Completed

WriterThesis TitleDegreeUniversityYear# of Pagessort icon
GARCIA, ALStringshift : solo guitar improvisation : process, methodology and practiceUnknownUniversity of Tasmania2014
WILLIAMSON, PaulDeveloping technical control, ensemble interaction, and flow within jazz performancePhDMonash University2014
O'CONNOR, JosephDeveloping approaches to jazz composition and improvisation informed by the dissonant counterpoint methods of Charles Seeger and Ruth CrawfordPhDMonash University2016
BARKER, Jade CarolineApplying Bartolozzi's theory from New sounds for woodwind (1967) to a performance of Bartolozzi's Per Olga (1976) and Smith Brindle's Andromeda M31 (1967) mediated through the utilisation of the Bartolozzi-Mencarelli methodMMusMonash University2014
CAMERON, Christopher PaulExploring applications of multi-dexterity in drum kit performanceMMusMonash University2016
FUHLER, Cornelis William HendrikDISPERSE AND DISPLAY: STRUCTURAL STRATEGIES FOR MODULAR APPROACHES IN COMPOSITIONAL AND INSTRUMENTAL PRACTICEPhDUniversity of Sydney2016
FELTON, Stella"Playing with autobiography" The performer as biographer: Viktor Ullmann’s Piano Sonata No. 7 (1944)MMusMonash University2016
DELVES, Benjamin DavidMartin Jackson and The Melbourne Jazz Cooperative; how they influenced the Melbourne modern jazz scene.MMusMonash University2016
BROWN, Reuben JayFollowing footsteps: The kun-borrk/​manyardi song tradition and its role in western Arnhem Land society.PhDUniversity of Sydney2016
ANTONOV, EdwardFormulating an interpretation of Frederick Septimus Kelly's Violin Sonata in G major through an assessment of the performance style of the work's dedicatee, Jelly d'AranyiMMusMonash University2015
DEVLIN, Desmond TEarly Sydney punk : methods in visual ethnographyPhDUniversity of Western Sydney2014
HAMILTON, Elizabeth JaneAn informed approach to performance practice issues in Lipstick (1998) - by Jacob ter VeldhuisUnknownMonash University2016
BATTERHAM, Andrew BruceFootprints: the assimilation of extra-Classical elements in a compositional languagePhDUniversity of Melbourne2015
SIMPSON, CheralynBéla Bartók’s Viola Concerto which published edition should I perform?MMusMonash University2016
ANDREWS, Helen MarieCognitive impairment, spontaneous recovery and environmental enrichment post strokeDCPUniversity of Newcastle2015
ASHTON, Graham RGot ‘em on a String: The Collective Skills, Knowledge and Attributes of Group String Teachers in QueenslandMPhilGriffith University2015
CHONG, KristianSergei Rachmaninoff in Melbourne; a performer's reflection through the twenty-four Preludes Opp, 23 and 32; from Mack Jost to the twenty-first centuryPhDAustralian Catholic University2014
TORR, Oliver JEmotional truth in opera performanceUnknownMonash University2015
STONESTREET, RJHistorical developments in writing for low hornPhDUniversity of Tasmania2014
LIM, Jiun YoongIN DEFENCE OF CHINESE PIANO MUSIC: EXPLORING THE IMPACT OF ASSIMILATION, POLITICS AND GLOBALIZATION ON CHINESE PIANO COMPOSITIONS 1949-2012PHDUniversity of Sydney2016
BRYANT, GaiCuban Folkloric and Traditional Music Styles: rumba, danzón, punto libre and bolero adapted for Jazz Big Band in Australia using Modern Compositional TechniquesPHDUniversity of Sydney2016
ORZECH, Rachel'A universal art, an art for all'?: The reception of Richard Wagner in the Parisian Press, 1933–1944PHDUniversity of Melbourne2016
TONG, Amanda ReneeThe Music of Samuel Beckett: Theory, Case and NarrativePhDUniversity of Sydney2019
EYLES, Anne-Maree TTeachers' perspectives about implementing ICT in music educationPhDGriffith University2020
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