Writersort iconThesis TitleDegreeUniversityYear# of Pages
SIGG, NicolaAn investigation into the relationship between music preference, personality and psychological wellbeingMHScAuckland University of Technology200999
SHUM, DavinaWhat would Duport do? : an observation of the relationship between idiomatic writing and key characteristics in Beethoven's F major Cello and piano worksMMusPerfUniversity of Sydney201167
SHTOLTSENBERG, LilianaMusical performance anxiety in adolescent musiciansM.EdMonash University2011114
SHOU, XiojangPLMUS: a programming language for computer music and its implementationMScUniversity of Melbourne1991134
SHORTIS, CarolDistilling the essence : vocal provenance in the work of Jack Body: a thesis and portfolioMMusNZ School of Music (Victoria + Massey)201090; 132 + CD
SHORTER, MarkVariety theatre, performance art and the carnivalesquePhDUniversity of Sydney2011117 + CD
SHORT, Alison EHolistic aspects of rehabilitation post-cardiac surgery in the Bonny Method of Guided Imagery and Music PhDUniversity of Technology Sydney2003293
SHORT, AlexanderEmotional Sensitivity to Music in Adults in a Community Sample and in Adults with Substance DependencePhDUniversity of Queensland2013
SHOEMARK, HelenThe markers of interplay between the music therapist and the medically fragile newborn infant PhDUniversity of Melbourne2007538
SHLOMOWITZ, MatthewHands above, feet trying (1996) ; Quintet ; Thinking, speaking ; Thinking, remembering ; Thinking, beginning . + A survey of the transcription works of Michael Finnissy : informed, illuminated and contextualised by the piano music and writings of Ferrucio Busoni, Leopold Godowsky and Franz LisztMMusUniversity of Sydney19972 vol
SHISHIKURA, MasayaWanting Memories: Histories, Remembrances and Sentiments Inscribed in Music and Dance of the Ogasawara IslandsPhDAustralian National University2013437 +55 + 2 DVD + CD
SHIN, HyukjinCritical commentary on a folio of compositions [electronic resource]MPhilUniversity of Queensland2007
SHIMBO, KunioriEffects of music, relaxation and suggestion on introductory level tertiary students' affect and achievement in learning Japanese as a foreign language PhDRMIT University2005483
SHILL, GeneDigital Sampling and Appropriation as Approaches to Electronic Music Composition and ProductionPHDGriffith University2016TBA
SHIELDS, EstelleThe role of the arm in piano playing : a review of teaching practices MMus Ed.University of Sydney1996123
SHIEFF, SarahMagpies: negotiations of centre and periphery in settings of New Zealand poems by New Zealand composers 1896-1993PhDUniversity of Auckland1994270
SHIBAKI, NorikoJohann Baptist Cramer (1771-1858) and his Instructions for the Piano Forte (1812) NOT FOUND IN CATALOGUEMMusAustralian Catholic University1996NF
SHEWARD, David Benjamin ChandraEdward Elgar, EnglandMMusUniversity of Auckland198970
SHERWOOD, RupertThe effectiveness of mental rehearsal in the accurate reproduction of a musical phrase: a pilot study comparing computer measurements with the subjective evaluation of experienced teachersMMus Ed.University of Western Aust.1990106
SHERRIFF, Caleb'An awful lot of running' : Filk across time and space : wrock, trock, and the commercialisation of fan musicMA FilmUniversity of Auckland2013107
SHERIDAN, GHard ass: representation, diaspora and globalisation in kuduroPhDRMIT University2014
SHEPHERD, RebeccaRetro vertigo [manuscript] : the art of record production and representations of space and timbre in retro rock musicPhDMacquarie University2009238 + CD
SHEPHERD, Patrick[Composition portfolio]MusDUniversity of Canterbury200645 + 3 scores + 2 CD
SHEPHARD, Leah DawnThe relationship between the music audiation capacities and language comprehension capacities of children age 5 years [electronic resource]MPhilUniversity of Queensland2008
SHEPERD, RebeccaRetro vertigo: the art of record production and representations of space and timbre in retro rock musicPhDMacquarie University2009238 + CD
SHEPARD, Christopher P.Evolution and revolution : J.S. Bach's Mass in B minor , BWV 232 in New York City, 1900-1980PhDUniversity of Sydney2012273
SHENNAN, JenniferWaiata-a-ringa : a movement study of action songs, the dance genre developed in the twentieth century by the Maori people of New Zealand.MA (Anthro)University of Auckland1977213
SHEN, NalinThe integration of Chinese opera traditions into new musical compositionsPhDVictoria University of Wellington2010349 + 3 Discs
SHELTON, Robert JamesA lock-free environment for computer music : concurrent components for computer supported cooperative workPhDUniversity of Melbourne2011315
SHEEHY, Kerri-Anne R.Home in the making: place, body and music in migratory practices of movementPhDUniversity of South Queensland2012
SHEEHAN, JanetThe purpose of music in education : an investigation based on the philosophy of Aristotle MMusUniversity of Melbourne1964124
SHEATHER, GayeRock, this city: a thematic history of live popular music in licensed venues in Newcastle, Australia, during the Oz/​Pub Rock era (1970s and 80s)PhDUniversity of Newcastle2013322
SHEARN, MarkAustralia's first music festivalMMusUniversity of Sydney201041
SHEARER, Debra A.Emerging Voices in Australian Choral Music: Selected Choral Works of Sculthorpe, Boyd, Edwards, Hopkins, Maclean, Leek, Stanhope, Grandage, Orlovich, and Atherton.DMOverseas2003151
SHEA, Catherine MLouise : a verismo operaMAMonash University1989115
SHEA, Beverley MThe odd couple: the unique manner in which Australians adapt and integrate Japanese influence into their various cultural works MA (Hons)Macquarie University2002339
SHAW, PatriciaImagery and music in the string concertos of Barry ConynghamMMusUniversity of Melbourne1993188
SHAW, IreneAn analysis of Richard Strauss: Sonata in E major, op.18 for violin and piano.MusMUniversity of Western Aust.1996115
SHAW, Fiona RobynMeaningful moments in music therapy improvisationMMusTherMassey University2006122
SHATARI, Elana EveWhat is the role of Jewish music education in maintaining and enhancing Jewish cultural identity?M.EdUniversity of Technology Sydney2004131
SHARE, Christopher'Getting a good sound:' The use of timbre by rock guitaristsMAMonash University1998197
SHAPLEY, Gregory JamesSound of failure : experimental electronic music in our post-digital eraPhDUniversity of Technology Sydney2012212
SHANAHAN, IanA world of becoming : eleven original compositions, with analytical notesPhDUniversity of Sydney20021 vol +3CDs
SHADE, Fiona C.The representation of the female musicians in the art of the Italian RenaissanceMALaTrobe University1998168
SEYMOUR, RebeccaIssues of performance practice in the violin works of Johannes Brahms (1833-1987)M.PhilUniversity of Queensland200538
SEVERN, JohnShakespeare as Jukebox MusicalPhDUniversity of NSW2015
SERVADEI, AlessandroA critical edition and exploration of Percy Grainger's The Warriors: Music to an Imaginary BalletMMusUniversity of Melbourne19962 vol
SENEVIRATNE, Buddhakoralalage Leelanga DananjayaThe Influence of Music Congruence and Message Complexity on the Response of Consumers to AdvertisementsPhDUniversity of Canterbury2015
SELMON, DianeLinking Liszt's songs to his piano music and the wider compositional contextMMusGriffith University200680
SELLECK, JohannaNotions of identity, a socio-cultural interpretation of music in Melbourne 1880-1902. Folio of compositions and thesisPhDUniversity of Melbourne20073 vol. + 2 CDs + 2 D
SELIGSON, RitaVariation technique in the third movement of Beethoven's Piano sonata, Op. 109MMusUniversity of Melbourne198849
SELIG, SandraThe rhythmic disfiguration of vision : re-thinking subjectivity and art after minimalism MAQueensland University of Technology199983
SEGUIN, Pierre-EmmanuelModal jazz in Australia in the 1960's [manuscript] : challenging the jazz canonPhDMacquarie University2011339 + CD
SEGAL, Deviani SarahThe impact of feminist studies on the portrayal of women in music history : Fanny Hensel, a case studyMMusUniversity of Melbourne199342
SEELIGSON, RitaVariation technique in the third movement of Beethoven's Piano sonata, Op. 109MMusUniversity of Melbourne198849
SEDCOLE, AnnaThe future of chamber music audiences in New ZealandM MgtMassey University201169
SECCOMBE, PamelaThe musical manuscript Paris BNC 862: a stylistic study and editionMMusUniversity of Auckland1996156
SECAK, SveborStaging Shakespeare's 'Romeo and Juliet' in the language of classical balletMA (Hons)University of New England2010219
SEARS, MargaretThe French classical tradition in opera as seen through a comparative study of Lully's Amadis and Rameau's Hippoloyte et AricieMAUniversity of Western Aust.19732 vol
SEARES, MargaretThe keyboard suites of Johann Mattheson, 1714, in relation to contemporary European harpsichord styles PhDUniversity of Western Aust.19893 vols
SEAMAN, Katherine H.Anton Grigorévich Rubinstein, founder of the Russian Music Society and the St Petersburg Conservatory: an outline of his life as a pianist, pedagogue and composer, with particular reference to his sonatas for pianoMMusUniversity of Auckland1997313
SCULLY, Lesa JaneThe maturing trumpeter [manuscript] : an insight to the physicality, mentality and practicality of the twenty first century performing trumpeterMCAUniversity of Newcastle200882 + 2 CDs
SCOTT-MAXWELL, AlineThe dynamics of the Yogyakarta gamelan music tradition PhDMonash University1993366
SCOTT, Rebecca MarieA case study of the use of the Dewey Decimal Classification scheme at the University of Auckland's Music LibraryMLISVictoria University of Wellington2003106
SCOTT, Nathan BenjaminA study examining the ICT literacy levels of music educators in the New South Wales Department of Education & TrainingMMusUniversity of Newcastle2013200
SCOTT, Michael WilliamNew Zealand’s pop renaissance : a creative industry as ’after neo-liberal’ social policyPhDUniversity of Auckland2009258
SCOTT, Craig BlakefieldA folio of transcriptions of famous bassists' solos and analyses thereofMMus(Jazz perf)Australian National University199560 + 1 cass.
SCOTT, AshleyModes for listeningMAUniversity of Technology Sydney1996120 + 2 sound casset
SCOTT, AliceA systematic study of English monophonic melody circa 1150-1300 found in manuscripts of English provenance and preserved in English librariesPhDUniversity of New England1995180
SCHWER, Ruth ElizabethThe cello in New Zealand: history, composition, education, poular music and performance from the opinions of New Zealand musiciansMMusVictoria University of Wellington2000162
SCHULZ, FokkoDistance music : from early telephony to tomorrow's Internet PhDUniversity of Auckland2013235
SCHULZ, Anthony JohnLiminality : transformation through music performanceMMusPerfUniversity of Melbourne201137
SCHULTZ, Marianne 'A Harmony of Frenzy' : New Zealand Performed on the Stage, Screen and Airwaves, 1862-1940PhDUniversity of Auckland2014334
SCHULTZ, AndrewSequenze 1-VII by Luciano Berio: a compositional idea and musical actionPhDUniversity of Queensland1986252
SCHULTZ, A.N.Sir C. Hubert H. Parry's intellectual and musical achievement : his interpretations of biblical and religious texts in relationship to religion and culture in late Victorian and Edwardian England M.PhilUniversity of Sydney2000164
SCHUBERT, EmeryMeasurement and time series analysis of emotion in musicPhDUniversity of NSW1999696
SCHRAA, MichaelMusic video reconsidered : the aesthetics of convergenceMAUniversity of Otago2009119
SCHOTS, EdwinTitle Transformative influence of Afro-Brazilian syncopation on European compound melodies in Brazilian Choro music melorhythmical re-organization of interleaved melodic structures in progressive Afro-Brazilian music from the late-19th centuryMMusUniversity of Sydney2015
SCHOLTES, Mark ACreative Trigger, Creative Intent and Creative Choice: An Exploration of Where Songs Come FromMMusGriffith University2015
SCHOFIELD, Karen LouiseNational identities and music : how music and musicians influence identityM.Mus.University of Melbourne200836 + 2 DVDs
SCHNEIDER, LarissaInterpretative and performance principles applied to the works of César Franck [sound recording] : a portfolio of recorded performances and exegesisM.Mus.University of Adelaide200924 +CD
SCHNEIDER, CraigFolio of analyses: big band arrangementsMMus(Jazz perf)Australian National University19941 vol
SCHMORL, VictoriaAustralian percussion music: an analytical study of selected percussion works commissioned by SynergyMMusGriffith University1996101
SCHMIDT, William JamesThe first and third piano sonatas of Carl Vine : a dialogue of musical contrast and complementationMMusPerfUniversity of Melbourne2011107
SCHMIDT, EmanuelCommunication processes in jazz performancePhDUniversity of Sydney2005488 + 2 DVDs
SCHIEMER, GregoryMIDI Tool Box: an interactive system for music compositionPhDMacquarie University1998304 + 2 CD-ROMs
SCHAUPP, KarinEmpirical evaluation of a mixed treatment programme for reducing stage fright in musiciansMMusUniversity of Queensland1997124
SCHAEFER, RThe theology and spirituality of the Free Church tradition as expressed in their hymns : a reflection on how Evangelicals have sung their liturgy MMinMelbourne College of Divinity1994143
SCHAEFER, PeterSound and circle: dualities of culture and content within creative work 1987-97DCAUniversity of Wollongong20022 vol + 2 comp optic
SCARLETT, ElizabethThe melodies of Francis Poulenc: the integral relationship between piano and voice in interpreting images and poetryPhDMonash University2000322
SCALLY, ReganIdentifying preferred activities to increase engagement in residents with dementiaMScUniversity of Auckland2014154
SAZDOV, RobertThe digital audio samplerMMus Ed.University of Sydney199337
SAYERS, EmmaScarlatti and Kurtág : a case study in creative programmingMMusMassey University200479
SAVAIINAEA, Chelsea MakereChallenges in communication : a critical analysis of a student music therapist's techniques in working with special needs children MMus TherapyNZ School of Music (Victoria + Massey)2009100
SAVAGE, Stephen LeonBehind the text, beyond the sound : investigations into processes of creative musical interpretationPhDGriffith University2008234 + 4 CDs
SAUNDERS, Scott"Towards an aesthetic of groove"MPhilUniversity of Newcastle2015116
SATO, NanakoJuxtaposition [music]MMusUniversity of Canterbury2011267 + CD + DVD
SARMAST, AhmadA survey of the history of music in Afghanistan, from ancient times to 2000 A.D., with special reference to art music from c.1000 A.D.PhDMonash University2004378
SAPUNDZIJEV, MaryThe music of politics-politics in music. The choral miniature repertoire of first generation Macedonian composers: a re-assignment of Macedonian musical developmentPhDMonash University19963 vol + cass
SANGSTER, ChristineMelody and texture in the solo piano music of Francis Poulenc (1899-1963)MMusUniversity of Auckland198180
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