MSA THESIS REGISTER: SEARCH SELECTION AND RESULTS

You may choose as many items from as many of the six selection boxes as you wish, and then filter each box individually by "all of," "one of" or "none of" the categories selected (Use CTL-click to obtain multiple entries within a box.)

NOTES

  • For more detailed category descriptions go to the Category Description page.
  • The full register appears until selections are submitted.
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  • The operand between boxes is "AND" e.g. if you select:   [Speciality: "all of" bibliograhic, philosophical; Chronological: "one of" Baroque, 21st Century]
    you will receive a list of all theses that belong to both the Bibliographic and Philosophical categories, and also belong to either the Baroque or the 21st Century categories.

LocalEthnomusicologySpecialityGeneral Topic AreaChronologicalStatus
AuthorThesis TitleDegreeUniversitysort iconYearPages
MARETT, Allan1976 Hakuga’s flute score:an examination of the sources, notation and historical significance of the oldest surviving source in flute notation for the Togaku repertory of Japanese music, the Hakuga noPhDOverseas1976
MARETT, AllanAn examination of the Jati melodies and their characteristics as described in the fourteenth century Indian treatise, SamgitaratnakaraMAOverseas1972
LOGAN, ChristineSome Aspects of Australian Piano Music since 1945. DMAOverseas1988189
VINES, Nicholas PaulThe Hive: A chamber opera in seven tableauxPhDOverseas2007233
DALTON, Grant B.Nigel Westlake's "Omphalo Centric Lecture": A guide for performance including a biography of the composer and an examination of the different versions of the workDMAOverseas2006181
McCUBBIN, Alison RosemaryAn introduction for the singer to the solo vocal works of Nigel Butterley with particular emphasis on his works between 1976 and 2003DMAOverseas2004217
POWELL, Thomas RaymondMoon Came Down: For soprano voice and eight instrumentalistsDMAOverseas2003183 + 22 + 2CDs
WHITMORE, KeithThe piano music of Percy Grainger: An analysis of ten original worksDMAOverseas2004112
MILTON, NicholasThe string quartets of Peter Sculthorpe: A study in stylistic synthesisDMAOverseas2004313
JACKSON-GOUGH, Julie J.Music events among four-year-old children in naturalistic contexts, within selected New Zealand kindergartensPhDOverseas2003162
GRENFELL, Julia MicheleThe influences of traditional Asian music on an Australian composer: A study of three works for flute and piano by Anne BoydDMAOverseas2003146
YANG, Eun-KyoungThe piano sonatas of Carl Vine: A guideline to performance and style analysisDMAOverseas200397
CYBA, Hanna DorotaA performer's guide to the piano sonatas by Carl VineDMAOverseas2002102
WILLIAMS, Ross AdrianOn Open SkyDMAOverseas200227
JOYCE, Brendan CliveThree Australian faces: An anthology (performed) of recital music for violin written by Australian composers since the federation of Australia (1901), including new scores written on the theme of reconciliation between indigenous and non-indigenous AustraliansDMAOverseas2002199
LINDHEIMER, Joel DavidI. The didjeridu: From 'dreamtime' to a new emblem of Pan-Australian Aboriginal identity. II. Concerto for violoncello and orchestraPhDOverseas2000137
BARKER, Bram WesleyThe Jebediah Jones Mystical Montrose Tour, 1999MMOverseas199922
RAKENA, Te Oti PaipetaThe synthesis of Polynesian and western traditions in contemporary New Zealand composersDMAOverseas1998106
BIRDWELL, John CodyThe utilization of folk song elements in selected works by Ralph Vaughan Williams and Percy Grainger with subsequent treatment exemplified in the wind band music of David StanhopeDMAOverseas1996104
JUTSUM, Ross FrederickAn examination of musical-textual relationships in the choral music of Colin Brumby, a lecture recital, with three recitals of selected works by Bartok, Durufle-Chevalier, Duson, Mendelssohn, Poulenc, Sallinen, and SchoenbergDMAOverseas1995101