MSA THESIS REGISTER: SEARCH SELECTION AND RESULTS

You may choose as many items from as many of the six selection boxes as you wish, and then filter each box individually by "all of," "one of" or "none of" the categories selected (Use CTL-click to obtain multiple entries within a box.)

NOTES

  • For more detailed category descriptions go to the Category Description page.
  • The full register appears until selections are submitted.
  • Sortable Columns sort alphabetically.
  • The operand between boxes is "AND" e.g. if you select:   [Speciality: "all of" bibliograhic, philosophical; Chronological: "one of" Baroque, 21st Century]
    you will receive a list of all theses that belong to both the Bibliographic and Philosophical categories, and also belong to either the Baroque or the 21st Century categories.

LocalEthnomusicologySpecialityGeneral Topic AreaChronologicalStatus
AuthorThesis TitleDegreeUniversityYearsort iconPages
CLARK, Jodi R.The songs of Henry Handel RichardsonMMusMonash Universitywithdrawn c.2005
DRABER, ChristopherThe chamber music of Brahms presents an unusual array of progressive features disguised in a veil of conservatismMAMonash Universitywithdrawn c.2005
PAYNE, ChristopherTowards a morphology of rock: considerations in stylistic analysisPhDMonash Universitywithdrawn c.2005
PENDER, GraemeA study of the original Graeme Bell jazz band and its influence upon other jazz bands in Australia during the 1940s and 1950sPhDMonash Universitywithdrawn c.2005
SEREBRIANIK, DmitryThe European trumpet in the 19th century: history and developmentMAMonash Universitywithdrawn c.2005
THOMPSON, L.Australian symphonic film score composition during the 1950s and 1960sPhDUniversity of Melbournewithdrawn c.2005
TSOU, Nan ChienChopin's Preludes opus 28: Historical context, performance practice, and pedagogical implicationsPhDMonash Universitywithdrawn c.2005
VAN DER MEULEN, S.Empfindsamkeit in the music of the eighteenth century.PhDUniversity of Melbournewithdrawn c.2005
WERETKA, JohnFour settings of Metastasio's Siroe: did a musico-dramatic theory exist in the Baroque period?MMusUniversity of Melbournewithdrawn c.2005
HAMILTON, VivienThe French cantata and French vocal performance of eighteenth century FranceMMusUniversity of Melbournewithdrawn c.2006
McNAB, MichaelThe employment and use of instrumental musicians or ministriles in the sixteenth and early seventeenth centuryMMusUniversity of Melbournewithdrawn c.2006
MUIR, MartinThe exposition, delineation and social impact of character in twentieth century opera: a comparative study of Alban Berg's Wozzeck and Larry Sitsky's The GolemMMusAustralian National Universitywithdrawn c.2006
PETHERICK, BruceOrchestration treatises of the 19th and early 20th centuriesMMusUniversity of Melbournewithdrawn c.2006
SONEGO, AnthonyAn investigation of the effect of instrumental design and the impact it has had on musical performance for the synthesizerMMusUniversity of Melbournewithdrawn c.2006
AnonDavid del Tredici and the curse of tonalityMAMonash Universitywithdrawn c.2006
CASHMAN, David W.Text and music in the songs of troubadours of generation III (1160-1210)PhDUniversity of Sydneywithdrawn c.2007