CARRIGAN, Jeanell K. | Australian post-1970 solo piano literature [manuscript] : a study of the available literature including a discussion of relevant contemporary compositional elements | DCA | University of Wollongong | 1998 | 2 vol+CD-Rom |
CATSALIS, Marie-Louise | Keyboard instruction in early eighteenth century Italy : editions of keyboard treatises by Alessandro Scarlatti and Bernardo Pasquini | MMus | University of New England | 1998 | 123 |
CECIL, Ann | John Amadio : virtuoso flautist | MMus | University of Melbourne | 1998 | 52 |
CHAMBERLAIN, Grant Michael | Transcription and analyses | MMus (Jazz) | Australian National University | 1998 | 1 vol + 1 cass |
CHIANG, Niann Tsuu | Optical music recognition: processing the sacred harp | MCMSC | University of Waikato | 1998 | 104 |
COOPER, Carl Gerald | The contribution of contemporary Australian composers to the tenor concert repertoire | GradDipMus | Australian National University | 1998 | 68 |
COOPER, Sharon Anne | Youth and the production of popular music: the generational rift | M.Ed | University of Newcastle | 1998 | 69 |
DART, Peter J. | Criticism in a developing culture : Australian music periodicals to 1931 | PhD | University of Queensland | 1998 | 360 |
DAVENPORT, Andrew Russell | The development of alternate picking and plectrum technique for the electric guitar | MA | University of Waikato | 1998 | 124 + 1 comp laser o |
De La FUENTE, Eduardo | Social theory, music and modernity | PhD | Griffith University | 1998 | 275 |
DENCH, Chris | Towards an ethics of musical composition | MMus | University of Melbourne | 1998 | 73 |
DIXON-LAWRENCE, Ruth | The performance practice of the tourte bow within the French violin school of the early nineteenth century | MA | University of Melbourne | 1998 | 108 |
DJACHENKO, Yuri | A short history of English bowmakers | MMus | University of Queensland | 1998 | 65 |
DODSWORTH, Judith | Some observations on the vocal implications of singing to guitar accompaniment, with particular reference to the lieder of Schubert | MMus | University of Melbourne | 1998 | 31 |
DRUMMOND, Jon Robert | Integrated development environment for computer music composition | MSc (Hons) | Macquarie University | 1998 | 106 + 1 CD-ROM |
DR?PPEL, Birgit R. | Music, tradition, and mission: a musical ethnography of the Kaulong of West New Britain, Papua New Guinea | PhD | University of Auckland | 1998 | 293 |
EVANS, Christine | My vicious angel : a one-act play with music | MA | University of Western Sydney | 1998 | 56 |
FABIAN, Dorottya | J. S. Bach recordings 1945-1975: St Matthew and St John Passions, Brandenburg concertos and Goldberg variations, a study of performance practice in the context of the early music movement | PhD | University of NSW | 1998 | 575 + 4 CDs |
FISHER Catherine Jenelle | Paul Taffanel : an investigation of his role in the development of the modern French flute school | GDip Mus | Australian National University | 1998 | 54 |
FLETCHER, Joy G. | The influence of contemporary theatre and music on Giambattista Tiepolo's paintings of "Rinaldo and Armida" | MA | LaTrobe University | 1998 | 210 |
GIBSON, Robert R. | Parsifal and Homosexuality: A study of the reception of Parsifal as a homoerotic text | MMus | University of Sydney | 1998 | 131 |
GRANT, Roxanne | "White bread milk toast", performance art in the urban environment : a view of communicating ideas as public based performance art | MCA | James Cook University | 1998 | 152 |
GRASSO, Melissa | Music and physiotherapy: evaluation of a program developed for caregivers of infants and toddlers with cystic fibrosis | MMus | University of Melbourne | 1998 | 145 |
GUSTAVSON, Royston Robert | Hans Ott, Hieronymus Formschneider, and the Novum et insigne opus musicum (Nuremberg, 1537-1539) | PhD | University of Melbourne | 1998 | 925 |
HALL, Graham F. | La folia: Manuel Ponce and his Variations | MusM | University of Western Aust. | 1998 | 92 |
HALL, Stephen Marshall | Design issues in low-cost interactive multimedia show systems | MA | RMIT University | 1998 | vid |
HAMMOND, Carl | REM: (Rapid eye movement): a musical | PhD | University of Sydney | 1998 | 1031 |
HAMMOND, Jason Clifford | An Australian perspective on third stream music | MMus | Griffith University | 1998 | 127 |
HAMPEL, Kate | Hear no evil [videorecording] : obsession and fantasy on the underside of suburbia | MA | RMIT University | 1998 | 55 + video |
HARRIS, Amanda | Nationality is one thing that never fails : the musical consequences of Grainger's Nordic obsession | MMus (Hons) | University of NSW | 1998 | 105 |
HOGAN, Bridgit | The experience of music therapy for terminally ill patients | MMus | University of Melbourne | 1998 | 309 |
HOLTZAPFFEL, Ann Esther | Ysaye's sonatas: In whose image? | MMus | Australian National University | 1998 | 132 |
HOMAN, Shane | The mayor's a square: a regulatory history of Sydney rock venues, 1957-1997 | PhD | Macquarie University | 1998 | 386 |
HOPE, Alison | Papal thought on the nature of sacred music | GradDipMus | Australian National University | 1998 | 47 |
HULL, Ann F | The effects of the attitudes, skills, and confidence of educators on the teaching of multicultural music in New South Wales primary schools (Years K-2) | MMus Ed. | University of Sydney | 1998 | 119 |
IOLINI, Robert John | Simultaneity in music | MA | Macquarie University | 1998 | 228: 2 vols + 2 CDs |
JAQUES, Michelle | Buxtehude as rhetorician: the use of the rhetorical disposition and rhetorical figures in some of Buxtehude's free organ works | MMus | Griffith University | 1998 | 96 + 190 |
JIEAR, Michael J. | Learning outcomes of community- based choral programmes for children at upper primary school level in New South Wales | MMus Ed. | University of Western Aust. | 1998 | 260 |
JORDAN, Genevieve | An ocker sheila wearing football socks? : selectivity and myth in biographical studies of Dame Nellie Melba | MMus | University of Melbourne | 1998 | 108 |
KEARNEY, Michelle Faye | Choice and community-based music: an exploration of the factors that affect parental choice of community-based children's choirs in Victoria | EdD | Monash University | 1998 | 182 |
KOS, Bozidar | Folio of compositions [and analysis] | PhD | University of Sydney | 1998 | 2 vol + 2 CD |
KRAKOUER, Leith | Evaluating the use of music as a therapy for individuals with cerebral palsy | M.Ed | University of Western Aust. | 1998 | 73 |
LAUER, Helena | The role of the first five Elder professors in the development of music in the Elder Conservatorium, 1885-1985 | MA | University of Adelaide | 1998 | 192 |
LEUNG, Lily L. | A study of performing techniques and interpretations of G.F. Handel's operatic and oratorio arias for contralto voice | MA | Deakin University | 1998 | 215 |
LIERSE, Rosemary Anne | The effectiveness of music programs in Victorian government secondary schools 1995 & 1996 | M.Ed | Monash University | 1998 | 215 |
MACKINLAY, Elizabeth | For our mother's song we sing: Yanyuwa women performers and composers of a-nguyulnguyul | PhD | University of Adelaide | 1998 | 551 |
McEWEN, Timothy Michael | The Australian organ and its music: past, present and future | MMus | Griffith University | 1998 | 187 |
McLEAY, Colin Ross | The circuit of popular music: production, consumption, globalisation | PhD | Macquarie University | 1998 | 352 |
McRAE, Barbara L. | Olivier Messiaen's apocalyptic vision | PhD | University of Queensland | 1998 | 274 |
MICHAEL, Despina | Blind rhapsodists : the image of the modern Greek popular musician | PhD | University of Melbourne | 1998 | 619 |
MOORHEAD, Gary | The evolution of industry specific education and training in the contemporary popular music industry | M.Ed | RMIT University | 1998 | 1 vol |
NAPTHALI, Diane E. | Music and the Australian film industry 1894-1969 | PhD | University of NSW | 1998 | 507 |
NISBET, Robert Stevenson | Children's matching of melodies and their visual representations | PhD | Griffith University | 1998 | 1 vol |
OLDHAM, Christine L | Development and validation of a music improvisation measuring instrument | M.Ed | University of Melbourne | 1998 | 242 |
O'SHANNASSY, Timothy | Liminal icons : Australian Indie A&R and crossover subcultures | MA | University of Melbourne | 1998 | 83 |
PANGENG, Shen | The traditional Japanese vocal music - Kouta | MA | Swinburne University of Technology | 1998 | 54 |
PARKES, Kelly Anne | An investigation of trumpet pedagogy in tertiary institutions in Australia | MMus | Australian National University | 1998 | 62 |
PEAR, David Adrian | Percy Grainger as 'educator-at-large' : the formation, expression and propagation of his manliness | PhD | University of Queensland | 1998 | 420 |
PERRY, Simon D. | Mussorgsky's orthography: An approach to tonal structures in his music | PhD | University of Queensland | 1998 | 343 |
PLESCH, Melanie | The guitar in nineteenth-century Buenos Aires: towards a cultural history of an Argentine musical emblem | PhD | University of Melbourne | 1998 | 448 |
PURBA, Mauly | Musical and functional change in the gondang sabangunan tradition of the protestant Toba Batak 1860s-1990s, with particular reference to the 1980s-1990s | PhD | Monash University | 1998 | 395 |
RYAN, Stephanie | Musical gesture and the performer : an approach to the preparation of late twentieth-century solo cello music for performance [Keith Humble "A Little sonata in 2 parts"] | MMus | University of Tasmania | 1998 | 130 + sheet music + |
SAN ROQUE, Craig | Intoxication : 'facts about the black snake, songs about the cure' : an exploration in inter cultural communication through the Sugarman Project | PhD | University of Western Sydney | 1998 | 276 + video |
SCHIEMER, Gregory | MIDI Tool Box: an interactive system for music composition | PhD | Macquarie University | 1998 | 304 + 2 CD-ROMs |
SHADE, Fiona C. | The representation of the female musicians in the art of the Italian Renaissance | MA | LaTrobe University | 1998 | 168 |
SHARE, Christopher | 'Getting a good sound:' The use of timbre by rock guitarists | MA | Monash University | 1998 | 197 |
SMITH, Robert George | Indigenous Australian music and dance in West-centrically oriented primary classrooms : evaluating the initiation, application and appropriateness of a series of customised teaching and learning strategies designed to communicate musical and related understandings interculturally | D.Teach | Northern Territory University Darwin | 1998 | 202 |
SNOOK, Stephen | Kinesthetic analysis and performance practice in post-tonal composition for guitar | PhD | University of Sydney | 1998 | 415 |
SPICCIA, Jessica | Francesco Balilla Pratella (1880-1955) and futurism in music | MMus | University of Melbourne | 1998 | 161 |
TAIT, Hamish | Aspects of instrumental music lessons : parents' role and attitudes | MMus | Australian Catholic University | 1998 | 65 |
THWAITES, Trevor | Music education in New Zealand secondary schools: crisis or crucible | M.Ed | University of Auckland | 1998 | 240 |
TSITSISHVILI, Nino | Table and solo work song genres in Kartli-Kakheti, eastern Georgia: context of performance, musical style, and culture contact | MA | Monash University | 1998 | 160 + cass |
VAUGHAN, Leigh T | The missing males : factors which contribute to low participation of adolescent boys singing in secondary school | MMus Ed. | University of Sydney | 1998 | 133 |
WARD, Lisa-Jane | Five and six-part chamber sonata in Germany, 1700-1760 | MMus | University of Adelaide | 1998 | 150 |
WATSON, Amanda | An Investigation into Music in the Australian Arts Key Learning Area in the Victorian Curriculum and Standards Framework with reference to International Developments | PhD | RMIT University | 1998 | 377 |
WHITICKER, Michael | The music of Michael Whiticker | DCA | University of Wollongong | 1998 | 8 vol |
YORK, Frank A. | Ngai lag Iama : music and musical practices of Yam Island, Torres Strait | PhD | James Cook University | 1998 | 3 vol |
CROXSON, Morva | The effect of music therapy on motor control of cerebral palsied children | M.Phil.Ed | Massey University | 1998 | 166 |
RAKENA, Te Oti Paipeta | The synthesis of Polynesian and western traditions in contemporary New Zealand composers | DMA | Overseas | 1998 | 106 |
WELLS, Jessica | Compositions | MMus (Comp) | University of Sydney | 1998 | 5 scores |
ANSLOW, Dayle | Three masses by Antonio Cifra and their background in the Roman Counter-Reformation: a study and edition. | MMus | University of Auckland | 1998 | 348 |
BEEVER, Allan David | Development and recapitulation : Wagner and Schopenhauer on music, opera, and art | PhD | University of Auckland | 1998 | 317 |
KANIA, Andrew | Not just for the record : a philosophical analysis of classical music recordings | MA | University of Auckland | 1998 | 105 |
McTAGGART, Stephen M | The use of nostalgic music in television advertising | MA | University of Auckland | 1998 | 149 |
LA TROBE, Joanne | Red earth: music-culture of Rār̥h, India | MA (Anthrop) | University of Auckland | 1998 | 175 + disc |
WIRJAPRANATA, Josephine | Bibliography of New Zealand composers and composition: selected newspapers and periodicals, 1984-1989, monographs and theses 1984-1997 | MLIS | Victoria University of Wellington | 1998 | 99 |
HANNAY, Karen | The Wellington Youth Choir, 1989-1997: A comprehensive bibliography | MLIS | Victoria University of Wellington | 1998 | 72 |
DAVIS, Paul Benjamin | Music therapy in the rehabilitation of tinnitus patients : effects of spectral modification and counselling | PhD | Curtin University of Technology | 1998 | 350 +64 |
AIRY, Samuel P. G. | Music teachers' beliefs and their use of MIDI Technology | M.Ed | University of Auckland | 1999 | 247 |
ALSOP, Peter R. | Using aspects of language in computer based composition: three approaches to current Australian texts | MA | LaTrobe University | 1999 | 201 + 3 audio CDs |
BAHR, Nanette Margaret | The impact of developmental experiences on exceptional pitch labelling skill | PhD | University of Queensland | 1999 | 331 |
BAKER, Felicity | The effects of live and taped music on the agitation and orientation levels of people experiencing posttraumatic amnesia | MMus | University of Melbourne | 1999 | 150 |
BARBER, Jonathan B. | An investigation of neural processes in music cognition using quantative electroencephalography | PhD | University of Melbourne | 1999 | 294 |
BENNETTS, Kathleen | The status of music literacy in selected Melbourne primary schools in the mid 1990s | MA | Monash University | 1999 | 106 |
BLEAKLEY, Helen Ruth | Schumann's sonata for violin and piano op. 121: approaches to performance | MMus | University of Queensland | 1999 | 43 |
BOLAND, Marguerite Maree | The all-trichord hexachord : compositional strategies in Elliott Carter's Con leggerezza pensosa and Gra and a folio of original compositions | MA | LaTrobe University | 1999 | 143 |
BRYON, Experience | The integrative performance theory: an anti-hermeneutic approach for opera | PhD | Monash University | 1999 | 235 |
CAESER, Michael | The processes used by high school music instrumentalists when improvising music and the factors which influence those processes | M.Ed | University of Canberra | 1999 | 262 |
CAMERON, Kevin John | A Fantastic Symphony: The life of Henri Verbruggen | PhD | University of Newcastle | 1999 | 248 |
CANNON, James Matthew | Le Zonard déchaîné : the delinquent figure in the early songs of Renaud 1968-1980 | MA | University of Melbourne | 1999 | 117 |