | Melbourne College of Divinity | 2009 | 173 +CDRom |
| ADDISON-SMITH, Dorothy Jane | Collections of Australian music recordings in Melbourne public libraries | MA | Monash University | 1993 | 85 |
| ALLAN, John McDonald | Die tote Stadt: An Opera by Erich Wolfgang Korngold (1897-1957) | MA | Monash University | 2000 | 348 |
| ALTER, Andrew | Dancing with the Gods: power and meaning in the music of Garhwal, North India | PhD | Monash University | 2000 | 423 + CD |
| ANCELL, Noel | Christopher Wilcock: Australian liturgical composer | MA | Monash University | 1992 | 64 |
| ARTINGSTALL, Elizabeth M. | Dufay, a man of the world: An investigation into Dufay's ceremonial motets | MA | Monash University | 1996 | 110 |
| ATCHISON, Mary | The structures and scribes of the chansonnier of the Oxford Bodleian MS Douce 308 | PhD | Monash University | 1995 | 2 vol |
| ATHAN, Melissa | Control I'm here. | MA | Monash University | 1994 | 316 |
| BANDT, Rosalie | Chance operations and indeterminate procedures in the work of John Cage, 1950-1970 | MA | Monash University | 1974 | 129 |
| BANDT, Rosalie | Models and processes in repetitive music, 1960-1983 | PhD | Monash University | 1983 | 433 |
| BARNES, Julie | Whitsunday: a bicentennial opera | MA | Monash University | 1991 | 121 |
