| ATKINSON, Neil F | Nonverbal communication and choral conducting | MMus Studs | University of Queensland | 2002 | 128 |
| ATKINSON, Timothy David | Thematic Process and Motivic-Developmental Approaches to Composition in three works for Jazz Orchetra | M.M.A | NZ School of Music (Victoria + Massey) | 2013 | 42 |
| AUBREY, David Graham | The influence of music in redefining nationalism in Wales in the nineteenth and early twentieth centuries | MA | University of Sydney | 1995 | 212 |
| AUDAIN, Yvette Michelle | Composition folio | MMus | Victoria University of Wellington | 2002 | 2 vol |
| AUÉ, Johannes | (E)merging idioms [music] : integrating jazz and classical ensembles : portfilio of compositions and exegesis | MMus | University of Adelaide | 2010 | 240 + CD |
| AUGUSTYNIAK, Sylvana | The impact of formal and informal learning on students' compositional processes | PhD | University of NSW | 2011 | 290 |
| AURIN, Andreas | Dialectical music and the Lehrstück | PhD | University of NSW | 2013 | 312 |
| AXTENS, Hsiao-Ni | Tone-cluster techniques in piano performance : methods of tone-cluster performance as required in Henry Cowell's 'The Tides of Manaunaun' (1912) and Einojuhani Rautavaara's Piano Sonata No. 2 'The Fire Sermon' (1970) | MA | Monash University | 2011 | 63p + 1CD |
| AYRES, Christopher Vivian | An examination of Gilbert and Sullivan's contribution to the emerging common culture of Victorian England, 1871-1896 | MA (Hons) | Macquarie University | 1977 | 212 |
| AYRES, Helen | George Enescu : the complete musician : a study of violin virtuosity in Enescu's third sonata for piano and violin | DMA | University of Melbourne | 2006 | 74 |
| AYREY, Craig Leslie | Rameau and the Pastorale heroique a dramatic and structural analysis of Zais | MMus | University of Auckland | 1978 | 172 |
| AYRTON, Brook | Keith Stirling : An introduction to his life and examination of his music | MMus | University of Sydney | 2011 | 57 |
| BAAS, Warren Peter | Structure and functional harmony in the first and fifth symphonies of Gustav Mahler | MMus | University of Auckland | 1992 | 214 |
| BACKSTROM, Lynne | An investigation into the relationship between the experiences, philosophy and cello compositions of composer/performer Sarah Hopkins | MMus | University of Queensland | 1994 | 62 |
| BADLEY, Allan | The concertos of Leopold Hofmann (l738-l793) | PhD | University of Auckland | 1986 | 3 vol |
| BAHR, Nanette Margaret | The impact of developmental experiences on exceptional pitch labelling skill | PhD | University of Queensland | 1999 | 331 |
| BAILEY, Lionel | The improvisational styles of Australian saxophonists Jamie Oehlers and Julien Wilson | MA | Monash University | 2011 | 69 |
| BAINBRIDGE, David | Extensible optical music recognition | PhD | University of Canterbury | 1997 | 277 |
| BAINES, Rowena Megan | Samba and the Afro-Brazilian favela communities | MSciComm | University of Otago | 2012 | 102 |
| BAINGER, Lucy | Effective professional development in music for early childhood educators. | PhD | Monash University | 2012 | 292 |
| BAJALICA, Marija | Strategies to enhance the artistic quality of piano recording | PhD | University of Adelaide | 2013 | 147 |
| BAJZEK, Dieter | Percussion - an annotated bibliography : with special emphasis on contemporary notation and performance | MA | LaTrobe University | 1986 | 222 |
| BAKER, Amanda | Composing with computers: aesthetics, methods and music | MMus | University of Melbourne | 1988 | 143 |
| BAKER, Andrea J. | Youths and net-radio, exploring subcultural models of audiences | PhD | Monash University | 2010 | 387 |
| BAKER, Damian Lee | Improving student motivation and engagement in high school music composition through Orff Schulwerk pedagogy | M.Ed | University of Waikato | 2014 | 162 |
| BAKER, Felicity | The effects of live and taped music on the agitation and orientation levels of people experiencing posttraumatic amnesia | MMus | University of Melbourne | 1999 | 150 |
| BAKER, Jane Susanne | Learning, identity work, and music use in young garage band | PhD | University of Queensland | 2014 | |
| BAKKER-KING, Margaret R. | The cantatas of Domenico Cimarosa (1749-1801) | PhD | University of Adelaide | 1988 | 2 vol |
| BAKRNCHEV, Michael Arthur | Folio of Compositions | MMus | University of Melbourne | 2016 | |
| BALL, Dorothy Louie | The popular element in the music of the English virginal school | MMus | University of Auckland | 1979 | 186 |
| BALLANTYNE, Julie | Effectiveness of preservice music teacher education programs : perceptions of early-career music teachers | EdD | Queensland University of Technology | 2005 | 263 |
| BALLICO, Christina | Bury me deep in isolation: A cultural examination of a peripheral music industry and scene | PhD | Edith Cowan University | 2013 | |
| BALOUGH, Teresa | The essential Grainger: Percy Grainger's Kipling settings, 1898-1947 | PhD | University of Western Aust. | 1985 | 524 + 1 vocal score |
| BAN, Louise Giselle | Problems and solutions in adapting the Kodaly method for use in Australia | MA | University of Sydney | 1976 | 281 |
| BANDT, Rosalie | Chance operations and indeterminate procedures in the work of John Cage, 1950-1970 | MA | Monash University | 1974 | 129 |
| BANDT, Rosalie | Models and processes in repetitive music, 1960-1983 | PhD | Monash University | 1983 | 433 |
| BANGERT, Daniel | Doing without thinking? Processes of decision-making in period instrument performance | PhD | University of NSW | 2012 | 248 |
| BANKS, Jy-Perry | Voices of the Australian tuba : a consideration of factors influencing its changing sound and musical status | MMusPerf | University of Sydney | 2013 | 100 |
| BANKS, Zane | The electric guitar in contemporary arts music | PhD | University of Sydney | 2014 | 399 |
| BANNEY, David Andrew | Symmetry and symmetry reduction in music | PhD | University of Newcastle | 2015 | |
| BANNISTER, Matthew | White man’s soul : Pakeha masculinities in popular music of New Zealand / Aotearoa | PhD | University of Auckland | 2002 | 339 + 2 CDs |
| BANNISTER, Roland Stuart | An ethnomusicological study of music makers in an Australian military band | PhD | Deakin University | 1995 | 370 |
| BARBELER, Damian | Shades of mimesis : self-similarity and other nature-based inspiration in composition | PhD | University of Sydney | 2010 | 89 + 8 score+ 2 CDs |
| BARBELER, Damien | Experiential learning in musical composition. | MMus | Griffith University | 1997 | 109 |
| BARBER, Bruce | An analytical survey of percussion education at the immediate pre-tertiary level | MMus | University of Melbourne | 1989 | 344 |
| BARBER, Jonathan B. | An investigation of neural processes in music cognition using quantative electroencephalography | PhD | University of Melbourne | 1999 | 294 |
| BARCLAY, Daryl James | Luther and the restoration of vernacular congregational hymnody | MA | Australian Catholic University | 2004 | 75 |
| BARCLAY, Leah | Sonic Ecologies: Environmental Electroacoustic Music Composition in Cultural Immersion | PhD | Griffith University | 2014 | |
| BARCLAY, Neil | Self-hypnosis as a tool for practice and performance | MMus Ed. | University of Western Aust. | 1996 | 187 |
| BARDWELL, Glenn | Musical expression and communication: an overview | MMus (perf) | University of Melbourne | 1996 | 121 |
| BARKER, Bram Wesley | The Jebediah Jones Mystical Montrose Tour, 1999 | MM | Overseas | 1999 | 22 |
| BARKER, Jade Caroline | Applying Bartolozzi's theory from New sounds for woodwind (1967) to a performance of Bartolozzi's Per Olga (1976) and Smith Brindle's Andromeda M31 (1967) mediated through the utilisation of the Bartolozzi-Mencarelli method | MMus | Monash University | 2014 | |
| BARKER, Simon | "Scattering rhythms" : The Koreanisation of the Western drumset | PhD | University of Sydney | 2010 | 114 + 1 CD + 1 DVD |
| BARKL, Louise | Professional musicians and the music education programs of arts organisations : case studies of two models | MMus (Mus Ed.) | University of Sydney | 2005 | 268 + DVD |
| BARKL, Michael | Franco Donatoni's Etwas Ruhiger in Ausdruck; and folio of compositions | MMus (Hons) | University of New England | 1985 | 2 vol |
| BARKL, Michael Laurence Gordon | Pure data as a Meta-Compositional Instrument | DCA | University of Wollongong | 2009 | 133 + CD |
| BARKL, Michael Laurence Gordon | Vertigo: Riccardo Formosa's composition technique | PhD | Deakin University | 1994 | 301 |
| BARLOW, Dale | A portfolio of transcriptions and analyses towards Masters of Music | MMus (Jazz) | University of Canberra | 1997 | 2 vol |
| BARLOW, Shaun | Beatbox flute : An historical account, performance manual and notational guide | MMusPerf | University of Sydney | 2011 | 101 |
| BARNARD, Geoffrey David | Indeterminate composition and ideological determination | MA | University of Technology Sydney | 2003 | 106 |
| BARNES, Gwyneth G | A history of the Newcastle Conservatorium, 1952-1989 | M.Ed | University of Newcastle | 1994 | 142 |
| BARNES, Jennifer Joan | Beyond the act of singing | MMus | University of Newcastle | 1998 | |
| BARNES, Jennifer Joan | Subjective audibility in the professional operatic soprano voice. | PhD | University of Sydney | 2007 | 139 |
| BARNES, Julie | Whitsunday: a bicentennial opera | MA | Monash University | 1991 | 121 |
| BARNEY, Katelyn | Playing Musical Hopscotch: How Indigenous Australian Women Perform Around, Within and Against Aboriginalism | PhD | University of Queensland | 2006 | 309 + CD |
| BARON, Annette | A comparison of unaccompanied singing of familiar songs and vocal improvisation for older adults with severe late stage dementia | MMus | University of Melbourne | 2004 | 142 |
| BARONE, Stefano | Fragile Scenes: Metal, Rap, and Electro in Post-Revolutionary Tunisia | PHD | Griffith University | 2016 | 271 |
| BARR, Adrian B. | The transcendent experience in experimental popular music performance | PhD | University of Western Sydney | 2012 | 364 |
| BARRACLOUGH, Timothy | Iterative Design for Approachable, Mobile-Based Collaborative Electronic Music Instruments | MEng | Victoria University of Wellington | 2015 | 128 |
| BARRETT, B. E. | An errorless versus a traditional procedure for teaching reading of music notation | M.Ed. | James Cook University | 1990 | |
| BARRETT, Margaret Sylvia | Children's aesthetic decision-making: an analysis of children's musical discourse as composers | PhD | Monash University | 1996 | 2 vol |
| Barry, Jennifer | Stories and gaps: a study of narrative, discourse and musical awareness in a group of year six children's responses to music | MTeach | University of Canterbury | 2006 | 117 |
| BARRY, Philippa A | Music therapy cd creation for initial paediatric radiotherapy : a mixed methods analysis | M.Mus. | University of Melbourne | 2008 | 137 |
| BARTHOLOMEW, Peter G. | Personal rights, property rights and Section 55(2) of the Copyright Act 1968 : a consideration of the adaptation right in the compulsory licensing scheme for recording of musical works | LLM | Queensland University of Technology | 1998 | 1 vol |
| BARTLEET, Brydie-Leigh | Gendering the podium: the journeys of professional woman conductors | PhD | University of Queensland | 2004 | 328 |
| BARTLETT, Irene | Classical technique meets contemporary style : beliefs and practices of voice teachers in contemporary studios | MMus | Griffith University | 1998 | 104 |
| BARTLETT, Irene Mary | Sing out loud, sing out long: a profile of professional contemporary gig singers in the Australian context | DMA | Griffith University | 2011 | 212 |
| BARTLETT, Simon John | An Exploration of the Origins and Expression of Implied Harmony in The Gerry Mulligan Quartet with Chet Baker (1952-1953) | MMus | University of Sydney | 2016 | 102 |
| BARTON, Georgina | The influence of culture in instrumental music teaching : a particpant-observation case study of Karnatic and Queensland instrumental music teachers in context | PhD | Queensland University of Technology | 2003 | 257 |
| BARTUP, Marie Patricia | An annotated bibliography on expressions of popular culture: the music and dance of hip hop in New Zealand | MLIS | Victoria University of Wellington | 2002 | 86 |
| BARWICK, Linda | Critical perspectives on oral song in performance : the case of Donna Lombarda | PhD | Flinders University | 1986 | 2 vol + 2 cass |
| BASILE, Christopher | An ethnomusicological study of the Macedonian Women's Choir of Melbourne | MA | Monash University | 1991 | 124 |
| BASILE, Christopher | Tradition and change in Rotinese sasandu-accompanied song | PhD | Monash University | 2005 | 342 |
| BASSETT, John | Assessing the Spatial Diffusivity of Sound Fields in Rooms using Ambisonic Techniques | PhD | University of Sydney | 2012 | 247 |
| BASTANINEZHAD, Arya/Ali | A critical study of the music pedagogy in post-revolutionary Iran (1979-2010): breaking down the boundaries between two musical methods | PhD | Monash University | 2013 | |
| BASTIAN, Dudley | The chorale prelude in English organ music | MA | University of Western Aust. | 1980 | 177 |
| BASTON, Kim | Scoring performance: the function of music in contemporary theatre and circus | PhD | LaTrobe University | 2008 | 294 |
| BATES, Nathanael James | Pop still eats itself: appropriation, quotation and assimilation in popular music (rock) | MA | RMIT University | 2004 | 12 +2CDs |
| BATES, Nathanael James | Sampling and the 'Sound Object' in contemporary sonic art | PhD | RMIT University | 2013 | 117 |
| BATHURST, Ralph James | The music of organisations : an aesthetic ethnography | PhD | Victoria University of Wellington | 2006 | 427 |
| BATTERHAM, Andrew | Folio of compositions 2010-2011 | MMus(Comp) | University of Melbourne | 2011 | 239 |
| BATTERHAM, Andrew Bruce | Footprints: the assimilation of extra-Classical elements in a compositional language | PhD | University of Melbourne | 2015 | |
| BAUDER, Amy | Authenticity in Australian country music | PhD | Macquarie University | 2016 | 329 |
| BAULCH, Emma | Making scenes: reggae, punk and death metal in 1990s Bali | PhD | Monash University | 2003 | 346 |
| BAYNES, Mark Edward | Analytic, descriptive, and prescriptive components of evolving jazz : a new model based on the works of Brad Mehldau | DMA | University of Auckland | 2015 | 229 |
| BEARDMORE, Meredith | Interpretation and perception in the era of historically informed performance : a case study of J. S. Bach's Partita in A minor BWV 1013 for solo flute | MMus | University of Sydney | 2011 | 125 |
| BEARE, Michael | British clarinet playing from 1940 | MMus | University of Adelaide | 1987 | 130 |
| BEAUGEAIS, Katia | Compositions by Katia Beaugeais | MMus | University of Sydney | 2010 | 148 + 1 CD |
| BEAVERSTOCK, John G. | The employment of the organ in three great oratorios of Edward Elgar | MusM | University of Western Aust. | 1995 | 103 |
| BEBAN, Daniel | Going for a song: the New Zealand chant of auctions, housie and racing | MA | Victoria University of Wellington | 2001 | 129 + 2 CD |
