THOMAS, Adrian | The composer as critic: three Australian case studies, 1950-1975 [Linda Phillips, Felix Werder, Dorian Le Galliene] | PhD | University of Queensland | 1996 | 288 |
THOMAS, Rhiannon | Johann Sebastian Bach's unaccompanied cello suites (BWV 1007-1012): sources, editions and interpretations | MMus | Victoria University of Wellington | 1996 | 98 |
VARNEY, Ruth | Music in Distance Education in Australia | Mus.M | University of Western Aust. | 1996 | 243 |
WALDEN, Geoffrey Alan | Instrumental music education in Queensland : who benefits most? | M.Ed | Queensland University of Technology | 1996 | 260 |
WEIDENBACH, Vanda | The Influence of self-regulation on instrumental practice | DPhil | University of Western Sydney | 1996 | 212 |
WEST, Richard William | Lost in the supermarket: the urban imagery of popular music | MA | University of Otago | 1996 | 198 |
WILLIS, Elizabeth C | Vocal health through singing : considerations for Australian schools | M.Ed | University of Melbourne | 1996 | 192 |
WILSON, Sarah Jane | An exploration of the cerebral lateralisation of musical function | PhD | University of Melbourne | 1996 | 2 vol |
YANG, Yuan-Chun | The effectiveness of specified music as a nursing intervention for Alzheimer's disease with agitated behaviour | MNurs | University of Sydney | 1996 | 96 |
YI, Chen Chung | Factors affecting the self-fulfilment of secondary class music teachers in Western Australia: implications for pre-service and in-service music teacher education | MMus Ed. | University of Western Aust. | 1996 | 195 |
BIRDWELL, John Cody | The utilization of folk song elements in selected works by Ralph Vaughan Williams and Percy Grainger with subsequent treatment exemplified in the wind band music of David Stanhope | DMA | Overseas | 1996 | 104 |
WALLIS, Diana Mary | Charles-Valentin Alkan, 1813-1888 : a study of neglect and revival, with an analysis of the first and second suites of Chants, op. 38, i and ii | MMus | University of Auckland | 1996 | 173 |
KEMP, Johanna | Contradictory representations of women in female performer music videos | MA | University of Auckland | 1996 | 125 |
PREMANANDA, Weerachat | Kaleidoscope : for symphony orchestra | DMus | University of Auckland | 1996 | 88 |
ORMSBY, Suzanne | Te reo puoro Maori mai i mua tae noa mai ki inaianei = The voices of Maori music, past, present and future : Maori musicians of the 1960s | MA | University of Auckland | 1996 | 224 |
DAVIES, Timothy Andrew | Folio of compositions | MMus | University of Melbourne | 1997 | 152 + CD + cass |
ALDRED, Helen Mary | Ifi palasa: brass bands in Tonga | MMus | Victoria University of Wellington | 1997 | 330 |
ALEXANDER, Adrienne | A study of current practice in flute pedagogy for beginner students in New South Wales | MMus Ed. | University of Sydney | 1997 | 116 |
ANDREASEN, Felicity Anne | Musically gifted students in the first year of secondary school : identification and curriculum differentiation | M.Ed | Southern Cross University | 1997 | 135 |
ASHURST, Prudence M. | The influence of experience in the Kodaly-based intonation and rhythmic techniques on the sight singing abilities of adolescent students | MusM | University of Western Aust. | 1997 | 141 |
BAINBRIDGE, David | Extensible optical music recognition | PhD | University of Canterbury | 1997 | 277 |
BARBELER, Damien | Experiential learning in musical composition. | MMus | Griffith University | 1997 | 109 |
BARLOW, Dale | A portfolio of transcriptions and analyses towards Masters of Music | MMus (Jazz) | University of Canberra | 1997 | 2 vol |
BERRY, Anne Irma. | A Multimedia Approach to Cello Pedagogy | MPhil | University of South Queensland | 1997 | 115 + 274 |
BESENSKI, Helena | Franz Tunder (1614-1667) as an organist in seventeenth century North Germany : an examination of his life and selected works having reference to his social, musical and historical background | MMus | University of Auckland | 1997 | 136 |
BLACKWOOD, Peter | Our praise, intent upon one truth : diversity in congregational song as a source of conflict and blessing in the worship of Victorian churches of the Uniting Church in Australia | M.Min | Australian Catholic University | 1997 | 165 |
BOWIE, Annette J. | Developments in western style contemporary music in South Korea, 1945-96 | MA | Monash University | 1997 | 124 |
BOYLE, David | Musical analysis of works for performers and electronics : an alternative approach | MA (Hons) | University of Wollongong | 1997 | 120 + 1 CD |
BRAHAM, Robert M. | Harmonic perception in tertiary music students: An analysis of the cognitive musical skills associated with harmonic perception | PhD | University of Western Aust. | 1997 | 482 |
BROWNE, Susan | The gender implications of dangdut kampungan : Indonesian 'low class' popular music | MA | Monash University | 1997 | 80 |
CAMPBELL, Steven James | The application in original musical compositions of algorithms within four music composition software programs and the development of composition algorithms within Phrase Garden, an original music composition software program | PhD | University of New England | 1997 | 355 |
CARBONE, Gwen | Australian ragtime music 1946 to 1996: an historical and analytical survey of selected scores | MMus | Australian Catholic University | 1997 | 119 |
CAREY, Gemma | The development of a master's degree in keyboard performance pedagogy for implementation in Australian tertiary institutions | MMus | Griffith University | 1997 | 108 |
CHEN, Angie | Factors affecting the self-fulfilment of secondary school teachers in Western Australia: implications for pre- and in-service teacher education NOT FOUND IN CATALOGUE | MMus Ed. | University of Western Aust. | 1997 | nf |
CHRISTOFORIDIS, Michael | Aspects of the creative process in Manuel de Falla's neoclassical works El retablo Maese Pedro and Concerto | PhD | University of Melbourne | 1997 | 2 vol |
COLE, Malcolm A. | The role of the etude in the development of the Australian tertiary violinist | MMus Ed. | University of Western Aust. | 1997 | 143 |
COLLINS, Zelda T. | The technique of elision: tonal procedures in the Preludes of Claude Debussy | PhD | University of Otago | 1997 | 506 |
COLLYER, Sally | The use of computers in aurally based voice classification for solo classical singers | MMus | Griffith University | 1997 | 190 |
CONNELLY, Kathrine Jane | Women in exercise to music : individual experiences of influences to be slim | MA | Deakin University | 1997 | 140 |
CUSKELLY, James | An investigation of use in the junior secondary music classroom of Colin Brumby's Keyboard Fun | MMus Studs | University of Queensland | 1997 | 1 Vol |
DAVIDSON-IRWIN, Rhonda G. | The role of Chinese music in the Queensland primary school curriculum | MMus Ed. | University of Western Aust. | 1997 | 161 |
DONAGHY, Glynn | A case study of attempting to modify Board Music to be more inclusive of Aboriginal and Torres Strait Islander students at Cairns State High School | M.Ed | James Cook University | 1997 | 41 |
DOWNER, Caroline Isobel | Music in the museum : an examination of the collection of musical instruments in the Powerhouse, Museum of Applied Arts and Sciences in Sydney | MA | University of Melbourne | 1997 | 149 |
DRYBROUGH, Katharine F. | A comparative study of Handel's musical expression in five operas and the Opus 6 concerti grossi. | MusM | University of Western Aust. | 1997 | 1 vol |
EDGAR, Tracey A. | The history and development of the English catch | PhD | Monash University | 1997 | 1 vol |
EKKEL, Gary | Tonal balance in polyphony of the Josquin generation | DMus | University of Melbourne | 1997 | 2 vol |
FORWARD, Ian | The music of Finnish migrants in Canberra and Melbourne | MA | Monash University | 1997 | 133 |
FRANKLIN, James Ashley | Between worlds | PhD | University of Sydney | 1997 | 314 + 4CD + 1Vid |
GORDON, Christopher | Which way the wind blows? The influence of non-musical factors in the reception of the music of Dmitri Shostakovich in the West | MA | Monash University | 1997 | 177 |
GUNN, Malcolm | Enter 'Exhalted Guest:' the role of the music in an Indonesian feature film of 1955 | MA | Monash University | 1997 | 111 |
HOEY, Damian | An exploration of the potential for integration of instrumental and general music curriclum in Queensland primary schools | M.Ed | Queensland University of Technology | 1997 | 107 |
JORDAN, Claire | Compositions [and analysis] | MMus(Comp) | University of Sydney | 1997 | 8pp + 5 scores + cas |
JOSEPH, David Robin | A philosophy of change : Richard Meale and Viridian | MMus | University of Melbourne | 1997 | 74 |
KIRK, Rachael A. | A Sonata for harpsichord or fortepiano with a tenor obbligato by Carl Stamitz: A comparative study of all editions | MusM | University of Western Aust. | 1997 | 129 |
LOUISE, Jennie | Gendered difference in music : feminist and feminine aesthetics in the music of Mary Mageau, Sarah Hopkins and Betty Beath | MMus | Griffith University | 1997 | 165 |
LUBIN, Tom | An historical survey of technology used in the production & presentation of music in the 20th century | MA (Hons) | University of Western Sydney | 1997 | 236 |
MACARTHUR, Sally | Feminist aesthetics in music: politics and practices in Australia | PhD | University of Sydney | 1997 | 510 + 1 tape |
MacMILLAN, Brendan | MML Analysis of melody | M Comp. Sc. | Monash University | 1997 | 198 |
MARSH, Kathryn | Variation and transmission processes in children's singing games in an Australian playground | PhD | University of Sydney | 1997 | 763 + 1 videotape |
MATTERS, Hélène | The development of aesthetic awareness in primary music education : a philosophical inquiry | M.Ed (Hons) | Griffith University | 1997 | 153 |
MAXWELL, Ian | Phat beats, dope rhymes : hip hop down under comin' upper | PhD | University of Sydney | 1997 | 418 |
McCALLUM, Peter | The analytical significance of Beethoven's sketches for the String Quartet in F major, Opus 135 | PhD | University of Sydney | 1997 | 372 + 308 |
MEEGAN, Rebecca M. | The motoric element in Hindemith's instrumental music of the 1920s: Structure, shape and perception | PhD | University of Western Aust. | 1997 | 295 |
MILLS, Jonathan | Sound design: essays with micro-tonal tunings, musical instruments & sound spaces | MA | RMIT University | 1997 | 46 |
MITCHELL, Donald H. | Analysis of 14th-century Italian secular music : with particular reference to the music of Francesco Landini and Don Paolo | MA | LaTrobe University | 1997 | 167 |
PALLANT, Kathryn | Subjective sound in art cinema: Narration, articulation, and audition | MA | University of Queensland | 1997 | 138 |
PEARCE, Trevor | Folio of compositions | PhD | University of Sydney | 1997 | 2 vol+CD |
PETTENGELL, Gillian L. | Secondary school string players: self-perception, individual achievement and the influences of family, society and teachers | MMus (MusEd) | University of Sydney | 1997 | 174 |
PHILLIPS, Marina | The use of scordatura in violin music | MusM | University of Western Aust. | 1997 | 182 |
POWELL, Christa M. | The evolution of tone production techniques and the effect on expressive violin playing in the twentieth century | MMus | Griffith University | 1997 | 199 |
RICHARDS, Rosemary | Georgiana Gordon McCrae's Songbook of 1822-1824 | MA | Monash University | 1997 | 193 |
RICKWOOD, Julie Ann | Liberating Voices: towards an ethnography of women's community a cappella choirs in Australia | MA | Australian National University | 1997 | 209 + 1 cass. |
RODGER, David | Motion tracking and the use of non-tactile controllers in real-time music performance | MA | LaTrobe University | 1997 | 188 + 1 videocassett |
SAMARTZIS, Philip | Contemporary narrative film sound stylists | MA | RMIT University | 1997 | var |
SCHAUPP, Karin | Empirical evaluation of a mixed treatment programme for reducing stage fright in musicians | MMus | University of Queensland | 1997 | 124 |
SEAMAN, Katherine H. | Anton Grigorévich Rubinstein, founder of the Russian Music Society and the St Petersburg Conservatory: an outline of his life as a pianist, pedagogue and composer, with particular reference to his sonatas for piano | MMus | University of Auckland | 1997 | 313 |
SHLOMOWITZ, Matthew | Hands above, feet trying (1996) ; Quintet ; Thinking, speaking ; Thinking, remembering ; Thinking, beginning . + A survey of the transcription works of Michael Finnissy : informed, illuminated and contextualised by the piano music and writings of Ferrucio Busoni, Leopold Godowsky and Franz Liszt | MMus | University of Sydney | 1997 | 2 vol |
SOUTHCOTT, Jane Elizabeth | Music in state-supported schooling in South Australia to 1920 | PhD | Deakin University | 1997 | 300 |
STEVENS, Susan Monica | Towards a pragmatist theory of music education | PhD | University of Melbourne | 1997 | 338 |
STILLER, Derek N. | Hans Pfitzner: inspiration and intellectualism | MMus | University of Queensland | 1997 | 145 |
SULLIVAN, Yvette | The influence of individual differences on the planning processes of musicians learning traditionally and non-traditionally notated scores | M.Ed | University of Newcastle | 1997 | 133 |
SUTHERS, Louie | Music experiences for toddlers in daycare: an Australian study | PhD | Macquarie University | 1997 | 321 + 1 videocassett |
VAINER, Sofya | The evolution of the set of 24 preludes for piano in the nineteenth century | MMus | Australian Catholic University | 1997 | 102 |
VAN RIJ, Inge | Unity and continuity in Brahm's German requiem. | MMus | Victoria University of Wellington | 1997 | 173 |
VANT, Arwen A. D. | The Mass Ordinary 1420-1450 : a study and edition of five anonymous masses | MMus | University of Auckland | 1997 | 248 |
WEMYSS, Kathryn L. | The nature of fatigue and strategies to develop and maintain endurance as reported by orchestral brass players | MMus (MusEd) | University of Sydney | 1997 | 132 |
WOODWARD, Roger | The performance of contemporary piano music | DMus (perf) | University of Sydney | 1997 | 5pp+2Cas+3CD |
ZUMERIS, Bronius | Kicking against the pricks: Melbourne alternative music, 1978-1985 | MA | University of Melbourne | 1997 | 100 |
REDHEAD, Grant | On the acoustical theory of the trumpet : is it sound? | M.Sc. | Massey University | 1997 | 266 |
PINGEL, Kathy Michelle | The intermediate and advanced piano music of Dmitry Kabalevsky: pedagogical implications | MMus | University of South Queensland | 1997 | ns |
ROSE, Adam | Compositions : Haiku, Three pieces for alto saxophone and piano, Incantations,Three Mansfield poems, Mercury, ...this quintessence of dust?, Quartet for four horns, Jinn, String quartet | MMus | Victoria University of Wellington | 1997 | multiple volumes |
ANDERSON, Gae Mary | Harry Rickards: a performance-centred portrait from music hall to Vaudeville | PhD | University of Sydney | 1998 | 370 ( 2 vol) |
ATKIN, Nancy | Why song is useful in teaching pronunciation and spoken English | M.Ed | LaTrobe University | 1998 | 110 |
BARNES, Jennifer Joan | Beyond the act of singing | MMus | University of Newcastle | 1998 | |
BARTHOLOMEW, Peter G. | Personal rights, property rights and Section 55(2) of the Copyright Act 1968 : a consideration of the adaptation right in the compulsory licensing scheme for recording of musical works | LLM | Queensland University of Technology | 1998 | 1 vol |
BARTLETT, Irene | Classical technique meets contemporary style : beliefs and practices of voice teachers in contemporary studios | MMus | Griffith University | 1998 | 104 |
BENNETT, Jane L. | An examination of five serial compositions by Don Banks | MMus | University of Queensland | 1998 | 155 |
BENTON, Robert L | The effect of lip-slur practice on increasing pitch range in brasswind instrument students | M.Ed | Edith Cowan University | 1998 | 2 microfiche |
BOWEN, Nigel | After the counterculture : from political protesters to music consumers - middle class youth subcultures 1975-1995 | MA(Hons) | Macquarie University | 1998 | 321 |
BURTON, Russell | The effect of non-visual conductor activities on the quality of an instrumental ensemble as judged by Eisteddfod scores | MMus | University of Adelaide | 1998 | 111 |