Writersort iconThesis TitleDegreeUniversityYear# of Pages
ABDOLLAH POUR, Shima GelarehThe lives of Iranian women singers in diasporaMResUniversity of Melbourne2014
ACKER, AleksandraYoung Children, Music and DiversityPhDRMIT University2010554
ACRES, Samuel GeorgeToward an Ontology of Pop musicPhDUniversity of Tasmania2014221
ALHADAD, HanaDreamtime Peter Pan: An exploration of participatory theatre processes, performance and the negotiation of identities among marginalised young people in BrisbanePhDUniversity of Queensland2013294
ALOMES, CAThe Reception of the music of Gustav Holst in Australia 1900 - 1950PhD?University of Tasmania2015
ALONSO-VAZQUEZ, MarisolFactors that influence engagement in on-site environmentally responsible behaviours at music festivalsPhDUniversity of Queensland2015279
AMIN, ManishaDancing to the flutePhDUniversity of Technology Sydney201089
AnonMusic of Nepalese Festivals in Migration and Its Social and Musical Implications, in SingaporePhDUniversity of OtagoIn Progress (2015)
ANTONOV, EdwardFormulating an interpretation of Frederick Septimus Kelly's Violin Sonata in G major through an assessment of the performance style of the work's dedicatee, Jelly d'AranyiMMusMonash University2015
BAINES, Rowena MeganSamba and the Afro-Brazilian favela communitiesMSciCommUniversity of Otago2012102
BAKER, Andrea J.Youths and net-radio, exploring subcultural models of audiencesPhDMonash University2010387
BAKER, Jane SusanneLearning, identity work, and music use in young garage bandPhDUniversity of Queensland2014
BARCLAY, LeahSonic Ecologies: Environmental Electroacoustic Music Composition in Cultural ImmersionPhDGriffith University2014
BARONE, StefanoFragile Scenes: Metal, Rap, and Electro in Post-Revolutionary TunisiaPHDGriffith University2016271
BASTANINEZHAD, Arya/​AliA critical study of the music pedagogy in post-revolutionary Iran (1979-2010): breaking down the boundaries between two musical methodsPhD Monash University2013
BAUDER, AmyAuthenticity in Australian country musicPhDMacquarie University2016329
BIEDERMAN, Daniel, MarcThe Turntable as a musical instrument and the emergence of the concert turntablist : analytical notesMMusUniversity of Sydney2014
BLACK, Jessica CatherineThe New York Philharmonic behind the Iron Curtain: goodwill tour or Cold War propaganda?MMusUniversity of Melbourne2012
BOOTH, Alison Stevens Performance networks : Indian cultural production in Aotearoa/ New ZealandPhDUniversity of Otago2014299
BRAAE, NicholasA Musicological Analysis of Nature's BestM.AUniversity of Waikato2012227
BRACKNELL, Clint ThomasNatj Waalanginy (What singing?): Nyungar song from the south-west of Western AustraliaPhDUniversity of Western Aust.2015
BREAULT, AinsleyNative noise: Māori popular music and indigenous cultural identityM.PhilAuckland University of Technology201063
BROADFOOT, Marianne Claire“A new mode of expression”: Karol Szymanowski’s first violin concerto op. 35 within a Dionysian contextPhDUniversity of Sydney2015252
BROOKS, Wendy LouiseAn investigation of music and screen media in the lives of young childrenPhDUniversity of Sydney2015
BROWN, Reuben JayFollowing footsteps: The kun-borrk/​manyardi song tradition and its role in western Arnhem Land society.PhDUniversity of Sydney2016
BRYANT, GaiCuban Folkloric and Traditional Music Styles: rumba, danzón, punto libre and bolero adapted for Jazz Big Band in Australia using Modern Compositional TechniquesPHDUniversity of Sydney2016
BUNTON, JeanImaginative music for Chinese-speaking childrenPhDUniversity of Western Sydney2013214
BURNS, Carolyn Claire IsabelleAdaptation and twentieth-century operaPhDUniversity of Sydney2014260
BUTLER, SarahMusic Inside the Walls: Mapuche Expressive Culture and Identity in the Context of a Southern Chile Boarding SchoolMMusUniversity of Sydney2014
BYRNES, Jonathan LawrenceThe devil’s horn and the music of the brothel approaching adaptation and performance of tango for the classical saxophonistPhDUniversity of Sydney2016111
CADELL, AdamThe Radical Violinist: Henry Flynt, Tony Conrad and the Liberation of the ViolinPhDGriffith University2013
CHAI, Chang-ningThe dizi (Chinese bamboo flute) its representative repertoires in the years from 1949 to 1985PhDUniversity of Sydney2014305
CHAMPION, HollyDramaturgical analysis of opera performance: four recent productions of Dido and AeneasPhDUniversity of NSW2016457
CHICOINE, Matthew Robert "The Detroit Way": creative exchange in music production, 1950-2000MAUniversity of Auckland2014150
CHIN, Tan ChyuanTo muse beyond formal music training: the development and use of a measure of music engagement in everyday lifePhDMonash University2014
COLSON, GeoffroyCompositional Ethnomusicology and the Tahitian Musical Landscape: Towards Meta-Sustainability through Creative Practice Research Informed by Ethnographic FieldworkPhDUniversity of Sydney20162 Vols
COOPER, Tonya"Sometimes I live in the country, sometimes I live in town" : discourses of authenticity, cultural capital, and the rural/urban dichotomy in alternative country musicM.AVictoria University of Wellington2012132
CORNWELL MCKEAN, Julia MargaretCharacterisation in Ward’s opera The Crucible : melodic interpretation of Salem’s witches and their accusers via historical accounts and Miller’s playPhDMonash University2015245
Cox, GeraldineMusic matters in fiction: Creative and critical reflectionsPhDMurdock University2015
CREIGHTON, Alison, LPlay songs and lullabies : features of emotional communication and developing mother-infant attachmentPhDUniversity of Western Sydney2014
CROSS, MelissaThe Forgotten Soundtrack of Maoriland : Imagining the Nation Through Alfred Hill's Songs for Rewi's Last StandMMusVictoria University of Wellington2015155
CROSS, RodneyThis blows : social and cultural perceptions of ancient Roman brass instruments and musiciansMResMacquarie University201564
CUMMINS, JosephThe Space and Time of Imagined Sound: Australian Literature and Music, 1945 to PresentPhDUniversity of NSW2015232
CURKPATRICK, SamuelConversing tradition : Wagilak manikay 'song' and the Australian Art Orchestra's Crossing Roper BarPhDAustralian National University2014388
DE CARVALHO LEAN, Flavia Lucia RubiniBrazilian national identity in the lyrics of Chico BuarqueMAUniversity of Otago2012139
DE QUADROS, AndreWhy do you weep? : conceptualising the potential of the arts and health.D.Ed.LaTrobe University2013219
DEAN, Jasmine Sofia JannifSentimental songs, melodrama and the nature of filmic narrative in Hindi cinema (1951-1963)PhDMacquarie University2015308
DELVES, Benjamin DavidMartin Jackson and The Melbourne Jazz Cooperative; how they influenced the Melbourne modern jazz scene.MMusMonash University2016
DENSON, Marjorie LouiseMusic from the Margins: An Autoethnographic Study of the Development of a Jazz Composer’s VoiceDMAGriffith University2014190
DESHON-HEALY, Janet ChristineFame, Fortune, Failure: Musicians Surviving Revolutionary France (1789–1875) examined through a Theoretical Model Construct from Max Weber’s Socio-Political Economic TheoriesPhDMonash University2019333
DEVLIN, Desmond TEarly Sydney punk : methods in visual ethnographyPhDUniversity of Western Sydney2014
DIAZ-GASCA, Juan SebastianMusic Beyond Gameplay: Motivators in the Consumption of Videogame SoundtracksPhDGriffith University2015
DIECKMANN, SamanthaExploring musical acculturation: The musical lives of South Sudanese Australians, Filipino Australians and White Australians in BlacktownPhDUniversity of Sydney2016379
DODD, SueGossip pop: A performative investigation of the role of pop in contemporary art practicePhDVictoria University (Vic. Australia)2013181
DUNLOP, Roslyn AnnThe indigenous music of East Timor and its relationship to the social and cultural mores and lulik worldview of its autochthonous peoplePhDUniversity of Newcastle2016278
DUNSTAN, Kaylie JanePercussion and Theatrical Techniques: An Investigation into Percussion Theatre Repertoire and its Presence in Australian Classical Music CultureMMusUniversity of Sydney2016101
ELTON, Kim CecileTango, from Perception to Creation: A Pianist’s Quest to Capture and Embody Tango in Performance and CompositionDMAGriffith University2014
ENGLISH, HelenMusic as a Resource for World-Building in Newcastle, NSW and its Townships, 1869–1879PhDUniversity of Newcastle2016239
EVANS, Sandra JanetteMeetings at the table of time: a creative practice enquiry into Carnatic jazz intercultural musicPhDMacquarie University2014367
FARNAN, PeterDistilling an essence: the structuring of the recorded pop/​rock song formMMusUniversity of Melbourne2014
FELTON, Stella"Playing with autobiography" The performer as biographer: Viktor Ullmann’s Piano Sonata No. 7 (1944)MMusMonash University2016
FERRARESE, MarcoThe melting mosh pi/​ot: extreme music performance in early 2010s multi-ethnic MalaysiaPhDMonash University2016
FETHERSTON, CharlotteAlfred Hill's viola concerto : analysis, compositional style and performance aestheticDMAUniversity of Sydney2014233
FRANZ, Emma KateResounding cinema: exploring misconceptions of the nature and obligation of nonfiction film through the challenges of the ‘music documentaryMMusUniversity of Melbourne2015
GARCIA, ALStringshift : solo guitar improvisation : process, methodology and practiceUnknownUniversity of Tasmania2014
GARZOLI, JohnIntonational, idiomatic, and historical factors that shape contemporary Thai fusion musicPhDMonash University2015340
GEE, NarelleMaintaining our rage: Inside Australia's longest-running music video programPhDQueensland University of Technology2015
GEORGOULASHybrid identities: being a Greek musicker in Melbourne and in GreecePhDMonash University2016
GIJSBERS, LucyThe Three Great Soviet Composers and Mstislav Rostropovich – Talent, Music and Politics in the Soviet UnionMMusVictoria University of Wellington2014
GODDARD, Sarah"I just find it awkward" : Girls' negotiations of sexualised pop music mediaPhDVictoria University of Wellington2016241
GODWIN, Louise FrancesOptimal musical engagement: the individual experience of participation within a musical community of practiceMEduRMIT University2015180
GOH, CalebCries from within : the struggles and triumphs of creating a Singaporean voice in musical theatrePhDEdith Cowan University2015
GORDON, AndreaCommunity music, place and belonging in the Bega Valley, NSW, AustraliaM.SUniversity of Wollongong2012178
GORFINKEL, LaurenPerforming the Chinese nation : the politics of identity in China Central Television's music-entertainment programsPhDUniversity of Technology Sydney2011386
GRABAU, AshleighAn informed performance of Nikola Resanovic's Collateral Damage (2000) through an understanding of Bosnian and Serbian folk music traditionsMMusMonash University2014
GREEN, Rachael ReneeAn ethnographic study of recreational drug use and identity management among a network of electronic dance music enthusiasts in Perth, Western AustraliaPhDCurtin University of Technology2012284
GREGORY, MarkAustralian working songs and poems - a rebel heritagePhDUniversity of Wollongong2014
HALLO, Rosemary MargaretErard, Bochsa and their impact on harp music-making in Australia (1830-1866): an early history from documents.PhDUniversity of Adelaide2014236
HAMILTON, Elizabeth JaneAn informed approach to performance practice issues in Lipstick (1998) - by Jacob ter VeldhuisUnknownMonash University2016
HANUSIAK, Xenia DaraMusical transcriptions: a creative and analytical exploration of aspects of music in textPhDMonash University2015156
HARALAMPOU, LukeAnd their lungs reflect what the sun means to themMAUniversity of Melbourne2012
HARDCASTLE, Adam Christopher'Letting good happen' sustaining community music in regional Australia: a study of the Green Triangle cross-border regionPhDMonash University2015
HARDIE, Lisa CarolineStaying in, tuning in, and coming out: Music as imagined space in lesbians’ coming out geographiesMAUniversity of Waikato2012108
HAYCOCK, JohnRevolution rock: a study of a public pedagogy of protest musicPhDMonash University2015
HEISER, Marshall StuartThe Playful Frame of Mind: An Exploration of its Influence upon Creative Flow in a Post-War Popular Music-Making ContextPhDGriffith University2015
HENSE, CherryMusical identities of young people recovering from mental illnessPhDUniversity of Melbourne2015
HENSHALL, John CharlesDelta Blues at the crossroads: the economic revitalisation of the downtown in Clarksdale, Mississippi and lessons for other small cities and townsM.SS (Social Science)RMIT University2012167
HOLLINGSWORTH, ClaireFrom seed to song: a case study exploring collaborative songwritingM.Ed.Monash University2014
HORSLEY, Matthew ScottEvolution, not revolution: tradition and innovation in Afro-Cuban musicMMusUniversity of Melbourne201286
HUNT, Katrina MargaretThe Female Voice in American Musical Theatre (1940-1955): Mary Martin and the Development of Integrated Vocal StylePhDAustralian National University2016436
INGARDYA, YuaninditaThe Relationship between Musicians and their Fans on Social Networking Sites: A Look into Musicians as Human BrandsPhDVictoria University of Wellington2014317
ISTVANDITY, LaurenMusically Motivated Autobiographical Memories and the Lifetime SoundtrackPhDGriffith University2014280
JOHNSON, PhillipThe polysynchronous film score: the relationship between music and image/narrative in contemporary scores for silent filmPhDUniversity of Newcastle2015214
JONES, Anthony LindenThemes of Signification: Representions of Aboriginality in Australian Film Music, 1931 - 1971PhDUniversity of Sydney20182 Vols
JOVANOV, Melisa RumbidzaiThe construction of femininity through the lyrical and visual portrayal of women in Afro-American and African mainstream hip-hop musicMMusMonash University2014
KARINI, AngelaThe status of contemporary Māori musicMPhilMassey University200998
KAUR, AmritaRāgamālā : a garland of architecture and musicMArch University of Auckland2015181 + soundfile
KEOGH, BrentAnalyzing world music discourse in AustraliaPhDMacquarie University2014298
KHOZANATU LAHPAN, Neneng YantiNegotiating ethnicity and Islam in musical performances in West Java IndonesiaPhDMonash University2015307
KIM, JosephInteractive relationship between firms' activities and their environment: the case study of Korean music industryPhDUniversity of NSW2014
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