MALCOLM, Joan | The manuscript London, British Museum, Additional 41667(I) : an historical and musical study | MMus | University of NSW | 1989 | 91 |
MICHELL, Brian | Dalcroze and piano playing | MMus Ed. | University of Western Aust. | 1989 | 2 vol |
MYERS, Peter Joseph | Gyorgy Ligeti's Melodien fur Orchester : an analysis | MA | LaTrobe University | 1989 | 106 |
NEWTON, Patrick Gerald Michael Frederick | Two studies in British symphonic writing: Vaughan Williams and Tippett | MMus | University of Melbourne | 1989 | 153 |
OSYPENKO, Rick J | An experimental evaluation of Velten versus music mood induction procedures | MA | University of Sydney | 1989 | 71 |
PIZZAIA, Alberto Maria | Music and politics in the Italy of the late Middle Ages : the music of the Guelphs and the Ghibellines | MA | Monash University | 1989 | 81 |
PURVIS, Kate | Australian choirs and their access to performance materials | MA | Monash University | 1989 | 127 |
READ, Virginia | Glass games by David Worrall : an analysis of the integration of the instrument and tape parts, with particular reference to the compositional processes employed | GradDipMus | Australian National University | 1989 | 46 + folio + cass + |
RIDDELL, Alistair | A perspective on the acoustic piano as a performance medium under machine control | MA | LaTrobe University | 1989 | 2 vol + cassette |
RIDDELL, Glenn Allan Keith | The pianism of Percy Grainger : a study of his score annotations | MMus | University of Melbourne | 1989 | 60 |
RUDOLPH, Anne | The Gaikyoku repertoire of the Shakuhachi | MA | Monash University | 1989 | 162 |
RYAN, Michael Joseph | Brazilian music in Sydney, 1971-1984: an emic-etic approach to the structure of folk models | PhD | University of Sydney | 1989 | 335 + 1 cass |
SEARES, Margaret | The keyboard suites of Johann Mattheson, 1714, in relation to contemporary European harpsichord styles | PhD | University of Western Aust. | 1989 | 3 vols |
SHEA, Catherine M | Louise : a verismo opera | MA | Monash University | 1989 | 115 |
TAN, Sooi Beng | A social and stylistic history of bangsawan, c.1880-1980: correspondences between social-historical and musical-theatrical change [Maly Opera] | PhD | Monash University | 1989 | 425 |
TARKA, Milada | The organ music of Bohuslav Matej Czernohorsky : problems of provenance and attribution | MusM | University of Melbourne | 1989 | 65 |
TOKITA, Alison | The narrative tradition in Japanese music: kiyomoto-bushi as an accompaniment of kabuki dance | PhD | Monash University | 1989 | 375 |
VANN, Kerry V. | Wagner's Siegfried: a study of compositional process based on selected sketches for Acts 1 and 2 | MMus | University of Queensland | 1989 | 321 |
WELLS, Elizabeth Ann | Influences of the Englische Komodianten on Baroque Opera in Hamburg : Dramaturgy and Perspectives | MMus | University of Adelaide | 1989 | 1 vol |
WILKIN, Phyllis E. | The response of the foetus and the newborn, to music and other sound stimuli | MMus Ed. | University of Western Aust. | 1989 | 125 |
YOUNG, John | Source recognition of environmental sounds in the composition of sonic art with field-recordings : a New Zealand viewpoint | PhD | University of Canterbury | 1989 | 677 |
WALDEN, Valerie | Bernhard Romberg : a survey of his life, work and contribution to the art of violoncello performance | MMus | University of Auckland | 1989 | 231 |
SHEWARD, David Benjamin Chandra | Edward Elgar, England | MMus | University of Auckland | 1989 | 70 |
DE CASTRO-ROBINSON, Eve | Five responses; Peregrinations; A resonance of emerald; | DMus | University of Auckland | 1989 | 1 score |
LIGGETT, Wallace | "Music for every child, ever child for music" : a report on research into high school instrumentalists’ backgrounds and characteristics and a proposed general music and instrumental course at this level | MA | University of Auckland | 1989 | 170 |
BYRNES, Lasallian A | A self-help programme for parents of children aged 0-5 utilizing music as a basis [Not found in Catalogue] | NS | University of Sydney | 198? | 103 |
RAKAUSKAS, Jennifer Anne | The sound of change: music-making by Lithuanians living in Australia : a case study in cultural assimilation | MA | Flinders University | 199 | 239 |
REINER, Thomas W. | Folio of original compositions and analytic dissertations [music] | M.Mus | University of Melbourne | 1990 | 1 folio |
BELSHAM-REVELL, Geoffrey | A biography of Dom Stephen Moreno, O.S.B., with a complete catalogue of his works | MA | University of Western Aust. | 1990 | 145 |
BOLTE, Alison | Australian popular music [kit] : its role in developing an appreciation of musical concepts. Presented through a resource kit suitable for junior secondary music students | MMus Ed. | University of Sydney | 1990 | 350 |
BOUGHEN, Roxanne Elizabeth | Orff, Kodaly, Dalcroze and Suzuki : a comparative and developmental study in relation to the Australian context | M.Ed | LaTrobe University | 1990 | 65 |
BOWERING, Philip Graham | A study of the relationship between synergy in the group dynamic of contemporary music making and the use of midi/personal computer based music systems in an OSI/ISDN environment | MA | Victoria University of Wellington | 1990 | 101 |
COSTELLO, Christopher | The timpani | MMus | University of Adelaide | 1990 | 167 |
CULLEN, Patricia Mary | Students' music preferences in three schools in the western suburbs of Melbourne, 1989 | M.Ed | University of Melbourne | 1990 | 165 |
FONG, Francis Kam-Yuen | A musical analysis of the Cantonese language and some implications in the classroom | MMus Ed. | University of Western Aust. | 1990 | 173 |
FRASER, John William | A programme of research into pianoforte sight-reading and its implications for pedagogy | PhD | University of New England | 1990 | 350 |
HILL, Kathryn R. | Idea and style in the pluralist works of Bernd Alois Zimmermann | MMus | University of Sydney | 1990 | 381 + 191 |
HOSSAIN, Amzad | Religion of songs: the religious beliefs and practices of the Bauls of Bangladesh | MA | Deakin University | 1990 | 253 |
HULIN, Kirsten | Artistic guidelines for the instruction of Mozart's Concerto in G major K.216, 1st movement | GradDipMus | Griffith University | 1990 | 37 |
JOHNSTON, Robert Bruce | The influence of vocal tract resonances on the operation of reed wind instruments | MSc | Monash University | 1990 | 1 vol |
KEOGH, Ray | Nurlu songs of the west Kimberleys | PhD | University of Sydney | 1990 | 287 |
Lê Túân Hùng | Music and socio-political change: a study of đàn tranh music in central and south Vietnam between 1890 and 1990 | PhD | Monash University | 1990 | 393 |
LIGHTBOURNE, Ruth Elizabeth | Hildegard of Bingen, Ordo virtutum | MA | University of Otago | 1990 | 258 |
LIM, Elizabeth | The evolution of the post-Romantic clarinet | MMus | University of Sydney | 1990 | 82 |
LITTLE, Jeni | The music of Nga pu Toru (Southern Cook Islands) | MMus | University of Auckland | 1990 | 161 |
MACLELLAN, Beverly | Walter Bonwick (1824-1883) : Walter Bonwick and the establishment of music teaching in the national schools of Victoria, 1855-1856 | M.Ed | University of Melbourne | 1990 | 1 vol |
McGEE, M. Ruth | William Byrd and the heavenlie banquett in captivitie | MMus | University of Adelaide | 1990 | 303 |
MORA, Manolete | Interpreting utom: an ethnographic account of the musical instrumental practice of the T'boli of Mindanao, Philippines | PhD | Monash University | 1990 | 330 |
PAPESCH, Te Rita Bernadette | "Pupuritia ngā purapura i mahue mai rā: : te waiata-ā-ringa, 1960-1990 | MAMaori | University of Waikato | 1990 | 139 |
POOLE, Kim M. | A stylistic analysis of the guitar accompaniments of the British folk revival 1961-1988 | MMus | University of NSW | 1990 | 214 |
POWER, Anne | Verdi and the milieu of the Paris opera | MMus | University of NSW | 1990 | 184 |
ROBINSON, Suzanne | The pattern from the palimpsest : the influence of T.S. Eliot on Michael Tippett | PhD | University of Melbourne | 1990 | 338 |
SHERWOOD, Rupert | The effectiveness of mental rehearsal in the accurate reproduction of a musical phrase: a pilot study comparing computer measurements with the subjective evaluation of experienced teachers | MMus Ed. | University of Western Aust. | 1990 | 106 |
SMITH, Graeme | The social meaning of Irish button accordian playing styles from 1900-1975 | PhD | Monash University | 1990 | 505 |
STONE, Ilma | Studies on Australia music | PhD | University of Melbourne | 1990 | 2 vol |
SVILANS, Marija | The harmonics of Aristoxenus and its influence on the writings of Aristides Quintilianus: an investigation into correspondences between two Greek music theorists | MA | University of Queensland | 1990 | 400 |
SWEET, Paula | Olivier Messiaen: his reaction to musical trends of the 1920s in France | MMus (Perf) | University of Adelaide | 1990 | NS |
THOMSON, Nigel | An approach to the orchestral song with particular reference to Frederick Delius and the influence of Art Nouveau and Jugendstil | MMus | University of Adelaide | 1990 | 277 |
TSOU, Nan Chien | Musical life in Bendigo 1856-1918 | MMus | University of Melbourne | 1990 | 156 |
WALKER, Allan | Schoenberg's Prelude to the Genesis suite : a study of its ideas | MA | LaTrobe University | 1990 | 70 |
WOODS, Sally | "We just want to play African music": the objectives, approaches to creativity and results of musicians recreating African popular music in Melbourne | MA | Monash University | 1990 | 158 |
WOOLOCK, Pamela K | An empirical study of training in developing pitch discrimination and rhythm performance skills in five and six-year-old children | M.Ed | University of Canberra | 1990 | 228 |
YANG, Mu | Folk music of Hainan Island: with particular emphasis on Danzian County | PhD | University of Queensland | 1990 | 591 |
RUSSELL, Peter Hugh | Light in battle with darkness: Mahler's Kinderttenlieder | PhD | Victoria University of Wellington | 1990 | 126 |
HODGSON, Robin | The songmen [manuscript] : a comparative study of the relations between song style, society and the social role of performers in Aboriginal Australia | unknown | Charles Darwin University | 1990 | 101 + maps |
BARRETT, B. E. | An errorless versus a traditional procedure for teaching reading of music notation | M.Ed. | James Cook University | 1990 | |
BARNES, Julie | Whitsunday: a bicentennial opera | MA | Monash University | 1991 | 121 |
BASILE, Christopher | An ethnomusicological study of the Macedonian Women's Choir of Melbourne | MA | Monash University | 1991 | 124 |
BORTOLUSSI, Anne | Possible influences of Bach on the harmonic and contrapuntal language of Brahms's Klavierstucke opp. 116-119 | MMus | University of Melbourne | 1991 | 75 |
BOTTOMLEY, John A | Jazz/culture : styles, formations, politics | MA | Australian Catholic University | 1991 | 94 |
BOURCHIER, Randall | Australian multicultural policies, the arts and traditional music and dance within the Cambodian community of Melbourne | MA | Monash University | 1991 | 102 |
COMINOS, Margaret C. Patrikeos | The rhetorical bias of Romanos' thought-world: musico-textual implications for his kontakia | PhD | University of Adelaide | 1991 | 301 |
CREWE, Peter John | Rock music in San Francisco in the 1960's : its impact on American popular music | MA | LaTrobe University | 1991 | 205 |
DeBONO, John A | Heavy metal and archetype | M.Ed | LaTrobe University | 1991 | 51 |
DIKMANS, Gregory P. | The performance practice of early 18th-century French flute music : a critical translation of Jacques Hotteterre's Principes de la flute traversiere : commentary and recording of selected works | MA | LaTrobe University | 1991 | 229 + audiocassette |
ELLIOTT, Douglas James | A comparison of music and muscle relaxation as nursing interventions in reducing the anxiety of patients admitted to a coronary care unit | MApSc | University of Sydney | 1991 | 178 |
FUNG, Annabella | The relevance of Piagetian theories to research in music and music education: a pilot study of metre task (FMCT) on children of various ages | MA | Monash University | 1991 | 2 vol |
GREEN, Andrew | Edgard Varese: Ionisation. Some analytical viewpoints | MA | Monash University | 1991 | 71 |
HASTIE, Kelvin | Music-making in the Wesleyan Churches of New South Wales, 1855-1902 : origins, attitudes and practices | M.Phil | University of Sydney | 1991 | 431 |
HODGE, Glenda M | Burnout, distress and work stressors: a comparison of secondary school music and mathematics teachers | MA(School Counselling) | Macquarie University | 1991 | 106 |
HOROWICZ, David | Five original compositions ; Folio of analysis : Paroles tissees and concerto for cello and orchestra of Witold Lutoslawski | MMus | University of Melbourne | 1991 | 2 vol |
KILDEA, Paul Francis | World War I and the British music industry | MMus | University of Melbourne | 1991 | 158 |
KINGSBURY, Justine Margaret Joy | The expression of emotion in music | MA | Victoria University of Wellington | 1991 | 79 |
KNUDSON, Karen | Meditations sur le mystere de la Sainte Trinite, by Olivieer Messiaen: a study of its thematic and tonal structures | MA | University of Otago | 1991 | 259 |
KOUVARAS, Linda Ioanna | Aspects of the postmodern condition in Southern cross, double concerto : a work by Barry Conyngham | MMus | University of Melbourne | 1991 | 92 |
KREECK, Ian Stuart | The touch of voyagers: Polynesian and Western influences on the music of southern Papua, 1871-1958 | MA | Deakin University | 1991 | 186 |
Le, Thi Kim | Vietnamese women composers and their emergence in Vietnamese music | MA | Monash University | 1991 | 78 |
LEE, Helen Oriel | Listening to music : the development of a technique to evaluate the quality of responses to music using the SOLO taxonomy | M.Ed | University of Tasmania | 1991 | 252 |
LEIGHTON JONES, Michael | The madrigal style of John Wilbye: a comparison, through paired settings, with his contemporaries John Bennet, George Kirbye and Henry Lichfild | MMus | University of Queensland | 1991 | 80 |
LIGHTFOOT, Eleanor | The development of a therapy programme for children | PhD | University of Canterbury | 1991 | 325 |
MacGREGOR, Robert Colin | The design of computer-based composition software based on the intuitive symbolic representations of music by young children | M.Ed (Hons) | University of Wollongong | 1991 | 130 |
MacNEIL, Johanna L | Harmonising music education in the University of Melbourne : management issues pertaining to the affiliation between the University of Melbourne and the Victorian College of Arts with particular attention to the delivery of music education | MBA | University of Melbourne | 1991 | 71 |
McLAUGHLIN, Heather May | A study of preschool general music groups in Victoria, 1990 : eclectic methodology and parent involvement | M.Ed | LaTrobe University | 1991 | 89 |
McLAUGHLIN, Heather May | A study of preschool general music groups in Victoria, 1990 : eclectic methodology and parent involvement | M.Ed | LaTrobe University | 1991 | 89 |
McLEAY, Colin Ross | The unforgettable fire: towards a geographic analysis of U2's political pop | MSocSci | University of Waikato | 1991 | 190 |
McMILLAN, Rosalind | Musical composition in junior secondary school students | M.Ed | LaTrobe University | 1991 | 363 + 1 cassette |
MILLS, Richard | Bamaga diptych ; Concerto for cello and orchestra ; Seaside dancers after couplets by E. E. Cummings | D.Mus | University of Queensland | 1991 | 3 scores |
MOULTON, Bruce David | The role of stress and muscle tension in RSI amongst musicians | MA | University of Sydney | 1991 | 67 |
NIEHOFF, Pamela Mary | The Pinschofs : patrons of art and music in Melbourne 1883-1920 | MA | University of Melbourne | 1991 | 215 |
NUNN, Philip | The organ works of Ian Bonighton (1942-1975): a description with analytical observations | MMus | University of Melbourne | 1991 | 90 + cass + foliol. |