HALL, Stephen Marshall | Design issues in low-cost interactive multimedia show systems | MA | RMIT University | 1998 | vid |
NG, Nicholas Francis | Celestial roots : the music of Sydney's Chinese, 1954-2004 | PhD | Australian National University | 2008 | various + DVD + 2 CD |
HILL, Gareth | An application of the musical style of jazz saxaphone to the double bass | MPhil Music | Australian National University | 2008 | various |
HABERFIELD, David | Explorations in contemporary electronic dance music, style and sound | MA | RMIT University | 1996 | var |
KESMINAS, Damius & Mike STEVENSON | Slave pianos (of the art cult): investigating and re-contextualising selected Australian and international artists' music projects since the 1950s through the process of transcription, re-enactment and creative appropriation | MA | RMIT University | 1999 | var |
SAMARTZIS, Philip | Contemporary narrative film sound stylists | MA | RMIT University | 1997 | var |
STEVENSON, Mike & KESMINAS, Damius | Slave pianos (of the art cult): investigating and re-contextualising selected Australian and international artists' music projects since the 1950s through the process of transcription, re-enactment and creative appropriation | MA | RMIT University | 1999 | var |
THACKER, Eric Charles | Catalogue Raisonné of the material relevant to Percy Grainger as an artist and as a man, contained in the Percy Grainger Museum, University of Melbourne | MA | University of Melbourne | 1965 NiL | unknown |
WHITEHEAD, G | Polynesian musical instruments | MMus | University of Sydney | 1966 NiC | unknown |
PEARSON, E. | History of music in Otago | MA | University of Otago | 1941 NiC | unknown |
HOOPER, Michael J. | The compositional approaches of Liza Lim | MMus | University of Sydney | 2002 NiC | tba |
WATERS, Julie Anne | “Against the stream”: intersections of music and politics in the conception, composition and reception of Alan Bush’s first three symphonies | PhD | Monash University | 2012 | TBA |
WARD, Jill | Andrea Zani (1696-1757) - life and works - through a study of the documents together with a collected edition and thematic catalogue | PhD | University of Canterbury | 2010 | TBA |
BUCHANAN, Heather Joan | Body mapping : self-reflective views of student musicians | PhD | University of New England | 2010 | TBA |
WESTON, Diana | Beyond the figures : a search for styles in harpsichord accompaniment 1600-1750 | MMus (Hons) | University of New England | 2009 | TBA |
BUCK, Mary | Music, geometry, and the listener : space in the history of Western philosophy and Western classical music | PhD | University of New England | 2008 | TBA |
WHITELEY, Christina Jennifer | Reading the past through colonial piano music of New South Wales | PhD | University of New England | 2007 | TBA |
SHILL, Gene | Digital Sampling and Appropriation as Approaches to Electronic Music Composition and Production | PHD | Griffith University | 2016 | TBA |
ETE, Igelese | Malae : music portfolio | MMus | University of Auckland | 2005 | score + cd |
WOLLMANN, Thorsten | Doctoral portfolio of compositions | PhD | University of Auckland | 2004 | score + cd |
BENNETT, Jacqueline Ann | A creative approach to school music for Form I pupils in a New South Wales state school | M.Ed | University of NSW | 1974 | NS |
CALDWELL, Margaret | A preliminary survey of the information needs of practical music teachers in New South Wales | MLib | University of NSW | 1980 | ns |
CONNELL, Robert | Brigands on the virtual sea: online music piracy and copyright under Australian law in the digital age | ? [Law] | University of Western Aust. | 1999 | NS |
CUSKELLY, James | The Search for Meaning in Music Education: Reflections on Difference and Practice. | PhD | University of Queensland | 2007 | NS |
HOLLOWAY, Daniel | Australian compositions for elementary string orchestra: pedagogy, aesthetics and enjoyment | MMus | James Cook University | 2000 | NS |
JOHNSON, Robert Lloyd | Electronic music and the synthesiser | MA | RMIT University | 2000? | NS |
LEPHERD, Laurence | Towards a secondary school curriculum in music. | M.Ed | University of New England | 1981 | ns |
LYNCH, John James | A study of the methods of composition and transcription developed in Bartok's First Rhapsody for violin and piano (1928) with regard to its recent transcription for viola and piano | MMus | University of Queensland | 2002 | NS |
NELSON, Kathleen Edna | Medieval liturgical music of Zamora | PhD | University of Adelaide | 1993 | ns |
PAVLYSHYN, Marko | Music in E.T.A. Hoffmann's Kater Murr | MA | Monash University | 1978 | NS |
PAYNE, Helen | Singing a sister's sites: women's land rites in the Australian Musgrave Ranges. | PhD | University of Queensland | 1988 | NS |
ROSIER, Veronica A.C.S | Music instrument collections in museums: basic principles and contemporary practices | MA | Monash University | 1979 | NS |
SANDARS, Diana | What a feeling!: The evolution of the Hollywood musical 1983-2000 | PhD | University of Melbourne | 2006 | ns |
SIMPER, Doug A | Venus in Eritrea : an original work for music theatre | PhD | Southern Cross University | 1999 | NS |
SWEET, Paula | Olivier Messiaen: his reaction to musical trends of the 1920s in France | MMus (Perf) | University of Adelaide | 1990 | NS |
TERRY, John Buchanan Rouse. | An opera for secondary schools : 'Ebenezer' based on "A Christmas Carol" by Charles Dickens | MMus | University of Adelaide | 1979 | NS |
WILLIAMS, Andrew | The functions of Walkman music | PhD | University of Adelaide | 2004 | NS |
NADEN, Liam P.D. | Sacrae cantiones : liber quartus (1606) / Agostino Agazzari: a critical edition | MA | University of Auckland | 1988 | NS |
KING, Aleta | Australians at the Kodály Institute : reflections on the journey | MPhil | University of Queensland | 2007 | ns |
St GEORGE, Jennifer M | The role of the instrumental teacher in the learning process | MMus | University of South Queensland | 2003 | ns |
HENRY, Matthew | The effect of a three-week exercise program on the right arm technique and posture of cellists | MMus | University of South Queensland | 2002 | ns |
THONELL, Shirley | Effects of music style on exertion tolerance | MPsych | University of South Queensland | 2001 | ns |
PINGEL, Kathy Michelle | The intermediate and advanced piano music of Dmitry Kabalevsky: pedagogical implications | MMus | University of South Queensland | 1997 | ns |
PHILLIPS, Irene Margaret Constance | Maori music, a historical survey | MA | University of Auckland | 1929 | NS |
HOLLAND, R. J. T. | The madrigals of Peter Philips | MA | University of Sydney | 1962 | NiLc |
MOORE, V. | The lute in consort music during the 17th century | MA | University of Sydney | 1958 | NiC |
DUANCE, Karyn | Compositional and performance techniques of women rock musicians | MMus | University of Sydney | 1999 | NiC |
FIGLIANO, Suan | Working with young choristers: maximizing individual and ensemble outcomes | MMus Studs | University of Queensland | 2007 | NiC |
MASON, Richard | An exploration of the literary and musical elements of Gyorgy Kurtag's Hommage R. Sch. Op.15d: a performer's perspective [NOT IN LIBRARY CATALOGUE] | MMus | University of Melbourne | 2005 | NiC |
McGARRY, Sarah | So who is a good musician? The development of musicianship skills within an aural approach in the secondary school [NOT YET IN CATALOGUE] | MMus Studs | University of Queensland | 2007 | NiC |
PATRICK, Ann M. | The Young Kabbarli: Daisy Bates as operatic heroine. NOT IN LIBRARY CATALOGUE | MPhil | University of Western Aust. | 1996 | NiC |
CHEN, Angie | Factors affecting the self-fulfilment of secondary school teachers in Western Australia: implications for pre- and in-service teacher education NOT FOUND IN CATALOGUE | MMus Ed. | University of Western Aust. | 1997 | nf |
LINDNER, Bernice | Koleda's philosophy in practice: a comparative study [Not found in Library Catalogue] | PhD UNSW? | Australian Catholic University | 1992 | nf |
SHIBAKI, Noriko | Johann Baptist Cramer (1771-1858) and his Instructions for the Piano Forte (1812) NOT FOUND IN CATALOGUE | MMus | Australian Catholic University | 1996 | NF |
ROSE, Adam | Compositions : Haiku, Three pieces for alto saxophone and piano, Incantations,Three Mansfield poems, Mercury, ...this quintessence of dust?, Quartet for four horns, Jinn, String quartet | MMus | Victoria University of Wellington | 1997 | multiple volumes |
JOHNSON, Janet Lynne | Music therapy with handicapped children | MA | University of Auckland | 1981 | MA |
THOMSON, Gavin B | Twentieth century minstrelsy : towards a sociological definition of the socio-aesthetic meaning of contemporary music | MA | University of Auckland | 1976 | MA |
DANIEL, Ryan | Challenging the orthodoxy : an alternative strategy for the tertiary teaching of piano | PhD | James Cook University | 2005 | IN PROCESS |
LYALL, Graeme William | A folio of transcription and analyses of Paul Desmond and Lee Konitz: a stylistic comparison; Folio of arrangements | MMus(Jazz Perf) | Australian National University | 1995 | folio + 2 cass |
LEM, Alan | The flow of imagery elicited by G.I.M. music programs during unguided music imaging | PhD | University of Western Sydney | 2004 | CDRom + 3 CDs |
MARSHALL, Anne | Ngapartji-ngapartji :ecologies of performance in Central Australia : comparative studies in the ecologies of Aboriginal-Australian and European-Australian performances with specific focus on the relationship of context, place, physical environment, and personal experience. | PhD | University of Western Sydney | 2001 | CD Rom |
BEN-SALAMON, Nissan | a folio of original music compositions that explores the integration and development of derived materials, including a painting, African rhythms, synesthesia, poetry and pre-recorded audio files | MA | Monash University | 2003 | c.50 + 4 scores + CD |
DILLON, Harvey A | The perception of musical transients | PhD | University of NSW | 1979 | ? |
PURSELL, Finn | Contrast | PhD | University of NSW | 2010 | ? |
HODSON, James | Composition folio: 2010 - 2012 | MMus | University of Melbourne | 2012 | ? |
HAYES, Michele | Primary school children and the perceived benefits of choir participation | M.Ed | Monash University | 2013 | ? |
STOESSEL, Jason | The captive scribe: the context and culture of scribal notational process in the music of the ars subtilior | PhD | University of New England | 2002 | >372 2 vol |
RAWLINGS, Katherine R | Portfolio of compositions, and analytical notes | MMus | University of Sydney | 2008 | 99 + 4 CD + 2 DVD |
STIMSON, Andrea | The adolescent female changing voice: A guide to the improvement of tone production through the use of selected vocalises and the choral repertoire of Mary Goetze | MusM | University of Western Aust. | 1994 | 99 |
VARNEY, John | O Cavaquinho | GDip Musicol | Griffith University | 1994 | 99 |
WATERS, Melville | The Lutheran orthodoxy of J.S. Bach's Clavierubung | MMus | University of Adelaide | 1988 | 99 |
WIRJAPRANATA, Josephine | Bibliography of New Zealand composers and composition: selected newspapers and periodicals, 1984-1989, monographs and theses 1984-1997 | MLIS | Victoria University of Wellington | 1998 | 99 |
SIGG, Nicola | An investigation into the relationship between music preference, personality and psychological wellbeing | MHSc | Auckland University of Technology | 2009 | 99 |
LAWRENCE, Alan | The place at one remove: locating an opera | PhD | University of Queensland | 2011 | 99 |
HAMEL, Alistair | Artefactualism as an Ontology of Art | M.A | Victoria University of Wellington | 2010 | 99 |
LUKEY, Katherine | Demon or philosopher: the artist and teacher Tibor Varga | MMus | University of Sydney | 2016 | 99 |
CHENG, Lancini Jen-Hao | Taxonomies of Taiwanese Aboriginal musical instruments | PhD | University of Otago | 2014 | 989 |
NEWTON, Ronald | Organ building in New Zealand 1895-1930: a documentation of cultural context | PhD | University of Canterbury | 1996 | 983 |
FILIPI, Karina | The process of creating a collaborative tuba composition: an investigation into the relationship between a composer and performer | MMus(Perf) | University of Sydney | 2013 | 98 + 6 CDs |
BENIUK, David | Contemporary aboriginal songs and songwriters : post-colonialism, categorisation and orality | MA (Hons) | University of Wollongong | 1995 | 98 |
EXCELL, Richard | Richard de Fournival (1201-1260) : his life, the Biblionomia, and his other works | MA | Monash University | 1986 | 98 |
GREET, Martin T. | Tonal ambiguity in the late works of Britten | MMus | University of Melbourne | 1994 | 98 |
THOMAS, Rhiannon | Johann Sebastian Bach's unaccompanied cello suites (BWV 1007-1012): sources, editions and interpretations | MMus | Victoria University of Wellington | 1996 | 98 |
BONIFACE, Emma Jane | Promoting sociability : staff perceptions of music therapy as a way to enhance social skills | MMus Therapy | NZ School of Music (Victoria + Massey) | 2009 | 98 |
KARINI, Angela | The status of contemporary Māori music | MPhil | Massey University | 2009 | 98 |
O'NEILL, Luke Jerome | Creating new music compositions based on the number systems of composer Greg Sheehan | MCA | University of Wollongong | 2013 | 98 |
MAYALL, Kylie | Stage Challenge : New Zealand secondary school teachers' perspectives | MArts | University of Auckland | 2013 | 98 |
KIM, Ga-Won | An analytical study of the three 1841 variation sets for piano solo by Felix Mendelssohn | MMus | University of Western Aust. | 2006 | 97 |
YANG, Eun-Kyoung | The piano sonatas of Carl Vine: A guideline to performance and style analysis | DMA | Overseas | 2003 | 97 |
WETT, Jordan | Pedalling piano music [manuscript] : the performers educated ear is the ultimate guide | MCA | University of Newcastle | 2008 | 97 |
ELIOTT, Mark | Water, music, glass, life : improvisation in and around my arts practice | MVA | University of Sydney | 2011 | 97 |
CAMPBELL, Peter J. | "Semper sint in flore:" historical, organisational, individual and musical aspects of the Intervarsity choral movement in Australia | PhD | University of Melbourne | 2003 | 968 |
JAQUES, Michelle | Buxtehude as rhetorician: the use of the rhetorical disposition and rhetorical figures in some of Buxtehude's free organ works | MMus | Griffith University | 1998 | 96 + 190 |
CHEN-MERRETT, Shaohua | Beethoven and the Violoncello: The Influence of Jean-Louis Duport (1749-1819) | Mphil (perf) | University of Queensland | 2006 | 96 |
DE HAAN, Simone | The relationship between the composer, performer and listener in twentieth century musical practice: "a plea for reform" | MusM | University of Western Aust. | 1994 | 96 |
HAWLEY, Richard J. P. | The impact of Debussy on Stravinsky's early works, 1908-1914 | MMus | University of Melbourne | 2000 | 96 |
KAZIMIERCZAK, Bogdan | The percursors of the violin family : emergent technology and technique from late classical antiquity to the early Renaissance | MMus | University of Adelaide | 1980 | 96 |
WHIFFEN, Lawrence | Music in the Mirabell garden: analysis | MMus | LaTrobe University | 1993 | 96 |
YANG, Yuan-Chun | The effectiveness of specified music as a nursing intervention for Alzheimer's disease with agitated behaviour | MNurs | University of Sydney | 1996 | 96 |
PASS, Bruce | The Sechs Goethe-Lieder von Beethoven by Franz Liszt : aspects of transcription and their place in his oeuvre | MMus (Perf) | University of Sydney | 2005 | 96 |