MARETT, Allan | 1976 Hakuga’s flute score:an examination of the sources, notation and historical significance of the oldest surviving source in flute notation for the Togaku repertory of Japanese music, the Hakuga no | PhD | Overseas | 1976 | |
MARETT, Allan | An examination of the Jati melodies and their characteristics as described in the fourteenth century Indian treatise, Samgitaratnakara | MA | Overseas | 1972 | |
LOGAN, Christine | Some Aspects of Australian Piano Music since 1945. | DMA | Overseas | 1988 | 189 |
VINES, Nicholas Paul | The Hive: A chamber opera in seven tableaux | PhD | Overseas | 2007 | 233 |
DALTON, Grant B. | Nigel Westlake's "Omphalo Centric Lecture": A guide for performance including a biography of the composer and an examination of the different versions of the work | DMA | Overseas | 2006 | 181 |
McCUBBIN, Alison Rosemary | An introduction for the singer to the solo vocal works of Nigel Butterley with particular emphasis on his works between 1976 and 2003 | DMA | Overseas | 2004 | 217 |
POWELL, Thomas Raymond | Moon Came Down: For soprano voice and eight instrumentalists | DMA | Overseas | 2003 | 183 + 22 + 2CDs |
WHITMORE, Keith | The piano music of Percy Grainger: An analysis of ten original works | DMA | Overseas | 2004 | 112 |
MILTON, Nicholas | The string quartets of Peter Sculthorpe: A study in stylistic synthesis | DMA | Overseas | 2004 | 313 |
JACKSON-GOUGH, Julie J. | Music events among four-year-old children in naturalistic contexts, within selected New Zealand kindergartens | PhD | Overseas | 2003 | 162 |
GRENFELL, Julia Michele | The influences of traditional Asian music on an Australian composer: A study of three works for flute and piano by Anne Boyd | DMA | Overseas | 2003 | 146 |
YANG, Eun-Kyoung | The piano sonatas of Carl Vine: A guideline to performance and style analysis | DMA | Overseas | 2003 | 97 |
CYBA, Hanna Dorota | A performer's guide to the piano sonatas by Carl Vine | DMA | Overseas | 2002 | 102 |
WILLIAMS, Ross Adrian | On Open Sky | DMA | Overseas | 2002 | 27 |
JOYCE, Brendan Clive | Three Australian faces: An anthology (performed) of recital music for violin written by Australian composers since the federation of Australia (1901), including new scores written on the theme of reconciliation between indigenous and non-indigenous Australians | DMA | Overseas | 2002 | 199 |
LINDHEIMER, Joel David | I. The didjeridu: From 'dreamtime' to a new emblem of Pan-Australian Aboriginal identity. II. Concerto for violoncello and orchestra | PhD | Overseas | 2000 | 137 |
BARKER, Bram Wesley | The Jebediah Jones Mystical Montrose Tour, 1999 | MM | Overseas | 1999 | 22 |
RAKENA, Te Oti Paipeta | The synthesis of Polynesian and western traditions in contemporary New Zealand composers | DMA | Overseas | 1998 | 106 |
BIRDWELL, John Cody | The utilization of folk song elements in selected works by Ralph Vaughan Williams and Percy Grainger with subsequent treatment exemplified in the wind band music of David Stanhope | DMA | Overseas | 1996 | 104 |
JUTSUM, Ross Frederick | An examination of musical-textual relationships in the choral music of Colin Brumby, a lecture recital, with three recitals of selected works by Bartok, Durufle-Chevalier, Duson, Mendelssohn, Poulenc, Sallinen, and Schoenberg | DMA | Overseas | 1995 | 101 |
HARDIE, Richard Lawrence | Jenny McLeod: The emergence of a New Zealand voice | MM | Overseas | 1994 | 68 |
HODGES, Glen John | "Eyre," a three movement instrumental work for small chamber ensemble. (Original composition); | MM | Overseas | 1991 | 117 |
GENOVA, Vincent Anthony | Torres Strait island music: A cantometric study | PhD | Overseas | 1991 | 379 |
PEERY, Irene Weiss | GEORGE F. BOYLE: PIANIST, TEACHER, COMPOSER (AUSTRALIA) | DMA | Overseas | 1987 | 409 |
RODGERS, Robert Mark | The "Hill-songs" of Percy Aldridge Grainger: An historical and analytic study with a new performance edition (Volumes I and II) | DMA | Overseas | 1987 | 306 |
THOMPSON, Roy Harold | A Curriculum model for instrumental music education in the schools of Queensland, Australia. | DMA | Overseas | 1983 | 263 |
LAURIDSEN, Jan | Musical scales in Australian aboriginal songs: structure and social implications (didjeridu, folksongs) | PhD | Overseas | 1983 | 140 |
WALKER, Judith Ann | Rhythmic nonalignment in Aboriginal Australian, West African, and twentieth-century art musics | PhD | Overseas | 1983 | 599 |
SHEARER, Debra A. | Emerging Voices in Australian Choral Music: Selected Choral Works of Sculthorpe, Boyd, Edwards, Hopkins, Maclean, Leek, Stanhope, Grandage, Orlovich, and Atherton. | DM | Overseas | 2003 | 151 |
WILSON, Brian Scott | Orchestrational archetypes in Percy Grainger's wind band music | A.Mus.D. | Overseas | 1992 | 237 |
COMTE, Martin Milton | Arts Education in the State School system in Victoria, Australia: 1945 to 1980. | PhD | Overseas | 1983 | 336 |
MICHALSKI, Yvonne E | Current admission criteria for Texas graduate degree programs: piano performance, piano pegagogy, and music education with piano emphasis | MMus (Mus.Ed.) | Overseas | 2000 | 71 |
LICKISS ALEO, Angela | The oboe and English horn works of Ross Edwards and his place in Australian music | DMA | Overseas | 2016 | 127 |
KOURMADAS, Leonidas | Portfolio of original compositions | MMus (Comp) | Wesley Institute | 2012 | 4 vol + 3CDs |
KARTAWIDJAJA, David | How much Australian television production has been produced during the period 2000-2005? | MMus | Wesley Institute | 2008 | 64 + CD |
ALDRED, Helen Mary | Ifi palasa: brass bands in Tonga | MMus | Victoria University of Wellington | 1997 | 330 |
ASPDEN, Suzanne Elizabeth | Psyche's borrowed plumes | MMus | Victoria University of Wellington | 1992 | 332 |
BEBAN, Daniel | Going for a song: the New Zealand chant of auctions, housie and racing | MA | Victoria University of Wellington | 2001 | 129 + 2 CD |
BHANA, Usha | Tales "like softest music to attending ears": a study of narrative procedure across musical genres in works by Gounod, Prokofief, Berlioz and Tchaikovsky | MMus | Victoria University of Wellington | 2002 | 150 |
BOWERING, Philip Graham | A study of the relationship between synergy in the group dynamic of contemporary music making and the use of midi/personal computer based music systems in an OSI/ISDN environment | MA | Victoria University of Wellington | 1990 | 101 |
BROWN, Michael | "There's a sound of many voices in the camp and on the track": a descriptive analysis of folk music collecting in New Zealand 1955-1975 | MA | Victoria University of Wellington | 2006 | 245 |
BRUNORO, Gioia Sofia Serafina | The life and works of Giovanni Lorenzo Lulier | PhD | Victoria University of Wellington | 1994 | 585 |
CUMMINGS, Timothy James | The Great Highland bagpipe: extended techniques and their musical potential. | MA | Victoria University of Wellington | 2002 | 224 |
CURTIS, Olya | The life, career, and music of Aram Khatchaturyan: the origin of and influences on his musical style | MMus | Victoria University of Wellington | 2000 | 103 |
DAVENPORT, Charles H.H. | Paul Rolland and his teaching: applications to the cello in different contexts | MMus | Victoria University of Wellington | 2005 | 170 |
DONALDSON, Tony | The Shaping of a Sundanese music and dance tradition: an ethnomusicological study of Pa Enoch Atmadibrata, Pa Atik Supandi, and Pa Endo Suanda | MMus | Victoria University of Wellington | 1994 | 132 |
GILRAY, Jock | In the shadow of Handel: English oratorio in the later eighteenth century: | MMus | Victoria University of Wellington | 1999 | 272 |
GODTSCHALK, Ondine | Love's desires and the pleasures of Bacchus: the airs of Jean Sicard (fl. 1666-1683) | MMus | Victoria University of Wellington | 1999 | 2 v. ( 188, 126) + 1 |
HALL, Karen A. | Soothing sounds: an investigation into the value of music in palliative care | MA | Victoria University of Wellington | 2003 | 173 + 1 CD |
JACK, David Arthur | Introducing non-western music into primary and intermediate schools | MA | Victoria University of Wellington | 1976 | 238 |
KINGSBURY, Justine Margaret Joy | The expression of emotion in music | MA | Victoria University of Wellington | 1991 | 79 |
LIPINE, Tavita | Fas̀amoa and church music in New Zealand | MA | Victoria University of Wellington | 2002 | 204 |
NOVEMBER, Nancy Rachel | Violin playing in an era of change: violin construction and technique in the late eighteenth and early nineteenth centuries. | MMus | Victoria University of Wellington | 1996 | 200 |
OWENS, Samantha Kim | The Württemberg Hofkapelle c. 1680-1721 | PhD | Victoria University of Wellington | 1995 | 640 |
PALMER, Roger John | Participating in the classical music world: four amateur organisations and the persepectives of their members | MMus | Victoria University of Wellington | 2006 | 149 |
POND, Wendy | Faiva: trials of skill: the song and dance of Tongan politics, 1773-1993 | PhD | Victoria University of Wellington | 1995 | 2 vol |
REED, Thayer Elizabeth | The Englishness of Ralph Vaughan Williams: an evaluation of the Grand Old Man of English music characterisation. | MMus | Victoria University of Wellington | 1995 | 108 |
SANDERS, David John | Song of the kokako: birdsong in New Zealand Composition | MMus | Victoria University of Wellington | 2004 | 230 + 2 CD |
SCHWER, Ruth Elizabeth | The cello in New Zealand: history, composition, education, poular music and performance from the opinions of New Zealand musicians | MMus | Victoria University of Wellington | 2000 | 162 |
STARR, Deirdre | The effect of a music strategy on alphabet skills in a J1/J2 classroom | GradDipEd | Victoria University of Wellington | 1995 | 46 |
STURM, Marina | The impact of player/composer relationships in the development of the clarinet repertoire | MMus | Victoria University of Wellington | 2000 | 88 |
THOMAS, Rhiannon | Johann Sebastian Bach's unaccompanied cello suites (BWV 1007-1012): sources, editions and interpretations | MMus | Victoria University of Wellington | 1996 | 98 |
VAN DE LAAR, Amy Therese | Johann Mattheson's "oratory in sound": the intelligibility of instrumental music | MA | Victoria University of Wellington | 2004 | 136 |
VAN RIJ, Inge | Unity and continuity in Brahm's German requiem. | MMus | Victoria University of Wellington | 1997 | 173 |
WATER, Bolke | Making music: discourses of cultural negotiation in New Zealand | MA | Victoria University of Wellington | 2001 | 175 |
WHEELER, Nicholas John | Musics of the ethnic minorities of China: an annotated bibliography of articles published in Chinese periodicals | MMus | Victoria University of Wellington | 1992 | 162 |
WILLBERG, Helen | Music for fun: hiding the music curriculum | M.Ed | Victoria University of Wellington | 2001 | 213 |
WYNANDS, Paul | Individual differences in response to a musical mood induction procedure | MA | Victoria University of Wellington | 1991 | 45 |
MENDEZ, Shauna | Bibliographic relationships and FRBR : an examination of user needs in the music library | MLIS | Victoria University of Wellington | 2006 | 72 |
STACHURSKI, Michael Raymund | We will sing our own songs : a content analysis of selected Presbyterian hymnals, 1982-1993 | MLIS | Victoria University of Wellington | 2004 | 114 |
SCOTT, Rebecca Marie | A case study of the use of the Dewey Decimal Classification scheme at the University of Auckland's Music Library | MLIS | Victoria University of Wellington | 2003 | 106 |
WIRJAPRANATA, Josephine | Bibliography of New Zealand composers and composition: selected newspapers and periodicals, 1984-1989, monographs and theses 1984-1997 | MLIS | Victoria University of Wellington | 1998 | 99 |
HANNAY, Karen | The Wellington Youth Choir, 1989-1997: A comprehensive bibliography | MLIS | Victoria University of Wellington | 1998 | 72 |
GLEESON, Jean Clare | Counting time: a content analysis of the covers of the popular sheet music published by Charles Begg & Co. Ltd. | MLIS | Victoria University of Wellington | 2003 | 65 |
McINTYRE, Brent | Customer expectations and perceptions of music reference service quality in public libraries: a quantitative analysis | MLIS | Victoria University of Wellington | 2003 | 87 |
NG, Siong Ngor | Music and culture : the information seeking behaviour and needs of academic ethnomusicologists in New Zealand | MLIS | Victoria University of Wellington | 2003 | 76 |
BARTUP, Marie Patricia | An annotated bibliography on expressions of popular culture: the music and dance of hip hop in New Zealand | MLIS | Victoria University of Wellington | 2002 | 86 |
FEHSENFELD, Diana Mae | Maori waiata : an examination of intellectual property law issues for music librarians | MLIS | Victoria University of Wellington | 2006 | 92 |
HARVEY, Douglas Ross | Henry Playford: a bibliographical study | PhD | Victoria University of Wellington | 1985 | 838 |
RUSSELL, Peter Hugh | Light in battle with darkness: Mahler's Kinderttenlieder | PhD | Victoria University of Wellington | 1990 | 126 |
COLLINS, Megan Erica | The Minangkabau Rabab Pasisia : music, performance and practice in West Sumatra Indonesia | PhD | Victoria University of Wellington | 2002 | 2 vol + 10 CDs |
KING, Erin Lee | "Anything but conventional" : faith and folk idioms in Dvořák’s Biblical Songs | MMus | Victoria University of Wellington | 2007 | 155 |
BROWNLEE, Philip | PhD in composition [Part 1. Folio of compositions -- Part 2. Structural functions of timbre in selected works of Philip Brownlee] | PhD | Victoria University of Wellington | 2007 | |
THORPE, Vicki | We made this song : the group song writing processes of three adolescent rock bands | MMus | Victoria University of Wellington | 2007 | 178 |
WATSON, Christopher | The effects of music notation software on compositional practices and outcomes [+ Composition Folio] | PhD | Victoria University of Wellington | 2007 | 2 vol |
GRANT, Alison | Music compositions | MMus | Victoria University of Wellington | 2006 | 1 vol + CD |
MORGAN, Rachael | Composition portfolio for the completion of a Masters of Music | MMus | Victoria University of Wellington | 2006 | |
BATHURST, Ralph James | The music of organisations : an aesthetic ethnography | PhD | Victoria University of Wellington | 2006 | 427 |
MANN, Matthew | MMus (composition) portfolio | MMus | Victoria University of Wellington | 2005 | |
SUN, Lusha | Exporing the "soul intervals": a portfolio of original compositions | MMus | Victoria University of Wellington | 2005 | 134 |
PARSONS, Michael Graham | Music compositions | MMus | Victoria University of Wellington | 2005 | 1 vol + 2 CDs |
MACONIE, Robin | Analysis and criticism of music since 1950 | MA | Victoria University of Wellington | 1963 | 137 |
CHILDS, David Christopher | Landmarks in twentieth century organ music, with particular reference to Messiaen | MA | Victoria University of Wellington | 1964 | 132 |
SIMPSON, Adrienne Marie | Two Georgian songwriters: Ivor Gurney and Peter Warlock | MA | Victoria University of Wellington | 1964 | 114 |
DILLON, Teressa | Canons, airs sérieux and airs à boire : a study of the contribution of the eighteenth century French composer and copyist C. de La Serre | MMus | Victoria University of Wellington | 2010 | 121; 99 |
THURSTON, Donna | Irish music in Wellington : a study of a local music community | MMus | Victoria University of Wellington | 2010 | 133 + CD |
KENNEDY, Anne | Kicking round home : atonality in The Bone People | MA | Victoria University of Wellington | 2007 | |
McEWING, Keith Lyndon | Is the dance still in the music? : Chaconne compositions from the seventeenth to the twentieth century | MA | Victoria University of Wellington | 2008 | 330 +DVD |
KAHUI, Dennis Jon | A cultural approach to music therapy in New Zealand : a Māori perspective | MMus Therapy | Victoria University of Wellington | 2008 | 139 |
WANG, Tzu-ya (Lisa) | Action research : improving my music therapy practice with hospitalised adolescents through building relationships and meeting their developmental needs | MMus Therapy | Victoria University of Wellington | 2008 | 81 |