| BEBBINGTON, Warren Arthur | The operas of G.W.L. Marshall Hall | MMus | University of Melbourne | 1978 | 295 |
| BEDELL, Kingsley | Metamorphosis : a history of the pedal harp from 1720 to 2001 AD | MMus | Australian National University | 2001 | 144 |
| BEECHAM, Rowena | Cognitive bases of mathematical and musical competence : shared or independent representations | PhD | University of Melbourne | 2007 | 209 |
| BEECHE, Jack Trewhella | Improvised counterpoint: a study of contrapuntal strategies and interchangeable roles between two soloists in jazz improvisation | MMus | Monash University | 2015 | 121 |
| BEEKHUYZEN, Jenine | A critical ethnography of an online file sharing community : :an actor-network theory perspective of controversies in the digital music world / Jenine Peta Beekhuyzen | PhD | Griffith University | 2010 | 269 |
| BEEVER, Allan David | Development and recapitulation : Wagner and Schopenhauer on music, opera, and art | PhD | University of Auckland | 1998 | 317 |
| BEHRENS, Lisa | Aspects of postmodernity in Australian piano miniatures: an analysis with regard to new tonality | MMus | Griffith University | 1996 | 306 |
| BEILHARZ, Kristy | Portfolio of musical compositions | PhD | University of Sydney | 1996 | 287+cass |
| BEILHARZ, Kristy | Contemporary violin techniques | MMus | University of Sydney | 1994 | 105 |
| BELBIN, Jillian | John Christopher Smith (1712-1795): His place in the development of English harpsichord music (including a performance edition of six suites of lessons for the harpsichord op. 3). | MusM | University of Western Aust. | 1996 | 2 vol |
| BELCHER, Steven James | The development of a 15 minute direct instruction program for year 7 students for the Victorian music classroom and an evaluation of its effectiveness in advancing students' music literacy | M.Ed | Edith Cowan University | 2010 | 94 + Music |
| BELL JORDAN, Hester | Transgressive Gestures: Women and Violin Performance in Eighteenth-Century Europe | MMus | Victoria University of Wellington | 2016 | |
| BELL, Robert | PAL: the percussive audio lexicon. An approach to describing the features of percussion instruments and the sounds they produce | PhD | Swinburne University of Technology | 2015 | 536 |
| BELLEGHEM, Matthew | The entertainment media advocacy coalition | MA | University of Melbourne | 2004 | 194 |
| BELLEMORE, Michael | A case study in musical composition with year seven students. | M.Ed | University of NSW | 1993 | 52 |
| BELLIO, Natalie Stephanie | Percy Grainger and new worlds of concert pianism: a study of repertoire and programming (1901-1926) | MMus | University of Melbourne | 2013 | 96 |
| BELLMANN, Héctor G. | Categorization of tonal music style: a quantitative investigation | PhD | Griffith University | 2012 | 282 |
| BELLMANN, Hector Guillermo | Toward a scientific taxonomy of musical styles | M.Inf.Tech (Research) | Queensland University of Technology | 2006 | 183 |
| BELSHAM-REVELL, Geoffrey | A biography of Dom Stephen Moreno, O.S.B., with a complete catalogue of his works | MA | University of Western Aust. | 1990 | 145 |
| BELTMAN, Susan | Motivation of high-achieving athletes and musicians: A person-context perspective. | PhD | Australian Catholic University | 2005 | 423 |
| BEN-SALAMON, Nissan | a folio of original music compositions that explores the integration and development of derived materials, including a painting, African rhythms, synesthesia, poetry and pre-recorded audio files | MA | Monash University | 2003 | c.50 + 4 scores + CD |
| BENDRUPS, Daniel E | Continuity in adaptation: a history of Rapanui [Easter Island] music | PhD | Macquarie University | 2005 | 405 + 3 CDs |
| BENDRUPS, Faye | Service station : straying the Australian landscape : a modern Aussie ballad opera | PhD | Victoria University (Vic. Australia) | 1996 | 196 |
| BENDRUPS, Faye | Tango sobre Argentina : una colisión exótica de nostalgia, política y negación | PhD | LaTrobe University | 2002 | 393 |
| BENIUK, David | Contemporary aboriginal songs and songwriters : post-colonialism, categorisation and orality | MA (Hons) | University of Wollongong | 1995 | 98 |
| BENNETT, Alexander | Injecting life into electroacoustic music : a practice-led research project | M.Mus. | University of Auckland | 2010 | 19 + 1 Video disc |
| BENNETT, Dawn Elizabeth | Classical instrumental musicians : educating for sustainable professional practice | PhD | University of Western Aust. | 2005 | 307 |
| BENNETT, Jacqueline Ann | A creative approach to school music for Form I pupils in a New South Wales state school | M.Ed | University of NSW | 1974 | NS |
| BENNETT, Jane L. | An examination of five serial compositions by Don Banks | MMus | University of Queensland | 1998 | 155 |
| BENNETTS, Kathleen | The status of music literacy in selected Melbourne primary schools in the mid 1990s | MA | Monash University | 1999 | 106 |
| BENNETTS, Kathleen Scott | Boys and music : a comparative case study of middle school boys' attitudes to music | PhD | Monash University | 2008 | 349 |
| BENTLEY, Danielle Sarah | Restrung new chamber festival : an exploration of contemporary string practice | PhD | Queensland University of Technology | 2011 | 275 + 14 Discs |
| BENTON, Robert L | The effect of lip-slur practice on increasing pitch range in brasswind instrument students | M.Ed | Edith Cowan University | 1998 | 2 microfiche |
| BERDON-GEORUSA, Racquel | Where Heaven and Earth meet: The buklog of the Subanen in Zamboanga Peninsula, Western Mindanao, the Philippines | PhD | University of Melbourne | 2004 | 256 |
| BERENSEN, Chris | Figured-bass solo traditions and J.S. Bach | MMus | University of Sydney | 2009 | 137 |
| BERETIN, Nena | A comparative study of solo classical guitar works by Elliott Carter and Luciano Berio | MMus (Musicology) | University of Sydney | 2005 | 208 |
| BERRY, Anne Irma | A study of motivation through repertoire in intermediate cello students | PhD | University of Queensland | 2007 | 217 |
| BERRY, Anne Irma. | A Multimedia Approach to Cello Pedagogy | MPhil | University of South Queensland | 1997 | 115 + 274 |
| BERRY, Linda | Adolescents' enjoyment in listening to unfamiliar music: effects of contextual information and audiovisual mode | PhD | University of Sydney | 2001 | 293 |
| BESENSKI, Helena | Franz Tunder (1614-1667) as an organist in seventeenth century North Germany : an examination of his life and selected works having reference to his social, musical and historical background | MMus | University of Auckland | 1997 | 136 |
| BESTON, Pauline M. | Composition, assessment and pedagogy in NSW senior secondary music education | PhD | University of Sydney | 2001 | 363 + 3 CDs |
| BETTCHER, Nathan James | The process of music making for delivering doctrine in the Christian Family Centre (an Adelaide Pentecostal Church) | MMus | University of Adelaide | 2010 | 135 + DVD |
| BETTS, Catherine | Reading the signs : assessing the salience of percussion symbols for use in percussion notation | MMus | University of Western Aust. | 2010 | 73 |
| BETTS, Eleanor Ruth Helyar | The long dream of home: the experience of exile and its effect on the music of Bohuslav Martinu | MMus (Perf) | University of Sydney | 2009 | 77 |
| BEVAN, Andrew | From conception to realisation : instrumentation and recording quality in creative music making for the jazz multi-instrumentalist | MMus | University of Adelaide | 2006 | 44+3cds |
| BHANA, Usha | Tales "like softest music to attending ears": a study of narrative procedure across musical genres in works by Gounod, Prokofief, Berlioz and Tchaikovsky | MMus | Victoria University of Wellington | 2002 | 150 |
| BIBB, Jennifer Louise | Musical recovery: the role of group singing in regaining healthy relationships with music to promote mental health recovery | PHD | University of Melbourne | 2016 | 306 |
| BIEDERMAN, Daniel, Marc | The Turntable as a musical instrument and the emergence of the concert turntablist : analytical notes | MMus | University of Sydney | 2014 | |
| BIEZAITIS, Mara | Volfgangs Darzins (1906-1962) : a response to Latvian music traditions in emigration | MMus | University of Adelaide | 1984 | 179 |
| BIGNELL, B. | Musical utterance as a way of knowing : a contemporary epistemology of music | PhD | University of Western Sydney | 2000 | 499 |
| BIGNELL, Barry | Active participation in the emergence of musical phenomena: a commentary and guide | M.Ed | University of Melbourne | 1994 | 231 |
| BINNEY, Mary Helen | Harrison Birtwistle’s Nine settings of Celan : an analysis | MMus | University of Auckland | 2006 | 175 |
| BINNIE, Michele | Finding the Drastic : Exploring Forms of Attention in Piano Performance | MMus | Victoria University of Wellington | 2014 | |
| BINNS, Georgina M | Patriotic and nationalistic song in Australia in 1919: a study of the popular sheet music genre | MMus | University of Melbourne | 1988 | 2 vol |
| BIRCHLEY, Keith Andrew | Reading Barth with Mozart in mind: An exploration of Mozartean resonance in the theology of Karl Barth | M.Phil | University of Queensland | 2012 | 119 |
| BIRDWELL, John Cody | The utilization of folk song elements in selected works by Ralph Vaughan Williams and Percy Grainger with subsequent treatment exemplified in the wind band music of David Stanhope | DMA | Overseas | 1996 | 104 |
| BIRON, Dean Leonard | Contemporary music and its audiences | PhD | University of New England | 2008 | 224 |
| BISHOP, Dianne | Jean Calvin and the Genevan Psalter : a study of the Calvinist aesthetic and its application in the music of the Psalter | MMus | University of Melbourne | 1969 | 197 |
| BISHOP, Kirsten Elise | Playing J. S. Bach’s viola da gamba sonatas on the modern cello: editorial practices and performing protocols | M.Phil | University of Queensland | 2012 | 42 |
| BLACK, Christopher James | Sound-as-art: the rise of the corporeal and noise in twentieth-century art practice | MMus(Comp) | Victoria University of Wellington | 2012 | 91 + CD |
| BLACK, Christopher James | Sound-as-art : the rise of the corporeal and noise in twentieth-century art practice | MMus | Victoria University of Wellington | 2012 | 91p+1CD |
| BLACK, Colin | Portfolio of compositions | PhD | University of Sydney | 2013 | 314 + 4 CDs |
| BLACK, Helen | Sere dina ni Lotu Wesele e Viti: "True Songs" The history, culture and music of Fijian Methodist Indigenous liturgy | PhD | Australian National University | 2010 | 238 + 1 CD |
| BLACK, Jessica Catherine | The New York Philharmonic behind the Iron Curtain: goodwill tour or Cold War propaganda? | MMus | University of Melbourne | 2012 | |
| BLACK, Taiarahia | Kāore te aroha-- : te hua o te wānanga | PhD | Massey University | 2000 | 484 + 3 CDs |
| BLACKBURN, Alana | "A third sound" : blending east and west in contemporary Japanese compositions for the recorder | MMus (Perf) | University of Sydney | 2006 | 61 |
| BLACKBURN, Andrew | The pipe organ and real-time digital signal processing (DSP): A performer's perspective | DMA | Griffith University | 2011 | 256 |
| BLACKBURN, Andrew Stewart | Styles in the church music of Henry Purcell | MMus | University of Melbourne | 1980 | 140 |
| BLACKWOOD, Peter | Bring David here': reclaiming the song of the Psalms for the Uniting Church in Australia | D.Min | Australian Catholic University | 2002 | 305 |
| BLACKWOOD, Peter | Our praise, intent upon one truth : diversity in congregational song as a source of conflict and blessing in the worship of Victorian churches of the Uniting Church in Australia | M.Min | Australian Catholic University | 1997 | 165 |
| BLAMEY, Peter John | Sine waves and simple acoustic phenomena in experimental music[electronic resource] :with special reference to the work of La Monte Young and Alvin Lucier | PhD | University of Western Sydney | 2008 | 286 |
| BLANCH, Faye Rosas | Nunga rappin [manuscript] : talkin the talk, walkin the walk ; young Nunga males and education | MA | Flinders University | 2008 | 168 |
| BLEAKLEY, Helen Ruth | Schumann's sonata for violin and piano op. 121: approaches to performance | MMus | University of Queensland | 1999 | 43 |
| BLESKIE, Oliver Nicholas | Early traces of romanticism : an analysis of the philosophy of art expressed in Diderot's Encyclopedie, with particular reference to the articles on music | MA | University of Waikato | 2000 | 295 |
| BLINKHORN, Daniel | Extra-musical consequence : reconsidering antecedent/consequent motivations | MA | University of Wollongong | 2005 | 68 + 1 CD |
| BLINKHORN, Daniel | New music composition in computer-assisted environments | DCA | University of Wollongong | 2007 | 134 + 14 CDs |
| BLOM, Diana | Invocation to earth : an opera ; Prelude for orchestra ; [and] Daisy Bates : a documentary essay for television | MM | University of Sydney | 1972 | 100 |
| BLOM, Diana | An analysis of Music for Japan by Peter Sculthorpe | MMus | University of Sydney | 1978 | 119 |
| BLOM, Diana | Minimal music: roles and approaches of teachers engaging students with a contemporary art music through composing activities | PhD | University of Sydney | 2001 | 2 vol+5 CDR |
| BLORE, Ann Orriss | 'A strange madness' : organ festivals in Australia 1968-1973 | MMus | University of Melbourne | 2011 | 109 |
| BLYTH, Andrew | Using the Victorian Curriculum and Standards Framework in music education | EdD | Deakin University | 2004 | 264 |
| BLYTH, Andrew | Pitch structure and process in the music of Edgard Varese : a study of four compositions | MA | LaTrobe University | 1985 | 73 |
| BOADLE, Brian H | Music teaching in Victorian state primary schools in relation to teacher training | M.Ed | University of Melbourne | 1977 | 241 |
| BOCCHINFUSO, Christopher Michael Standing | Intabulations of Music by Josquin des Prez in Lute Books Published by Pierre Phalèse | M.A. | University of Canterbury | 2009 | 2 vol, 105p, 285p |
| BODKIN, Sally | Being musical: teachers, music and identity in early childhood education in Aoteaoroa/New Zealand | PhD | University of Otago | 2004 | 294 |
| BOER, Diana | Music makes the people come together : social functions of music listening for young people across cultures | PhD | Victoria University of Wellington | 2009 | 316 |
| BOGG, Lois | Countertenor characteristics : case studies from interview and acoustic investigations | MApSc | University of Sydney | 2003 | 157 |
| BOLAND, Marguerite Maree | The all-trichord hexachord : compositional strategies in Elliott Carter's Con leggerezza pensosa and Gra and a folio of original compositions | MA | LaTrobe University | 1999 | 143 |
| BOLAND, Robert John | The problems associated with the design, implementation and evaluation of an intelligent piano tutor | PhD | University of Canberra | 2003 | 361 |
| BOLGER, Lucy | Understanding and articulating the processa and meaning of collaboration in participatory music projects with marginalised young people and their supporting communities | PhD | University of Melbourne | 2013 | 313 |
| BOLITHO, Wendy Anne | Silent invocations : music, sublimation, and social transformation | PhD | Massey University | 2011 | 252 |
| BOLLARD, David | The Weinen, Klagen Variations of Franz Liszt: a technical and stylistic study | MusM | University of Western Aust. | 1978 | 76 |
| BOLTE, Alison | Australian popular music [kit] : its role in developing an appreciation of musical concepts. Presented through a resource kit suitable for junior secondary music students | MMus Ed. | University of Sydney | 1990 | 350 |
| BOLTON, Alan Graham | The design of an electronic music synthesizer | MAppSC | University of Adelaide | 1977 | 1 vol |
| BOLTON, Jan | A multi-arts creative approach to music education: its impact on generalist primary teacher education students' confidence and competence to teach music | M.Ed | Deakin University | 1999 (NiC) | 71 |
| BONDS, Marion Carol | The symphonies of Sibelius: a re-examination of their technical and formal development-through progressive excision: compresson and integration | MA | University of Western Aust. | 1970 | 237 |
| BONETTI, Paul-Antoni | Sound and style: a compositional exploration of appropriated source material: portfolio of compositions and exegesis | PhD | University of Adelaide | 2015 | |
| BONETTI, Ruth | A performing edition of Georg Philipp Telemann's Ouverture in F Major for 2 chalumeaux, 2 violettas, and basso, transcribed for clarinet, violin, and keyboard | MMus | University of Queensland | 1989 | 1 vol + 4 parts |
| BONG, Jin Guan | Alice Ellen Charbonnet : a French musician in nineteenth-century Australia | MMus | University of Melbourne | 2006 | 162 |
| BONHAM, Gillian | Music in Australian education : an historical and philisophical analysis | M.Ed | University of Canberra | 1982 | 292 + 4 cass |
